Bronze Clocks

A mantel clock made of bronze and marble "Roaring of the Lioness", France, circa 1880. Signed Par Omerth. Very good condition. bronze + marble Dimensions: height 48 cm, w...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Elegant three-piece bronze doré garniture set Finely chased bronze with original gilding Fine detail work.

A beautifully detailed 19th century bronze dore clock with the figure of cupid on the top.

A very fine and large Early 18th Century French Louis XV period corne verte (green horn) and ormolu mounted cartel or wall clock. The impressive cartel rests on its original socle - wall mounted base. Signed on the original white enamel dial with hand painted Roman numerals within a hand blown glass door with ormolu trim and decorated with ornate bronze. Impressively chiseled or ciselé work throughout. Original gilding throughout, exquisite patina. The wonderful gilt bronze case is signed by the highly respected maitre ebeniste and clockmaker, A. Gosselin from Paris. It is surrounded by flowers and foliage. Antoine Gosselin ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752). Antoine Gosselin who worked actively under Louis XV until the Revolution and was established in rue du Faubourg-Saint-Antoine, in Paris. He hand crafted magnificent pieces that were at the time only reserved for the King. Clock is in very good antique condition and functions, but may need to be serviced again after shipping just as all clocks do. The ormolu Chinoiserie...

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

Robert & Courvoisier gilt bronze temple table clock, finely chiseled and engraved. Decorations with lion heads, winged dragons, and plant motifs. The enameled metal display with Arab...

19th C. French Rotary Clock. Ormolu Mounted and Verde Antico marble rotary mantel clock on Pedestal. A fine large Louis XVI style gilt bronze mounted and verde antico marble rotary...

Immerse yourself in the opulence of the 19th century with this exceptional French Bronze and Black Marble Figural Mantel Clock. Crafted with meticulous artistry, this clock stands as a testament to an era where beauty, design, and function converged in breathtaking harmony. The distinguished bronze and black marble case...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Tiffany & Co. bronze desk clock, early 20th century. Heavy bronze case with metal face and engraved Arabic numerals. Marked Tiffany & co New York. Front and back unscrew. Mechanism w...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

This fabulous Palace clock is designed & executed in Paris, France. The monumental clock is beautifully casted in bronze & retains its original mercury gi...

Large and stunningly figural Egyptian design, style marble clock garniture, circa 1920. If you are looking for a statement piece for your mantel and you have an interest in worldly ...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

Orrery Clock Zacharie Raingo Circa 1817 This exceptional orrery clock represents one of the most historically significant and mechanically sophisticated ...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

Napoleon III Mantel clock in Black marble clock surmounted by a patinated bronze representing a Greek writer or philosopher holding the a manuscript on his knees One of a kind an...

A magnificent Louis XV style French gilt bronze elephant clock, signed by Barreau F. de Bronzes, dating to the 19th century. This highly decorative timepiece exemplifies the elegance...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

This stunning 19th-century French gilt bronze mantel clock is a true testament to craftsmanship and timeless design. Featuring intricate Gothic cathedral-inspired detailing, this clo...

A beautiful, classically designed antique French gilt bronze clock set by Japy Frères. It features oval panels to the sides showing Fortun...

Elegant table clock by Jaeger-LeCoultre, dating from the mid-20th century, comes with its original brown leather box lined with yellow felt, as well as its papers and international w...

This rare French set features a bronze clock with statue and two matching candelabras. The bases are a luxurious creamy white marble in a Doric column mo...

Large antique 19th century French gilded bronze mantel clock surmounted with two angels holding the dial. The enamel dial numerals are hand...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

A mantel clock crafted from gilt and gilded brass (also known as ormolu) and red griotte marble in the eclectic style popular during the Napoleon III period. The mantel clock featur...

Beautiful, very elegant and ​​heavy 1960s Kienzle wall clock made of bronze and brass. Made in Germany. Very nice, typically minimalist Mid Century Kienzle design. With battery-opera...

Amazing Napoleon III Clock Empire French 19th Century 50cm x 26cm x 15cm good condition

Stunning and elegant Art Deco Amsterdamse School mantel clock.Design by Mundiklok.Striking Dutch design from the 1920s.Solid oak base with original macassar ebony veneered elements a...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

Antique three piece set garniture clock made of bronze with green marble bases and gilt feet. Mantel clock features the sculpture Hirondelle Blessee by Alfred Jean Foretay above a gilt framed, white porcelain clock...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Base Clock with Allegory of Time, 1964 - Cornelio Ferrandi This clock is not merely a timekeeping instrument; it is a true piece of furniture that embodies the passion and artistry ...

A magnificent large gilded and patinated bronze period French Empire mantle clock depicting Urania the Greek Muse of Astronomy standing on a stepped rectangular gilded bronze base her left elbow resting on a large gilded globe of the heavens with a central band showing the signs of the zodiac...

Russel Wright Harkerware Ceramic and General Electric Hanging Wall Clock. Featuring a rounded square and concave Coral Ceramic Front with glazed Off White Ceramic surround and back....

A stunning original antique French gilt bronze clock by the renown maker Japy Frères. Of architectural form, the case finely cast in gilt-bronze with neoclassical ornament, surmounte...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

A fine quality late 19th century French bronze and ormolu garniture, the 8-day striking enamelled dial movement by AD Mougin - Paris, contained in ormolu cas...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

Fine and important French ormolu and marble cherubs clock garniture Comprising a clock and a pair of five-light candelabra. Origin: Fr...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

A most spectacular and high quality French 19th century Louis XVI st. patinated Bronze, Rouge Royal marble and Ormolu garniture set. This most striking garniture set consists of a ce...

Good size and wonderful quality, heavy bronze clock. This late 19th century work of time telling art is in very good condition and the design is both elegant and stylish. We have cl...

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

Beautiful 18th century Rococo manner gilt bronze mantel clock with elegant Sèvres style bleu / navy colored porcelain. The porcelain is very delicately hand painted with a landscape on one side of the vases and figures on a staircase on the other. Gorgeous gold details on a deep blue and jeweled background. The clock has a painting on the top with 2 ladies...

Transport yourself to the grandeur of the 19th century with this exquisite French Marble and Bronze Figural Mantel Clock. A true masterpiece of artistry and craftsmanship, this clock...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

Antique French Louis XVI Carrara Marble & Bronze D'Oré 3 Piece Garniture Clock Set, Circa 1890. Size 8 key. Clock: 17 1/2" H x 8 1/4" W x 6 1/4" D 2 Candlesticks: 14" H x 8" W x 3 3/...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Clock. Palo santo, rosewood, golden bronze. France, 19th century, modeled after Charles Cressent (France, 1685-1768). Wooden box grandfather clock in which palo santo, rosewood an...

Swiss Art Deco Mantel Clock, 1930 This Art Deco mantel clock features a circular, clear glass dial that allows for an unobstructed view. The Arabic numerals and hour markers are silk...