Gilt Clocks

A fine 19th century Louis Philippe fire gilt large mantel clock. Depicting Louis XV and his wife Marie Leszczynska

An exceptional French gilt bronze mantel clock marketed by Tiffany & Co, with classical cast gilt figures of a boy and girl reading on each side of the clock, a central raised panel ...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Magnificent antique tallcase grandfather clock after the original French Louis XVI period design by Jean-Henri Riesener (1734-1806), with finely cast ormolu gilt bronze mounts and ma...

A beautifully executed mid-19th century mantel clock by the esteemed Ansonia Clock Company, featuring the “La Layon” model in collaboration with Royal Bonn, one of Germany’s most cel...

V&A Marie-Antoinette Mantel Clock – Sèvres Style Porcelain & Gilt Bronze, Sunburst & Swag Decoration, 39cm An impressive Sèvres-style porcelain ma...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A strike repeat alarm carriage clock by Pierre Drocourt. Stamped and numbered with the Drocourt mark on the back plate in a gilded 'Gorge' case. Drocourt was one of the great carriag...

This is a wonderful Napoleon III ormolu mantle clock from the estate of a Los Angeles collector from around 1860. There is a zaftig little boy perched at the top of the clock, and f...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

An exceptional early 20th century gilt-bronze desk or table clock by Luxor of Switzerland, showcasing both horological precision and decorative artistry. The rectangular case is fine...

This impressive mantel clock with an eight day single fusee movement evokes the concept of time well spent in learning. It is crowned by Jupiter's eagle who bears sacred oak garlands above the dial, whose Ionic capital cradle is framed by addorsed studying nymphs. They are seated on a bronze plinth which is centred by an Arcadian Pan mask amongst golden flowered ormolu garlands, the whole resting on turned baluster feet. The dial is cast in ormolu and unusually has Arabic numerals, surround by a anthemion frieze bezel. With the eagle a symbol of Jupiter and hence the divinity of learning, and the mask of Pan a reference to the natural world. This clock is, therefore, a celebration Natural Philosophy, the study of science and the natural world, and a display of classical learning and understanding. The two seated figures derive from the model of L'Etude, which together with La Philosophie, was created for the Sèvres factory by Louis-Simon Boizot in 1780. Under the instructions of the marchand-mercier Dominique Daguerre, these figures were incorporated into a clock design, from which the present clock derives, by the cisleur-doreur François Rémond. In 1788 Daguerre delivered two clocks after his new design to Louis XVI for the Château de St. Cloud. The model obviously appealed to the Prince of Wales, later George IV, as he purchased two clocks of this model from Daguerre, one of which was in his bedroom, the other in his dressing-room one is now in Windsor Castle the other in Buckingham Palace. This clock was probably made by Baetens & Co who specialised in bronze and ormolu decorative objects in the Regency period. No doubt identifying the fashionable subject matter and style after the Prince Regent popularised it at Carlton House. They made models in bronze ormolu and marble for many clock makers of the period. A near identical version of this clock was in the collection of the Marquess of Bath at Longleat House until its sale at Christies in 2002, made by Santiago James Moore French of the Royal Exchange. Other examples of this clock have been recorded by Barraud and Lund...

A stylish Jaeger-LeCoultre skeleton timepiece with a gilded 16 jewel inline or ‘baguette’ movement suspended behind convex glass. The bezel is of gilded brass with a white enamel sur...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

An early 19th century Swedish Mora clock with elegant lyre-form case, richly carved crest and floral medallions, and a deeply scalloped skirt base. Retaining its original salmon-hued...

French 19 century Louis XV style Chinoiserie motif gilt bronze cartel clock works signed Raingo Freres.  

