Sterling Silver Snuff Boxes and Tobacco Boxes

Desk cigar humidor designed by Erik Fleming (1894–1954) for Atelier Borgila. This is an extremely rare desk cigars humidor created in Stockholm Sweden by the Baron Erik Herman Fleming for the Atelier Borgila, back in 1941. The rare humidor has been masterfully hand crafted with faceted chamfered and art deco patterns in solid .925/.999 sterling silver with high polished finish. The elaborated lid depict the Swedish king's monogram of Gustav V, which implies that this piece was a kind of gift directly from the King of Sweden. It is fitted in the interior with a removable cigar holder and at the sides, with two hinged round handles. The interior's surfaces are completely lined up with cedarwood veneer. An exceptional museum quality piece with great Swedish craftmanship. Erik Herman Fleming He was a Swedish metalsmith, baron, teacher, and designer. He was one of the foremost Swedish silversmiths of his time, and worked as a Swedish court artisan. He was born on April 26, 1894, in Stockholm, to parents Sigrid Wilhelmina Amalia Söderhielm and Oscar Herman August Fleming. He attended the Althin's School of Painting in Stockholm from 1914 to 1915; and continued his studies in engineering at the Technische Universität Berlin from 1915 to 1917; and architecture at the University of Munich from 1917 to 1918. He learned silversmithing as a hobby initially, and enjoyed it enough to pursued further study under Anna Möcklin (who had worked for C. G. Hallberg and K. Andersson). In 1921, Fleming founded Atelier Borgila, a silver workshop and royal court supplier in Stockholm. C. F. Larsson was hired as the lead foreman for Atelier Borgila. Additionally Fleming taught metal arts at Konstfack in Stockholm, where he became head teacher of metal arts from 1947 until his death in 1954. He was the father of the silversmith Lars Fleming (1928–2025). Fleming's work is in the museum collection at the National-Museum in Stockholm, Sweden. Atelier Borgila This is a prestigious Swedish silversmithing workshop founded in Stockholm in the early 1920s by the baron and designer Erik Fleming (1894–1954). Considered the premier silver firm in Sweden during the mid-20th century, the workshop is renowned for its "Swedish Modern" style, characterized by simple elegance and minimalist decoration. Erik Fleming originally trained as an architect and engineer but became a silversmith almost by chance. He served as a purveyor to the Royal Court of Sweden. One of his most notable works was an 800-piece dinner service created in 1933—a wedding gift from the Swedish people to Prince Gustaf Adolf and his wife, Sibylla. In 1943, he organized the first exhibition of modern jewelry in Sweden, helping to launch the careers of many post-war artists. Following Erik's death in 1954, his son, Lars Peter Eriksson Fleming, continued the workshop's legacy. Over the decades, renowned designers and silversmiths worked for Atelier Borgila, including: Sigurd Persson: One of Sweden's most influential designers. Rey Urban, Birger Haglund, and Claes Giertta. Rikard Waterval: Known for avant-garde designs in the 1970s and 1990s. Country: Stockholm, Sweden. Period: Art-Deco, 1940-1941. Designer: Erik Fleming (1894–1954) for Atelier Borgila. Materials: Solid polished .925/.999 Sterling Silver and cedar wood veneers. Weight: 1,106.65 Grams, (709.30 Dwt). Measurements: H. 212.10 mm by L. 154.5 mm by 133.40 mm, (8.35 x 6.08 x 5.25 Inches). Hallmarks: Stamped with Swedish royal marks; the maker's mark, the mark for the assay and warranty of the silver, the production date letter-code P8 for 1941 and signed in full as follows: "BORGILA S P8 STERLING". Engraved: With a discrete dedication to the base that reads "Christer C. Skriver 2/17/1949 Fran Automobilindustrikommittkien. Notes: Automobilindustrikommittkien refers to a Swedish committee, likely the Automotive Industry Committee, which commissioned a sterling silver Art Deco humidor...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

Sterling silver Jewel box with Rectangular rounded corners gold plated with translucent fire enamel stripes on guilloche and hand engraved with late Russian Empire style ornament app...

