Porcelain Mantel Clocks

Large and exquisite bronze doré clock with large putti holding a Garland of flowers over a porcelain painted mounted above French clock. Sevres porcelain mounted inside.

Marks to movement: ELR, 1903, R73 to underside of lid. Origin: French Date: circa 1900 Dimension: 17 1/2 x 12 x 6 1/2 inches.

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

A 19th century French gilt bronze, enamel and porcelain three-piece garniture set. Beautifully shaped with two putties playing the flute under a hand-painted white ground porcelai...

A fine example of sevres biscuit porcelain showing an allegorical group of three classically draped young figures, two embracing; all standing beside the clock case which is surmount...

French Louis XV style (19th Cent) bronze dore and porcelain floral decorated mantel clock with four 18th Century style figures and cupids (Balthazar) *Not working

A fine quality 19th century Sèvres ormolu-mounted porcelain clockset. Origin: French Date: 19th century Dimension: Clock: 25 in high; Urns: 24 in high.

This antique porcelain mantel clock demonstrates the 19th century nostalgia for the delicately elegant decorative arts under King Louis XV, also known as the Rococo style. Crafted by celebrated porcelain artist Jacob Petit, this exquisite clock is particularly notable for the way in which the porcelain has been shaped so as to give the clock such a whimsically free-spirited, scrolling shape. The clock is formed as a clock case upon a lower base, which are both decorated as a though a singular piece with green glaze on a white ground, accented with painted floral panels and extensive gilt highlights all over. The clock case, which is particularly exuberant in design, features a central, circular clock dial. The white enamelled dial is bordered with beaded ormolu, and features black Roman numerals and the inscription 'Scherer'- the name of the 19th century Parisian clock...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

This clock was made in France during the period when science and Astrology were being explored and brought to the attention of the Populace. The putto that sits at the upper portion ...

A French Napoleon III ormolu and porcelain putti mantel (fireplace) clock in gilded bronze with inset painted porcelain plaques. The central painted ov...

An elegant French 19th century Louis XVI St. ormolu and porcelain clock. The small scale clock is raised by fine tapered fluted legs below striking richly chased block rosettes cente...

A very impressive late 19th century French gilded ormolu and cobalt blue porcelain urn clock set, the clock having seated putti holding garl...

Three-piece Louis XV Rococo style porcelain and ormolu clock set French, late 19th century Clock: Height 82cm, width 62, depth 28cm Candelabra: Height 76cm, diameter 22cm Compr...

A beautiful 19th Century French Louis XVI Ormolu and White Carrara Boudoir Clock with a Pair of Candelabras. This antique French ormolu mounted white marble boudoir clock, is circa...

A French Garniture de Cheminée in the Chinoiserie Taste Constructed in blue turquoise porcelain with gilt highlights, Algerian onyx and bronze, ...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

Antique French Sèvres-style ormolu mounted porcelain mantel clock French, 19th Century Height 50cm, diameter 21cm This superb 19th century porcelain clock...

Porcelain, champlevé enamel, and gilt-bronze Rococo style three-piece clock set French, Late 19th Century Clock: height 38cm, width 23cm, depth 16cm Vases: height 28cm, width 13cm, d...

Unique French 19th century mantel clock. This exquisite mantel clock has a Sevres porcelain dial plate and other Sevres porcelain decorations. The movement with spring suspension. ...

TABLE CLOCK "ARAB WARRIOR" 19th Century ex Christie's In French porcelain, relief decoration, polychrome and gold, white enamel dial with black Roman numerals, relief and gold metal bezel, autonomy of eight days, rings the hour and half hour bell. Marked. Dim.: 35 x 17 x 10 cm FRENCH PORCELAIN MANTEL...

An antique Napoleon III arched mantle clock, featuring pink porcelain panels with hand painted portraits of Marie Antoinette and courtship. A hinged door p...

A FINE CHARLES X ORMOLU AND PARIS PORCELAIN CLOCK, THE ORMOLU ATTRIBUTED TO JEAN FRANCOIS DENIERE, CIRCA 1830. The dial signed Bourdon Hr du Roi...

Antique Three-piece Louis XV and Sèvres style clock and ewer set French, late 19th century Dimensions: Height 36cm, width 34cm, depth 12cm Consisting of a central mantel clock a...

French blue celeste porcelain and ormolu mantel clock. Very good condition with original ormolu and no damage to the porcelain panels, some of which have neo-classical influence. Two...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

Comprising a central clock and a pair of flanking vases, the clock with central dial set in a panel of porcelain imitating champlevé enamel with geometric design on turquoise ground...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

A fine Napoléon III gilt-bronze and sèvres style cobalt blue ground 'Jewelled' Porcelain Three-Piece Clock Garniture Comprising a mantel clock and a pair of five-light vase candel...