Finest quality French sevres antique (late 19th century) garniture set including mantel clock and pair of candelabra by Raingo Freres of Paris, with clock movement by Vincenti et Ci...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

Jaeger LeCoultre - Atmos Clock with Box and Papers Switzerland Brass gold plated Year of manufacture 1978 Dimensions: H x W x D: 24 x 21 x 16 cm. Description: Atmos Vendome calibre 526 with gold-plated base and fluted columns. White dial with Roman hours and Arabic minutes. Breguet hands. The Atmos Vendome was produced in several variations. With a gilded base or also with a marble base. The first Vendome appeared in 1962. The model offered here was manufactured by Jaeger LeCoultre under ref. number 5834 from 1973 to 1985. Serial number: 494564 Year of manufacture: 1978. Especially collectible with the original shipping box and papers. This timepiece was sold on 06.04.1979 at the Christ jewelry...

Wonderful clock for the collectors of truly stylish Gothic antiques, by W.H.Tooke, Paris. Finding this unique (Germany made) Gothic table clock again felt like a blessing. The overall design is remarkable, but the combination of the craftsmanship of the bronze components and the hand crafted and hand painted Gothic porcelain plaques is what takes this clock to the next level. Whenever you find a piece that is this good then you can rest assure that there is a maker's mark. This late 1800s work of beauty was made and marked by the prolific Parisian clock...

This Gothic Revival mantel clock is a fine example of early 19th-century French decorative arts, attributed to Charles Delaunay (Delaunay Chauvau). Crafted in dark patinated bronz...

French Empire Patinated and Gilt Bronze Verde Antico Marble Figural Clock, circa 1830, the clock surmounted with seated figures of Apollo and Diana, each holding a torch, the clock w...

A wonderfully impressive 19th Century French gilded ormolu clock garniture, by Deniere of Paris. The clock having a classical reclining maiden holding doves among flowers and foliage...

A very fine 19th century French Louis XV gilt bronze and patinated bronze clock by Raingo Fres Paris.

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

Vintage 20th century A.C.F. white porcelain and ornate gilt brass French limoge style mantel clock, hand painted with pink and blue florals. Rectangular base supporting four columns,...

A fine antique French eight day mantle clock, gilded and fitted with Sevres porcelain plaques, circa 1830. An early French silk suspension clock, with an eight day time and strike movement, gently sounding the hours and half hour on a bell. The clock is housed in an extravagant gilded gesso Rococo style case and standing on an integral plinth. The clock with a silvered dial having a cuff of engine turned decoration around the center and black Roman numerals to the outside of the dial and the retailer's name "Carl Muller in Berlin" to the center. The base of the clock is fitted with a round hand-painted floral 'Sevres' porcelain plaque, the clock plinth is fitted with a rectangular 'Sevres' plaque, hand-painted with a pastoral scene with a young courting couple and grazing sheep & goats. The clock has just been professionally overhauled and cleaned, it runs and keeps good time, the gilded case and silvered dial and porcelain plaques are in remarkable condition, a very fine clock...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

A large and impressive 19th century gilded ormolu and bronze Louis XVI style clock garniture, having a reclined classical lady reading, next to a white enamel clock face with an eigh...

A refined, large-scale temple clock. The clock features a white statuary marble frame, decorated with black Belgian marble columns and finely gilded lost-wax cast bronze partitions. ...

Reloj de sobremesa francés de una calidad excepcional. Se trata de una pieza de época Restauración/Carlos X (c. 1820-1830). Aunque mantiene la estructura del estilo Imperio, las fo...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

French Empire Style Gilt Metal Ebonized Wood Mantle Clock, 19th century, with porcelain clock face framed by floral motif with flag and hat, flanked by a man and woman waving on ebon...

A magnificent and finely cast palatial and very large French 19th century Japonisme three-piece ormolu garniture clock set attributed to Edouard Lievre. This striking and extremely u...

Large and rare Louis XVI style cage clock in chiseled and gilded bronze, rectangular in shape, highlighted with friezes of water leaves and pearls, with glass panels decorated with t...

Louis Phillippe gilded and dark patinated bronze clock. Young woman adorned with wings and a bird on the shoulder sitting on rock block. Gilt dial with wreath of flowers. Included ke...

