Georges Braque Prints and Multiples

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Artist: Georges Braque (after), French (1882 - 1963) Title: Profil de Femme from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage (M.25) Year: 1972 Medium: Li...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). N...

Georges Braque (French, 1882-1963). Affiche pour l'exposition Georges Braque-René Char à la Bibliothèque Jacques Doucet) (Vallier 185) Lithograph in colors on Japan nacre paper Sign...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 234/275 Publisher : Maeght (Paris) Catalog : [Maeght 1036] 20.00 cm. x 30.50 cm. 7.87 in. x 12.01 in. (paper) 10.00 ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

"Profil Grec" is a color lithograph by famous French cubist artist Georges Braque, around 1962. This color lithograph on Veélin-Arches is from the editor Armand Israel and a limited...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Georges Braque, French (1882 - 1963) - Phaeton, Year: circa 1963, Medium: Offset Lithograph, Image Size: 5 x 7 inches, Size: 13.5 x 10 in. (34.29 x 25.4 cm)

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Georges Braque Les Étoiles (Stars), 1959 opens a cloud-like window into a dreamy black and navy sky peppered with playful stars above which a bird, its bod...

This is a first edition lithograph reproduction of Georges Braque's En Vol (In Flight), published in 1959 as part of Derrière le Miroir (DLM) No. 115. The lithograph is featured on p...

Georges BRAQUE (1882-1963) Composition with Birds, 1965 Original lithograph (Mourlot workshop) Signed in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) REFERENCES : - Catalog r...

This 1961 original exhibition poster, designed by Georges Braque, was created for the prestigious annual exhibition "Les Peintres Témoins de Leur Temps" at the Musée Galliera in Pari...

Lithograph, 1963 Handsigned by the artist in pencil and numbered 43/75 Publisher : Nouveau Cercle parisien du Livre, Paris Printer : Mourlot, Paris Catalog : [Vallier 187 page 275] 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 30.00 cm. x 22.00 cm. 11.81 in. x 8.66 in. (image) On Arches vellum...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

Lithograph, 1975 Handsigned by the artist in pencil and numbered 31/50 Printer : Mourlot, Paris Catalog : Vallier 122 38.00 cm. x 32.00 cm. 14.96 in. x 12.6 in. (paper) 34.00 cm....

This offset lithograph titled À tire d'aile by Georges Braque is a high-quality reproduction of the original lithograph created in 1956. Printed on vellum paper, this reproduction ca...

The circa 1960 original poster by Georges Braque, titled Trois Oiseaux, is a classic representation of the artist's distinctive style. Braque, one of the pioneers of Cubism alongside...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Georges Braque, French (1882 - 1963) - Nature Morte, Year: circa 1963, Medium: Offset Lithograph, Image Size: 7.5 x 6 inches, Size: 13.5 x 10 in. (34.29 x 25.4 cm)

The 1990 original exhibition poster for Georges Braque’s “À tire d’aile” at the National Museum of Modern Art serves as a stunning testament to the enduring appeal of one of modern a...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

Georges BRAQUE Tribute to Cezanne : the Apples, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 39...

Image dimensions: 30.5 x 20 cm. Bouquet is a beautiful colored lithograph on paper, realized by the Cubist artist, Georges Braque (Argenteuil, 1882 – Paris, 1963). Unsigned. From “Carnets Intimes” realized in 1955. Printed by Mourlot and published in the Revue Verve...

Georges Braque's 1955 lithography titled "Le Bouquet," part of the Edition Verve collection and printed on Arche paper, stands as a testament to the artist's enduring fascination wit...

Artist: Georges Braque Title: Chappelle St. Bernard Medium: Original lithograph Year: 1964 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Signed: Unsigned

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Georges Braque, French (1882 - 1963) - Hestia, Medium: Etching, Size: 12.25 x 9 in. (31.12 x 22.86 cm), Reference: Vallier Pg 298, Provenance: From the collection of the late Larry ...

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

This sublime poster was made by Georges Braque 🇫🇷 (1882-1963) for his 1961 exhibition at the Galliera Museum (Fashion Museum of the City of Paris). The Salon des Peintres témoins de leur temps is a show that was held every year between 1951 and 1983, first at the Museum of Modern Art of the city of Paris and then in the Palais Galliera. Initiated by the painter Isis Kischka, the salon des peintres témoins de leurs temps is one of the most visited salons of the time, bringing together a hundred artists per edition while organizing around various themes over the years. Braque is a major figure of modern art in the world. Along with Pablo Picasso, he was one of the initiators of Cubism, a pictorial movement based on the decomposition and geometrisation of forms. In 1917, he created a series of breathtaking paintings. His paintings are divided into a series of themes: the figure, the still life and the studio. It was in 1953, when he was at the peak of his career, that he completed "The Birds", this magnificent work which is featured on the poster. This work, composed of three canvases...

Georges Braque, French (1882 - 1963) - Athene, Year: circa 1963, Medium: Offset Lithograph, Image Size: 9 x 7.25 inches, Size: 13.5 x 11 in. (34.29 x 27.94 cm)

Georges Braque, French (1882 - 1963) - La Theogonie d'Hesiode Frontispiece, Year: 1953, Medium: Etching, Image Size: 14.5 x 11.5 inches, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Pr...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 256/300 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Maeght 1031 Vallier p. 295 54.50 cm. x 76.00 c...

Engraving, 1958 Handsigned by the artist in pencil and annotated "Epreuve artiste" 22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper) 11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (imag...

Lithograph, 1960 Handsigned by the artist in pencil Edition : 80 Publisher : Louis Broder, Paris Printer : Desjobert, Paris Catalog : [Vallier 153 p.219-220] 17.00 cm. x 11.00 cm. ...

Artist/Designer; Manufacturer: Georges Braque (French, 1882-1963) Marking(s); notes: signed, signed in plate; ed. 53/175; 1960 Materials: lithograph in colors on BFK Rives paper Dime...

Lithograph, 1961 Handsigned by the artist in pencil Publisher : Nouveau Cercle parisien du Livre (Paris) Printer : Mourlot (Paris) Catalog : Vallier 171 The work we propose is one of the four lithographs taken from the illustrated book "Descente aux Enfers" written by Marcel Jouhandeau and published by the Nouveau Cercle Parisien du Livre in 1961. The novelist retraces the itinerary of his return to his native town, Guéret, through encounters with the people he knew as a child. Anxiety intrudes as he ventures into this place, the first theater of his inspiration. Between nostalgia, melancholy and hope, the novel echoes the personal torments of the author, torn between his homosexuality and his Catholic education. If God seems to haunt him, introspection and morality obsess him: "If man does not understand hell, it is because he has not understood his own heart...". The image of a flight of birds as created by Braque might seem dissonant with Jouhandeau's text. However, for Braque the bird is not an imitation of the animal but a form that conveys a meaning, it is a sign, as he reminds us: "We must not imitate what we want to create. It is then that this bright orange bird flight...

Lithograph, 1960 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (paper) 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3390

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

Georges Braque - Birds - Original Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

This original etching is hand signed in pencil by the artist "G Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 25, at the lower left margin...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Often seen as a minor accessory in a larger painting, few artists have thought fish worthy of depiction in their own right. In this piece, Braque (Argenteuil-sur-Seine, 1882- Paris, ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

Expressing the talent and skill of Braque’s graphic works, this piece illustrates the artist’s remarkable ability to create imaginative abstract still lives. In this sense, Braque ha...

Georges Braque Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960 is an abstract work which takes inspiration from a poem by Georges Riebmont-Dessaignes. Georges Riebm...