An exceptional, fine and impressive, rare antique Victorian English sterling silver vesta box modelled in the form of a tortoise; an addition to our ornamental silverware collection. This exceptional antique Victorian cast sterling silver vesta box has been realistically modelled in the form of a tortoise. The plain oval body of this Victorian vesta box is embellished with cast and applied components replicating the details of the tortoise's legs and head. The anterior surface of this rare box features an applied oval serrated panel / match striker. The hinged tortoiseshell cover opens to reveal the original gilt interior. The underside of the body bears the contemporary engraved inscription 'July 1883'. Condition This antique Victorian vesta box is an exceptional gauge of silver, exceptional quality and in exceptional condition. There are some blemishes and wear to the original gilding, in keeping with age. Full hallmarks struck to the underside of the body are very clear. Dimensions length 8.4cm/3.3" width 5.5cm/2.2" height 3.2cm/1.3" Weight 2.4 troy ounces/73.9g (including tortoiseshell cover) Maker: Thomas Johnson II Date: 1882 Origin: London, England Video: A video of this fine piece is available upon request. Reflections in photographs may detract from the true representation of this antique vesta box...

A magnificent, fine and impressive, rare antique Victorian English sterling silver vesta box modelled in the form of a boar; an addition to our ornamental silverware collection This magnificent antique Victorian cast sterling silver vesta box has been realistically modelled in the form of a boar. This impressive antique vesta case is embellished with details replicating the features of the boar's coat of fur and anatomical features. The back of the boar incorporates a hallmarked hinged cover which opens to reveal the serrated panel/match striker. The secondary hallmarked hinged panel opens to reveal the original gilt interior; this is faciliated with a thumbpiece modelled in the form of the boar's tail. Such magnificent period examples are rare and becoming increasingly difficult to locate. Condition This antique Victorian vesta box is an exceptional gauge of silver, exceptional quality and in exceptional condition. Full hallmarks struck to the underside of the body, in addition to part hallmarks to the interior of each hinged cover are very clear; the hallmarks are struck deeply due to the exceptional gauge of silver. Reflections in photographs may detract from the true representation of this antique vesta box...

An exceptional, fine and impressive antique Victorian English sterling silver Vesta case in the form of a mussel; an addition to our diverse smoking related silverware collection. This exceptional antique sterling silver Vesta case...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

A magnificent, fine and impressive antique George IV English sterling silver gilt table snuff box; an addition to our antique box collection. This magnificent antique George IV sterling silver gilt table snuff box has an oval rounded form. The body of this impressive antique snuff box...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Silver mustard pot / Antique sterling sliver seasoning pot Antique sterling silver mustard / glass lined seasoning pot 1919 Beautifully crafted ant...

An exceptional, fine and impressive antique Victorian English sterling silver and enamel sentry vesta case; an addition to our range of collectable silver cases. This exceptional an...

An exceptional, fine and impressive antique George V English sterling silver combination vesta and tobacco box; an addition to our smoking related silverware collection This exceptional antique George V sterling silver tobacco box has a plain circular rounded form. The upper portion of this antique silver...

An exceptional, fine and impressive antique George III English sterling silver combination snuff and pill box; an addition to our Georgian silverware collection. This exceptional an...

An exceptional, fine and impressive antique English sterling silver gilt tobacco box; an addition to our 18th century collection This exceptional English antique George III sterling silver gilt tobacco box has an oval form. The surface of this antique box is plain and retains the original gilding. This antique tobacco box retains the original push fit cover embellished with an impressive shield shaped cartouche displaying the crest of a bull below the engraved name 'F Daw'. The surface of the cover is further ornamented with impressive bright cut engraved floral festoon and ribbon bow designs. The rim of the cover is encompassed with a thread decorated border. This impressive example of Georgian silverware was crafted by the renowned and collectable female silversmith Hester Bateman; such examples crafted by this lady silversmith...

A Viennese Bouquet: Art Nouveau Snuff Box by Franco Salimbeni, 1973 This exceptional round snuffbox is a profound homage to the opulent artistry of late 19th-century Viennese Art No...

A fine and impressive antique Victorian English sterling silver table snuff box; an addition to our diverse silverware collection. This fine antique sterling silver table snuff box has a rectangular form with rounded corners. The surface of this Victorian snuff box...