Antique Amsterdam grandfather clock with alarm, calendar and moon phase Amsterdam Walnut root and others circa 1760 Dimensions: H x W x D...

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

The case of this Louis XV period mantel clock is attributed to Jean Joseph de Saint-Germain (Paris, 1719-1791). Decorated with a scrolled leaf motif throughout, the fine case is surmounted by an Asian figure in costume, holding a parasol and sitting on a throne. The clock itself was created by Nicolas Charles du...

An English gilt brass chronometer carriage timepiece with original travelling case, key and bill of sale. The grained gilt tapering case has a folding handle with bevelled glass panel to the top, bevelled glass panels to the sides and a solid rear plate with hand setting function and start/stop lever, signed Thomas Mercer and numbered 1184, dating from 1974 The silvered dial signed Thomas Mercer, with Roman numerals, subsidiary seconds dial and a state of wind indicator. Blued steel hands. The substantial eight day chain fusee movement with maintaining power, Earnshaw type detent escapement with a free-sprung palladium helical balance spring and heavy bimetallic balance. The original black leather tooled travelling case with lift out front cover is lined in blue velvet and the original safety winding key is stored in the top. Thomas Mercer was founded in 1858, and became one of the greatest chronometer makers of the 19th and 20th centuries. Ernest Shakleton used a Mercer chronometer on the 1914 Imperial Trans-Antartic Expedition, after the Endurance became trapped and destroyed in the pack ice, he heroically journeyed in a whaleboat, the James Caird, to South Georgia to get help for his stranded compatriots. He navigated with a Thomas Mercer chronometer...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

Giltwood Cartel Wall Clock Complete Original Key, Enameled Face, Pendulum Offered for sale is, a lovely and very decorative cartel wall clock with a heavy gilt finish from Sweden or...

Monumental Art Deco clock - Orpheus and the animals Austria Bronze, marble Art Deco around 1925 Dimensions: H x W x D: 56 x 60 x 19 cm Description: The protruding base, which stan...

Large scale mantel or tabletop clock in the neoclassic style of a woman reclining and a Child with a book. The woman is holding a foliate wreath and lo...

A magnificent 19th-century French clock garniture set in gilt bronze, richly ornamented in the Louis XVI Revival style All working 7 day duration Great patina to the gilt Circa 1880 ...

This sumptuous red and gold clock was made during the Louis XV period of 18th century France, circa 1750. It is decorated in a beautiful red lacquer with roses and rose stems, attrib...

This is a lovely antique French Rococo revival ormolu, (gilt bronze) mantel clock with glass dome and giltwood base by the renowned clock maker, Leroy A Paris, circa 1880 in date.   ...

A very unusual and quite rare 19th century French chinoiserie/Japanism dore bronze mounted and hand painted porcelain aesthetic movement clock, attributed to E. Lièvre, most probably...

A Rare and Large Gilt and Silvered Brass Automaton Clock With Aneroid Barometer, Modelled as a Steam-Driven Water Pump. Attributed to André Romain Guilmet (1827-1892), Paris. France...

Reloj francés de carruaje u oficial (Carriage clock u Officier). Medidas: 19 cm. alto x 10 cm. ancho x 9 cm. fondo. En buen estado de conservación. Originalmente diseñados en el si...

Antique 19th century French Louis XVI style gilded bronze and white marble mantel clock. The circular case is decorated with a floral elements and surmounted by the figures of Venus...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

A large, superb and very decorative original antique French clock by the famous maker A.D. Mougin. It is boldly modelled in the Rococo style in finely gilded bronze. Asymmetric waisted case, decorated profusely with sweeping acanthus leaves, 'C' scrolls and floral swags. To the top is a large elaborate final of a stylised flaming lamp...

A very impressive gilded ormolu Louis XVI style clock garniture, the clock and candelabra being supported by winged cherubs, scrolling swags and foliage and classical mask...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...