Pottery Decorative Objects

Large French 19th century Majolica jardinière in a shape of wood box decorated with leaves, on the front a bird with his nest, a snake looking on the nest with eggs...

A beautiful 'sage' green and white English Wedgwood Jasperware matte stoneware vase in the Neoclassical style, England, 1973. Vase has Renaissance/Neoc...

Antique Rookwood Jens Jensen matte glaze floral theme mantel vase or urn. Marked 1929 XXIX on base with shape 604 DD, signed with encircled J with wings. Jens Jacob Herring Krug Je...

A wonderfully designed and gorgeously glazed relatively large yellow glazed (early version of Otto's Chinese Imperial glaze perhaps) weed pot vase by ceramics masters husband and wif...

A rare and important vase by Guido Gambone with black and white geometric design. Being sold in as is condition. Brakes and repairs to upper area, some pieces missing. It displays we...

A gorgeous antique Arts & Crafts period glazed ceramic art pottery vase flower frog By Rookwood Pottery USA, 1919 Glazed ceramic, in a beautiful light blue color. Measures: 4.25"...

Slender, organically shaped ceramic vase hand-painted with floral decor in bright blue, green and brown colored glaze with small handle on one side. Produced by ceramic artist Aksel ...

Vintage Akashi-Awaji pottery vase in imaginative Art Deco form with asymmetrical handles consisting of a sharp angle handle on one side and a serrated or machine gear flange opposite...

Vintage collection of Mayan style zoological animals, circa mid/late 20th century. I think the animals are: crocodile, bull frog, jaguar, beaver. Super fun set. Very lively. Crocodil...

Aldo Londi for Bitossi Kwan Yin Buddha Rimini Blu, Italy, 1970s Gorgeous female Buddha made of shiny glazed ceramic pottery in a vibrant Rimini blue color. According to one legend, ...

Stamped Edition Padilla Picasso Pottery Handled Portrait Vase After Pablo Picasso, signed on the front 'Picasso' in blue script. Stamped on the bottom: 296 1994 Edition 29A /500 Picasso by Padilla Mexico Bears Paper Padilla Label This limited edition Padilla Picasso pottery vase is a stunning tribute to Pablo Picasso’s iconic ceramic designs. Created circa 1994 as part of a limited run of 500 pieces, this handled portrait vase is stamped 296 Edition 29A out of 500 Picasso by Padilla Mexico and bears an original Padilla paper label. The front is signed "Picasso" in blue script, reflecting the artist’s unmistakable style. Standing 12 inches high, 5.5 inches wide (including the handle), and 3.5 inches deep, this piece features a striking hand-painted abstract portrait. The cream/ivory base is accented with dark green outlining the rim, while ochre tones are used for the expressive scraffito hair-like design. The face and decorative swirl patterns are rendered in deep blue, while lavender brushstrokes elegantly swirl around the lower half. The handle is adorned with black and red striped accents, adding to its unique visual appeal. A beautiful collector’s item, this Padilla Edition Picasso vase...

The monumental studio pottery ceramic vase is decorated with crystalline glaze in striking, dark red and beige palette. The vase was hand thrown on a wheel; beige color crystals on ombre colored base, shifting from purplish tones on top to deep, dark red on the bottom, were grown in a kiln during a very long, controlled firing. Each crystalline piece is unique due to the nature of the glaze. The vase was allowed to develop an abundance of distinct, graphic crystals, creating a free-flowing abstract pattern and adding rich texture to the minimally shaped piece. The vase was made by Wizards of Clay...

Antique Staffordshire Pearlware Bocage Object Ca. 1820 depicting a seating deer on the greens.

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Collection of vintage Awaji pottery vases in colorful monochrome glazes. This cheerful grouping of lively forms and bright colors will uplift any room. These range in date from appro...

Monumental Decorative Studio Pottery Charger on Iron Stand by Josef Zala, 1987 Offered for sale is a 25" diameter overscaled decorative studio pottery plate, signed and dated Josef...

Swatow- ware ( or Zhangzhou ware) refers to a type of Chinese export porcelain produced in Fujian province , primarily for Southeast Asia and Japanese markets from 1500 to 1600's . O...

Wonderful large, heavy vintage, stunning and whimsical five arm Candelabra or candle stand / holder in the form of white coral. Lovely textured detailing - natural organic form. Perf...

Wonderful Italian Majolica "Frutti di Mare" ceramic/pottery lidded center piece bowl dating from the 1970's. The centerpiece bowl features sea creatures on the lid. The bottom part h...

Charming vintage Tonala pottery figurine depicts a reclining cat with folded front paws and raised head; the cat is looking forward with wide open, large eyes and a slightly surpris...