The front of the case exhibiting an exquisite hand painted panel depicting sprays of irises in shades of lavender, royal blue & green, set against a radiant white enamelled machi...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

English Georgian gilt sterling silver snuffbox, 1812. Rectangular with straight sides. Cover hinged and tabbed; on top, chased pastoral scene: A shepherd sits under a tree with a lam...

Hallmarked in London in 1821 by Christopher John Buckler, this handsome, Antique Sterling Silver Snuff Box, is gilt, and features a cast "Topers" scene on the lid of three gentlemen ...

Victorian Period, sterling silver-mounted (unmarked, but tested) Cowrie shell snuff box with hinged lid, England, Ca. 1840's. Measures 3 inches long x 2 inches deep x almost 2 inches high. Sterling silver mount is engraved Mrs. Margaret Burke...

A fine and rare 19th century sterling silver snuff box made specifically for the Great Exhibition of 1851, held at the Crystal Palace in Londo...

Vintage Conus seashell box with sterling silver mounts - side hinge - unidentified hallmarks to the interior (.925 silver) - Italy (Florence - likely) - m...

A magnificent, fine and impressive antique George IV English sterling silver gilt table snuff box; an addition to our antique box collection. This...

Gabriella Crespi tortoise and sterling silver box. Vintage Crespi cylindrical cigarette case with engraved Gabriella Crespi logo monogram and original ...

A fine antique signed silver Art Nouveau fish-themed matchsafe. By R. Blackinton & Co. In sterling silver. With repousse decoration of fish splashing on the water's surface to...

Art Nouveau Jewel: Guilloché Enamel & Hand-Painted Pill Box by Giorgio Salimbeni, 1977 This exceptional oval pill box is a masterful synthesis of two revered decorative arts: th...

Gold-Plated Sterling Silver and Enamel Pill Box with Floral Miniature by Romano Buccioni, Salimbeni, Florence, 1980 Exquisite shaped pill box in 925/1000 sterling silver, gold plate...

An exceptional, fine and impressive antique Edwardian English sterling silver vesta box modelled in the form of a pig; an addition to our ornamental silverware collection This exceptional antique Edwardian sterling silver vesta box has been realistically modelled in the form of a pig. This impressive Edwardian vesta case is embellished with details replicating the features of the pig's skin and anatomical features. The back of the pig incorporates a hallmarked hinged cover with a textured match striker to the anterior surface. The interior of the cover of this exceptional silver box is gilded. Condition This antique Edwardian vesta case is an exceptional gauge of silver, exceptional quality and in exceptional condition. Full hallmarks including the foreign manufacture mark struck to the underside of the body are very clear; the hallmarks are struck deeply due to the exceptional gauge of silver. The maker's mark has wear in keeping with location. Dimensions Length 7.6cm/3" Width 2.8cm/1.1" Height 4.6cm/1.8" Weight 1.7 troy ounces/53.7g Maker: Unknown Date: 1901 Origin: Chester, England Video: A video of this fine piece is available upon request. Reflections in photographs may detract from the true representation of this antique vesta box...

An exceptional, fine and impressive antique Victorian English sterling silver and enamel cigarette case; an addition to our range of silver boxes and cases. This exceptional antique Victorian sterling silver cigarette case has a plain rectangular form with rounded corners. This antique cigarette case has a subtly curved form proffering a comfortable fit in the majority of pockets. The anterior cover is embellished with an exceptional hot enamel scene depicting two greyhound style canines in a rural setting. The posterior surface of the case is ornamented with the contemporary engraved initials 'G.W.C.R' and the date '11th Feby 1886' The rounded sides of this cigarette case are plain and unembellished. This antique enamel cigarette case...

Victorian Period, Continental Silver (.800) snuff/trinkets box, having a hinged lid, Hanau, Germany, Ca. 1895. Box is decorated with Neoclassical figures. Box measures 3 1/4 inches ...

An exceptional, fine and impressive antique Victorian English sterling silver combination sovereign or vesta case, an addition to our diverse box and case collection. This exceptional antique Victorian English sterling silver combination vesta or sovereign case has a subtly domed rectangular, rounded form. The anterior and posterior surfaces of this silver case are plain and unembellished. This antique Victorian sterling silver sovereign case is fitted with a hinged hallmarked push fit cover allowing access to the hallmarked sprung sovereign holders...

