Bronze Clocks

Elegant three-piece bronze doré garniture set Finely chased bronze with original gilding Fine detail work.

Finest quality palace size French 19th century Louis XV style gilt bronze mounted mahogany clock on pedestal.

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

French Mantel Clock Paris, circa 1870 Black marble with gilt bronze mounts Dimensions: H × W × D: 41 x 23 x 12 cm Description: Case in black marble with richly chased and gilt bro...

An extraordinary work of art by America's leading maker of luxe objects for homes and businesses in the early 20th century, this large and heavy Siena marble clock by J. E. Caldwell ...

Obelisk-shaped marble clock with fire-gilt bronze appliqués, relief scene, and a surmounting armillary sphere. The clock rests on a white marble plinth with stylized chain railing an...

Louis XVI Style Sevres Gilt Bronze Mounted Pink Ground Three Piece Clock Set, late 19th century, the clock centered by a white enamel dial painted with flowers, two handles with masq...

Gilt bronze mounted continental Porcelain clock. Porcelain and gilt bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

A fabulous French antique, circa 1850, Sevres style porcelain mounted gilt metal mantel clock by Parisian sculptor and merchant Louis Hottot (1829-1905), with stamped Japy Freres sil...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

Robert & Courvoisier gilt bronze temple table clock, finely chiseled and engraved. Decorations with lion heads, winged dragons, and plant motifs. The enameled metal display with Arab...

American Mid-Century bronze round clock supported on a swivel base (TIFFANY)

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

A very fine and important palatial Louis XV style 19th-20th century figural gilt bronze white marble mantel clock with figures of cherubs, the enamel dial with Arabic numerals and fo...

Fine and important French ormolu and marble cherubs clock garniture Comprising a clock and a pair of five-light candelabra. Origin: Fr...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

A magnificent late 19th-century garniture clock set in the Sèvres style, crafted from gilded bronze and porcelain. Originating from France, this exquisite set includes a finely detai...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

This impressive example of an early 20th century French Rococo palace size clock set comes from the prestigious E. Colin & Cie of Paris foundry. The sculpted ensemble is detailed with crisp elaborate scrolling accented with a full figure cupid with quiver atop the clock. The clock & candelabras are decorated in a brilliant gold doré' finish. The set was commissioned by Tiffany & Co. & featured in the 1900, Paris Exposition. The clock has Roman numerals & bears "Tiffany & Co." on its stunning white enamel face. This face is surrounded by floral scrolls. Beneath is the face of Bacchus, framed by a pair of mythological fish. Complimenting this key wind clock...

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

Antique Empire Gold Gilt Patinated Bronze Ormolu Mantel Clock French, c. 1810 Height 48cm, width 31cm, depth 20cm A superb example of early 19th-century French decorative arts, thi...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

A fabulous quality early 19th century French marble and bronze mantle clock, the bronze with Napoleon being helped to mount his horse by...

An exceptional French bronze ormolu mounted turquoise jeweled Sèvres Porcelain clock set by Raingo Fres, Paris, circa 1880. Comprising of a clock in vase form and a pair of five-l...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A fine quality late 19th century French bronze and ormolu garniture, the 8-day striking enamelled dial movement by AD Mougin - Paris, contained in ormolu cas...

A fine 19th century Louis Philippe fire gilt large mantel clock. Depicting Louis XV and his wife Marie Leszczynska

19th century Regency revival porcelain with gilt bronze mantel clock on stand with a pair of neoclassical revival ormolu mounted one handled am...

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

Jaeger Lecoultre Rue De La Paix Desk Clock, 1960s Beautiful vintage Jaeger Le Coultre miniature lamppost clock for table or desk. It ha...

A magnificent and high quality French 19th century Louis XVI st. Sévres Porcelain, patinated Bronze and Ormolu garniture set. This stunning set consisting of a central clock and two ...

Exceptional antique french clock with superb bronze workmanship. Created by hand in the late 19th century, with utmost craftsmanship. The way the bronze figure is made is unreal, if ...

Rare Chinese style clock in the shape of a covered pot, in porcelain painted in imitation of Chinese cloisonné enamel and decorated with a two-patina bronze mount. The dome-shaped co...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

French gilt bronze fob watch holder with an eagle and her wings spread apart about to take off from a corinthium column on a square marble base with bronze feet, indistinctly signed ...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

An exceptional early 20th century gilt-bronze desk or table clock by Luxor of Switzerland, showcasing both horological precision and decorative artistry. The rectangular case is fine...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

Beautiful, very elegant and ​​heavy 1960s Kienzle wall clock made of bronze and brass. Made in Germany. Very nice, typically minimalist Mid Century Kienzle design. With battery-opera...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Late 19th Century L. Marti et Cie French Napoleon III style Mantel Clock & Garniture Set. The beautifully designed lcock is made from slate with filigree engraving, reuge marble pan...

Majestic set consisting of a French ormolu clock and two large candelabra. The ormolu watch is made by Samuel Marti. The bronze is attributed to Alfred Em...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A French gilt bronze portico clock constructed with four fluted column supports framing a circular clock dial. The case is arranged in a classical portico form with a stepped plinth ...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

A magnificent 19th century bronze mantel clock depicting allegorical figures representing Geography and literature. The white enamel clock face, Roman numerals, an eight day duration...

Art Deco pink marble mantle, desk or chapel clock with bronze details Beautiful design and perfectly working Art Deco clock with a chime. If...

Late 19th century french gilt bronze/ormolu cloisonné champlevé enameled mantle clock garniture set by Japy Frères By: Japy Frères Material: bronze, enamel, glass, metal, ormolu, paint, cork Technique: cast, champlevé, cloissoné, cold-painted, enameled, gilt, hand-painted, metalwork, molded Dimensions: 6 in x 19.5 in x 15 in Date: late 19th century, circa 1890 Style: Napoleon III, Rococo Revival, Neoclassicism, Louis XVI, Empire Place of origin: France The Japy family is a french industrial dynasty originally from Beaucourt in the Territoire de Belfort. They owned the second largest french company in terms of capital during the Second Empire. Its influential members left their mark on the french industrial landscape through numerous innovations, particularly in clockmaking, typewriters and pumps, as well as in labor organization and workers' social life in the 19th century. This magnificent late 19th century french mantle clock garniture, work of the eminent Japy family, radiates the opulent decorative style of the Rococo Revival. A four glass...

Antique 19th Century French Empire style ormolu bronze mantle clock. The foliate surround gilt dial, Inside with eight day movement with strike on bell. The top mounted with a figure...

Cartel from the Louis XV period in brown tortoiseshell and inlaid with brass signed in enamel Jean Louis Delisle in Paris and on the movement, strikes the hours and half-hours revise...

Amazing Napoleon III Clock Empire French 19th Century 50cm x 26cm x 15cm good condition

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

Antique French Louis XVI Carrara Marble & Bronze D'Oré 3 Piece Garniture Clock Set, Circa 1890. Size 8 key. Clock: 17 1/2" H x 8 1/4" W x 6 1/4" D 2 Candlesticks: 14" H x 8" W x 3 3/...