Iron Decorative Objects

This large double-sided factory clock was produced by Pragotron, in former Czechoslovakia, during the 1950s. The piece features a two brown bakelite clock with glass cover and iron c...

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Late 19th-century iron money lock box constructed of heavy iron with black painted corners and trim over a green ground. Built with substantial wrought iron throughout, this box woul...

Pair of circa 1900 Dutch iron and candlesticks with porcelain body. Measurements: Height: 12" Width: 9" Depth: 7"

Pair of Gothic Revival wrought iron copper finished candleholders, Spain, 1950s Stylish pair of Brutalist period three-arm wrought iron candleholders with copper finish. These candleholders stand...

Candelabra designed by Erik Höglund during the early 1960s. Manufactured by Boda Smide in Sweden. Made from wrought iron and hand made glass medallions. Some glass pieces with stamp...

A unique Swedish case clock in original blue and salmon color. The year 1837 can faintly be seen above the clock face. Remnants of 18th century color animations are affixed to the in...

A striking pair of antique wrought iron five-light candelabra floor stands, showcasing a beautifully aged blackened finish. These stately candleholders feature twisted iron detailing...

These fragmented NWA [H5] meteorite sections are transformed within a beautiful bronze stand displaying all fragments, all of which are included with this product, including the bron...

Lorraine Crawford, Berkeley California Brutalist Iron Sculpture, ca 1960s. Attribution provided by previous owner. Dimensions: Overall: 29½" high x 14" wide x 7½" deep St...

Hugh Christmas tree stand made of iron. The stand is decorated with three large hands painted Santa Claus. The Santa Claus is decorated on both si...

17th century lock & key. Probably form a large cabinet or a door.  

Brutalist enameled iron étagère in the style of Paul Evans, sculptural, freestanding, fitted with two removable bronzed glass 19" x 7" shelves The bas...

This refined cast iron vase, inspired by French Art Deco, masterfully evokes the iconic spirit of New York's Chrysler Building, William Van Alen's 1930 architectural masterpiece that...

Midcentury Brutalist Minimalist Forged Iron Candelabra – Pair, Germany A striking pair of forged iron candelabra, handmade in Germany during the mid-20th century. With a Brutalist y...

Antique Swedish Gustavian Rococo Giltwood Wall Clock, Stockholm, Circa 1900 This exceptional antique Gustavian wall clock is a refined example of Swedish Rococo craftsmanship, dating to circa 1900 and retaining its original working mechanical movement. Hand-carved and richly gilded, this elegant wall clock embodies the restrained opulence and architectural balance that define Gustavian decorative arts, making it a timeless statement for curated interiors. The clock features a beautifully sculpted giltwood case, adorned with classical Rococo floral carvings, laurel swags, ribbon bows, and finely modelled ornamental details. The symmetrical composition is anchored by turned columns, a decorative shelf base, and a graceful ribbon crest, all finished in warm, luminous gold leaf that enhances both traditional and contemporary spaces. The circular dial, set within a beaded gilt surround, displays clear Arabic numerals and original hands, offering visual harmony and legibility. Below, the pendulum aperture and architectural elements add depth and sculptural presence, allowing the clock to function as both a decorative wall sculpture and a functional timepiece. Measuring approximately 54 cm in height, this piece is ideally scaled for use in living rooms, bedrooms, hallways, libraries, dining rooms, stairwells, and refined interior settings. It works beautifully as a feature wall clock, a decorative focal point, or a collector’s object within classic, neoclassical, Scandinavian, Parisian, or eclectic interiors. Origin & Period Origin: Sweden, Stockholm Period: Circa 1900 Style: Gustavian / Rococo Revival This clock reflects Sweden’s late Gustavian tradition, where French Rococo influences were interpreted with Nordic restraint, symmetry, and elegance. Pieces of this quality were produced for refined domestic interiors and remain highly sought after by collectors of European decorative arts, antique clocks, and giltwood furnishings. Craftsmanship & Materials Hand-carved giltwood case Original mechanical movement (tested and working) Traditional gilding with rich patina Finely detailed floral, ribbon, and laurel motifs Each element demonstrates exceptional artisanal skill, with hand-carved details and proportional harmony typical of museum-quality Scandinavian decorative objects. Condition Very good antique condition The mechanism was tested and functioning well The surface displays authentic age-related patina consistent with the period. No functional guarantee is included, which is standard for antique clocks. Styling & Interior Appeal This antique Swedish wall clock...

