Gilt Clocks

A Large Russian Porcelain Circular Wall Clock with Gilt Bronze Bow and 24k Two Tone Gold Doube Eagle Dial, Samuel Marti Movement This circular porcelain wall clock is formed as a wi...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

An Exceptional and Large Skeleton Clock Attributed to Evans of Handsworth The multi-tiered pierced gilt brass frame of the skeleton clock after the design of the famous York Minster...

A fine mid-19th century gilt and patinated bronze three-piece clock set By Victor Pierret The figural clock of a woman and a bird seated next to a basket of roses above a gilded base designed with flowers. The candelabra with cherubs holding six lights and sitting on a gilt sea shell base...

Claude Galle, (1759–1815, master in 1786) is one of the most renowned bronziers active during the Napoleonic period, such as Pierre-Philippe Thomire, André-Antoine Ravrio and Louis-S...

An Important Early 19th Century Gilt and Patinated Bronze Figural Mantle Clock By Andre-Antoine Ravrio and Mesnil Modeled with a large and beautiful gilt bronze figure of recumbent...

An exceptional and supremely refined large French Louis XVI style Ormolu and White Marble Clock Garniture, dating to the 19th century and proudly retailed by the esteemed Tiffany & C...

This was a decorative advertising clock trade sign for a jeweler named J.A. Couture who sold watches, clocks, and jewelry as depicted on the clock fac...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

This magnificent Louis XV-style pendulum clock from the mid-19th century features elaborate Boulle marquetry and fire-gilded bronze appliqués in the form of rocaille, shell decoratio...

A very good quality Louis XVI Style Gilt Bronze Mantel Clock. French gilt bronze clock with enamel face, fruit and lion motif, on plinth. H 22.3 cm (8.8 in.), All clocks sold as is w...

A Napoleon III Gilt-Bronze Mounted Onyx and Champlevé Enamel Pedestal Clock. The movement with a twin-barrelled eight-day anchor escapement with Brocot-type regulation striking on ...

A Charles X period portico clock distinguished by its symmetrical composition and rich gilt-bronze decoration. The dial, encircled by a ring of flowers above a stage curtain, is flan...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Avery fine 19th century French large mantel clock by Vannier Paris. This clock has very fine gilt bronze details with a large patinated bronze cherub in the center . Signed on the p...

A desk compendium of unusually large size. This eight day clock, barometer and thermometer housed in a nickel and gilt case and mounted on a black marble base is of exceptional quali...

An important Garniture de Cheminée in the manner of Henry Dasson Constructed in well cast and chased gilt bronze, with 'Sevres' type 'jewelled...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

A rosewood and ormolu mounted bracket clock. With an eight day twin fusee movement, signed Adams of Lombard Street on the 5 inch silvered dial and movement back plate. Striking on a ...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

A fine quality gilt bronze and porcelain figural mantel clock. The figure of a maiden placing a garland of flowers over the cherub’s head. Origin: French Date: circa 1880 Dimen...

Finest quality palace size French 19th century Louis XV style gilt bronze mounted mahogany clock on pedestal.

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

Napoleon III-era gilded bronze mantelpiece set. Mantelpiece set consisting of a clock and two candelabra in gilded bronze from the Napoleon III era, 19th century. Clock: H: 56 cm, W...

Restauration Gilt Metal Figural Mantel Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated woman resting on a cushion, the rectangular b...

Antique French, "Ship's Quarter Deck" Automata clock from the Industrial Series. The bronze and silvered case is in the form of a ship's quarter deck, s...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

French Empire Style Gilt Metal Mounted White Marble Portico Clock, early 20th century, surmounted by an Imperial eagle, sunburst, the suspended circular dial with battery operated mo...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

A fine French fire-gilt bronze clock depicting a Greek warrior, Restauration Era, 1815-30. The silk-thread mechanism is in good working condition with key and pendulum.

Mid 20th century giltwood framed Swedish hanging wall cartel clock. This clock is good vintage working condition. Minor wear consistent with age / use. Maker's mark inscribed. The cl...

Hallmarked "Gantter" at nearly each bronze part. Movement and assembly presumably by Vincent et Cie, Paris, France, circa 1860.* Very rare and authentic giant 19th century clock. Thi...

An elegant and high quality French 19th century Chinoiserie ormolu, silvered bronze and porcelain clock garniture in the style of Edouard Lievre mounted with Chinese famille verte po...

