Jim Dine Art

This fascinating piece of artwork by Jim Dine titled "Pinocchio," features a seven-color silkscreen and woodcut print. The dimensions of the paper and image, along with the condition...

Jim DINE (1935) Nancy outside in july XXIV (Brilliant Dutch Gloss), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 13 / 18 On BFK Rives vellum ...

"The Tel-Avic Museum hosts the Museum Modern Art Museum of NY February April 1980 in a retrospective of American Art in the 20th Century" Poster created for a retrospective exhibitio...

Jim Dine Complete Graphics poster (hand signed by Jim Dine), 1970 Offset lithograph poster (hand signed by Jim Dine) 39 1/2 × 26 inches Frame included: held in the original vintage m...

Artist: Jim Dine Title: CAR CRASH I-V AND END OF THE CRASH (MIRKO 1-6) Year: 1960 Medium: Lithographs on Arches wove paper Sheets: 30 x 22 in (76.2 × 55.9 cm) Edition: 33; each signe...

Jim DINE (1935) Nancy outside in july XIV (Wrestling with Spirits), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 19 / 30 On BFK Rives vellum ...

Jim DINE (1935) Nancy outside in july XXII (Ten Layers of Grey), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 18 / 28 On BFK Rives vellum 91 ...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, ...

Jim Dine Galerie Maeght exhibition print, 1983 Lithograph and offset lithograph Signed in plate 31 1/4 × 21 inches Limited Edition of 500 Unframed This colorful print was made for th...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

Artist: Jim Dine Title: The Little Heart in a Landscape Medium: Soft-Ground Etching and Power Tool Abrasion with Red Moriki Chine Colle on Hahnemuhle Paper Image Size: 10.125" x 12.5...

Artist: Jim Dine Title: The Blue Heart Medium: Color Lithograph on BFK Rives Size: 26.25" x 20.25" Frame: 41.5" x 35.75" Edition: 129/200 Inscription: Signed, dated, and numbered on ...

Artist: Jim Dine Title: The Soft Ground Medium: Woodcut, Etching and Drypoint in Colors Image Size: 13.25" x 20.25" Sheet Size: 18.5" x 24.5" Edition: 2/14, published by Alan Cristea...

Artist: Jim Dine Title: Atheism VII Medium: Painting of Acrylic, Watercolor and Charcoal on Paper Sheet Size: 43" x 37.75" Edition: Original Years: 1986 Inscription: Signed, dated, a...

Artist: Jim Dine Title: Mother & Son Medium: Enamel on Bronze Sculpture Dimensions: 33" x 23" x 11" Edition: Marked AP; from a Standard edition of 6 + 2 AP Years: 1996 Documentat...

Artist: Jim Dine Title: Blue Point Medium: Unique Offset Lithograph With Hand Painting Image Size: 18 7/8" x 35 1/2" Frame Size: 31 1/2" x 47 1/2" Edition: 15/20, each edition is uni...

Artist: Jim Dine Title: Paris, Summer, 1997 Medium: Etching, Drypoint and Photogravure Image Size: 44 1/2" x 32 1/4" Frame Size: 53" x 40" x 2" Edition: 9/14 Years: 1998 Inscription:...

Artist: Jim Dine Title: Olympic Robe Medium: Lithograph Image Size: 35" x 27" Frame Size: 49 1/2" x 41 1/2" Edition: 161/300 Inscription: Hand signed and numbered Year: 1988 Conditio...

Artist: Jim Dine Title: Key West Medium: Etching over offset lithograph, printed by Joseph Petruzelli, Mitchell Friedman, and Nicholas Dine, published by Pace Image Size: 16 3/4" x 1...

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

Artist: Jim Dine Title: Running Hammers in a Landscape Medium: Screen-print, Etching and Aquatint with Hand Coloring on Arches Paper Size: 33" h x 55" w Edition: Printer's Proof, sep...

Pictured in this Jim Dine lithograph is Sybil Vane, the innocent yet glamorous actress and object of Dorian Gray's affection and obsession in Oscar Wilde's novel The Picture of Doria...

Artist: Jim Dine (American, 1935-) Title: "The Astra Tool" Portfolio: The Astra Set *Numbered, signed, and dated by Dine in pencil lower right Year: 1985 Medium: Original Lithograph with Relief Printing on Rives BFK paper Limited edition: 185/400, (there were also 50 artist's proofs) Printer: Hansjörg Mayer of Staib & Mayer, Stuttgart, Germany Publisher: AB Astra and the artist Dine himself in association with Waddington Graphics, London, UK and Pace Editions, Inc., New York, NY Framing: Recently framed in a contemporary oak moulding with a 100% cotton rag mat Framed size: 36.63" x 30.63" Sheet size: 35.13" x 25" Image size: 23.82" x 19.88" Reference: "The Astra-Dine Collaboration" - Wright No. 5, page 56-57; "I print. Catalogue Raisonné of Prints, 2001-2020" - Burg No. 81, page 54 (see comments) Condition: Light UV stain to sheet. In excellent condition with strong colors Notes: Provenance: private collection - Norwich, UK. Comes from Dine's 1985-1986 "The Astra Set" portfolio of five lithographs with relief printing from hand-drawn mylar overlays. The five works include "The Mighty Robe I", "The Confetti Heart...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Dorain Gray with Rainbow Scarf Color lithograph, 1968 Signed in pencil lower center of sheet (see photo) Annotated by the artist: A/P for Artist's Proof (see photo) From: The Picture...

