Jim Dine Art

This original color woodcut was created by the artist in 1993. Hand-monogrammed by the artist in pencil and numbered, from the edition of 500.

Pictured in this monochromatic Jim Dine lithograph is Basil Hallward, the artist companion of Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray. Wearing a sleek black lea...

Dine, Jim (American, born 1935). PLIERS from Winter Tools, 1973 and PLIERS from Ten Handcolored Winter Tools II (1989) 1. PLIERS from Ten Winter Tools: Lithograph, 1973. Krens 108. S...

Jim Dine was one of the key artists who defined American Pop Art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images and icons. He used ubiquitous and familiar forms, like tools, food, and stylized clothing, as the basis for bold and colorful compositions inspired by Dada assemblage, Abstract Expressionism, and collage techniques. The "Heart" is the most celebrated icon in Dine's oeuvre. He uses its motif to explore pattern, color, and texture across mediums. This classic and iconic example of Jim Dine's hearts from his most sought-after period. Four coral hearts, adorned with flecks of blood orange, hover in the center of the work. The background features tactile grapefruit splotches that dance across the sheet to reveal and accentuate stretches of negative space. The result is a striking illusion of depth that simultaneously camouflages the hearts and accelerates them to the foreground of the work. Questions about this piece? Contact us. or visit our Toronto gallery on Thursdays or by appointment. "Dutch Hearts...

Colour lithograph on Hodgkinson paper from "Oo La La portfolio", edited in 1970. Limited edition, numbered as 53/75 at the bottom. Hand-signed in pencil by Jim Dine and Ron Padgett i...

An original signed offset-lithograph poster on Arches paper by American artist Jim Dine (1935-) titled "A Heart at the Opera (Signed)", 1983. Hand pencil signed and numbered by Dine ...

Artist: Jim Dine Medium: Lithograph hand-colored with watercolor on Auvergne Narcisse Title: Shears Portfolio: 1973 Ten Winter Tools (Hand-Colored) Year: 1973 Edition: 6/10 Image Siz...

Jim Dine Hearts (Hand Signed), 1983 Offset lithograph 28 × 22 inches Boldly signed in black marker on the front Unframed This vintage hand signed 1983 poster...

Screen print in colors on hand made wove paper. Hand signed on horizontal black bar by Jim Dine. Hand numbered 78/200 lower left. From 11 Pop Artist's Volume II (Mikro 36). Publi...

Jim Dine (b. 1935) was one of the key artists that shaped American Pop art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images in his wo...

Jim Dine The Robert Fraser Gallery Print, 1965 Silkscreen and Lithograph on wove paper (Deluxe hand signed limited edition) Hand signed and numbered 75/100 in graphite by Jim Dine lo...

Little Green Marks Lithograph, etching and spit bite aquatint on White Arches Cover paper, 2012 Signed in white pencil, upper left vertically (see photo) Numbered and dated on the le...

Jim DINE (1935) Nancy outside in july XIII (Dissolving in Eden), 1980 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 24 / 30 On BFK Rives vellum 76 ...

Artist: Jim Dine Medium: Lithograph hand-colored with watercolor on Auvergne Narcisse Title: Pliers and Adjustable Wrench Portfolio: 1973 Ten Winter Tools (Hand-Colored) Year: 1973 E...

The Pincers is an original artwork realized by Jim Dine in 1973. Hand-signed in pencil on the lower left margin, dated, numbered edition of 49/75 prints. Good conditions, except for some cuts on the whitish margins of the frame, which do not affect the artwork. Impressive artwork represented through complex simplicity, the well-defined performance of aesthetic visual codes, neat and delicate creation of a hard object "pincers". Jim Dine (Cincinnati, Ohio, 1935) is an American artist who rejected any formal association with Pop Art, but who is still commonly considered an important exponent of this art movement. He became famous for his " happenings ", chaotic art performances originally invented together with other important artists, such as Claes Oldenburg and Allan Kaprow...

Dine, Jim (American, born 1935). THE BROWN COAT. D'Oench/Feinberg 3 Color etching, soft-ground etching, aquatint, drypoint and electric tools, 1977. Edition of 50. Printed on Copperp...

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in black on sheet of 22 x 30 in / 56 x 76 cm  Copperplate Deluxe paper Edition of 15 w...

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

Jim DINE (1935) Nancy outside in july XXIV (Brilliant Dutch Gloss), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 13 / 18 On BFK Rives vellum ...

Artist: Jim Dine Title: Blue Point Medium: Unique Offset Lithograph With Hand Painting Image Size: 18 7/8" x 35 1/2" Frame Size: 31 1/2" x 47 1/2" Edition: 15/20, each edition is uni...

Nancy Outside in July XX: Among French Plants Photogravure, aquatint and elkectric tools from three copper plates 1981 Signed "Jim Dine" lower left (see photo) Dated lower left Anno...

Paper Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) Image Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) In 1975, Jim Dine collaborated with the Paris Review, a renowned literary magazi...

Rimbaud, Cool Impudence on His Part Etching from one copper plate, 1973 Signed and dated along the lower sheet edge (see photos) Edition: 45 plus 8 AP, this one of the 8 A/P Publishe...

"Cardinal" - Jim Dine at Albright Knox poster, 1984 LARGE: 40 inches (vertical) x 24 inches (horizontal) (Ships rolled in a tube measuring 36" x 6" ) Offset lithograph poster Limite...

Artist: Jim Dine Medium: Lithograph hand-colored with watercolor on Auvergne Narcisse Title: Spoon Portfolio: 1973 Ten Winter Tools (Hand-Colored) Year: 1973 Edition: 6/10 Image Size...