This clock set contains three pieces: namely, a mantel clock and a pair of flanking candelabra. The mantel clock is designed about a Japanese porcelain vase, known as Imari ware. This white ground vase, painted in reds and blues and ornamented with foliate forms, functions as the clock case, the dial centrally mounted and encompassed by Rococo style gilt bronze motifs. This vase is supported by a gilt bronze base, which is profusely ornamented with gilt bronze acanthus leaves, garlands, and, most distinctly, a pair of putti. The vase is mounted with lion head handles to each side, also of gilt bronze, while the lid of the vase is topped by a gilt bronze finial in the form of a putto. The candelabra are similarly decorated and of similar construction, each one being built about a smaller Imari...

Rococo style gilt bronze mounted porcelain clock garniture French, late 19th century Measures: Clock: Height 38cm, width 27cm, depth 13...

A mantle clock in the Louis XVI taste by Raingo Freres, Paris Constructed in gilt bronze, and dressed with Bleu Celeste framed porcelain panels, decorated in polychromes, in the '...

This wonderful clock set, which is comprised of a mantel clock and pair of flanking vases, is designed in a fanciful French ‘Oriental’ style. The set is crafted from brass which has been silvered, parcel gilt and painted. The clock is also mounted with porcelain plaques which are beautifully painted with colourful depictions of birds and flowers. The mantel clock is composed of a tall rectangular body with a break arch top which is crowned by a covered twin-handled urn. The urn features a parcel gilt pointed finial on its cover and a silvered body painted with pink cherry blossoms. The urn stands on the arched top of the clock, which is decorated with a sculptural gilt scrollwork band and a gilt foliate border. The arch contains a circular porcelain dial which features a central painting of a pair of birds, encircled by black Roman Numerals within white cartouches. This dial is framed by a gilt beaded bezel. The shoulders of the clock body are mounted with parcel gilt and silvered elephant heads holding ring handles. Porcelain panels decorate the front and sides of the silvered clock body. These panels are beautifully decorated with paintings of colourful birds, butterflies and cherry blossom trees, set within gilt stiff-leaf frames. The clock body is set on a silvered rectangular base which is edged with a parcel gilt foliate band. The front of the base is mounted with a silvered and parcel gilt lion's head mask and flanking painted porcelain plaques. The clock stands on four parcel gilt silvered feet, which are geometric and scrolled in form. The pair of silvered vases...

Gilt bronze and Sèvres style porcelain clock garniture French, 19th century Measures: Clock height 46cm, width 29cm, depth 24c...

A French Sevres style cobalt blue lyre clock with finely cast ormolu sunburst and floral swagged mounts with jewelled bezel, pretty floral swa...

A very good quality French 19th century gilded ormolu and pink Sevres porcelain mantel clock. Having monopodia supports, a putti supporti...

Extremely decorative Louis XV style turquoise porcelain three-piece garniture clock set with bronze doré' mounts. (Turquoise foo dogs Chinese export...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

A magnificent French 19th century Louis XVI st. Sèvres porcelain and ormolu clock. The clock is raised by fine topie shaped feet below the ormolu base which is decorated with elegant...

Large three-piece porcelain, champlevé enamel, and ormolu mounted clock set French, late 19th century Measures: Clock: height 46cm, width 25cm, depth 15cm Vases: height 38cm, width 14cm, depth 11cm This exceptional antique clock set consists of a central clock flanked by a pair of small vases...

A Large Gilt-Bronze and Sèvres Style Cobalt Blue Ground Porcelain Three-Piece Clock Garniture. Comprising a mantle clock and a pair of vases and covers. The mantel clock modelled w...

A Fine English Minton Bleu Céleste porcelain ground clock set consisting of a urn clock and two candlesticks with gilt bronze mounts of female mascrons and garlands, hand painted gol...

The case Jean-Francois and/or Guillaume Deniere (French, 1820-1901); the mechanism (Samuel Marti et Cie (French, 1841- ), circa 1870, finely cast gilt bronze and marble mantel clock in the Louis XVI taste, surmounted by a ribbon tied quiver and torch, the case decorated with swirling florals, the enameled dial with polychrome floral swags and Arabic numerals, the base with bundled acanthus garlands. and rising on toupie feet. The dial marked "Deniere/Ft de Bronzes" and "Paris", the mechanism stamped "Jx/Deniere/A Paris/1565',"Juveneaux", and "Medaille Bronze/S Marti & Cie". Note: The Deniere (Derniere) firm was noted for their exceptional bronze casting, exhibiting at the Paris 1855 World Fair and having multiple royal commissions including the coronation coach...

