Enamel Decorative Objects

A matching pair of small vintage 'Ming style' vases, crafted in China around the late 1980s. Delicately hand-painted and glazed with a Ming-style decoration: A trail of bold cobalt ...

Pair of mid-20th century Renaissance Revival hand-painted ceramic jars with lids by Fratelli Mari from Deruta, Italy By: Fratelli Mari, Deruta Material: ceramic, paint, enamel Techn...

An art deco guilloche enamel box made in Austria. Beautiful enamel round box, created in Vienna Austria during the art deco period, back in the 1922. This beautiful antique piece wa...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Lighting Acquisitions Of A Pair of Vintage Stiffel Enamel...

A large vintage 'Straits style' ginger jar. Crafted in China towards the latter half of the 20th Century, around the 1970s Handcrafted in fine Chinese porcelain and emboldened with ...

A bold 'famille noire' style porcelain temple jar. Handcrafted in Japan at the beginning of the 20th century, towards the end of the Meiji period. The little porcelain temple jar i...

Anthropomorphic Sculpture by Andrée & Michel Hirlet, 2000’s. Unique piece made of glazed stoneware — H 31 x 31 x 17,5 cm. Throughout their career, the Hirlets chose to follow a pat...

Japanese champleve cache pot, the rim has a repetitive pattern of vertical brass with a mixture of colors (red, white, green and blue) alternating with a turquoise running below it....

Handcrafted using the Cloisonné technique, this tea caddy has an original shape, decorated with stylized bats and flowers, and signed at the bottom. Perfect for tea enthusiasts, it w...

A colourful 'Straits style' ceremonial bowl. Made in China in the 1960s Decorated in the Straits/Peranakan style, this eye-catching bowl is a wonderful representation of the highly ...

The vase with broad shoulders gently sloping towards a footed base, engraved with dragons in clouds.

A very nice California design enamel on copper small dish by Leon Statham, circa 1970s. Great design and beautiful white and gold colors on this 6.25"D x 1.25"H dish. The piece is in...

Dragon Drawn Chariot From our Clock collection, we are thrilled to introduce this French Mantle Clock attributed to Francois Linke. The Clock in the rococo style cast as a winged Cherub wearing a billowing robe riding in a gilt chariot being pulled by a writhing Dragon outstretched climbing up with its left arm pointing towards the sky. The Chariot beautifully executed with a French Royal crest...

Napoleon III inkwell gilt bronz and champleve enamel Origin France perfect condition circa 1860. The Napoleon III style had its heyday during the 1850s and 1880s. Emperor Napoleon wa...

A French blue enamel napkin box with red Moroccan leather and carved steel silver mounts. The leather pushes in with a spring mounted red leather lid, very rare. Circa 1870.

Antique late-19th Century Austrian exceptional solid silver gilt & enamel twin handled vase. Perched atop an oval base, its bulbous stem gracefully rises, while the body boasts intri...

Palace size antique Louis XVI style museum quality Carrara marble, Dore and patinated bronze sculptural mantel clock signed Mannheim a Paris 19th Century Centered enamel dial signed ...

Boars Head Silver Mark From our collectables category, we are delighted to offer this French Guilloche Enamel Box. The Guilloche Enamel Box of circular slender form extensively dec...

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI styles, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik post 1908 mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with his inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Other Hallmarks: Stamped in the outside border, with German importation marks; the German Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone animals...

A beautiful antique Bohemian glass vase with enamel and sterling silver detail, ornately etched and hand painted with a floral motif. Wreaths of flowers in super fine detail are supp...

Russian silver and champleve enamel cigarette case by Gustav Klingert, Moscow, 1889. The case has full set of hallmarks. Weight 102 g or 3.3 t.oz.

This exceptionally rare table regulator of oversized proportions is deceptive in scale, from the movement and escapement to the pendulum every aspect o...

Large, Edwardian, sterling silver and blue guilloche enamel-mounted magnifying glass, Birmingham, England, 1906, Geo. Hope - maker. Measures almost 9 inches long x 3 3/4 inches diame...

A simply formed one piece enamel wall clock made in England by Synchronome. c.1930 Formerly slave clocks made from a single piece of enamelled steel featuring roman numerals with ...

Stunning large Bauhaus mantle clock by Franz Hermle German clock makers. This clock has a stunning large barrel shape over circular shaped feet, made in oak with a walnut clock face....

A Louis XVI Style Gilt-Bronze and Blue Enamel Cartel Clock and Barometer, By Maison Mottheau & Fils., Paris. This exceptional cartel clock and aneroid barometer exhibit the finest p...

Sculpture in terra cotta, handcrafted, fired painted and decorated, definitely with humor by the Italian artist Ginestroni, whose work has been exhibited in the Chianti Sculpture Park in Italy. This individually sculpted face has blue eyes and fired enameled lips, so realistic it looks like it is wearing true lipstick. A very interesting object...

The central circular photograph surrounded by a band of diamonds, set on a circular blue guilloché enamel panel surmounted by a crown and with floral decoration within a silver gilt border and easel backing, with spurious hallmarks and fitted wooden case with cushioned interior. With its intricate expanse of royal blue guilloché enamel beautifully offset by a gilt surround, this elegant Fabergé frame...

Contemporary sculpture in terra cotta in the shape of a feminine mask, handcrafted with a pierced decoration and white brush painted with fired enamel. This wall decoration has a special uniqueness because of the diffused aura created by the light source against the wall and through the sculpture. An interesting object...

19th Century French Napoleon III Wall Clock, Enamel Face and Wood Marquetry Offered for sale is a 19th-century French Napoleon III wall clock acquired in the Pyrenees region of Fr...

