Giltwood Decorative Objects

An impressive and most charming true pair of Italian 18th century Baroque st. faux painted marble and Giltwood statues. Both of the joyful statues are raised on hexagonal tapered fau...

Add an air of drama and elegance to your home with this elegant pair of antique candlesticks. Crafted in Italy circa 1880, each candle holder stands on a tripod base ending with scrolled feet; the tall decorative fluted stem is embellished with hand carved leaf motifs. The detailed candlesticks flaunt their beautiful, original two-tone polychrome light...

A pair of exuberant Italian 17th century candleholders from northern Italy, circa 1670. Each polychrome and giltwood candle holder is raised ...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Exceptional pair of armchairs, in carved wood, decorated with acanthus leaves and volutes, the armrests ending in lions' heads, the footrests in dolphins' heads. Traces of "a mecca" ...

Carved with a central baluster issuing stylized leaf scrolls terminating in a candlecup , whole terminating in an urn flanked by two scroll handles on square plinth base

An elegant pair of giltwood glazed frames enclosing fourteen Grand Tour intaglios dating from the early 19th Century. The oval shaped plaster intaglios feature subjects predominantl...

The "Pair of Antique Giltwood Fragments on Crystal Bases" is a set of sculpture pieces that feature antique giltwood fragments mounted on crystal bases. These fragments are likely in...

A striking natural Mediterranean red coral specimen mounted upon a carved and giltwood urn-form base, creating a compelling interplay between organic form and classical ornament. The...

A handsome true pair of French 19th century Louis XVI st. Giltwood and Terra Cotta dog statues. Each statue is raised by an oval shaped Giltwood pedestal with mottled edges and a den...

Pair Of Carved And Gilded Italian Antique Frames Central Italy made using a single plank of carved stone pine according to the taste for imaginative and dynamic ornamentation typical...

Impressive Louis XVI style torchere bases with up lighters. Beautifully hand-carved and gilded by hand using traditional methods in an antique finish.

An elegant Hollywood Regency giltwood lidded box featuring carved trompe l'oeil faux swags, in a beautifully aged gold over a muted cream painted background that softens the richness...

A Nineteenth Century European gilt and gesso mirror carved in the Neoclassical style having festoons of C scrolls upon a diapered ground and bead...

Bring devotional beauty to a mantel, console, or chapel corner with this graceful antique sculpture of the Virgin Mary, carved in the Pyrenees of France circa 1860. Hand-carved in wo...

Mid-Century Florentine green and gold gilded frame from Italy with amazing patina throughout. Sturdy and beautiful this octagonal frame is ready for a picture and certainly captures ...

19th century giltwood polychrome statue of Madonna is a superbly artistic rendition of the Mother of Jesus, uncharacteristically holding our both han...

An impressive and richly carved giltwood frame executed in the Baroque style, dating from the 17th century. The frame features exuberant scrolling acanthus leaves, volutes, and carto...

A very unique Austrian 18th century giltwood and polychrome clock, with the original Grand Sonnerie movement. At the base is a country scene of a lady...

A sensational and extremely decorative true pair of Italian 18th century Baroque giltwood, polychrome and faux painted marble cherub statues. Each impressive and large scale statue i...

You are viewing a pair of ornate French gilt comports in the Empire manner Look at the quality to the casting with all the intricate details Pair of cheru...

Pair of wonderful coral and gilt wood fragments. These were custom made. Pieces of coral mounted onto antique gilt wood bases. One of a kind.

You are viewing a lovely antique English gilt and marble mantel clock Surmounted by a chubby gilt cherub with wings Very ornate casting to the gilt Clock face dial bears the signatur...

Great grouping of 4 Florentine frames from Italy. Can be used in a grouping or stand alone with the religious photos inside or replaced holding your own photos. For reference, the ...

Antique 18th C Carved & Painted Giltwood Figure of St. Agustin.

Antique fish sculpture made of 18th century fragments. (Recently assembled and put on a base). An interesting piece that is sure to spark a conversation! Circa 1870 28w x 8d x 17h

Large antique giltwood picture / art / mirror frame, beveled and carved with a swirling foliate / acanthus leaf motif. Accomodates art approximately 34" x 25". Dimensions: 41" x 3.5...

19th century French gilt tortoise shell clock with inlaid bronze, with base. The base is also tortoise shell with gilt bronze.

Mid-Century Florentine Red and Gold Gilded Frame, Italy. Sturdy and beautiful, this frame is ready for a picture and certainly captures that European vibe. Frame can be used vertiall...

An elegant pair of Continental 19th century black Lacquer and Giltwood planters. Each stunning black lacquer planter is raised on a mottled base with foliate patterns showcasing Indi...

Pair of 18th C Style Italian Giltwood Picket Candlesticks

Italian Baroque Style Giltwood Frame. Offered is a lovely antique Italian giltwood frame in the Baroque style. Great desk, table or book...

Pair of 18th century carved fragment on stands Wood Carved Gilt scroll acanthus leaf architectural ornamentation mounted on wood and granite stone stands.

