James Minden Abstract Paintings
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Artist: James Minden
51905- blue circle abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51905
Holographic style painting- incised plastic and acrylic on wood panel
24 x 24 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
51902- blue and black abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51902
Holographic style painting- incised plastic and acrylic on wood panel
44 x 36 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
51906- blue circle abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51906
Holographic style painting- incised plastic and acrylic on wood panel
18 x 18 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
51904- blue circle abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51904
Holographic style painting- incised plastic and acrylic on wood panel
24 x 24 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
51908- blue circle abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51908
Holographic style painting- incised plastic and acrylic on wood panel
18 x 24 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
51801- blue purple abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
51801
Holographic style painting- incised plastic and acrylic on wood panel
24 x 24 inches
2019
To get a sense of the holographic effect look at the video on that vime...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Plastic, Acrylic, Wood Panel
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H 47.25 in W 31.5 in D 1.19 in
All Realities (Abstract Geometric Painting in Orange, Sienna, Yellow on Panel)
By Jeanette Fintz
Located in Hudson, NY
Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of yellow, grey, and white
'Mistress of All Realities', 2020, by Jeanette Fintz
12 x 12 x 2 inches, acrylic on wood panel
Signed verso
D-rings on reverse, simple hanging on two nails
*There are three other paintings in the series, see REF LU2278336542 to purchase a set of 4 works
The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life.
Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior.
Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography.
Artist Statement:
My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve.
The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.)
Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through.
Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together.
The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection.
About the artist:
Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings.
Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise.
Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97).
Selected Grants and Awards include
2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region
2015 Trustees Award, Albany Institute of History & Art
2013 Sabbatical, Parsons the New School For Design
2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design
2005 Sabbatical, Parsons the New School for School Design
2005 Sudden Opportunity Stipend
2003 Faculty Development Award, Parsons, the New School for School for Design
1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts
1993 N Y F A, Artists Fellowship / Drawing
1990 E. D. Foundation Grant / Painting
1984 Ludwig Vogelstein Grant / Painting
1980 The Ingram Merrill Award / Painting
1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture
Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany.
Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY.
Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017).
Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project.
Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY.
Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975.
Ms Fintz’s work can be found in many national & international collections.
Collections
Par Capital Management Boston MA
VYV Apartments, Luxury High Rise, Jersey City, NJ
Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL
Liberty Mutual Insurance Company, Boston, MA, and Plano, TX
Robert A.M. Stern Architectural Project, Washington DC
Capital G Bank Hamilton, Bermuda
Brigham & Women's Hospital, Foxboro, MA
Wilmer Cutler Pickering Hale & Dorr, Boston, MA
Posternak Blankstein & Lund, Boston, MA
Hale & Dorr, Boston, MA
Analysis Group, Boston, MA
National Televison, 7 Kuala Lumpur, Malaysia
Christmas Island Phosphate, Singapore
Jewish Free Loan Association, Los Angeles CA
Rabobank NYC Commerzbank, New York, NY
Commerzbank 2, World Financial Center, New York, NY
National Television 7, Kuala Lumpur, Malaysia
Hobart & William Smith Colleges, Geneva, NY
Skowhegan School, Skowhegan, Maine
Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi
Collection of the Former Prime Minister Datuk Seri Dr Mahathir
Mohamed of Malaysia
Jim & Debbie Ellickson -Brown, Cultural Attache, American
Embassy, Kuala Lumpur Malaysia (1996)
Rohana Tan Sri Mahamad, Kuala Lumpur, MY
Suherwan Abu, Kuala Lumpur, MY & Singapore
Valentine Willie, Kuala Lumpur, MY
Aloysious Goh, Singapore
Betsey Swan & Chris Calder, Albuquerque NM
Carrie Chen & Stanley Cohen Center Hill, Copake, NY
Albert & Linda Eskenazi, Montreal, CA
Barbel & Peter Starz, Toulouse, FR
