Tiffany Studios Furniture

A charming vase with wonderful, naturalistic patterning and the unusual inclusion of four robust handles, the "Cabbage Leaf" glazed pottery vase by Louis Comfort Tiffany is a wonderful collector's piece. Executed primarily in a buttery yellow with emerald green accents, the vase mimics the appearance of an unfolding kohlrabi cabbage bloom. The tapering handles are bone-white in color and stout in form, a lovely visual counterpoint to the delicacy of the cabbage leaves. Item #: YT-20270 Artist: Louis Comfort Tiffany Country: United States Circa: 1910 Size: 6.75" height, 6" diameter Materials: Glazed Porcelaneous Earthenware Signed: "P1014 - Tiffany-Favrile" and "Pottery" and LCT monogram Literature: A similar vase is pictured in Tiffany Favrile Pottery...

This matched pair of Art Nouveau gilt bronze candelabra were made by Tiffany Studios of New York. The candelabra have an naturalistic form modeled after tree branches and feature six...

This vintage genuine Tiffany Studios table lamp is circa the early 1900’s. Featured is a beautiful tranditionally designed shade with a geometric pattern accented by a acorn motif. S...

A gorgeous antique Arts & Crafts or Art Deco period gilt bronze "Graduate" pattern desk calendar frame or picture frame By Tiffany Studios (signed to the back) New York, USA, Early...

A gorgeous antique Arts & Crafts or Art Deco period gilt bronze rocker ink blotter featuring the iconic Graduate pattern By Tiffany Studios (signed to the side) New York, USA, Earl...

This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)

A Tiffany Studios New York glass vase. A wide-shouldered, unique translucent gold body with a band of green colored Egyptian-inspired “Tel-El-Amarna” design around the neck. A vase with similar decoration is pictured in: Tiffany at Auction...

A gorgeous Art Deco period gilt bronze desk letter rack featuring a Greek key design By Tiffany Studios New York, USA, Early 20th Century Measures: 12.25"W x 3.75"D x 8.38"H...

Bronze and slag glass Tiffany jewelry box. Art Deco period. United States, circa 1900. Signed in the back "Tiffany Studios New York 830".

A luminous and exceptionally fine example of Louis Comfort Tiffany’s masterful glasswork, this Favrile glass vase dates to circa 1900. The vase features a graceful, elongated baluste...

Pair Tiffany Studios Zodiac Pattern Blotter Ends in Bronze. Nice patina. Some age appropriate wear on bottom. Both marked Tiffany Studios New York 994.

An Early 20th Century American Art Nouveau cast and gilt bronze Cigar Cutter by, Tiffany Studios decorated in an aztec like pattern and finished in its original gold doré finish. The...

TIFFANY STUDIOS GILT BRONZE PICTURE FRAME CIRCA 1900 Stamped TIFFANY STUDIOS/NEW YORK/1834. Height 10.75", width 8.5"

This lacquered bronze “Volcano” humidor by Tiffany Studios New York features a dramatic design of a submarine volcano surrounded by sea urchins, created by Munich artist Ludwig Viert...

Tiffany Studios, circa 1912 Fine carved Tiffany Favrile glass Egyptian collar vase, of baluster form, the shoulder carved with a band of flowers En...

Native American spirit, preserved in patinated bronze. Imbue your workspace with a touch of early 20th-century elegance with this American Indian Desk ...

Tiffany Studios gilt-bronze picture frame, circa 1900 Stamped Tiffany Studios/NEW YORK/1611. Measures: Height 11.87 in. (30.16 cm.), Width 9.75 in. (24.76 cm.).   

Tiffany Studios A Pair of Tiffany Favrile Glass Candlesticks with overall gold iridescence early 20th century both engraved L. C. Tiffany-Favrile Heigh...

A pair of Tiffany Studios gold Favrile glass sherbets, circa 1910 each inscribed L.C.T. Dimensions: Height 3 3/8 in. (8.57 cm.) Diameter at top 3 9/1...

A fine pair of antique signed bronze bookends. By Tiffany Studios of New York, NY. In bronze. Pattern no. 1025. Each with a Buddha design. Simply a wonderful Tiffany design! Da...

Desk paper holder made of gilded bronze (Ormolu), “Tree of Life” model, made by TIFFANY Studios. Signed TIFFANY STUDIOS, NEW YORK, 1021 United States, CIRCA 1900.

This stunning Tiffany Studios "Vine Border" plafonnier features a striking yellow ochre shade with a grape leaf frieze. The vine border pattern was commonly found on Greek red-figure...