This Japanese style clock set was crafted in France in circa 1880. The set consists of a central clock, which is accompanied by two vases. The central clock features a gilt brass rectangular body with a pitched top, like a pavilion roof. The roof is mounted with wavy, silvered brass forms, and topped by a silvered brass ball finial, with a pointed end, which is bracketed by wavy forms. Mounted onto the four corners of the clock’s front facade are silvered dragons and cloud-like motifs. The central panel is recessed, and contains the gilt brass circular clock dial, inscribed with Roman Numerals. The centre of the clock dial is decorated with embossed flowers and a circular, red form, with a painting of a bird at its centre. The dial is signed with the retailer’s name, ‘ALEX'R M HAYS, NEW YORK’. The space below the dial is ornamented with relief flowers, a black porcelain triangle, which is overlaid with floral designs, and a dark blue porcelain fan, decorated with buildings. They are accompanied by the porcelain figure of a Japanese woman, wearing a kimono and seated at a koto. Similar recessed panels, featuring porcelain birds and coloured geometric forms, decorate the sides of the clock body. These are mounted with wavy, silvered brass shapes, which serve as handles. The clock body is set on a rectangular, silvered brass base, which is raised up on four bracket feet, and features a cloud-like silvered brass apron. The vases that accompany the clock have tall, soft-edged rectangular bodies, and are decorated in a similar style to the central clock. They likewise feature silvered brass finials, handles and bases, and gilt brass bodies, which are decorated with embossed flowers, geometric painted porcelain shapes, and Japanese figures. Unlike the clock, however, the vases feature full-length portraits of standing Japanese figures. One vase depicts a woman, who wears a kimono and raised wooden shoes (geta), and who holds a parasol and fan. On the other vase, the image shows a man dressed in a haroi jacket, with a kosode and trousers underneath, and sandals on his feet. He holds a knife and circular, metal shield, and carries a katana sword...

A fine quality 19th century French Sevres porcelain and gilded ormolu clock garniture. Having a very impressive pair of five branch candelabra each...

A very impressive 19th century French gilded ormolu and Severs porcelain mantel clock. Having putti on either side, holding garlands of flowers. Inset hand-painted Sevres porcelain p...

Antique Neo-Grec porcelain and cast iron clock set French, 19th Century Clock: Height 41cm, width 40cm, depth 16cm Candelabra: Height 30cm, width 2...

A exquisite and monumental 19th century German bisque porcelain mantel clock depicting the Three Graces. This impressive late 19th-centur...

French porcelain and ormolu mantel clock with silver highlights mantel clock. A superb Napoleon III clock in the Louis XVIth style. The original fire/mercury gilt ormolu in very good...

A fine quality Napoleon III Ormolu pink porcelain clockset Origin: French Date: Late 19th century Dimension: clock: 19 1/2 x 16 1/2 x 6 3/4 in...

A table clock in the Louis XVI Manner By Japy Frères The finely chased ormolu case is dressed with pink 'Sèvres' style hand decorated polychrome panels to the face and sides, dep...

This exquisite clock set is designed in an elegant 18th-Century Rococo manner, in the style of Sèvres porcelain wares. Rococo is characterised by its use of pastel colours, graceful ...

A magnificent early ormolu (finely gilded bronze) and Sèvres style porcelain clock by renown maker Achille Brocot. It is mounted with delicately painted Sèvres style porcelain with a...

Fine and rare English Coalbrookdale porcelain clock in excellent condition. 8 day English fusee movement signed and numbered by the renowned ma...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...

French 19th century Louis XVI style mantel clock signed by J Marti. Made from marble and gilt bronze with porcelain dial.

Charles X Period Ormolu Mounted Jacob Petit Porcelain Mantel Clock French, c.1825 Height 36cm, width 18.5m, depth 10.5cm Set within a beautiful porcelain case, parcel gilt, and flor...

French gilded ormolu mantel clock with blue hand painted floral porcelain panels (the panels all separately signed ‘Creilliet Montereai, Medaillon D’or, ...

A good quality French, 19th century pink sevres porcelain and gilded ormolu clock set. Having a classical urn to the top, an eight day chiming movement. A romantic scene painted to t...

French Porcelain Figural Mantel Clock French porcelain figural mantel clock beautifully decorated with flowers on a white ground, lattice work panel to the centre and standing on out...