Snuff Box Snuff Box Venetian landscape is in 925/1000 sterling silver gold plated 24 carats.. Snuff Box Snuff Box Venetian landscape has translucent fired enamel on guilloche and min...

An exceptional, fine and impressive antique Victorian English sterling silver and enamel vesta case; an addition to our range of collectab...

Rectangular snuffbox in 925/1000 sterling silvere gold-plated with fine hand engravings and three-color fired enamels on guillochè also on the sides. Baroque style. Dimensions: 6 x ...

Sterling silver Victor Emanuel pill box. Antique blue enameled silver pill box with the crowned initials of King Victor Emanuel and House of Savoy rope emblem, stamped Masenza Rome. ...

Snuff box "savonette" shape in 925/1000 sterling silver with fire enamel and hand painted miniature on white background depicting a heads of running horse . English "Art Nouveau" st...

Shaped pill box in 925/1000 sterling silver gold plated with a hand-painted miniature with fired enamel by the painter Romano Buccioni in the Louis XVI Empire style of the second hal...

18th century Dutch silver scent box On top a Depiction of Vice Admiral Zoutman The victor of the Dogger Bank Battle Made by Dirk Hoep 178...

A very good 19th century Victorian sterling silver snuff box of oblong form, showing a hinged lid engraved with machined undulating wavy motifs, centred by a monogrammed shield-shaped cartouche, opening to a richly gilded interior with both the lid & base bearing Birmingham hallmarks...

Sterling silver and bone box. Antique Continental dark bone/horn fitted case with sterling silver mounts and central oval for monogram; originally a t...

Duke of Clarence sterling silver snuff box. Antique ebonized wood and sterling silver box with the profile of the son of Queen Victoria. England, la...

Giorgio Salimbeni Gold-Plated Sterling Silver and Enamel Pill Box with Miniature by Renato Buccioni, Florence, 1978 Exquisite round, domed pill box in 925/1000 sterling silver, gold...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Art Deco black glass table box in two pieces with sterling silver overlaid sailboat design on the lid.

Snuff Box noble coat of arms is in 925/1000 sterling silver. Snuff Box noble coat of arms has White fired enamels on guilloché and handpainted miniature of arabesques with noble coat...

Round curved snuffbox in 925/1000 sterling silver with translucent fired enamels on guilloché, above and below, and miniature on the lid of a stylised bird, hand painted by the paint...

Snuff box “savonette” shape in 925/1000 sterling silver with fire enamel and hand painted miniature on white background depicting two heads of running horses . English “Art Nouveau” ...

Octagonal snuff box in gilded 925/1000 silver with English Queen Anne style borders and sides with fired enamels painted like lapis lazuli stone. On the lid, a very fine fire-enamell...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enamelled on guillochè and fine hand-engraved on all sides, French Empire Napoleo...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enameled on guillochè and fine hand-engraved on all sides, French Empire Napoleon...

Shaped table snuff box in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. Very fine hand engraving on all surfaces. Dimensions cm. 6.2 x 7.8 cm...

Octagonal snuff box in sterling silver 925/1000 gold plated with borders in the English Queen Anne style and sides with translucent fired enamels on ...

An exceptional, fine and impressive antique Victorian English sterling silver vinaigrette modelled in the form of a book; an addition to our silver boxes collection. This exceptional antique Victorian sterling silver vinaigrette has been realistically modelled in the form of a book. The body of this antique silver vinaigrette...

A fine and impressive antique Victorian English sterling silver and enamel envelope style vesta case; an addition to our silver case collection This fine antique Victorian English s...

Square snuff box with rounded sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand painted miniature parrotlets on flowering branches. Ar...

An exceptional, fine and impressive, rare antique Victorian English sterling silver table snuff/vesta/trinket box modelled in the form of a barrel; an addition to our diverse silverware collection This exceptional and rare antique sterling silver box has been realistically modelled in the form of a barrel. The surface of this unusual Victorian trinket box...

A sterling silver Georg Jensen box, design #1142A by Soren (Søren) Georg Jensen from 1965. The lid is a separate piece and lifts off, the top surface of the lid is gilt. There are di...

An exceptional, fine and impressive antique George III English sterling silver vinaigrette made by Samuel Pemberton; an addition to our silver boxes collection This antique Georgian vinaigrette...