Franco Albini Side Tables

Italian midcentury rattan and bamboo stools, 1950s-1960s These eye-catching stools / footstools can be used as end tables, side tables or nightstands. They have a nice construction and a clean design inspired in Michael Thonet bentwood stools...

We are very pleased to offer a pair of tables attributed to Franco Albini, the iconic rattan fishing basket side tables, circa the 1960s. These exquisite pieces, with their distinct...

Bamboo and Rattan Side Table with a glass top. Attributed to Albini, definitely from the late 50's or 60's. Small nails are used in the construction of this very solid little table...

Desk with shaped top from the "TL 22" series, wooden structure, italian manufacture from the 1950s, crafted by Poggi and designed by Franco Albini. This office desk stands out with ...

Elegant bar cart Model "Cr20" designed by Franco Albini and Franca Helg for Poggi in Italy, 1958. Published.

Rare 1980’s Cassina 'Kick' side table by renowned Japanese designer Toshiyuki Kita. Constructed of powder coated charcoal gray steel with black lacquered with rubber edges. Design w...

A pair of wood side tables designed and produced in Italy, c. 1970s. Dimensions: 19.75” H x 29” W x 29” D

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Franco Albini Style, Italian Mid-Century Modern, Side or End Tables, Bamboo, Rattan, Italy, 1960s Pair of organic modern side or end tables in bamboo and rattan likely designed by F...

Italian midcentury rattan and bamboo stools / side tables, 1950s-1960s Handcrafted These eye-catching stools / footstools can be used as end tables, side tables or nightstands. They have a nice construction and a clean design inspired in Michael Thonet bentwood stools...

A round white wicker rattan stool in the style of Italian designer Franco Albini, Midcentury Modern design period, circa mid-20th century, perhaps from Europe/Italy. Piece works as a stool, footstool, or as a side/drinks table providing there's a book or tray in place. Shown with books, seashell and coral in several images. Dimensions: 17.5" Diameter x 16.25" Height. Italian Murano art glass bowl/ashtray shown, search 1stdibs ID#: LU131428040583 (SOLD.) Black and gold sculpture...

Franco Albini Library “Poggi” wood metal iron, 1955, Italy.