Gilt Clocks

This beautiful clock, formed from gilt bronze and porcelain, is designed and decorated in a discernibly Moorish style. The clock is supported by a flat shaped gilt bronze base, the base supporting four gilt bronze columns that support the gilt bronze clock drum. The cylindrical drum contains a circular dial, the dial of porcelain and inscribed with Roman numerals. The gilt bronze throughout is cast and chased with geometrical motifs—particularly evident on the front of the four vertical columns. These motifs are distinctively Moorish in scheme, the lattice-type geometrical sequences recalling Islamic decorative...

A French fire-gilt bronze clock with marble base depicting a Japanese woman, Louis XVI or Empire Era, 1790-1815. The silk-thread mechanis...

Of porcelain mounted ormolu, the clock's dial marked 'Raingo Fres, Paris', the central clock decorated with a scene of traditional 19th century courtship, the two flanking candelabra...

A fine Napoléon III gilt-bronze mounted porcelain clock garniture. French, circa 1870. The movement stamped with the 'Japy Frères ' cachet. This fine porcelain clock set is...

An exceptional gilt bronze mounted cut-brass and tortoiseshell-Inlaid ‘Boulle’ Cartel Clock and Barometer Set. French, circa 1890. Each surm...

A very fine pair of bronze cartel and barometer in louis XV style the both case is exuberantly embellishedwith scrolling work of the louis XV style,the both faces are in enamel.

A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock. French, circa 1870. A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock with a fo...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

Pendule of the early days, circa 1870 wood decorated with splendidly gilded bronze, work by Gustaf Becker clock with striking mechanism working with key a...

A Louis XVI Style Gilt-Bronze and Sèvres Style Porcelain Mantel Clock, by Raingo Frères, Paris. The porcelain panels signed by Léonard Abel Schilt. The movement stamped 'Raingo F...

This exceptional cartel presents a remarkable work of bronze and an ornamentation resuming the Boulle marquetry that can be attributed to Alfred-Emmanuel Beurdeley (1847-1919), a great Parisian cabinetmaker of the second half of the 19th century. The mechanism of our astronomical clock...

An Exceptional Late 19th Century Gilt Bronze Cartel Clock and Companion Barometer By Henry Vian after Jean-Charles Delafosse Henry Vian after Jean-Charles Delafosse The tops with a...

A Fine Louis XVI Style Gilt-Bronze and Green Enamel Mantel Clock. French, Circa 1890. Stamped ‘Medaille d’Argent Vincenti & Cie 1855’ and with the initials ‘L.R’. This fine clock or timepiece has a spring-driven eight-day twin train movement by Vicenti et Cie, striking on a gong. The gilt-bronze case is of square-section with a stepped pediment surmounted by musical trophies above a Vitruvian scroll frieze and rosettes to each corner, below is a circular enamel dial with Arabic numerals and floral swags, set within a finely painted iridescent green enamel panel depicting a courting couple in conversation. The sides are similarly painted with fair maidens in a wooded landscape and the back cast with strap-work and Vitruvian scrolls; a circular hinged door opening to reveal the movement. Vincenti was a much respected clock maker, a Corsican who set up in 1823 in Montbeliard using machinery of his own design. Following his death in 1834 his business was carried on by Roux et Cie...

Gilt bronze clock, whose cylindrical dial with attributes of Love is supported by a patinated bronze kneeling cherub. The whole rests on a red Griotta marble pedestal ornated with a ...

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A chic, c. 1825 French, looping desk clock with a central timepiece framed in foliate embellished, bronze doré wreath. The clock set into a pale blue, Opalin...

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

A magnificent Sèvres style gilt bronze and cobalt-blue 'Jeweled' painted porcelain clockset. The central clock case surmounted by a ruby and pearl 'jeweled' coupe flanked by bracket...

A French patinated and fire-gilt clock depicting a woman in prayer, Restauration Era, 1815-1830. The dial is silvered-bronze. The silk-thread mechanism is in good working condition w...

A French patinated and fire-gilt clock depicting Hermes/Mercury, Restauration Era, 1815-30. The dial is silvered-bronze. The silk-thread mechanism is in unverified condition.

A very fine French 19th c. Dore Bronze and Marble Clock with Love Birds. It is in working condition and signed by the Artist (A. SANDLER) with Foundry Markings (Cire JVALSHANI Perdu...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...