Earthenware Decorative Objects

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

CHRISTIAN DIOR X JEAN-PIERRE FRÈRE – Early 1980’S Heart-shaped faience trinket dish with LAPIS LAZULI DECORATION Approx. 19 x 19 cm Signed on the back

A beautiful fluted Art Deco vase with amazing 'Lava' glaze. Designed by Ewald Dahlskog for Bo Fajans (Bobergs Fajansfabrik), Sweden. Excellent condition. Impressed signature 'ED'...

A green-glazed earthenware vase designed and produced in Sweden, c. 1920s.

Large ceramic vase in pastel yellow, adorned with 19 ceramic spheres plated in 24-karat gold. The body of the vase features a matte finish that enhances its unique shape, giving the ...

Model #3356 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

This refined French Art Deco vase dates to the 1930s and is likely produced by the Faïencerie d'Orchies, one of the most important ceramic manufacturers active in Northern France dur...

A large late 19th century French Barbotine jardiniere, or cache pot, with swan motif. Hand-painted glazed ceramic with vibrant color and turquoise blue interior. Perfect for the disp...

Brilliant handmade hand glazed Art Nouveau planter jardinière, 1930s Wonderful Art Nouveau period/ monumental ceramic planter jardinière, h...

French, 19th century. A fine quality creamware centerpiece in two parts having a polychrome decorated swaged garland to base, 3 figural cherub which not only support a wonderful pier...

Minton Majolica candelabra which features a Tudor dressed man, holding his arms aloft. He holds torches in his hands, which form the candle holders'. Color...

Dutch Delft Tabacco Jar The Claw Blue White Delftware Tin Glazed Pottery Dutch delftware tabacco jar. Tin glazed blue and white earthenware with brass c...

Diodoro Cossa vase, ceramic, chartreuse and black, signed. Large scale chunky ceramic vase decorated on both sides with a warrior horseback. Signed: "Cossa Italy" on underside.  

A ceramic vase from Thailand, with light beige glaze. Contemporary. While the golden age of Thai ceramics ended around the 15-16th Centuries, local craftsmen learned the art throug...

Model #13 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

Presenting a captivating quartet of 1920s floral vases, masterfully crafted by the renowned artist Charles Catteau (1880-1966) in glazed earthenware. Each of these exquisite vases be...

This exquisitely detailed, double-gourd Japanese Satsuma vase represents the zenith of Japanese earthenware artistry. Elaborately hand-painted, it features detailed floral motifs, wh...

Model #4543 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Umbrella holder or large vase signed Albert Poizat, 2002. In handmade earthenware, two faces are painted by the artist on each side of the object, standi...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

This early 20th-century French faience jardinière was crafted in Desvres, a town in northern France celebrated for its vibrant ceramic production since the 18th century. Oval in shap...

Add the charm of the French countryside to your home with this large, colorful and rare ceramic rooster sculpture. Crafted in France circa 1960 in the style of Paul Comolera or Louis...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

Crafted in France circa 1880, this elegant antique Majolica cache pot is a charming example of 19th-century barbotine craftsmanship. The oval planter rests on scrolled feet and featu...

Moroccan vintage, 1960's green olive jar, or planter. Handcrafted by the Berber people in Tamgroute Morocco. Great glazed earthenware with different hu...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with cobalt underglaze in a manner typical of the region. Dated to the 15th...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Vintage Dansk 16" White Color Tiny Taper Candles Set of 12 in Original Box. These hard to find Dansk tiny taper candles are in great shape. "DANSK design with light". Mid Century Dan...

This Ming-dynasty (1368-1644) storage jar is attributed to the kilns of Yunnan province, loosely decorated with iron underglaze in a manner typical of the region. Dated to the 15th/1...

This Victorian Majolica stork vase is signed Joseph Holdcroft, inspired by Minton Joseph Holdcroft offer here a different version more rustic. It's...

A hand-painted matte black vase by Louise Powell for Wedgwood, circa 1930s, elegantly decorated with silver berries on a matte black ground. Louise Powell, née Lessore, came from an...

This large antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1880. Round in shape, the handmade terracotta bowl has a subtle green glaze on the inside with natural earthenware finish on the outside. Use this important dish as a centerpiece on a dining table filled with fruit or vegetable, or dress this jardiniere with a flower arrangement. The wide decorative vessel...

This elegant pair of lidded vases showcases the artistry of Moustiers faience, produced by the renowned Lallier workshop in southern France. Signed Lallier à Moustiers on the base, they faithfully continue the centuries-old tradition of Provençal ceramics...

A powerful and expressive French mid-century sculpted bull, hand-crafted in mixed earthenware and dating to the 1970s. This impressive decorative sculpture features a strong, stylize...

An Austrian Eichwald majolica humidor tobacco jar from the late 19th century, with petite roosters pecking the ground. Created in Austria during the ...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Bjørn Wiinblad for Nymølle. Two earthenware vase...

Beautiful crackled earthenware rooster from the Art Deco period, signed Jacques "Adnet" on the base. Very high quality. The rooster stands proudly in a beautiful pose. A tiny crack o...

Monumental Longwy Musique Faience Vase Designed by Danillo Curetti, late 20th century Marks: FOLMOUTH'S, jm, TIRAGE NUMEROTE No 8, DECORÉ à la MAIN, (crown-coat of arms), EMAUX DE LO...

