Giltwood Decorative Objects

A pair of exuberant Italian 17th century candleholders from northern Italy, circa 1670. Each polychrome and giltwood candle holder is raised ...

An exquisite, antique early 19th Century Burmese Mandalay Buddha statue, masterfully hand carved from wood, partially gilded, and lacquered in rich tones, in good condition. This lar...

Hand-carved in Italy, this pair of giltwood candleholders are from the Baroque period. Based on the asymmetrical carvings of C-scrolls and curled leaves, this was most likely an earl...

A Large and Impressive Continental 19th Century Patinated Bronze and Giltwood Carved Crucifix Former property of Siegfried & Roy, the renown German...

A large lovely Italian arched tole two-arm candle sconce with hand painted delicate red roses, gilt scrolls and leaves, and giltwood candle holders, circa 1950. It would make a fabul...

An Italian Antique 17th Century "Mecca" gilding Wood Hand carved Bear "Orso" Candelabra on Renaissance base. The base and the bear are gilded with Mecca, a silver gilt technique that...

Dramatic and impressively large carved and gilded wooden sculpture of a Thai female bust having ornate head dress. Incredibly carved from one solid log of wood and mounted on a sim...

Hand-carved in Tuscany, Italy, circa 1750, this gilded altar candelabra has a commanding presence. At over six feet long, the candelabra is f...

Gorgeous antique French Rococo gilt mantel clock Circa 1850 Signed to the clock face 'Dupont a Paris' who worked at Rue St Martin from 1850-1860 Eight day duration movement chiming o...

Italian Neo classic-style (19/20th Century) gilt bronze 6 floral light candelabra with multiple flowers supported by an urn with handles resting on a square base.

19th Century English Chinoiserie Tea Caddy with Dual Interior Canisters A 19th century English chinoiserie tea caddy of faceted octagonal form, raised on carved paw feet and decorat...

Exquisite pair of Antique Italian Giltwood Florentine Photo Frames showcases the timeless elegance and intricate craftsmanship characteristic of Florentine artistry. Each frame is a...

The Arabic numeral dial signed A.M. Blomberg, Stockholm, the case elaborately carved with opposing cornucopias, birds and branches, raised on a bracket decorated with shells and acan...

This vase demonstrates some of the best workmanship to have come out of the early 19th century in China. Made from carved rock crystal and set on a later giltwood base, the vase date...

Gorgeous Antique Clock, Longcase, French, Louis XV Style, Walnut, Foliate, Gilt, 1889, 19th Century! This exquisite antique longcase clock ...

Pair of French Louis XVI-style (19th Century) gilt wood floor torchiere with urn design and 9 bronze arms (PRICED AS Pair).

A good 19th century Venetian Italian Gondolier torchere stand, of typical Venetian form, polychrome painted with the softwood carved figure holding the shaped silvered top and a bunc...

This large wall hanging clock was carved in Paris, France, circa 1780. The antique clock is topped with a cartouche frame. Inside the frame, is a small, delicate painting decorated w...

The white painted dial signed Cappy A Paris, 1773 within a laurel wreath carved case on a delicately carved flower entwined ribbon backplate ending in a tassel.

Carved, Painted and Gilded Decorative Box

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Antique gilt carved tortoise footstool. Gilded Era wood carved and gilt tortoise/turtle foot rest with faux tortoise waxed canvas foot cushion and deep...

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

Bring a radiant touch to your home with this eye-catching gilt wood sunburst battery operated clock. Hand-carved in Spain circa 1970, the vintage clock features a circular center tim...

A magnificent monumental pair of Italian Baroque style carved giltwood torcheres, each comprising a circular dished top above an elaborately carved pillar with floral swags and gargo...

Great grouping of three small Florentine Gold Gilt frames from Italy. We see these Rococo style frames as in a grouping as part of a gallery wall or certainly stand alone. Frames are...

Period Empire giltwood frame.

Antique 18th C Giltwood Hand Architectural Fragment Sculpture

Bring devotional beauty to a mantel, console, or chapel corner with this graceful antique sculpture of the Virgin Mary, carved in the Pyrenees of France circa 1860. Hand-carved in wo...

A reclaimed giltwood fragment on a stand. This reclamation art piece is finished with an amethyst at the crown. A lovely combination between the bright gold and the soft amethyst col...

One-of-a-kind natural mineral specimen sculpture, entitled "Venice Rising," created from an 18th-century Italian patinated parcel-giltwood candlestick and embellished with quartz, mu...

This tall and decorative pair of antique candlesticks was hand-carved in France circa 1780 in the Louis XV style. Each piece features a richly ornamented front with fluted columns, s...

Standing with wings extended and one claw resting on a turtles back. This piece was intended to be displayed outdoors. Many old layers of pain. From the Bartlett Burnap Collection. P...