Large Napoleon III period gilt bronze mantel set, cloisonné with red and pink enamel, 19th century. Napoleon III period mantel set, 19th century, in gilt bronze, cloisonné with red ...

An Empire period gilt and patinated bronze clock depicting a porter with a bale of cotton on his back, which serves as the clock's mechanism. The bare-chested figure, with glass eyes...

A very impressive Victorian period ebonised, chimming three train mantle clock on bells and gong. The eight day duration movement strikes on the hour and half hour. (strike silent op...

Large and stunningly figural Egyptian design, style marble clock garniture, circa 1920. If you are looking for a statement piece for your mantel and you have an interest in worldly ...

An unusual english single fusee mantel clock in a Louis XV style rocaille ormolu case in the french taste. The eight day fusee movement is of superb quality with a pendulum descendin...

Very fine floral and decorated Restauration period ormolu clock, figuring two baluster columns joint together by a floral arch, and topped by a crown of roses. Roman numbers indicate...

A table clock made in France during the Empire 1790-1820. Made from blackened wood and burnt-gilt bronze. Godronned urn-formation, lion mascarons, pine cone all Empire attributes

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A Monumental Bourdin French figural gilt bronze mantel clock, depicting two women seated on the plinth with garland decoration and a c...

Empire Mercury-Gilt Bronze Mantel Clock Pierre-Philippe Thomire and Louis Moinet Circa 1810 This exceptional Empire gilt-bronze French mantel clock, signed on the dial by bronzier P...

A very good quality, impressive 19th century French gilded ormolu and grey marble clock garniture. Having a large pair of five branch candelabra either side, support by classical mai...

Antique Russian vermeil and enamel table clock Russian, early 20th Century Clock: Height 8cm, width 6cm, depth 7cm Case: Height 4cm, width 8.5cm, depth 11cm This exquisite Russian t...

This fine set comprises a cartel clock and barometer, each of which are crafted entirely in gilt bronze. The clock and barometer cases are identical, and take the form of a lyre. The...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Antique (19th century) French garniture (set) in the Louis XIV including mantel clock and pair of candelabra with four candle holders. Clock 23 1/2 by 10 1/2 by 8 1/4 inches and the...

A Palatial and Unique Late 19th / Early 20th Century Gilt Bronze Cartel Clock By François Linke François Linke The heavy and great quality bronze clock is topped by an urn with ram...

This sumptuous red and gold clock was made during the Louis XV period of 18th century France, circa 1750. It is decorated in a beautiful red lacquer with roses and rose stems, attrib...

Tis stunning vintage 19th century French Empire white marble mantel (fireplace) clock was made for Tiffany & Co. The clock has a lyre shape body accented with doré' bronze sculpted embellishments of the period. The top of the clock features a radiating sun burst disc with the face of the North wind. The white enamel clock face has Arabic numerals & garlands of flowers &, also, garlands of flowers that surround the Tiffany & Co. name. There is a glittering ring of faceted paste stones attached to the pendulum &, as the pendulum moves, so does this jeweled ring, creating a dazzling effect. The clock has a key wind movement with a French bell. The clock key is present. This clock runs, but will require a cleaning/service to keep accurate time & is sold as is. This wonderful antique time piece...

French Regence style cartel in Boulle marquetry in première partie, with a red tortoise shell background. Architectural shaped case, standing on a base with four flattened balls foliaged feet with chiseled motifs on the middle. On each side a glass shows the inner part of the clock and is framed with water leaves frieze in gilt and chiseled bronze. Other motif in gilt bronze such as flowers, beaded acanthus leaves, mascarons, pelmets, swags and music trophies...

Designed in a fanciful Louis XV style, this beautiful mantel clock takes the form of an Asian elephant, saddled with a howdah (carriage). The clock features a patinated sculpture of ...

This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Empire Mantel Clock, French Portico Clock, Ormolu and Marble Clock, Antique Pendule, Neoclassical Table Clock, 1790 to 1810, Dieudonné Kinable, Master/Clockmaker: Dieudonné Kinable...

French Empire Style Cupid Riding Panther Mantel Clock, gilt metal mounted siena marble, brass clock face marked "Quartz" with Roman numerals with foliate friezes to either side, on r...

This stylish desk clock made in the last quarter of the 19th century has a french eight day movement with a lever platform escapement. the movement is housed in a drum forming the ce...