A reclaimed giltwood fragment on a stand. This reclamation art piece is finished with an amethyst at the crown. A lovely combination between the bright gold and the soft amethyst col...

Early 19th century Italian carved and giltwood narrow Florentine frame. Circa 1840. A fine addition to any home!

Early 19th century French giltwood frame. The inside dimensions 39.25 x 31.25

This vintage gilt wood storage or jewelry box features two drawers. The box has lots of character, charm and patina. Wonderful piece to add to a collection or start a new one with th...

The Vintage French Rock Crystal Bowl on Giltwood Stand is a stunning piece that adds a touch of elegance to any room. A stunning piece that is sure to impress! Circa 1940 13w x 8h

Handsome pair of water gilt carved finials.

Highly sculptural Austrian Empire hand carved gilt-wood clock depicting an eagle holding a fabric piece. The center of the piece has a clock situated in it with Roman numerals. Made ...

Pair of giltwood and iron pricket candelabras, Italy, 18th Century. a floral spray centering five prickets to scrolled arms inset to a two-handled urn.

Venetian 1700s lectern from the Baroque period. Baroque-era lectern, from the early 1700s, from the Veneto region (Venice) Made of gilded wood with mecha technique and with floral ...

This portrait bust in relief of a French nobleman is mounted in the original gilt frame, though the subject’s identity and the artist remain a mystery. Beautifully sculpted, the bust...

Very unusual. Have never seen one like this. Most likely had a painting inset, but mirror could be placed inside. Stand alone or hang on wall.

Charming Italian Mid-Century Florentine hand crafted box. This lined gilt-wood box can be used to store your favorite pieces of jewelry as well a stand alone piece on a coffee table ...

Italian oval oil on board gilt carved wood portrait of a gentleman in the original floral and berry frame, 18th century.

Decorative Italian fish sculpture made of 18th and 19th century fragments. Very unique!

Mme. Adelaide and Mme. Victoire. Oil on canvas, with antiques frames.

This intricate two-tier frame was created in the early to mid 19th century. Made from hand carved wood with intricate cut-outs, this extraordinary frame was then built up into the m...

A towering Italian altar candlestick from the 19th century (or earlier) to preside over your mantel or tablescape by its regal aura of gilded glory. The baluster form is carved with ...

Pair of late 18th c. Italian Giltwood Candlesticks of large size. Base measures 10.5 inches.

A rare pair of 19th Century carved giltwood elements of eagles with widespread wings, Indian, circa 1840. Artfully displayed on contemporary ebonised stands. Historic repair to one w...

A rare decorative bronze rhinoceros sculpture by Theodore Alexander. Modeled with strong anatomical detail ,and a rich dark patina that emphasizes its sculptural mass and presence. T...

An exquisite 19th-century Italian giltwood cherub figure, beautifully hand-carved and seated atop a stepped architectural plinth. The cherub, rendered in expressive Baroque style, fe...

Used to support chandeliers or flowers. They represent personages of de New World, very in vogue in that time.  

A fine and rare pair of English Regency period torchères, or stands (or candle stands) in the manner of Thomas Hope. Circa 1810. Both are raised on tapering simulated-bronze column supports with circular tops and fluted gilt collars, on concave-sided triform bases with winged-panther mask monopodia. The column bases issue from spreading, gilded, carved lotuses. These antique torcheres might also be referred to as columns, ornamental stands, candle sticks, or candelabra. In superb condition throughout. Literature: ‘Thomas Hope – Regency Designer’ ed. David Watkin & Philip Hewat-Jaboor, Yale University Press, New Haven and London (2008). The Aurora Room, Duchess Street, photo from V & A Museum, fig. 68-1, p. 378. The Royal Collection, HM Queen Elizabeth II, RCIN 588- 1-2, 45- 1-2, figs. 78-2, 78-3, p. 396. The Faringdon Collection, Buscot Park, Oxfordshire, illustr. 88, p. 414. The pair of stands we are offering here correspond closely to the pair in the Faringdon Collection (see above). Watkin and Hewat-Jaboor state; ‘’A ‘Roman’ stand of this precise design, perhaps an imaginative variation on one published by Visconti*, is illustrated in ‘Household Furniture’, plate L, number 2… Hope also owned several classical Roman candelabra...

A stately and most unique Italian 18th century Louis XVI st. Rock Crystal and Giltwood obelisk. This wonderful obelisk is raised on an octagonal mottled base decorated by finely carv...

A pair of Italian noclassical period carved and painted giltwood candlesticks from the 18th century, with paw feet. Each of this pair of exq...

Exceptional and huge pair of armchairs, in carved wood, decorated with acanthus leaves and volutes, the armrests ending in lions' heads, the footrests in dolphins' heads. Traces of ...

ltalian Monumental Neoclassical Gilt Wood Seven-Light Torchere or Menorah. Imposing, unique Gilt Wood Torchere of Palatial Proportions in an Egyptian Revival Design. The tripod base ...