Gilt Clocks

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Restauration Gilt Metal Figural Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated female reading a book, surrounded by foliage, on a r...

Opulent and exquisite 19th century French three piece garniture, with original gilt and magnificent chasing. Each candelabra is 35 inches high. The clock face is signed Clermont, Rue St Honore...

Mantel Clock - La Bibliotheque - In the study room Paris fire-gilt bronze, enamel Empire around 1820 Dimensions: H x W x D: 38 x 28 x 19 cm Description: Scenery mounted on an oval...

A Napoleon III Gilt-Bronze Mantel Clock, 'Pendule à Cercles Tournants', By Jean-François Denière, Paris. Of imposing scale, surrounded by four winged putti and garlands of flowers in clouds enveloping a bleu celeste tole star-studded sphere. On a shaped base with a wreath and courting doves. The square-plated movement with Brocot escapement and outside count wheel striking on a bell. Stamped to the backplate ‘Deniere A Paris’ and numbered ‘2385’. France, Circa 1860. This clock, magnificent of scale and conception, numbers amongst Denière's most impressive creations. Denière delivered clocks to the Emperor at the château du Fontainebleau in 1857 and 1861. Both are modelled with playful cherubs pulling foliate garlands which show the same designer as those to the present clock. They can be attributed to the sculptor Albert-Ernest Carrier-Belleuse (1824 –1887) who from the 1850s produced for Denière models for candelabra, clocks, jardinieres and fireplace ornaments. Inspired by the Louis XVI style, the present clock with celestial sphere enclosing a complex rotating clock...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Made by one of the last great english clock makers working in a traditional manner. This miniature longcase has an eight day weight driven movement with an automaton rocking ship in ...

Dimensions: Height: 4 1/4 in Width: 5 1/2 in Depth: 2 1/2 in This antique early 20th century French Art Deco bronze ormolu desk clock is made of the highest quality and perfect for ...

Charles X Patinated Bronze and Brass Mounted Verde Antico Marble Figural Clock, circa 1830, surmounted by a seated woman resting on a pedestal with a harp, the circular silver dial, ...

Antique neoclassical style three-piece gilt bronze clock set French, late 19th century Measures: Clock: Height 57cm, width 74cm, depth 23cm. Candelabra: Height 83cm, width 27cm, d...

A very good quality French 19th century gilded ormolu and pink Sevres porcelain mantel clock. Having monopodia supports, a putti supporti...

A fine French fire-gilt bronze clock depicting a Greek warrior, Restauration Era, 1815-30. The silk-thread mechanism is in good working condition with key and pendulum.

Gilt bronze and wood table clock. Clock signed Biesta, Paris, circa 1890.

Louis XV Style Gilt Bronze Mantel Clock, late 19th century, the circular dial surmounted by a cherub playing a harp, the movement strike on bell, on an integral scrolled base. 18.5" ...

Beautiful clock in walnut root, enriched with maple fillets and with an ebonized wooden base. The decoration of the clock features gilded bronze friezes, inspired by classical elemen...

Early 19th century Charles X style gilt bronze with figural design detail mantel clock. The clock features a surmounted soldier holding a shield. Eight day spring driven brass moveme...

Louis Phillippe gilded and dark patinated bronze clock. Young woman adorned with wings and a bird on the shoulder sitting on rock block. Gilt dial with wreath of flowers. Included ke...

A beautifully detailed gilt bronze turtle clock, combining fine craftsmanship with whimsical design. The turtle's shell opens to reveal a working clock, transforming this charming sc...

Bring a radiant touch to your home with this eye-catching gilt wood sunburst battery operated clock. Hand-carved in Spain circa 1970, the vintage clock features a circular center tim...

Ansonia Gilt Metal Figural Mantel Clock, 19th century, with seated maiden and sheep finial on pierced scroll and crest form base. 13.5" H x 11.25" W x 4.5" D. Provenance: From a Park...

A small French vase clock of the highest quality. The clock is fitted within the body of an enamelled lidded vase. The body of the vase of silvered bronze & enamelled in deep blue. T...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

Beautiful Japonisme clock in openwork patinated bronze with gold and silver highlights in the shape of a pagoda, at the corners presenting stylized dragons above uprights imitating b...

A 19th-Century French Japonisme Three-Piece Figural Garniture Clock Set Attributed to Eugène Cornu, in the Style of Édouard Lièvre. Consisting of a mantel clock and a pair of matchin...

Russian Black Marble and Malachite Clock Stand, 19th century, gilt metal mounted. 14.5" H x 8.25" W x 3.5" D.

French Empire Style Cupid Riding Panther Mantel Clock, gilt metal mounted siena marble, brass clock face marked "Quartz" with Roman numerals with foliate friezes to either side, on r...

Amazing historicism clock ensemble in the style of Louis XV (late Baroque) with gorgeous architecture. This is a fine example of custom bronze work that is available on the antique market. Made in the second half of the 19th century, clock movement by Frédéric Japy (marked on cased), hand chased and gilt bronze décor of quality. Complete with 2 five-light candelabra, pendulum and key the clock itself stands on the included wooden base. Running and strikes on spring. Antique wooden clocks...