Finely enameled on copper Chinese covered ginger jar vase with yellow ground decoration, scenes of exotic birds and foliage. Colorful jar with yellow, greens. blues and whites. Botto...

A superb sub miniature silver and light blue guilloche enamel carriage or boudoir clock by Juvenia, in leather carry case. The superb engine turned enamel, which is even applied to b...

Sevres (French, founded 1756), marked for 1770. An antique French porcelain urn or vase decorated with a green porcelain base, white ground windows featuring heavy floral decorations and separated by fine gold bead work. The top with gold swag motifs and linear scalloping encompassing the entire piece. The bottom marked for Sevres 1770. Provenance: From the Estate of a prominent Concord MA...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

This exquisite antique Meissen Porcelain Pierced Floral Decorated Fruit Basket, dating back to circa 1920, embodies the timeless elegance and craftsmanship for which the renowned Mei...

Large photo frame in 925/1000 sterling silver gold plated with painted fire enamels like lapis lazuli stone. Shaping taken from the tiles of the North Door of the Baptistery of the F...

Rectangular shaped frame for oval photos cm. 7.8 x 10.4 in 925/1000 sterling silver gold plated with very fine fire-enameled floral engraving and hand-painted by the painter Renato D...

Raviere in rame smaltato. Produzione Studio Cellini Pesaro. Difetti come da foto Grazie

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

An Edwardian miniature boudoir desk clock, designed by Richard Silverer. An exceptional boudoir desk clock, made in Vienna Austria during the Edwardian period, back in the 1910. The...

Pair of lovely Chinese gilded enamel on bronze Cloisonne vases adorned with Cherry Blossoms, Peonies and Blue birds.

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Octagonal snuff box in gilded 925/1000 silver with English Queen Anne style borders and sides with fired enamels painted like lapis lazuli stone. On the lid, a very fine fire-enamell...

Chinese cloisonne enamel bowl embellished with pink and white flowers, geometric design and birds.

Rectangular table frame for oval photos cm. 3 x 4 in 925/1000 sterling silver gold plated with translucent fired enamel, plum purple, on guilloche, with French Empire Louis XVI style...

Attributed to Leon Messagé (1842-1901) and François Linke (1855-1946) Gilt bronze clock surmounted by an allegory of the Source. With rocaille decoration, resting on four cambered l...

A Beautiful Victorian Japanned Writing Slope With Decorative Floral Elements Enamel Inlays & Gilt Swallows. The slope features a black fitted interior finished with a black velvet s...

Rounded rectangular snuffbox in 925/1000 sterling Silver gold plated with beautiful fire enamelled miniature hand-painted by the painter Renato Dainelli of a basket with flowers, in ...

Antique Japanese Meiji period cloisonne enamel lidded koro incense burner standing on brass footed base. Embellished with stylized phoenix birds, geometrical ornaments, along with fl...

A delightful pair of Chinese cloisonne candlesticks in the form of tapirs, Late Qing Dynasty, circa 1900, China. The charming pair of candlesticks each crafted as a tapir seated upo...

Rectangular table frame with concave corners for oval photo cm. 5.5 x 8.5 in 925/1000 sterling silver gold plated with translucent fired enamels on guilloche, with French Empire Napo...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enameled on guillochè and fine hand-engraved on all sides, French Empire Napoleon...

Art Deco Bosch Ceramics by Charles Catteau Designer Charles Catteau Origin Belgium Circa 1930 Materials: ceramic and bronze rings on the base and mouth Excellent condition and withou...

Rectangular table photo frame in 925/1000 sterling Silver gold plated with translucent two-tone striped enamels fired on guilloche and hand-engraved ornaments. Late Empire Napoleon ...

An antique Japanese, Meiji era, enamel over copper vase. The vase has an urn shaped body and a wide neck. The ware is enameled with polychrome floral, foliage, geometrical, and retic...

Beautiful vintage figurine of a perched eagle with spread wings finely crafted from silver filigree with enamel feathers, mounted on ebonized wooden rock form base. With high degree...

The beautiful contrast from the gilding and enamel is very attractive. The striking 8-day movement with balance escapement with hour and minute indication on two silver rings. Al...

Art deco miniature boudoir desk clock made by Gübelin. Fabulous miniature desk clock, created in Lucerne Switzerland by the E Gübelin & Co. during the art deco period, back in the 1925. The craftsmanship of this boudoir clock is exceptional, crafted in a squared shape in solid sterling silver .935/.999 with polished finish. It is mounted in four round sabots and the four sides of the case are embellished with a gorgeous engine turned Guilloche designs, which are topped with applications of vivid pink color glass enamel. Fitted at the back with a concealed hinged door with a snap lock to access the movement. Movement: Swiss, Mechanical, manual winding, 8 days, fifteen 15 jewels, two 2 adjustments and signed, SWISS E. GUBELIN LUCERNE. Dial: The dial is square, gilded analog with black Arabic numerals inside a black linear frame and blued steel Breguet hands. Signed, E. GUBELIN LUCERN SWISS. Case: Squared in .935 sterling silver with guilloche and pink enamel and beveled square glass. Weight: 161.95 Grams, (103.85 Dwt). Measurements: 51 mm by 34 mm by 53 mm (2.0 x 1.34 x 2.09 Inches). Hallmarks: The case is fully stamped in and out with pre-1933 Swiss marks, the maker's mark, the Swiss mark of the standing bear for the assay of the .935 silver, the four digits serial numbers for the case, and signed in full, "GUBELIN STERLING...