Gilt Clocks

An outstanding late 19th century gilt bronze mantel (fireplace) clock by Dagrin and Philippe By Dagrin and Philippe A large gilt bronze, beautifully dressed sculpture...

A 19th century French gilt-bronze and white marble figural lyre clock. The case mounted with floral swags, with a figure of Cupid to the top and two cherubs to the sides, on fluted r...

An Exceptional Late 19th Century Gilt Bronze Cartel Clock and Companion Barometer By Henry Vian after Jean-Charles Delafosse Henry Vian after Jean-Charles Delafosse The tops with a...

A very fine french ormolu and white marble three-piece clock set garniture. Comprising a mantel clock and a pair of matching urns with a pair of putti on ...

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

An exceptional gilt bronze mounted cut-brass and tortoiseshell-Inlaid ‘Boulle’ Cartel Clock and Barometer Set. French, circa 1890. Each surm...

French 19th century Louis XVI style mantel clock signed by J Marti. Made from marble and gilt bronze with porcelain dial.

This exquisite 19th-century French clock set features a stunning combination of gilded ormolu and verde marble. The centerpiece clock is elegantly adorned with intricate gilded detai...

A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & ...

Antique Alabaster, Ormolu and Silvered Bronze Clock Set in the Neo-Grec Style French, Late 19th Century Clock: Height 55cm, width 33cm, depth 16cm Candelabra: Height 62.5cm, width 1...

This graceful three-piece clock set is designed in a refined neoclassical style, which was fashionable in France in the 19th century. The set has been crafted from finely cut clear g...

This elegant antique mantel clock is of the Art Nouveau period, and is set within a fine rectangular wooden case embellished with gilt bronze (ormolu) borders and floral decorations. The clock was made by renowned Parisian maker E. Colin & Cie, and its central circular wooden dial...

A very good quality late 19th century French gilded ormolu clock garniture, having a pair of five branch scrolling foliate candelabra either side. The white enameled clock face with ...

A charming French 19th century Louis XVI style gilded ormolu and green marble clock garniture, having four ormolu cherubs supporting the urn clock a...

An important & rare silvered and gilt bronze 3-piece Chinoiserie clock garniture comprising a clock and two side pieces. The Pagoda form clock with 2 Chinese figures, one sitting pla...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...