A figural gilt bronze French Empire clock, ‘Allegory to Triumph and Power’. A Roman emperor stands to the right of the central rectangular plinth housing the movement; atop the plint...

This exquisite 19th century trio is comprised of a central clock and a pair of flanking six-light candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii...

This large and impressive late 19th-century French gilded ormolu cartel wall clock exemplifies the elegance of the Louis XVI style. Adorned with intricate detailing, it features a m...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

Factory / house: Black Star and Frost Style / Reference: Footed Desk Clock Metal / Material: Gilt and Nickle Finished Circa / Year: 1930's Dimens...

Exceptional French Empire Mantel Clock in Gilt and Patinated Bronze A rare and visually arresting French Empire mantel clock, masterfully crafted in the form of a sculptural acanthus...

Highly Important Louis XVI style gilt bronze clockset by Beurdeley A fine Louis XVI-style large gilt-bronze and white Rococo marble figural mantel cloc...

19th Century Neoclassical White Marble and Gilt Bronze Mantel Clock Set, circa 1860. 19th Century Neoclassical White Marble and Gilt Bronze Figurative Mantel Clock Set, circa 1860 A fine 19th Century French Neoclassical White Marble and Gilt Bronze Mantel Clock Set with its original and exceptional movement. Bears the makers mark, Finot a Versailles. The dial supporting a reclining bronze classical muse on a rectangular white Carrara marble base decorated by a row of gilt bronze beads, the set rests on four feet. The cross in the hand of the bronze muse can be removed (see photos). This 19th Century figurative clock is very decorative, interesting for its technicality of the dial and provenance. The bronze feminine muse and its shape has a perfect patina and is a remarkable conversational piece. The garniture set are a pair of fine neoclassical bronze vases with brown and golden patina that rest on white Carrara marble embellished with gilt bronze figural handles...

Fine aesthetic movement clock in cloisonné enamel and gilded bronze, decorated with polychromed birds and flowers, and geometric gilded ornaments on a ...

An extremely small single fusee bracket clock in a scalloped mahogany case. The eight day movement having a half deadbeat escapement with a T bar pendulum with hold fast, is beautifu...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

A Swedish Art Deco wall clock by David Wretling. The bronzed wooden body with patinated bronze detail and pendulum. Surmounted with patinated bronze figure of a woman. The face signe...

A Fine Louis XVI-Style Gilt Bronze and White Marble Mantel Clock After a model by Étienne-Maurice Falconet The urn-form pendule à cercles t...

A very large, rare and impressive original antique clock set. The bodies are stunning Japanese Imari Porcelain mounted with finely gilded bronze. Can...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

An exceptional late 19th century gilt bronze-mounted marble three-piece clock set By Ferdinand Gervais The lyre shaped case surrounded with bronze roses, acanthus and lilys, a ...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

This is a French figural patinated and gilt bronze sculpture mantel clock of a lady. The elegant lady is seated over a chaise adorned with acanthus leaves, garland of fruits and a wind god mask. She is dressed with an 18th century dress adorned with bows and laces. She is holding a fan in her hand. The sculpture stands over a bronze pagoda top shaped base that is decorated with scrolls of flowers and urns. This base is supported by a rectangular dark brown wood pedestal...

Gilt bronze and wood table clock, France, late 19th century.

Restauration Gilt Metal Figural Mantel Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated woman resting on a cushion, the rectangular b...

Signed Elkington & Co Numbered Rd 92173 Beautiful rectangular table clock executed in gilded and silvered electrotyped metal, decorated in relief with butterflies, music inst...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

French Empire Bronze and Siena Marble "Knight" Clock, circa 1830, the standing figure in armor above a circular gilded dial, the movement with strike on bell, on a graduated Sienna m...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

Early 19th century gilt brass mantle clock with the glass hood. Decor of foliage, arrows, and bow. Crowned by an angel with lyre. The glas dome has protected it beautifully and it is...

Refined gilded bronze clock with splendid gilding. The piece features classical decorations, typical of the period, with festoons and musical instruments. At the top, a guitar rests on a musician...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

A Magnificent and Rare French 18th-Century Doré Bronze Mantel Clock Attributed to Robert Osmond. The clock is designed in the form of an urn, supported by a central pedestal and a re...

Rare Louis XV period wall clock "cartel d'applique " , finely cast and chiseled , beautiful mercury gliding , the enameled dial with roman numerals , signed GILLE LAINÉ À PARIS - Gilles Lainé ( Pierre Francois Gille ) , dit "L'AINÉ", master clock...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

This English George II period 18th century table clock consists in a scarlet-japanned and parcel-gilt rectangular case with elaborate chinoiserie decoration and pierced frets to the sides. Resting on a molded base with a shaped apron and bracket feet, the case presents an inverted bell top with a brass fold-down handle flanked by four vase-shaped finials as well as a foliate engraved backplate. The door opens on a break arch brass dial featuring a Roman chapter ring with Arabic minutes, nicely laid out with gilt foliate corner spandrels and a subsidiary strike/silent dial within the arch. The matted centre presents a date aperture as well as the signature of the well-known British clockmaker William...