1940s Spanish Forged Iron Three Arm Rustic Scroll Candelabras Set of Two Candelabras circa 1940s Spanish Colonial 11.25 H x 9.75 W x 5.75 in diameter Original Unrestored Vintage Cond...

A large and striking Garden Sculpture of a powerful and elemental Heron form. A modern style standing Heron in iron with a great rust and verdigris patina. The head angled with an ...

An early to mid 19th century American cast iron retriever, a rare dog sculpture.  Probably by Robert Wood and Perot. Wonderful detail and condition.  A rare find.  32″H x 52″L x 8″W

Unusual and decorative wrought-iron hanging candle holders. Ten available.

Impressive torch cut iron sculpture of abstract geometric form executed in the Brutalist style. The sculpture is in original rust surface, and...

Very rare “Mikrokosmos” hanging planter designed by Olof Hult (1892-1962) for Nafveqvarns Bruk, Sweden, designed 1922, executed 1920s-1930s. Height 5",...

Pair 19th century French neoclassical cast iron garden vases ~ jardinieres are perfect for outdoors or indoors as well! Classic des...

Exceptional driftwood sculpture as found in nature ,beautifully aged and weathered surface ,very interesting holes and crevices to see and imagine, professionally mounted and secure ...

This iconic candelabra or candle holder was designed by Jens Quistgaard in the 1960s. A brutalist design that is made out of cast iron and brass. It has 7 adjustable arms that can ro...

A rectangular copper box with repousee sunflower decoration to top and front, having hinged lid with hand-forged rattail iron handle, rivetting to corners and scrolled iron feet. O...

A fun MCM Japanese patinated iron winking owl pen tray, circa 1970s. The tray is in very good vintage condition and measures 2.5"W X 8.25"D X .5"H. A very co...

Beautiful molded ceramic flower pot glazed in black and white stripes, mounted on tripod wrought iron legs. An original decorative planter suitable for a large green plant for your o...

A Monumental French 19th Century Patinated and Parcel Gilt Cast-Iron Bust of 'Head from a Statue of Antinous as Dionysus' Wearing a Wreath of Ivy ...

Man at the effort Expressionist cast iron dated and signed 1976 with a height of 28 cm for a width of 21 c and a depth of 10 cm. Additional information: Material: cast iron (iron...

19th Century sheet iron silhouette horse weather vane with original iron mounting rod. Mounted on a more modern base. 32"H x 44"L base 29" x 6" x 6"...

This is a pair of portico tables. An English, walnut and cast iron statuary or planter stand, dating to the Victorian period, circa 1850. Exquisite and ...

Very sturdy cast iron sculpture of a rooster. Could be used on a console or kitchen counter as a decorative centerpiece display or functional as a door stop.

A tall French iron floor standing candelabra from the early 20th century, with five prickets, scrollwork design, stylized fleur de lys motif and twisted accents on a quadripartite ba...

The vessels display the rustic character and craftsmanship associated with traditional Spanish pottery, featuring warm earthy tones, hand-worked surfaces, and generous proportions th...

As found in France, this oversized wire Eiffel Tower makes an impressive statement wherever displayed. This eye-catching fragment, painted orange, certainly would be a wow factor in ...

Great victorian models with partial moving hands and arms. Hand crafted figures of great quality and mounted to wood bases.

Charles Piguet (1887 - 1942) pair of wrought iron candle holders, circa 1925, France. Wrought iron. Original patina. CP monogram for Charles Piguet on each piece. Dimensions: 30 cm...