Clarissa & Jean Kueller, Rio de Janeiro, Brazil
Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland
Shirley Greitzer, Esq. Washington DC
Mark Meltzer, Los Angeles & Palm Springs, CA
Joel & Fran Soroka, Aspen, Colorado
Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL
Estate of Gabriel Laderman, New York, NY
Stephen Westfall, New York, NY
Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ
Dr & Mrs Chris Calder & Besty Swan, Menands, NY
Carol & Joachim Frank, NY, NY
Mark Pettygrove, Los Angeles, CA
George A Schulman, Los Angeles, CA
Gerald De Silva, Los Angeles, CA
Caryl Horn, Port Richmond, CA
Joe & Cathy Plumber, Cold Spring, NY
Molly Doland, Esq. Washington DC
Bethany Beardslee Winham, Rhinebeck, NY
David Fox & Associates, Inc. Briarcliff Manor, NY
Eric & Carolyn Egas, Greenviille, NY & Vieques, PR
Jin Zeng, New York, NY
Selected Solo Exhibitions
2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY
2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA
2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY
2012 "The Plaid Paintings...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Acrylic, Wood Panel
"Ravel 3", abstract, geometric, teals, blues, gold, acrylic painting
By Denise Driscoll
Located in Natick, MA
"Ravel 3" is a 12 x 12 inch geometric abstract painting in teals, blues, and metallic gold that translates snippets of the human genome into a quilt-like grid by substituting colored...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Acrylic, Wood Panel
H 12 in W 12 in D 1.5 in
Over & About: Abstract Geometric Wood Wall Sculpture in Grey, Light Blue, Beige
By Stephen Walling
Located in Hudson, NY
Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue
"In, Out, Over, and About", hand-carved woode...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Wood, Dye, Acrylic, Wood Panel
Fugue #2 - vivid, colourful, geometric abstraction, modernist, acrylic on panel
By Burton Kramer
Located in Bloomfield, ON
Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Acrylic, Wood Panel
Fire Season
Located in West Des Moines, IA
This piece by Harris features four original hand-cut ink paintings on paper and acrylic media on four wood panels. Harris's bands of racing abstract color offer an innate sense of rh...
Category
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Materials
Paper, Ink, Acrylic, Wood Panel
Glimpses No. 17
By Alexander Eulert
Located in Los Angeles, CA
Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...
Category
21st Century and Contemporary Abstract Geometric James Minden Abstract Paintings
Materials
Gold Leaf
Another Ground
Located in West Des Moines, IA
Harris's rhythmic abstract forms create movement across the composition. Hues of green, orange, yellow, and others delight, surrounded by a frame of blue.
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
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Green Mother #2 (Mid Century Inspired Abstract Geometric Painting, Moss Green)
By Jeanette Fintz
Located in Hudson, NY
Contemporary abstract geometric painting on 12 x 12 inch wood panel with black circles and white linear elements on a green background.
Green Mother #2, 2020, by Jeanette Fintz
12 x 12 x 2 inches, acrylic on wood panel
Signed verso
D-rings on reverse, simple hanging on two nails
*See further paintings from this series by Jeanette Fintz
The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life.
Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior.
Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography.
Artist Statement:
My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve.
The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.)
Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through.
Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together.
The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection.
About the artist:
Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings.
Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise.
Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97).
Selected Grants and Awards include
2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region
2015 Trustees Award, Albany Institute of History & Art
2013 Sabbatical, Parsons the New School For Design
2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design
2005 Sabbatical, Parsons the New School for School Design
2005 Sudden Opportunity Stipend
2003 Faculty Development Award, Parsons, the New School for School for Design
1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts
1993 N Y F A, Artists Fellowship / Drawing
1990 E. D. Foundation Grant / Painting
1984 Ludwig Vogelstein Grant / Painting
1980 The Ingram Merrill Award / Painting
1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture
Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany.
Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY.
Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017).
Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project.
Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY.
Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975.
Ms Fintz’s work can be found in many national & international collections.