Decorate a wall or dress a over-door with this elegant antique sculpture. Crafted in southern France circa 1860, the element depicts an ornate, gilt decorative wood wall mounted carv...

In excellent condition considering age. Some losses and chips as expected with the age. From a beautiful home in Santa Barbara.

Make a dramatic, romantic statement in your home with this elegant pair of wall fixtures. Crafted in Italy circa 1970, each large sconce features a hand carved vase flanked with drap...

An elegant French gilded wood barometer with thermometer (period Louis XV, Circa 1760). Barometer has been fitted with a new mercury tube, ...

A fine Italian early 18th century giltwood torchère on triform base carved on the front side, with seven scrolled gilt-metal candle arms. Measures: 215 x 45 cm.

German Biedermeier mahogany tall case flute clock with porcelain dial, upper case having four rotating painted soldiers and biblical figures, original blow...

One of a kind Set of two pieces belonging to a monumental Baroque altarpiece made in the 18th century. These are two magnificent carvings of large dimensions, which together make a semicircular piece with a profuse decoration also of monumental proportions of plant forms. Decoration with elaborate carved rolls, which stand out from the general structure. It comes from a Spanish church that housed an imposing altarpiece made in the second half of the 18th century. The entire visible surface is gilded with original gold leaf, with imperceptible subsequent touch-ups. The back is reinforced, which makes the pieces very strong and heavy. In the photographs you can see the approach of its collectors: they placed it as a headboard, it looked impressive! But these exclusive pieces can be presented in many possible ways, either as part of the wall or as a work of art. Due to its enormous size, the configuration chosen for transport is "the buyer picks up the piece" but if, once awarded, you want to contract transport, we will provide it (we have a team of experts). Total measurements: 450 cm (width) x 160cm (height) x 25cm (depth) Measurements of each piece (2): 225cm (width) x 160cm (height) x 25cm (depth) It is a unique opportunity to acquire two exclusive pieces in the world of antiques.

An impressive and most charming true pair of Italian 18th century Baroque st. faux painted marble and Giltwood statues. Both of the joyful statues are raised on hexagonal tapered fau...

18th century Viennese dark green painted and giltwood pendule of unusual size in the form of a classical urn, the gilt-bronze dial with Roman numerals, surmounted by giltwood flowers...

This is a American gilt-bronze (ormolu) mantel clock, exuberantly decorated in the Rococo revival style Circa 1920 Gilt-bronze (ormolu) case with a rich golden tone Enamel dial with ...

Vintage Italian chalkware / gold gilt cherub statue by Borghese, circa 1950s. This sculpture is richly finished in luminous gold gilt, capturing the timeless romance and opulence of ...

Carved with a central baluster issuing stylized leaf scrolls terminating in a candlecup , whole terminating in an urn flanked by two scroll handles on square plinth base

Chérubin en bois polychrome et doré à la feuille. Cet angelot baroque date du XVIIIème siècle.

An eye-catching conversation piece! This is a pair of large antique Italian giltwood candlesticks. They are just under three feet tall and were hand-crafted in Ital...

From The Iris Apfel Collection, this vintage Italian picture frame dates to the mid-20th century, circa 1950s, and exemplifies the decorative craftsmanship and layered surface treatm...

Opposing pair of finely carved giltwood eagles on large rock crystal spheres resting on tole carved giltwood bases with acanthus motif. Me...

Decorate a wall or dress a over-door with this elegant antique gilt carving. Crafted in Provence, France circa 1780, the element features a center cherub sculpture holding a flower b...

These beautiful candlesticks are an exquisite find. The gold finish adds a nice metallic pop to any space.

A beautiful small fruitwood polychrome carved sculpture of a Saint. Loss and wear should be visible in the photos.

Early 19th century Italian carved and giltwood narrow Florentine frame. Circa 1840. A fine addition to any home!

This impressive pair of carved giltwood candleholders dates to the 18th century and was likely created in Southern Europe. Executed in richly detailed Baroque style, each piece featu...

Rare bronze elephant by Theodore Alexander. modeled with expressive anatomical detail and a dynamic raised trunk. The sculpture displays finely rendered surface texturing across the ...

19th century Italian carved and giltwood wall clock, Circa 1870. This a nicely carved wall clock. A very functional piece for any home.

A late 19th Century, antique pair of Swedish Gustavian style oval shaped wall mirrors made of hand crafted gilded Pinewood, bronze with its original mirrored glass, in good condition. Each of the Scandinavian wall décor...

Coppia di Angioletti di legno in oro Zecchino del 700 Condizioni discrete compatibilmente con l'età Piccole crepe sugli arti e sulle ali Piccole parti mancanti su un piede e su un al...

Large Late 19th Century American Carved Giltwood Eagle Sculpture This majestic sculpture will add the perfect bit of Americana to your decor....

Pair of 18th century carved fragment on stands Wood Carved Gilt scroll acanthus leaf architectural ornamentation mounted on wood and granite stone stands.