Bronze Clocks

A French fire-gilt clock depicting a standing figure, Restauration Era, 1815-1830. The silk-thread mechanism is in good working condition with key and pendulum.

A French fire-gilt clock depicting a seated female figure - Urania, I presume, judging from the iconography. Empire Era, 1800-1815. The gilding sh...

An Empire ormolu and painted bronze mantel clock attributed to Jean-Simon Deverberie. Fitted in an ormolu case shaped as a cotton bale, the round enamel dial features Roman numeral hours and Arabic fifteen-minute graduations, indicated by two pierced gilt bronze hands. Shirtless and barefoot, a young black sailor...

A spectacular and very important French early 19th century Louis XVI st. white Carrara marble and ormolu clock by Raingo Frères. The clock is raised by elegant topie shaped feet with fine wrap around berried laurel bands below the white Carrara marble base with rounded sides decorated with richly chased pierced intertwined berried laurel and blooming flower bands, and a finely detailed central plaque depicting charming cherubs playing musical instruments. Above are two exquisite patinated bronze maidens sitting on a mottled support with lovely foliate designs each draped in wonderfully executed garments and holding a wreath and flowers with a charming winged cherub extending his arms up. At the center is the elegant enameled dial with Arabic hour numerals amidst lovely floral garlands and numbers indicating the date at the border with delicate pierced ormolu hands with a remarkable pieced foliate design at the back. Above is the lightly curved fluted top crown with a stunning array of richly chased branches and blooming flowers in a superb satin and burnished finish. All original gilt and patina throughout. Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

A good quality French bronze and ormolu clock garniture, having bronze cherubs mounted either side of the clock and supporting the five branch candelabra. Retailer; Humbert.

A charming and extremely high quality French 19th century Louis XVI st. ormolu and patinated bronze clock, signed Denière. The clock is raised by a fine oval shaped ormolu base with a richly chased wrap around berried laurel band and mottled border. The adorable and wonderfully detailed patinated bronze winged cherub is seated with his bow and arrows in a quiver at his side draped in a lovely flowing fabric. He is attentively holding a scroll in his left hand, seemingly reading and taking notes with a pen in his right hand while leaning on the clock with a curious raven at his side. The clock is set in a patinated bronze box...

A magnificent bronze clock depicting a resting Cupid with his quiver and bow and a dove as messenger of love. The whole raised on Rouge Griotte marble plinth enriched with gilt and m...

Antique French exquisite quality Ormolu clock and candlesticks of Vatican rouge marble, circa 1875-1885 Clock measures 15” H x 10” W x 4 1/2” D Candlestick measures 13” H x 7” W ...

A stunning French 18th century Louis XVI period ormolu and silvered bronze clock, signed Pfeñinger, Zurich. The clock is centered by a striking f...

A very fine gilt bronze, patinated bronze and marble clock by Marlin & Cottin, 26 rue Amelot, Paris. The body of the clock made rouge marble ornate with gilt bronze garlands raised o...

In classical mythology, Hebe, the personification of youth, is also cupbearer to the gods. She is the daughter of Juno and Jupiter (represented here by his eagle). Seated between his wings, she is holding the oinochoe (wine pitcher) in one arm while with her free hand she gracefully offers him divine nectar known as ambrosia, a drink which reinforced the Olympians' immortality. The three-piece clock garniture centred around the large silvered bronze figural group after the original by Albert-Ernest Carrier-Belleuse, supported on a gilt-bronze mounted onyx clock base, denoting the hours in Roman numerals, the central clock flanked by a pair of silvered and gilt bronze female figures in neoclassical garb, their amphoras issuing five scrolling candleholders...

A striking and very high quality French 19th century Renaissance st. Rouge Griotte marble, patinated bronze, and ormolu garniture clock set. The clock at the center is raised by hand...

An exceptional Louis XVI style champlevé enamel and gilt-bronze mantel clock with finely painted neoclassical scenes by Leroy & Fils. French, circa 1880. Stamped to the movement ‘LEROY & FILS A PARIS, 823’. This fine gilt-bronze and champlevé enamel clock has an arched case with outset bulbous columns to the angles, it is surmounted by a drum top with a pierced scroll and ball finial and applied with expressive cherub mounts. The front and sides of the clock are all exceptionally finely painted with neoclassical scenes of figures in an architectural setting and the top and base enriched with fine polychrome champlevé enamel. The clock has an enamelled chapter ring with Roman numerals interspersed with anthemion devices and a twin barrelled, eight-day movement striking on a bell. The firm of Leroy et Fils was founded by Bazile Charles Leroy in 1789. He was a clockmaker to the Emperor Napoléon, The Duke of Orleans, The Duke of Bourbon and Princess Pauline. In 1823, he filed a patent for self-winding atmospheric clock operated by weathervane and in 1840 a patent for wind clocks. When Charles Louis died in 1865 his son Louis Leroy...