This swedish hand-painted and hand turned vase features a shiny cream-colored glaze adorned with hand-painted, graphic designs in earthy tones. The décor consists of crossing dotted ...

Arabia, Finland. Art deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27 x 5 cm. In excellent condition. Stamped.

Decorative bowl by Stig Lindberg, Sweden, circa 1950. An artistic jack-of-all-trades, Stig Lindberg was accomplished in industrial design, textile design, painting, illustration, gl...

Exquisitely crafted by renowned ceramist Ingrid Atterberg for Uppsala Ekeby, this black and blue chamotte vase with a distinctive handle and rough surface epitomizes mid-century Scan...

This elegant colorful hand painted Majolica planter was sculpted in Montigny sur Loing, France, circa 1860. The ceramic jardinière with root shape handles features high relief soft pink, blue and beige rose flowers with pale green leaves, and brown and grey background. The ceramic vase is in good condition commensurate with age and use (minor chips on few petals). Impressionist ceramics term generally applies to "paint the slip" or "batch gouache". At the turn of the nineteenth and twentieth centuries, the towns of Montigny-sur-Loing and Marlotte are many artists living places like Jean-Baptiste Corot, Eugène Thirion (1839-1910), Adrien Schulz (1851-1931), Numa Gillet (1868-1940) and Lucien Cahen-Michel (1888-1980), all attracted by the quality of the landscape and the light. When Eugene Schopin founded in 1872 a ceramics factory, he worked with the painters to create a range of designs inspired by Impressionism and decorated according to new public demands. Several ceramic factories will develop around this Impressionist movement. The most famous, such as Georges Delvaux (1834-1909), Albert Boué (1862-1918) and Charles Alphonse Petit (1862-1927), will produce until 1922. Other manufacturers, such as Theodore Lefront...

This colorful antique Italian Majolica vase dates to the 1800s. This type of pottery was first produced during the Italian Renaissance, and it often depicted historical and mythologi...

"Invasata" - unique piece, 2020, glazed earthenware. Andrea Salvatori (Italy, 1975) is a visual artist working in ceramics to realize ironic and witty sculptures, sometimes involv...

Product Description: This item has been designed by Mari Simmulson for Upsala Ekeby. Before moving to Upsala Ekeby Mari worked for Arabia and Gustavsberg respectively. In between th...

The designs on this French faience group is typical of pottery made in Rouen. Early 20th century French hand-painted Faience vasse from Rouen Marking on the bottom: "Rouen Fait M...

Early 19th Century French matched pair of traditional Biot pots. With weathered yellow ochre glaze to the rim and interiors. Circa 1820-30. The village of Biot (on the Côte d’Azur n...

17th Century Dutch Delft Lobbed Dish, with polychrome image of a swan surrounded by tulips and other flowers and leaves, with makers mark to the base.

A charming 19th-century French confit pot from the Provence region, beautifully worn with time and use. Crafted circa 1880, this rustic earthenware vessel was originally used for pre...

Cosmic Catfish Vase by Galileo Chini.

A heavyweight earthenware oil or wine jar from Tuscany, beautifully patinated with characterful, age commensurate losses. Italian, 17th century - or earlier.

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

A fine and elegant antique Italian Le Nove floral painted faience vase and cover. The earthenware hexagonal shaped vase has a moulded ribbed body exquisitely h...

Vase Theo in earthenware. Also available in table lamp Theo and floor lamp Theo.

This lovely French “service fumeur en faïence”, or earthenware smoking service, has five pieces: a tray, and four pots of various sizes. Although every smoking set is unique, we presume theses pots are a tobacco pot to store the dried leaves, an ash receptacle, a pot for holding papers to hand roll cigarettes and/or cigars and a pot for keeping matches. Our set was produced in Nevers, France in the 19th century by Montagnon, the oldest earthenware factory in France. Originally called manufacture du Bout du monde (“End of the World factory”), the factory was founded in 1648. By 1875, the factory had fallen on hard times and was bought by Antoine Montagnon. Within the five years, it was the only faïencerie left in Nevers. Montagnon was successful for over a century but eventually ceased operations in 2015. The production date of our smoking service set is from the late 1800s. Glazed earthenware was introduced from Italy to Nevers in the mid-16th century. The town already had existing porcelain factories and the area was flush with clay deposits that could be used in pottery. This allowed the influx of Italian potters in Nevers to begin producing Faience pieces. For the next 300 years, Nevers was the center for French Faience manufacturing. This smoking set has been decorated with painted birds, rinceaux of flowers and ornamental motifs. The blue background color is called Persian blue, and was extensively used as a ground color on Nevers Faience...

Add color and dimension to any interior with this exquisite antique majolica vase. Sculpted in Montigny-sur-Loing, France circa 1860, the tall oval vessel stands on a rectangular bas...

Pot of Majolica 1930, signed Ginori model 1208-3130, accompanied by an authentic archives Gio' Ponti.

Beautiful earthenware vase designed by Anna-Lisa Thomson for Upsala Ekeby, Sweden, during the 1940s. Good size with seascape motive. Off white glaze with a hint of yellow.

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...