Gilt Clocks

Antique French exquisite quality Ormolu clock and candlesticks of Vatican rouge marble, circa 1875-1885 Clock measures 15” H x 10” W x 4 1/2” D Candlestick measures 13” H x 7” W ...

Pendule of the early days, circa 1870 wood decorated with splendidly gilded bronze, work by Gustaf Becker clock with striking mechanism working with key a...

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

A fine mid-19th century gilt and patinated bronze three-piece clock set By Victor Pierret The figural clock of a woman and a bird seated next to a basket of roses above a gilded base designed with flowers. The candelabra with cherubs holding six lights and sitting on a gilt sea shell base...

A fine Louis XV style gilt and Patinated bronze figural clock garniture by Maison Baguès. This rare example of a clock garniture by Maison Baguès has a twin train eight-day movement striking on a bell.  The garniture consists of a clock and a pair of candelabra en suite. The clock has a Rococo cast case surmounted by a patinated bronze putto playing a lyre, above a circular white enamel dial with Roman numerals, Arabic seconds and pierced hands. The dial inscribed 'Eug Bagues, Paris'. The case terminates in four scrolling legs put down on an acanthus cast plinth base. The candelabra en suite have gilt bronze pierced acanthus cast bases supporting patinated bronze putti each holding aloft three scrolling acanthus arms terminating in circular and foliate cast drip trays and nozzles. Maison Baguès The Baguès Company, located at 31, rue des Francs-Bourgeois, was founded in 1840 by Mr. Noel Baguès who started his business to cast liturgical bronzes. By 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters...

Very decorative and fine rococo longcase clock by the renowned clockmaker Petter Södermann Stockholm (1740-1813). Finely carved case with scroll and shellwork gilded and painted in a...

Very decorative Swedish longcase clock from the Gustavian period painted in a cream white with giltwood decoration. The dial is signed by the St...

A French patinated and fire-gilt clock in the form of a vase, Empire Era, 1800-1815. The silk-thread mechanism is in good working condition with key and pendulum.

A fine Early 19th century French Empire ormolu bronze mantel clock. Depicting a winged cherub standing atop a barrel while a kneeling lady pouring wine ...

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

An important & rare silvered and gilt bronze 3-piece Chinoiserie clock garniture comprising a clock and two side pieces. The Pagoda form clock with 2 Chinese figures, one sitting pla...

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

Portico clock in chiseled and gilt bronze composed of a rectangular base in white marble. Architecture with two columns topped by griffins holding the di...

Antique Alabaster, Ormolu and Silvered Bronze Clock Set in the Neo-Grec Style French, Late 19th Century Clock: Height 55cm, width 33cm, depth 16cm Candelabra: Height 62.5cm, width 1...

A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & ...

French neoclassical style bronze and marble three-piece clock set French, 19th century Clock: Height 38cm, width 50cm, depth 15cm Candelabra: Height 62cm, width 27cm, depth 20cm ...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...