Woodland Wonders: A Fine Pair of Ralph Wood-Type Stag and Hind Figures Late 18th Century This charming pair of late 18th-century pearlware pottery figures represents a classic example of the Staffordshire animal models that became highly fashionable during the reign of George III. The set features a stag and a doe, both depicted in recumbent, naturalistic poses atop verdant, rocky mounds after a model by John Voyez. The bases are meticulously decorated with applied shredded clay to simulate the texture of moss or undergrowth, a technique that adds a tactile dimension to the artisanal quality of the pieces. Both figures are finished with the soft, translucent colored glazes characteristic of the Ralph Wood family, with warm ochre and manganese tones highlighting the form of the animals against the vibrant green of the grass. The stag is particularly striking with his dark, multi-pointed antlers and alert expression, while the doe is modeled with a gentle, turned head that suggests a moment of quiet repose in the English countryside. The use of lead glazes in this manner allows the earthenware body to shine through, creating a luminous and sophisticated aesthetic that was a significant advancement in pottery decoration during this period. These figures were likely intended for display on a mantlepiece or in a dining room cabinet, bringing a touch of the picturesque landscape into the Georgian home. Dimensions Stag: 6 1/2 inches (16.51 cm) high, 6 1/4 inches (15.88 cm) wide, 3 inches (7.62 cm) deep Hind: 5 1/4 inches (13.34 cm) high, 6 1/10 inches (15.49 cm) wide, 3 inches (7.62 cm) deep Condition Report The figures are in good antique condition, with the glazes remaining notably clear and vibrant. There is a pinhead sized frit to the back of the each ear of the hind. Provenance Maryland Private Collection Reference: See pair of very similar form at the MFA (Museum of Fine Arts, Houston), The Bayou Bend Collection, gift of Miss Ima Hogg, Object number B.56.21.1,.2 and another pair in The Met, Object Number: 44.39.60. A similar pair can be found in the Metropolitan Museum of Art, from the Marion E. and Leonard A. Cohn Collection, Bequest of Marion E. Cohn, 1966, Object Number: 66.64.24 Literature F. Partridge, Ralph Wood Pottery...

Vintage pottery or ceramic vase features a rounded, elongated Modernist silhouette with strong Art Deco and Streamline Moderne influence. The vase is decorated with hand-crafted oil-...

Stunning Swedish Art Deco ceramic sea shell shaped vase by acclaimed Swedish designer Vicke Lindstrand. Manufactured by Upsala Ekeby in 1944. Smooth a...

Charming vintage pottery dresser box features a minimal rectangular form with matching lid and Mid Century Modern relief and sgraffito decor. A prancing horse motif is done in brigh...

An elegant Chinese Ming dynasty pottery figurine depicting a horse in a standing pose with polychrome finish (aubergine, light brown and g...

An exceptionally fine quality highly detailed and glazed quite rare Pair of standing English Porcelain Staffordshire Poodle Dogs modelled as Pen or Quill Holders, third quarter of th...

Set vintage Aldo Londi Bitossi pottery for Goodfriend Imports colorful rooster server and chic bowls. 5 pieces total. Incredibly cute and quirky set. Circa 1960's. Painted Bitossi co...

Exceptional art pottery ewer by noted French ceramicist Max Boissaud. This unusual example features three stylized faces on the bulbous body, executed on an earthen tone ground. The ...

Blue glazed (Rimini Blu) ceramic large ashtray designed by Aldo Londi and manufactured by Bitossi. Italy, 1950-1960s. It was handcrafted in Italy with hand carved geometric design ...

Art Déco belgian glazed pottery/ceramic Charles Catteau-like vase by Boch Freres Keramis By: Boch Freres Keramis, Charles Catteau (in the style of) Material: ceramic, pottery, paint...

Antique Sgraffito vase / pot by Josef Ekberg for Gustafsberg., circa 1911. Beautiful large piece made at his studio in the Gustavsberg Porcelain Factory, Sweden. Blue flower decorat...

Late 20th century Rimini Blu horse statue, designed by Aldo Londi for Bitossi and manufactured by Flavia Montelupo, Italy. The shape is made by casting in Rimini Blu series refractor...

Rare Paul Fouillen Quimper faience vase is hand painted with abstract decor of wide bands on the base and on the rim and abstract patterns in th...

Small French Art Deco Turquoise Fish Vase Lachenal. Height / 4.2 inches. 3.5 by 1.5 inches.     

Great sweet vase/bottle by the well known artist Bruno Gambone . signed and Italy in bottom.

Organic pottery vase with matte warm cream colored speckled exterior and black gloss interior glaze. Made by studio potter Laura Seaman. Unsigned. 2020s

Antique Kyoto-Awaji pottery vase in tall and slender sweeping organic Art Nouveau form with trumpet mouth, in two tone color with a cream glaze fading into a deep cobalt, circa 1910....

Small French Majolica Reticulated handled Jardiniere Circa 1890. Leaves and berries. W / 8 by 4.8 inches. H / 3.4 inches.