Collections
Par Capital Management Boston MA
VYV Apartments, Luxury High Rise, Jersey City, NJ
Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL
Liberty Mutual Insurance Company, Boston, MA, and Plano, TX
Robert A.M. Stern Architectural Project, Washington DC
Capital G Bank Hamilton, Bermuda
Brigham & Women's Hospital, Foxboro, MA
Wilmer Cutler Pickering Hale & Dorr, Boston, MA
Posternak Blankstein & Lund, Boston, MA
Hale & Dorr, Boston, MA
Analysis Group, Boston, MA
National Televison, 7 Kuala Lumpur, Malaysia
Christmas Island Phosphate, Singapore
Jewish Free Loan Association, Los Angeles CA
Rabobank NYC Commerzbank, New York, NY
Commerzbank 2, World Financial Center, New York, NY
National Television 7, Kuala Lumpur, Malaysia
Hobart & William Smith Colleges, Geneva, NY
Skowhegan School, Skowhegan, Maine
Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi
Collection of the Former Prime Minister Datuk Seri Dr Mahathir
Mohamed of Malaysia
Jim & Debbie Ellickson -Brown, Cultural Attache, American
Embassy, Kuala Lumpur Malaysia (1996)
Rohana Tan Sri Mahamad, Kuala Lumpur, MY
Suherwan Abu, Kuala Lumpur, MY & Singapore
Valentine Willie, Kuala Lumpur, MY
Aloysious Goh, Singapore
Betsey Swan & Chris Calder, Albuquerque NM
Carrie Chen & Stanley Cohen Center Hill, Copake, NY
Albert & Linda Eskenazi, Montreal, CA
Barbel & Peter Starz, Toulouse, FR
Clarissa & Jean Kueller, Rio de Janeiro, Brazil
Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland
Shirley Greitzer, Esq. Washington DC
Mark Meltzer, Los Angeles & Palm Springs, CA
Joel & Fran Soroka, Aspen, Colorado
Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL
Estate of Gabriel Laderman, New York, NY
Stephen Westfall, New York, NY
Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ
Dr & Mrs Chris Calder & Besty Swan, Menands, NY
Carol & Joachim Frank, NY, NY
Mark Pettygrove, Los Angeles, CA
George A Schulman, Los Angeles, CA
Gerald De Silva, Los Angeles, CA
Caryl Horn, Port Richmond, CA
Joe & Cathy Plumber, Cold Spring, NY
Molly Doland, Esq. Washington DC
Bethany Beardslee Winham, Rhinebeck, NY
David Fox & Associates, Inc. Briarcliff Manor, NY
Eric & Carolyn Egas, Greenviille, NY & Vieques, PR
Jin Zeng, New York, NY
Selected Solo Exhibitions
2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY
2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA
2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY
2012 "The Plaid Paintings...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Acrylic, Wood Panel
Retreats and Advances
Located in West Des Moines, IA
Harris's overlaying of shapes, colors, and patterns creates a stunning abstract work suitable for any home or space. Yellows, oranges, and blues move rhythmically across the composit...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Paper, Ink, Acrylic, Wood Panel
OX 68
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over panel
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Linen, Oil, Acrylic, Panel, Wood Panel
Return of the Earth
Located in West Des Moines, IA
Jen P. Harris combines two hand-cut ink paintings on paper and acrylic media onto two stretched canvases. Her compositions favor bold colors, geometric shapes, and abstraction. Harri...
Category
2010s Abstract Geometric James Minden Abstract Paintings
Materials
Paper, Ink, Acrylic, Wood Panel
Previously Available Items
Deviate
Located in New York, NY
When we refer to “reality” we are usually referring to what we think is our real objective existence. It is real and not false or imaginary. We primarily observe our reality because ...
Category
21st Century and Contemporary Contemporary James Minden Abstract Paintings
Materials
Paint, Plastic, Panel
Emerge 3
Located in New York, NY
When we refer to “reality” we are usually referring to what we think is our real objective existence. It is real and not false or imaginary. We primarily observe our reality because ...
Category
21st Century and Contemporary Contemporary James Minden Abstract Paintings
Materials
Paint, Panel, Plastic
Allude
Located in New York, NY
When we refer to “reality” we are usually referring to what we think is our real objective existence. It is real and not false or imaginary. We primarily observe our reality because ...
Category
21st Century and Contemporary James Minden Abstract Paintings
Materials
Plastic, Wood Panel, Paint
James Minden abstract paintings for sale on 1stDibs.
Find a wide variety of authentic James Minden abstract paintings available for sale on 1stDibs. If you’re browsing the collection of abstract paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, purple and other colors. You can also browse by medium to find art by James Minden in acrylic paint, paint, panel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large James Minden abstract paintings, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Nancy Berlin, Ralph Anderson, and Rachel Wickremer. James Minden abstract paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,500 and tops out at $10,000, while the average work can sell for $5,600.