A stunning French mid 19th century Louis XVI st. ormolu clock, by Bardon, Montpellier. The clock has two love birds on the left looking over to a patinated bronze cupid, standing pro...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

Il trittico in bronzo è costituito da un orologio centrale e da due candelabri laterali. Tutti e tre gli elementi hanno un basamento simile: sopra una base quadrata è poggiato un pli...

Art Deco clock made of frost glass, with enameled and silver-plated bronze dial, made by Sabino. Signed Sabino, machine EC, France. France, CIRCA 1920.

Beautifully designed mantel (fireplace) clock with ornate bronze embellishments. Carved and gilded griffins flank the clock face. A gilt eagle is the finial. The beautiful wood case is embellished with painted geometric designs and marble pilasters...

A chic, c. 1825 French, looping desk clock with a central timepiece framed in foliate embellished, bronze doré wreath. The clock set into a pale blue, Opalin...

A Napoléon III Marble Mantle Clock With A Patinated Bronze Figure of 'Phryné' by James Pradier. France, Circa 1860. Surmounted by a finely cast pa...

A Fine Louis XVI Style Gilt-Bronze and Green Enamel Mantel Clock. French, Circa 1890. Stamped ‘Medaille d’Argent Vincenti & Cie 1855’ and with the initials ‘L.R’. This fine clock or timepiece has a spring-driven eight-day twin train movement by Vicenti et Cie, striking on a gong. The gilt-bronze case is of square-section with a stepped pediment surmounted by musical trophies above a Vitruvian scroll frieze and rosettes to each corner, below is a circular enamel dial with Arabic numerals and floral swags, set within a finely painted iridescent green enamel panel depicting a courting couple in conversation. The sides are similarly painted with fair maidens in a wooded landscape and the back cast with strap-work and Vitruvian scrolls; a circular hinged door opening to reveal the movement. Vincenti was a much respected clock maker, a Corsican who set up in 1823 in Montbeliard using machinery of his own design. Following his death in 1834 his business was carried on by Roux et Cie...

The gilt bronze mantel clock has a base decorated on the front with leafy phytomorphic motifs and a central floral element, and is supported by elaborate spinning top feet that streamline its shape. On the base rests a large plinth...

A very nice high-end clock set three pieces in sevres style and bronze,this clock set have a plus ,the dial is in sevres ,original condition and never touch, the quality of the depic...

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

A fine quality Napoleon III Ormolu pink porcelain clockset Origin: French Date: Late 19th century Dimension: clock: 19 1/2 x 16 1/2 x 6 3/4 in...

A period French Empire Apollo Belvedere mantle clock in gilt bronze, the rectangular plinth on a stepped base richly decorated with acanthus. The plinth itself houses the large white...

FACTORY / HOUSE: Shreve by Zenith STYLE / REFERENCE: Art Deco / Desk Clock METAL / MATERIAL: Stone and Gilt Bronze CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 5 Inches Tall MOVEMENT / C...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

This beautiful clock was made out of porcelain and gilded bronze during Napoleon III period. The porcelain dial indicates the hours with Roman numerals. It is decorated with gilded r...

Imposing and magnificent fireplace gilded bronze and blue porcelain vases. The clock is decorated with putti representing the 4 seasons. It is su...

A striking and unusual French Neo-Grec Revival mantel clock, circa 1870, featuring a richly veined rouge griotte marble case adorned with gilt bronze mounts. The arched body is cente...

19th century French Empire doré bronze clock, France, 1880s.

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

French 19th century champleve enamel clock set signed by Henry Paris Dimensions: Clock: 11" H x 6" W x 3.25" D Candle Holders: 8.25" H x ...

A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & ...

19th Louis XVI style marble mantel clock with gilt bronze.

A fine quality 19th century French Sevres porcelain style and gilded ormolu clock garniture, impressive pair of four branch candelabra. Measures: Clock, H: 53cm, D: 24cm, W: 27cm...

Sleigh-form silvered bronze and green onyx mantel clock French, late 19th century Measures: Height 27cm, width 32cm, depth 29cm This beaut...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

Late 19th century French finely chased doré bronze clock with cherub and fountain motif.

A very finely detailed gilt and patinated bronze clock featuring two maidens supporting the timepiece.

Patinated bronze clock representing The Birth of the King of Rome or the allegory of the Birth of Love Empress Marie-Louise is standing near a cradle filled with roses with a winged cupid in the middle; decor of an Athenian woman with rams' heads and a curtain draped...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...