Bronze Clocks

Designed in the French Rococo style, this clock and barometer set have been beautifully ornamented with scrolling foliate gilt bronze forms. The two are diamond shaped, with symmetri...

French Charles X patinated bronze, ormolu and black marble clock with bust of Apollo. Very well proportioned clock with a fine bronze taken from the classical marble of Apollo. The bronze was created by the feted Paris bronziers of Choiselat and Gallien who also made some of the fine bronze clocks of "Jason and the Golden fleece...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Antique G. Philippe for Palais Royal French Louis XV Style Patinated Bronze Figural C...

Great craftsmanship French gilt bronze and silvered brass three piece clock garniture from the mid 19th century. The set include a French ebauche clock 8-day brass time and strike mo...

A stunning three piece French Art Deco Mantel Clock and garniture set with a fine French movement by and stamped Bennet & Pottier made in Paris, France. Finished on all sides, the st...

Early 19th century Charles X style gilt bronze with figural design detail mantel clock. The clock features a surmounted soldier holding a shield. Eight day spring driven brass moveme...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

Antique French Bronze D'Oré and Carrara Marble Clock, Circa 1880.

French Directoire period ormolu and patinated bronze mantel clock signed Maniere a Paris. A magnificent antique French Directoire mantel clock in patinated bronze and finest ormolu signed Maniere a Paris for Charles-Guillaume Maniere who was working in the Rue...

A lovely antique 19th Century French Boulle Style Mantle Clock. Recently serviced and working well, this clock features a faux tortoise shell veneer and bronze gilded accents around the entire clock. Enamel roman numerals are featured on the clock face overlaying a nicely detailed gilded face. Signed "LEPAUVRE ROUEN" on face. Some minor loss to the veneer as seen in the pictures. Some of the gilded overlay is peeling up in some minor areas as seen in the pictures. The Lepauvre Rouen enamel...

French 19 century Louis XV style Chinoiserie motif gilt bronze cartel clock works signed Raingo Freres.  

A fine cased carriage clock The substantially sized 'Gorge' case houses a lever platform escapement, striking the hours and half hours on a blued st...

Swiss Art Deco Mantel Clock, 1930 This Art Deco mantel clock features a circular, clear glass dial that allows for an unobstructed view. The Arabic numerals and hour markers are silk...

Magnificent pendulum in gilded brass in the manner of bronze in the Louis 14 style. The dial has white enamel reserves in which the hours are indicated in Rom...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

Table clock, “L'Etude” and “La Philosophie”. Gilt bronze, Rouge Griotte, etc. Mesnil movement, Paris, France, circa 1815. In perfect working order. Table clock with a Rouge Griotte...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

This exquisite 19th century trio is comprised of a central clock and a pair of flanking six-light candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii...

Clock. Palo santo, rosewood, golden bronze. France, 19th century, modeled after Charles Cressent (France, 1685-1768). Wooden box grandfather clock in which palo santo, rosewood an...

Late 19th century french gilt bronze/ormolu cloisonné champlevé enameled mantle clock garniture set by Japy Frères By: Japy Frères Material: bronze, enamel, glass, metal, ormolu, paint, cork Technique: cast, champlevé, cloissoné, cold-painted, enameled, gilt, hand-painted, metalwork, molded Dimensions: 6 in x 19.5 in x 15 in Date: late 19th century, circa 1890 Style: Napoleon III, Rococo Revival, Neoclassicism, Louis XVI, Empire Place of origin: France The Japy family is a french industrial dynasty originally from Beaucourt in the Territoire de Belfort. They owned the second largest french company in terms of capital during the Second Empire. Its influential members left their mark on the french industrial landscape through numerous innovations, particularly in clockmaking, typewriters and pumps, as well as in labor organization and workers' social life in the 19th century. This magnificent late 19th century french mantle clock garniture, work of the eminent Japy family, radiates the opulent decorative style of the Rococo Revival. A four glass...

Dimensions: Height: 4 1/4 in Width: 5 1/2 in Depth: 2 1/2 in This antique early 20th century French Art Deco bronze ormolu desk clock is made of the highest quality and perfect for ...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (Inv. OA 5501 in Louvre Museum). 19th century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulator is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Folliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) The cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642-1732) and Charles Cressent (1685-1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben’s death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

Large 19th century neoclassical figural patinated with gilt highlight bronze and marble mantle clock depicting Diana The Hunter. The marble is hand painted with classical decorations.

Antique Late 18th Century Louis XVI Gilt Gold Patinated Bronze Mantel Clock French, Late 18th Century Height 57cm, width 40cm, depth 12cm A wonderful example of late 18th century ...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Amazing Napoleon III Clock Empire French 19th Century 50cm x 26cm x 15cm good condition

A good French Napoleon III period chariot clock of antique vert marble and ormolu. The subject is of cupid riding a fine chariot drawn by a pair of livel...

Clock, Cartel in Louis XV style, 19th century, Napoleon III period. Contact us before ordering to confirm product availability. Measures: H: 45 cm, W: 22 cm, D: 14 cm.

Charles X "The Serpent and The Eagle" Ormolu Clock, circa 1830, the circular dial with strike on bell movement, signed "Charles a Paris", surmounted by the serpent and the eagle from...

Amazing clock depicting the tale of Amor and Psyche which Is about the god of love in Greek mythology. Large bronze Dore figures adorn the pediment standing on a rectangular Marble b...