First offered through Tiffany & Co., this stunningly naturalistic humidor, which is believed to have been carved from a single piece of wood by Joseph Briggs, was featured in Tiffany & Co.’s Blue Books from 1906 to 1912. The two Favrile glass scarabs reflect a fascination with Ancient Egypt that began in the 1860s with the first archaeological explorations and continued through the Art Nouveau and Art Deco periods. The scarab represented the Egyptian sun god Khepri and was a symbol of resurrection. The ancient Egyptians placed scarabs on mummies for good luck and protection against evil as they made their journey to the next world. Item #: T-21822 Artist: Tiffany Studios New York Country: United States Circa: 1906 Dimensions: 4.25" height, 4.5" width, 4" depth. Materials: Wood, Favrile Glass, Bronze Signed: impressed with Tiffany Studios monogram Condition Report: Wood with customary separations at the underside, which continue to visible bottom of humidor. Large inset cypriote with old stable crack. Top scarab with old stable crack diagonally across the center of the body. These imperfections are only visible on close inspection, none are visually distracting. Exhibition History: This box is one of seven known signed examples, three of which are in the collections of The Metropolitan Museum of Art, New York, New York, the Virginia Museum of Fine Art, Richmond, Virginia, and the Louis C. Tiffany Garden Museum, Japan. Literature: Alastair Duncan, Martin Eidelberg and Neil Harris, Masterworks of Louis Comfort Tiffany, London, 1989, p. 55 (for a related example) Alastair Duncan, Fin de Siècle Masterpieces from the Silverman Collection, New York, 1989, pp. 10 and 65 (for a related example) Alice Cooney Frelinghuysen, Louis Comfort Tiffany at the Metropolitan Museum, New York, 1998, p. 91 (for a related example) Robert Koch, Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA, 2001, cover and p. 206 (for a related example) William Warmus, The Essential Louis Comfort Tiffany, New York, 2001, p. 86 John Loring, Louis Comfort Tiffany at Tiffany and Company, New York, 2002, p. 194 (for a related example) Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection, Woodbridge, Suffolk, 2004, p. 387 (for a related example) Paul E. Doros, The Art Glass of Louis Comfort Tiffany, New York, 2013, p. 187 (for the present lot illustrated) Macklowe Gallery Curator's Notes: Tiffany had an intense interest in Egyptian art and collected a number of ancient scarabs...

This exquisite Tiffany Studios Jeweled prism lamp features a pierced heat cap adorned with a border of twenty ogival turtleback tiles. The ogival motif, which originated in 11th-century Byzantine textiles, became a prominent design element across Italy, Ottoman Turkey, North Africa, and the Balkans. The pierced and chased decoration on the cap forms an intricate shamsa pattern—an elaborately decorated rosette traditionally found in Islamic manuscripts...

This Tiffany Studios New York "Oriental Poppy" leaded glass and patinated bronze floor lamp was designed circa 1913. Surmounted by a bronze cap with hogtail finial and geometric piercing, this shade depicts a profusion of deep red and crimson poppies with intense blue centers and hints of amber pollen on a blue green ground of foliage and blue sky streaked with cloud, while the lower rim is bounded by a high relief rippled green glass border. The poppies are depicted in various stages of development from seed pods, to buds on the verge of opening, to blossoms in full flower, and the effect is realized by the use of mottled, streaked and granite glass in a range of painstakingly chosen hues, tones and degrees of intensity and transparency, resulting in the powerful evocation of a three-dimensional naturalism. The shade is raised on a patinated bronze "Senior" floor base. The lamp is a tour-de-force creation reflecting the combined vision of Louis Tiffany and his women collaborators, working together to express ideals of naturalism and impressionism through the decorative arts. Item #: L-21814 Artist: Tiffany Studios New York Country: United States Circa: 1910 Dimensions: 26" diameter, 77" height. Materials: Leaded Glass, Bronze Shade Signed: Tiffany Studios New York 24045 Base Signed: Tiffany Studios New York 376 Literature: Dr. E. Neustadt, Lamps of Tiffany, New York, 1970, pp. 36, no. 35 (base model); 160, no. 224 (shade model) R. Koch, Louis C. Tiffany’s Glass, Bronzes, Lamps, New York, 1971, p. 191, nos. 7 (shade and base model), and 8-9 (base model) L. Buffet-Challié, Le Modern Style, Paris, 1975, p. 181, no. 4 (base model) A. Duncan, Tiffany at Auction, New York, 1981, pp. 100, no. 272 (base model); 104, no. 281 (base model); 148, no. 390 (base model); 222, no. 643 (base model); 223, nos. 647 (base model), 648 (shade model) and 649 (base model) P. Crist, Tiffany Lamps: A History, Mosaic Shades, Volume I, Santa Fe Springs, 2023, pp. 142, no. 5-135 (base model); 179, no. 6-111 (base model); 224, no. 7-114 (base model); 225, no. 7-118 (shade and base model); 260, no. 8-120 (shade and base model); 270, no. 9-18 (base model); 272, no. 9-23 (base model); 276, no. 9-36 (base model); 290, nos. 9-87 and 88 (base model); 294, nos. 9-101 and 102 (base model) A. Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2019, pp. 227, no. 884 (shade model); 229, nos. 893-895 (base model) Macklowe Gallery Curator's Notes: With its complex composition and bold pigmentation across the spectrum, the Oriental Poppy lamp...