Jim DINE (1935) Nancy outside in july XVII (The Reddish One), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 17 / 26 On light grey BFK Rives ve...

Jim Dine Kenneth Koch Homage (Oh Scarf of Paradise, Blue Sky is Bread to the Scarf), 1966 Color lithograph on blue grey wove paper with deckled edges 37 × 24 1/2 inches Pencil signed...

Created by Jim Dine in 1985 as part of the artist's, Astra Set, The Confetti Heart is an original lithograph in colors on BFK Rives wove paper. Hand-signed, dated, and numbered from...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, ...

Artist: Jim Dine Medium: Lithograph hand-colored with watercolor on Auvergne Narcisse Title: Awl Portfolio: 1973 Ten Winter Tools (Hand-Colored) Year: 1973 Edition: 6/10 Image Size: ...

Jim Dine's exhibition at the University Gallery at Memphis State in 1987, featuring a poster depicting two Venus de Milo figures side by side, is a notable event in the artist's care...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Sybil As Juliet is an original lithograph artwork realized by Jim Dine. Hand-signed in pencil on the lower right margin, edition of 1/100 prints, on the rear. Titled on the lower left. Belongs to the Suite "The Picture of Dorian Gray"; Published by Petersburg Press, London. Very good conditions. Jim Dine (Cincinnati, Ohio, 1935) is an American artist who rejected any formal association with Pop Art, but who is still commonly considered an important exponent of this art movement. He became famous for his "happenings", chaotic art performances originally invented together with other important artists, such as Claes Oldenburg and Allan Kaprow...

Jim Dine Complete Graphics poster (hand signed by Jim Dine), 1970 Offset lithograph poster (hand signed by Jim Dine) 39 1/2 × 26 inches Frame included: held in the original vintage m...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP - STATES I - IV. Krens 180-183. Etchings, 1974. Published by Petersburgh Press. 1. First State: WINTER. Edition of 30, plus 11 artist's proofs....

Dine, Jim. SELF PORTRAIT IN A SKI HAT. Williams College 176. Etching, 1974. The first of four states as published by Petersburg Press, NY, and printed by Alan Uglow and Winston Roeth...

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Artist: Jim Dine Medium: Lithograph hand-colored with watercolor on Auvergne Narcisse Title: Fork Portfolio: 1973 Ten Winter Tools (Hand-Colored) Year: 1973 Edition: 6/10 Image Size:...

Jim DINE (1935) Nancy outside in july XXII (Ten Layers of Grey), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 18 / 28 On BFK Rives vellum 91 ...

Wolfman (Wall) Jim Dine, American (1935) Date: 1967 Aquatint Etching, signed and numbered in pencil Edition of 120 Size: 31 in. x 22 in. (78.74 cm x 55.88 cm)

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of whi...

"The Tel-Avic Museum hosts the Museum Modern Art Museum of NY February April 1980 in a retrospective of American Art in the 20th Century" Poster created for a retrospective exhibitio...

Artist: Jim Dine Title: Paris, Summer, 1997 Medium: Etching, Drypoint and Photogravure Image Size: 44 1/2" x 32 1/4" Frame Size: 53" x 40" x 2" Edition: 9/14 Years: 1998 Inscription:...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

Jim Dine Gilbert & Sullivan, 1968 Color Silkscreen on wove paper 35 × 25 inches Edition 6/144 Hand-signed by artist, signed, dated and numbered 6/144 lower left New York City Center ...

This fascinating piece of artwork by Jim Dine titled "Pinocchio," features a seven-color silkscreen and woodcut print. The dimensions of the paper and image, along with the condition...

Color lithograph with relief printing from polymer plates on Rives BFK. Pencil signed and dated and numbered 274/400 on lower margin in pencil. Printed by Staib & Maye, Stuttgart. Pu...

In 1968, Jim Dine, an American artist associated with the Pop Art movement, collaborated with the New York City Center and the New York City Opera to create a unique and visually stu...

Artist: Jim Dine (American, 1935-) Title: "The Astra Tool" Portfolio: The Astra Set *Numbered, signed, and dated by Dine in pencil lower right Year: 1985 Medium: Original Lithograph with Relief Printing on Rives BFK paper Limited edition: 185/400, (there were also 50 artist's proofs) Printer: Hansjörg Mayer of Staib & Mayer, Stuttgart, Germany Publisher: AB Astra and the artist Dine himself in association with Waddington Graphics, London, UK and Pace Editions, Inc., New York, NY Framing: Recently framed in a contemporary oak moulding with a 100% cotton rag mat Framed size: 36.63" x 30.63" Sheet size: 35.13" x 25" Image size: 23.82" x 19.88" Reference: "The Astra-Dine Collaboration" - Wright No. 5, page 56-57; "I print. Catalogue Raisonné of Prints, 2001-2020" - Burg No. 81, page 54 (see comments) Condition: Light UV stain to sheet. In excellent condition with strong colors Notes: Provenance: private collection - Norwich, UK. Comes from Dine's 1985-1986 "The Astra Set" portfolio of five lithographs with relief printing from hand-drawn mylar overlays. The five works include "The Mighty Robe I", "The Confetti Heart...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...

Jim Dine Raven and Owls (Hand Signed), 2000 Offset Lithograph Poster; hand signed by Jim Dine 38 3/4 × 35 1/2 inches Hand signed by Jim Dine lower front Unframed This dramatic offset...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, and dots complement the text written at the top of the sheet: “Imprint from Dorian Gray...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...