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

A Fine French 19th Century 'Belle Époque' Gilt-Bronze and Rouge Griotte Marble Table Clock by François Linke (1855-1946) Index Number 86. The clockcase modelled as a tambourine amidst blossoming roses, a mask and fan, on an oval bead-edged marble plinth with recessed panels mounted with fruiting vines, on turned feet, the reverse of the white enamel clock dial with Roman hours and Arabic minutes signed 'F. Linke, Paris', timepiece movement. Circa: Paris, 1895. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau at the 1900 Paris Exposition Universelle. He was the most celebrated Ébéniste of his time. Born in Bohemia in 1855, he moved to Paris in 1881. He produced furniture of the highest quality at his workshops at 170, rue du Faubourg-Saint-Antoine, and established showrooms at 26, Place Vendme. A much simpler version of this commode, with fewer ormolu mounts and with no marquetry, is illustrated in Christopher Payne's "François Linke 1855-1946 The Belle Epoque of French Furniture" Antique Collectors' Club, 2003 Edition, Index 720, Page 498. Literature Payne, C., François Linke 1855-1946: The Belle Epoque of French Furniture, 2003, models illustrated pp. 160, 182, 247 and the black and white cliché on p. 487. Another example of this model was sold at Sotheby's New York, Sale 19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art on April 22, 2010, Lot 448 'Lot 448: FRANÇOIS LINKE 1855 - 1946 A GILT-BRONZE AND ROUGE GRIOTTE MARBLE TABLE CLOCK PARIS, CIRCA 1895, INDEX NUMBER 86' Sold for $10,000 USD Another example of this model was sold at Christie's New York, Sale '500 Years: Decorative Arts Europe' (PROPERTY FROM THE COLLECTION OF RAYMOND AND MIRIAM KLEIN) on October 20, 2011, Lot 146A 'A FRENCH ORMOLU AND ROUGE MARBLE TABLE...

Vintage italy 1990s bronze 4 flame clock and candelabra

Clock dimensions: Height: 46 cm (18.1 in) Width: 33 cm (13 in) Depth: 13 cm (5.1 in) Marble accessory dimensions: Height: 20 cm (7.9 in) Width: 11 cm (4.3 in) Depth: 9 cm (3.5 in) ...

A French restauration period mantle clock having a large patinated bronze eagle with outstretched wings standing on a wreath on top of the clock. The stepped square patinated bronze...

This Gothic Revival mantel clock is a fine example of early 19th-century French decorative arts, attributed to Charles Delaunay (Delaunay Chauvau). Crafted in dark patinated bronz...

A rare Louis XVI style mantel clock after a late 18th century original inspired by the novel ‘Paul and Virginia’ written in 1788 by Bernardin de Sain...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

Gilded bronze mantel set, Louis XV style, Napoleon III period. Louis XV style Napoleon III period ormolu mantel set consisting of a clock and two candelabras. Pendulum: H: 65cm, W: ...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

Portico clock from the Empire period, circa 1810, with an architectural design in white marble, accompanied by very simple ornamentation in mercury-gilt bronze with finely chiseled...

French watch Napoléon III Original label on the back 1867 Important French watch III with original label of the retailer beautiful back of the watch. The ...

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

A stunning and high quality French 19th century Louis XV. st. ormolu, patinated bronze and Rouge Griotte marble clock. The clock is raised b...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

Of majestic scale with the ormolu gilding in very good condition in working order.

Antique French, "Ship's Quarter Deck" Automata clock from the Industrial Series. The bronze and silvered case is in the form of a ship's quarter deck, s...

Antique French Empire Victorian Bronze Ormolu Walnut Vatican Wall Clock. Item features a glass dome front and bronze ormolu. Has not been tested. Circa Late 19th Century. Measurement...

Rococo style clock with Louis XV monogram, gilt and patinated bronze This Rococo-style clock in gilt and patinated bronze depicts a putto on a chariot drawn by a dragon. The circula...

Majestic set consisting of a French ormolu clock and two large candelabra. The ormolu watch is made by Samuel Marti. The bronze is attributed to Alfred Em...

Antique French Louis XVI period dore bronze striking cartel clock, 18th century. With it's horological functions completely intact this stunning clock is in excellent condition with ...

This colorful pedestal clock has been crafted from fine red marble and green onyx, and beautifully decorated with gilt bronze (ormolu) and champlevé enamel. While a popular crafts material in ancient times, onyx was largely forgotten about until its rediscovery in the mid-19th century in Algeria by a French marble-worker called Delmonte. Onyx became highly fashionable in France following this discovery, and it was used to create a variety of decorative art objects. The clock features a green onyx cube-shaped case, which is surmounted by a slightly projecting red marble top. This top is fringed with champlevé enamel drapery-like motifs, with gilt bronze drop-finials. The case is mounted on its front with a circular dial, which features a central floral champlevé enamel motif, encircled by black Arabic Numerals. This dial is set within a gilt bronze egg-and-dart and champlevé enamel bezel. The sides of the case are mounted with circular gilt bronze barometers...

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

Charles X Gilt and Patinated Bronze Mantel Clock, circa 1830, with a circular enamel dial, the movement strike on bell, surmounted by a two handle tazza, acanthus scrolled mounts, an...

A superb Louis XVI style gilt-bronze mantel clock, of architectural and classically inspired form, exquisitely cast and finely chased throughout. The movement is mounted in a bronze ...

Rococo style gilt bronze mantel clock with Sèvres style porcelain plaques French, late 19th Century Measures: Height 45cm, width 32cm, depth 15cm This fine mantel clock is a cha...

Marks to movement: ELR, 1903, R73 to underside of lid. Origin: French Date: circa 1880 Dimension: 19 x 22 x 8 inches Notes: Zacharie Joseph Raingo (1775-1847) The Raingo...

French Patinated Bronze and Marble Mantel Clock, late 19th century, the circular dial, with timepiece movement, surmounted by a cherub playing a triangle, on a tapering pedestal and...