Jim Dine Self Portraits (1971) Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate Printed in brown-black on she...

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in black on sheet of 22 x 30 in / 56 x 76 cm  Copperplate Deluxe paper Edition of 15 w...

Jim Dine's exhibition at the University Gallery at Memphis State in 1987, featuring a poster depicting two Venus de Milo figures side by side, is a notable event in the artist's care...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

The Pincers is an original artwork realized by Jim Dine in 1973. Hand-signed in pencil on the lower left margin, dated, numbered edition of 49/75 prints. Good conditions, except for some cuts on the whitish margins of the frame, which do not affect the artwork. Impressive artwork represented through complex simplicity, the well-defined performance of aesthetic visual codes, neat and delicate creation of a hard object "pincers". Jim Dine (Cincinnati, Ohio, 1935) is an American artist who rejected any formal association with Pop Art, but who is still commonly considered an important exponent of this art movement. He became famous for his " happenings ", chaotic art performances originally invented together with other important artists, such as Claes Oldenburg and Allan Kaprow...

Jim Dine Gilbert & Sullivan, 1968 Color Silkscreen on wove paper 35 × 25 inches Edition 6/144 Hand-signed by artist, signed, dated and numbered 6/144 lower left New York City Center ...

Paper Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) Image Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) In 1975, Jim Dine collaborated with the Paris Review, a renowned literary magazi...

Jim Dine (b. 1935) was one of the original artists who defined Pop Art in the 1960s and redirected American art away from abstraction by including depictions of objects and items fro...

Jim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate seven from Self Portraits (1971) port...

This print depicts a hand adorned with ornate jeweled rings, printed in teal turquoise. Underneath the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of Dorian Gray...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

Calico Jim Dine, American (1935) Portfolio: 11 Pop Artists III Date: 1965 Screenprint on Cartridge Paper, signed in pencil lower left Edition of 200 Size: 40 x 30 in. (101.6 x 76.2 c...

Wolfman (Wall) Jim Dine, American (1935) Date: 1967 Aquatint Etching, signed and numbered in pencil Edition of 120 Size: 31 in. x 22 in. (78.74 cm x 55.88 cm)

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...

Ties is a contemporary artwork realized by Jim Dine in 1976. Mixed colored lithograph.  Edition of 66/150.  The artwork is from the portfolio: Bathrobe, Hands, Ties, Saw, Rainbow,...

"Heart" by Jim Dine is a color offset lithograph, created for an exhibition at the Galerie Maeght in Paris from April 12 to May 20, 1983. This artwork is a prime example of Dine's di...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

JIM DINE This is How I Remember Now (Hand Signed), 2008 Offset Lithograph Poster for exhibition of photographs by Jim Dine 32 × 24 inches Signed boldly in white marker by Jim Dine on the front Unframed Published by: Det Kongelige Bibliotek, Denmark Provenance: Jim Dine personally signed it for the present owner in 2012 at a special poetry reading that the artist gave at the Dia Art Foundation. Extremely rare when hand signed! Accompanied by gallery issued Certificate of Guarantee This poster was produced in conjunction with a 2008 German exhibition of Jim Dine's photographs. Jim Dine personally signed it for the present owner in 2012 at a poetry reading that the artist gave at the Dia Art Foundation, so provenance is direct and impeccable. The text on the poster reads "This Is How I Remember Now Portraits", with a portrait of the artist juxtaposed in the background - and is perhaps as a commentary on the elusiveness of memory in life, art and photography. The poster is accompanied by a copy of the flyer publicizing the event where Jim Dine signed...

Jim Dine Raven and Owls (Hand Signed), 2000 Offset Lithograph Poster; hand signed by Jim Dine 38 3/4 × 35 1/2 inches Hand signed by Jim Dine lower front Unframed This dramatic offset...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, and dots complement the text written at the top of the sheet: “Imprint from Dorian Gray...

Dine, Jim (American, b. 1935) DINE IN BLACK GREASE. Lithograph on wove paper, 2000. Self-Portrait. Published by Tamarind Institue and printed by Billl Lagattuta. Signed, dated, and n...

Created by Jim Dine in 1985 as part of the artist's, Astra Set, The Confetti Heart is an original lithograph in colors on BFK Rives wove paper. Hand-signed, dated, and numbered from...

Jim Dine, American (1935 - ) - Walking Memory Guggenheim Exhibition Poster, Year: 1999, Medium: Poster mounted to foamboard, signed in marker, Size: 31 x 18 in. (78.74 x 45.72 cm)...

Colorful, iconic and highly collectible, The Yellow Belt was created by Jim Dine in 2005 as an original lithograph and woodcut in colors on Rives BFK paper. The artwork is hand-sign...

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

Color lithograph with relief printing from polymer plates on Rives BFK. Pencil signed and dated and numbered 274/400 on lower margin in pencil. Printed by Staib & Maye, Stuttgart. Pu...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

JIM DINE Singing and Printing XIII. Unique color woodblock relief print with hand coloring in oil, acrylic, and charcoal and mechanical abrasion on cream wove paper, 2001. 69 3/4 x ...

This piece is an original etching done by Jim Dine in 1973. It was printed in black on Hodgkinson hand made paper and is hand signed and dated by the artist. This piece is from the e...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

This piece is an original silkscreen collage on graph paper done in 1966. It is hand initialed "J.D." on the front right corner and numbered 14/150 on the back. This piece measure...