Bronze Clocks

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

French 19th century champleve enamel clock set signed by Henry Paris Dimensions: Clock: 11" H x 6" W x 3.25" D Candle Holders: 8.25" H x ...

Antique Alabaster, Ormolu and Silvered Bronze Clock Set in the Neo-Grec Style French, Late 19th Century Clock: Height 55cm, width 33cm, depth 16cm Candelabra: Height 62.5cm, width 1...

A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & ...

A fine quality 19th century French Sevres porcelain style and gilded ormolu clock garniture, impressive pair of four branch candelabra. Measures: Clock, H: 53cm, D: 24cm, W: 27cm...

Sleigh-form silvered bronze and green onyx mantel clock French, late 19th century Measures: Height 27cm, width 32cm, depth 29cm This beaut...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

JAPANESE IMARI PORCELAIN AND ORMOLU MOUNTED MANTEL CLOCK, 19TH CENTURY urn shaped with three ormolu mounted cherubs with Roman Numeral and Arabic dial. Dimensions Height: 22" Width: ...

A 19th Century French Ormolu Bronze & Porcelain Figural Mantel Clock Retailed by Tiffany & Co. Having an ormolu case with two winged maidens centered by the porcelain dial with Roma...

A stunning 19th century French Sevres mantel clock in the baluster shape. style baluster shaped mantel clock. The neck adorned with a two painted oval po...

A magnificent gilt-bronze mantel clock of monumental form, richly cast and finely chased in the Rococo-revival style. The case is surmounted by a celestial globe above a pierced flor...

A 19th century French gilt-bronze and white marble figural lyre clock. The case mounted with floral swags, with a figure of Cupid to the top and two cherubs to the sides, on fluted r...

A fine Early 19th century French Empire ormolu bronze mantel clock. Depicting a winged cherub standing atop a barrel while a kneeling lady pouring wine ...

A fine large 19th century French gilt bronze mantel clock modeled in form of a classical lady wearing a toga sitting amidst broken columns as she is looking up while holding an angel...

A very large and impressive 19th century Empire style gilt and patinated bronze malachite mantel clock depicting 'Psyche Crowning Cupid.' Psyche crown...

A 19th century French gilt bronze, enamel and porcelain three-piece garniture set. Beautifully shaped with two putties playing the flute under a hand-painted white ground porcelai...

A Louis XVI ormolu-mounted black and white marble mantel clock by Thiéry, Paris. Thiery Paris, late 18th century. The drumcase cont...

This French Louis XV ormolu bronze clock, crafted by Etienne Le Noir A Paris in the 18th century, is a testament to exquisite craftsmanship. The metal dial, featuring a blend of Roma...

A French Antique Empire Gilt Bronze Silk Thread Mantel Clock The neoclassical theme with a lady and a mandolin.The clock retains its original blued steel Breguet style hands. The ...

Very Large Important and Rare Napoleon III Period Ormolu And Patinated Bronze Sculptural rotary 3-piece clock set ("Pendule A Cercles Tournants") compr...

A French Napoleon III Period Rouge Marble Gilt & Patinated Bronze Mantel Clock Alfred Emmanuel Louis Beurdeley Movement marked: J. Lefebvre Fils Paris & Numbered1938 Movement stamped: Medaille De Bronze J. Marti & Cie & Numbered 92 Dial signed: A. Beurdeley Fila, Paris France, Circa 1875 Dimensions: Height: 24" (61cm), Width: 22" (56cm) Depth: 11" (28cm) Excellent Working Condition Biography French — Alfred Emmanuel Louis Beurdeley was a Parisian cabinetmaker who specialized in the manufacture of luxurious French furnishings...

An important & rare silvered and gilt bronze 3-piece Chinoiserie clock garniture comprising a clock and two side pieces. The Pagoda form clock with 2 Chinese figures, one sitting pla...

A charming miniature 19th century French gilt bronze patinated and Rouge marble clock cast with a blindfolded Cupid figure wielding a torch and drum...

Exquisite early 19th century French Empire hand-chiseled ormolu mantel clock. Set on bracket feet and a rectangular base. Above, a superb inset plaque of Psyche and Cupid embracing c...

A magnificent 19th century French Louis XVI style gilt and patinated bronze clock depicting mother and child, by Raingo Frères, Paris. The dial marked: Raingo Fres, A Paris. Circa ...

An exceptional large 19th century French figural clock set after a model by Jean Antoine Houdon. Mounted with a large bronze model of a cupid holding a gilt bow and arrow, upon a naturalistic base with flowers and doves, supported on a rouge marble and ormolu mounted circular base with inset clock. Each candelabra modeled with a sitting putti holding a branch with two lights in each hand, raised upon a circular ormolu mounted rouge marble base. Signed: Houdon, circa 1860 Dimesions: Clock Height 36? (91 cm) Width 15? (38 cm) Depth 20? (20 cm) Candelabra Height 26? (66 cm) Width 12? (30 cm) Depth 9? (22 cm) Jean-Antoine Houdon a French neoclassical portrait...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

An Palatial 19th Century French Second Empire Ormolu Mounted Bronze and Green Marble Three Piece Garniture Set circa 1820. Origin: France Measures: Clock Height 32" Width 21" Dept...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...