Sculptural catchall in the style of Matégot and Georges Jouve. Iron frame with circular base and circular top. Yellow and green ceramic dish sits in...

Vintage boot jack in cast iron freshly powder coated in bright chartreuse. The cast iron object is as functional as it is decorative. This bright and fun ...

Large handmade glass relief or sun catcher made for Holmegaard Glassworks 150th anniversary in 1975. Mounted in original cast iron holder. "The Seasons" we...

A pair mid century iron candlesticks. Great geometric design. Would make a wonderful centerpiece. United States, 1950. Each measures 7" x 9" x 5.5" h

Spectacular pair of hand painted ceramic temple jars with iron foo dog finials and bases by Maitland Smith, circa 1980s. The pair are in very good condit...

Large French baroque wrought iron door lock on acrylic stand.

Figural lion inkwell boasting original paint with hinged lion's head concealing the well, circa late 1800s Patina / paint loss consistent with age / use.

1980s Italian Pop Art Sculpture of a Purse, Museum Mounted A striking and possibly one-of-a-kind 1980s Italian Pop Art sculpture, designed as a purse and expertly mounted on a muse...

With its grand scale and perfect proportions, this rustic wooden bathtub is true showstopper. The tub has an elongated, oval shape is comprised of thick cypress wood staves held together by three iron bands. Two iron handles on either side of the basin allow it to be easily moved about a space. Dated to the early 19th century, the wood exhibits beautifully irregular grain patterns and a warm, richly aged patina that only time can achieve. An incredible way to add rustic texture to the home, we love this gorgeous bathtub as a garden planter, a firewood bin...

This English cast iron bull wall hanging sculpture, dating back to circa 1930-1940, presenting large antlers and a rustic, rusty patina. The sculpture em...

This vase from circa 1925 was used to bring by a weekly flower tribute to a deceased buried loved one. The enamel finish makes this vase suitable to be kept outside on your balcony ...

A black-painted iron candlelabra, designed and produced in Sweden, c. 1940s.

Large and all handcrafted chandelier. This artistically designed and very well executed wrought iron chandelier is in excellent condition and it comes with stylized dragon heads and...

From artist Lawrence Argent, comes these solid iron castings of antique rowing oars with a bent twist. Created in 1994, untitled. These came directly fr...

This Two Door – Six Drawer Cupboard Maquette offers a rare and revealing glimpse into Jim Rose’s legacy at the level of process and intention. Created during his residency at the Joh...

A painted iron candelabra designed and produced by a Swedish Designer, Sweden, 1940s. Holds .75" diameter candles.

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Outdoor Victorian iron classic shaped urn with large scroll handles.

A Rare Carved and Metal Mounted Casket with Remnants of ‘Pastiglia’ Decoration retaining the original lock plate Wood, iron, polychrome Catalonia, Spain 14th Century Size: 17cm ...

An Indian archaic style vintage cast iron horse sculpture from the mid 20th century. Created in India during the midcentury period, this unus...

This pair of Spanish Colonial-style iron prickets, dating from the early 20th century or possibly 19th century, is a striking example of hand-forged craftsmanship from a bygone era. Crafted in the tradition of Spanish Colonial metalwork, these prickets feature a central stem adorned with four meticulously hand-forged roundels, which ascend in a graceful, rhythmic pattern. The prickets rest upon three elegantly splayed feet, further exemplifying the organic yet functional design characteristic of Spanish Colonial aesthetics. The distressed, rusted surface of each pricket tells the story of centuries of use and exposure, enhancing their historical and visual appeal. The patina, developed over time, lends these prickets a timeless quality that underscores their authenticity and age, evoking the rustic charm and enduring beauty of early Colonial furniture...

A nice pair of Modernist cut steel candle holders, circa 1970s. The Each holder has a triangular pyramid form supported by a tripod base and supprts up to a 3"D candle. Great pati...