Enamel Decorative Objects

A Rare Pair of Late 19th Century French Enamel Vases The front with a maiden in the woods, the sides and back with flowers and landscape scenes. ...

A Fine Louis XVI Style Gilt-Bronze and Sèvres Porcelain Mounted Cartel Clock and Aneroid Barometer En Suite, After the Models by Martinout and Passemant. The clock having a circula...

A Rare Austro Hungarian Gilt Silver & Jeweled Table Clock, Circa 1900, having semi precious stones throughout including agate, malachite, amethyst, pearl, coral and enamel DIMENSIONS...

Spectacular enameled ceramic vase, with sea stars and shellfishes decoration, sign at the bottom and base. Design: Régil (signed) France, circa 1960.

French Champleve Gilt Bronze and Enamel Clock Garniture three piece set . Includes clock and a pair of candlesticks Paris - France, c. 1880s candlesticks - h 9.75 in; diam 4.5 in cl...

French enamel on bronze finely executed vase. Depicts a painter and woman admirer. Singed with the enameling.

A fine gilt bronze and Champlevé Enamel Garniture Set comprising a pair of candelabra and a brûle-parfum and cover. French, circa 1890. The brûle -parfum or censor with a domed champlevé enamel lid above a gilt bronze pierced guilloche border with ram's head mounts supported by a baluster column flanked by seated putti finely cast with musical instruments on a circular base. The candelabra en suite having a pair of of putti figures supporting candlearms with circular champlevé enamel drip trays and sconces. Champlevé enamelling, is similar to cloisonné in that the enamel is applied to discrete cells separated by metal. However, in champlevé, cells or troughs are cast into or cut away from the metal base, leaving a raised metal line between the cells which forms the outline of a design. The cells are then filled with molten or powdered glass and fired. Height of central vase: 25 cm Width of central vase: 15 cm...

Unique enamel plate by Jean-Baptiste Van den Heede Unique piece Dimensions: D 40 x H 4 cm Materials: Enamel. Large enamel plate, unique piece signed with free calligraphy. It is pla...

Indigo Sandstone Vase B by Mylene Niedzialkowski Unique Piece. Dimensions: D 7 x W 18 x H 28 cm. Materials: Sandstone and enamel. Hand-made sandstone soliflore in different solid c...

Set Of 2 Sandstone Decorative Objects by Mylene Niedzialkowski Unique Pieces. Dimensions: Ø 22 x H 25,5 cm. Materials: Sandstone and enamel. Modules composed of 2 or 3 glazed stone...

Set Of 3 Sandstone S Decorative Objects by Mylene Niedzialkowski Unique Pieces. Dimensions: Ø 22 x H 25,5 cm. Materials: Sandstone and enamel. Modules composed of 2 or 3 glazed sto...

Set Of 2 Sandstone Decorative Objects by Mylene Niedzialkowski Unique Pieces. Dimensions: Ø 22 x H 25,5 cm. Materials: Sandstone and enamel. Modules composed of 2 or 3 glazed stone...

Set Of 3 Sandstone S Decorative Objects by Mylene Niedzialkowski Unique Pieces. Dimensions: Ø 22 x H 25,5 cm. Materials: Sandstone and enamel. Modules composed of 2 or 3 glazed sto...

Crème Sandstone Vase B by Mylene Niedzialkowski Unique Piece. Dimensions: D 7 x W 18 x H 28 cm. Materials: Sandstone and enamel. Hand-made sandstone soliflore in different solid co...

Donuts Dark Vase by Eguzkiñe Egaña Unique Piece. Dimensions: W 20 x D 7 x H 22 cm. Materials: Terracotta slip and enamel. Eguzkiñe Egaña Corta is a Basque artist and maker working a...

Corvus 4 sculpture by Vica Ceramica Dimensions: D 17 x W 21 x H 33 cm Materials: high temp. ceramic VICA CERÁMICA-STUDIO is a design and sculpture s...

Roja Craquel by Vica Ceramica Materials: Oaxacan clay, low temp Done by hand. enamels formulated by Ceramic Vice Dimensions: D 18 x H 18 cm VICA CERÁMI...

Tripode Coeur by Vica Ceramica Materials: Oaxacan clay, low temp Done by hand. Dimensions: D 20 x H 15 cm VICA CERÁMICA-STUDIO is a design and scul...

Large vase-sculpture in blue glazed earthenware by Angelo Ungania (1905-1996). Unique piece. Signed. Angelo Ungania studied at the Royal School of Ceramics of his city. In the ea...

Bloques is a handcrafted modern platter designed in 2023 by Spanish artist Ana Laso. Created using ceramic techniques and finished with hand-painted decoration, the piece functions a...

A Beautiful Pair of 19th Century French Dore Bronze and Enamel Two-Arm Candelabra/Lamps with Dolphin Branches. Each is cast from incredible dore bronze, the finest quality of gilt b...

On this Louis XVI style gilt bronze and faux lapis wall sconce by Gherardo Degli Albizzi it's possible to appreciate the handcrafted work of gilt bronze decorations such as branch's ...

Offered is a sleek and elegant decorative box made of enamelized wood with inlaid exotic wood on the lid. The interior and bottom surface are glossy black. The box measures 15.75" ...

An unusual Showa period cloisonné vase, of squat ovoid form with continuous guilloche in turquoise and green enamels enclosing abstract designs in blue, y...

Zoomorphic ceramic jug by René Maurel, France, 1950s, covered with textured black glaze. A rare sculptural French ceramic jug depicting a stylized animal. The piece is a pitcher; th...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...