Paul Béliveau Art

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Heidi von Faber's original painting showcases a hyper-realistic interpretation of a contemporary still life, reminiscent of the precision and style seen in the works of early Dutch m...

The artwork depicts a man in a state of relaxation, surrounded by a serene sitting room ambiance. The soft, cool tones of the blue sofa provide a tranquil backdrop, contrasting with ...

A painting by Amanda Andersen from a larger body of work created in the early 2010s which explored vintage technologies and materials including VHS cassette tape, reel-to-reel tape machines...

Artist: Ian Hornak (1944-2002) Title: Marcia’s Meadow (Vermont) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, date...

A bridge to nowhere has been taking no one there for almost 70 years. The Liesenbrücken bridge has been rusting with iron will and doing little else since it was abandoned in favor o...

Somber depiction of Native Americans in winter by John Pace (American, 1930-2006). Acrylic on canvas. Signed "John Pace" in the lower right corner. Presented in a wood slat frame with the edges painted black. Canvas size: 30"H x 40"W. Framed, 30.5"H x 40.5"W. 2"D. A study of a work by Howard Terpning. John Pace (American, 1930-2006) was an artist from California, known for paintings of Western scenes and Native Americans. Christal Pace had this to say about her Grandfather: "My Grandfather John Pace was a distinguished, passionate man with a variety of skills. My dad and Uncle Nick are both great artists, but Grandfather ran the show. My Grandfather was incredibley charismatic and smart. The Grand-father, as we call him, dabled in many things throughout his life. He served in the war, drove racecars, had a knack for gambling, poker and black jack, and painted occasionally. His first wife was Native American, my dad's mom. She passed when my dad was only 14. When my dad met my mom he was excited to learn she too was California Indian...

Breaking Waves [2022] Please note that insitu images are purely an indication of how a piece may look I always enjoy panting the sea. Through careful observation i am inspired to capture the anatomy of waves as they break and wash to shore. In this large square painting in cool blues I have tried to create a calming immersive view. Artwork by Jo Quigley...

Provenance: Madison Gallery (Madison Connecticut) bears their label verso. Hunting and fishing cabin themed artwork in a hyper realist or photo realist style. James Carter (Born 1948) is active/lives in Connecticut. James O Carter is known for Trompe l'oeil still life painting. James Carter is known for his for his airbrush acrylic paintings, serigraphs and lithographs. Some of his paintings have written text, and his style combines carefully controlled trompe l'oeil and abstract Surrealism influences. James Carter was born in Port Chester, New York, in 1948. He studied at Silvermine College of Art in Connecticut and graduated with a B.F.A. from the Maryland Institute of Art. Carter’s paintings and prints have been exhibited at the Zenith Gallery, Washington, D.C., the Horizon Gallery, New York, and the Bell Gallery, Greenwich, Connecticut. His still lifes display the influence of Surrealist painters of the 1930s such as Rene Magritte and Max Ernst. Like the Surrealists, Carter juxtaposes unexpected objects – teacups, whales, and blue skies, for example – which often sit uncomfortably within his pictorial space. But he has also been influenced by the late-nineteenth-century American trompe l’oeil painters William Harnett...

Chroma sky (Blue key) 10, 2007 Acrylic and oil on canvas (Signed on reverse) 23.62 H x 31.49 W in 60 H x 80 W cm The artist wrote about how he conceives this work: "The transformat...

I’ve always been attracted to the built environment. Bridges are a great subject. Each one is specially engineered to solve the problem of how to get across the void. While usually n...

This painting captures a graffiti and rust covered steel bridge with bright blue skies and a sliver of green trees in and urban architectural setting. Rolland has always been fascinated by the built environment. Reflecting on what the structures tell about their builders as well as their interaction with nature and the results of time. He focuses on the engineering ingenuity that created Chicago’s many bridges. Structural elements are abstracted from their context and painted with a hard-edged realism on a scale that highlights the monumentality of the forms and the creativity necessary for their existence. Shown here is “Eight Track” Roland Kulla 8 Track...