Blue lady with her handbag- mastertwork from Eva Fritz-Lindner. A serene tall handmade and hand painted sculpture of a lady carrying her handbag named EMA - a friend of the artist- e handcrafted and hand painted in beautiful blue colors. On bottom atelier mark i 3 D and with tree (black brush mark). Ema was the late Eva Fritz-Lindner's (1933-2017) good friend. Designer/maker: Eva Fritz-Lindner with stamp i3D, circa 1960-1970. Glaze: Light and dark blue matte colors are bright and vivid and the hand painting only adds to the charm; light original glaze crazing appropriate for age. Additional comments: Most of her larger sculptures were likely produced in less than 100 copies based upon research and all were hand painted individually by this artist ensuring each work of art was indeed unique. Dimensions: 12.5 inches high. Handmade / handarbeit and hand glazed, few survive. Provenance: Old German collection. About the artist: The bold folk art sculptress and ceramist Eva Fritz-Lindner (1933-2017) studied at the Werkkunstschule Wiesbaden and Darmstadt and was a master student in the sculptor class by Erich Kuhn. From 1955 she worked as a master designer at the Staatliche Majolika-Manufaktur Karlsruhe where she created and designed several hundred highly regarded ceramic folk art animal sculptures and unique wall and garden works of art inspired by nature and possibly the local zoo at Karlsruhe. Owls and family concepts were a particular specialty. During this time she created designs for building and garden ceramics, vessels and small sculptures. Since 1964, the sculptress worked as a freelance artist in her own studio in Karlsruhe-Durlach. The artist designed important works in the field of building ceramics, including wall designs in mosaic, in Mannheim, Karlsruhe, Baden-Baden, Schwäbisch Gmünd and Göppingen. Of particular note, she created enormous scale owl sculptures for the palace gardens in Karlsruhe in 1967 (see photo). In 1962, Eva Fritz-Lindner was awarded the silver medal at the Prague International Ceramic Exhibition. The artists' ceramics are owned and located in the Hetjens-Museum Düsseldorf, in the Museum of Contemporary Ceramic Art...

Tall antique 18th century Italian ceramic apothecary jar. Colors of blue, yellow and green on off white background.

This Danish art pottery vase was made by Royal Copenhagen in the period and style of midcentury Modernism. The vase is done with a hand painted cobalt blue decoration over a light, o...

Vintage or antique, rare faience vase or planter features an elegant oval form with colorful vertical hand-painted motifs in Art Deco style, separated by areas of off-white craquelur...

A striking vintage studio pottery vase featuring a faceted geometric form with an organically sloped rim and expressive hand-applied drip glaze decoration. Executed in earthy terraco...

Elegant ceramic vase produced by Andersson & Johansson for Höganäs Keramik in the 1960s. Shiny mulberry glaze over the slender body and the unusual triangular top. Stamped unde...

From Kanto area, Japan. This large Cha Tsubo, pottery Jar for tea leaf storage, for tea seller - is a product of late Edo to Meiji era (estimate 1860s-1910) estimate from the style ...

This striking ceramic bull was produced by Jema Holland in Maastricht during the 1970s and exemplifies the bold decorative spirit of Dutch mid-century design. With its elongated, low...

Large Awaji pottery vase in luminous green crackle glaze, circa 1930. This vase is in the Hu form, a shape with origins in ancient Chinese bronze vessels that was later embraced in J...

Vintage ceramic bud vase in shape of ewer was hand made by Ken Edwards in traditions of Tonala pottery. It is decorated with bird and abstrac...

Hand-painted Danish organic modern ceramic pitcher bottle vase with large handle on one side. Rippled body with slender neck and bright sea green glaze with large anthracite dots. La...

Unusual Awaji pottery vase in modified "Hu" form with jade green crackle glaze, circa 1930. With five Art Deco inspired lug handles around the shoulder. Impressed export mark on base...

There is a long crack that has been repaired. Detailed images 14th and 15th. There is no water leakage, but please refrain from leaving water in it for more than two days. Also, be s...

Sculptural studio art pottery vase featuring a dramatic amphora form with four loop handles and richly textured crossed appliqué decoration. Finished in a striking cobalt blue glaze ...

Charming vintage ceramic box from Vallauris, adorned with a hand-painted design of colorful, abstract motifs. The white surface is enlivened by free touches of green, blue, pink, and...

A shallow Wedgwood center bowl beautifully hand-painted with a mesmerizing design of oak leaves and acorns swirling around a pinecone at the center. The artist is unidentified but ha...

Vintage pottery vase features urn shaped body with twin handles framing the wide rim, decorated with majolica glaze in organic, earthy brown palette. The abstract floral decor is ver...

Charming antique Italian ceramic trinket dish dating from the 19th century. This handcrafted piece features a hand-painted decoration in shades of blue on a light background, with st...

This vintage studio pottery vase is a compelling exploration of organic form and rhythmic surface decoration. Hand-thrown from robust stoneware, the bulbous vessel features a series ...

FREE WORLDWIDE SHIPPING This pair of Japanese Satsuma earthenware vases by Shōzan is decorated with detailed architectural scenes and dates to the Meiji period, circa 1910. Each va...

Found in France, this French confit jar dates from approximately 1915. This piece stands 12.25” high and has the traditional form with a wide vessel body with a mustard-colored glaze...

Set of a large cylindrical vase, rounded bud vase with scalloped rim, and asymmetrical biomorphic bowl was made by Carstens Tönnieshof with complex, textured lava white and buttery y...