White blossoms tinged with gentle pinkish hues stand against a light blue sky that gradates into a green meadow horizon in this Tiffany Studios New York "Apple Blossom" table lamp. A...

An exciting example of Tiffany's remarkable ability to create beauty on all scales, Tiffany Studios New York "Pony Begonia" leaded glass and bronze table lamp is a masterpiece of pet...

An alluring and visually rewarding example of Tiffany Studios New York's great "Greek Key" table lamp. Mottled glass in hues of warm amber and bright sunshine yellow soften the wonde...

The "Jonquil-Daffodil" table lamp by Tiffany Studios New York features a dome-shaped shade, divided charmingly into two bands of joyously brig...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

This Tiffany Studios New York "Five-Light" chandelier, features five golden iridescent Favrile tulip shades suspended along with loosely interlocking, he...

The "Belted Turtleback" Chandelier by Tiffany Studios New York is a refined study in monochromatic expression. Separated into three distinct tiers, the conical lamp shade offers a ma...

This Tiffany Studios New York glass and patinated bronze "Eighteen-Light-Lily" table lamp, featuring eighteen golden iridescent Favrile glass "Lily" shades on individual bronze stems...

A Tiffany Studios New York "Apple Blossom" glass and bronze table lamp. The shade features amber & green streaky glass branches with pink and white apple blossoms. The tonality of the leaves ranges from dense, deep greens at the crown to lighter greens below. The apple blossoms range from white at the shade's irregular border to pink with touches of red towards the crown. Tiffany's artisans skillfully incorporated specialized types of glass into the lampshade, specifically using foliage and granite glass. The unique texture of these glass varieties gives rise to a captivating interaction between degrees of translucency and opacity, evoking the dappled effect of sunlight filtering through tree branches. The shade sits atop a patinated bronze tree trunk base and is specially designed to fit it. The patinated bronze openwork crown lattice at the top of the shade resembles tree branches and is a direct extension of the base. Flowering apple trees grew on the grounds of his Laurelton Hall estate and appear as a motif in many of his windows and lamps. The spreading “Apple Blossom” lamp is the most stunning and realistic tree shape that Tiffany ever produced. Its intricacy and delicacy imbue the piece with radiant beauty and give it marked significance within the world of Tiffany lamps. Product Details: Item #: L-21088 Artist: Tiffany Studios New York Country: United States Circa: 1905 Dimensions: 30" height, 25" diameter Materials: Favrile Glass, Bronze Shade Signed: Tiffany Studios New York 7809 - 7 Base Signed: Tiffany Studios New York 351 S166 Literature: The Lamps of Tiffany Studios by William Feldstein, Jr. and Alastair Duncan, P. 108-109. Louis C. Tiffany’s Glass, Bronzes, & Lamps: A Complete Collector’s Guide, by Robert Koch, P. 132, Plate 209. Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, P. 285. Tiffany Lamps and Metalware: An Illustrated Reference to Over 2000 Models, by Alastair Duncan, P. 69. The Lamps of Tiffany, by Dr. Egon Neustadt, Pp 201-204. Macklowe Gallery Curator's Notes: As a gardener, the apple was one of Tiffany’s favorite plants, providing beauty in the spring and sustenance in the fall. In 1875, Tiffany photographed his wife Mary Goddard Tiffany and daughter Mae Mae picking apple blossoms on the grounds of his father Charles’ eighteenth century Dutch farmhouse in Irvington, NY. As a matter of both aesthetic and sentimental significance, Tiffany lined...