Steel Decorative Objects

Altar II Welded steel and found metal components 23 18.5 x 5in. This compact yet expressive steel sculpture evokes a sense of watchful presence and poised stillness. Constructed from welded and repurposed industrial fragments, Altar II assembles a seemingly abstract figure atop a rectangular base. A gently arched form with an affixed ring suggests a head in profile—open-eyed and alert—while a curved appendage anchors the composition with an anthropomorphic grace. Deeply evocative, the work explores gesture through geometry, invoking the timeless ritual of silent observation. Measures: 5 x 18.5 x 23 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Genke vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist mo...

French Empire (19th Century) steel inkwell with gilt bronze trim with four original glass inserts and a side drawer.

Fascinating steel sculpture composed of a rotating body where to place the twelve rods that will form the trigrams resting on the marks on the base. The origin of the IChing comes fr...

Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...

Stunning pair of large 1970s welded rusted steel brutalist candlesticks attributed to Paul Evans. With some wear and patina due to age and use.

Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Man welded steel, found objects 24 x 5 x 4.5 in. In Man, Scott Gordon distills masculinity into a singular, vertical gesture—spare, elon...

Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Venus welded steel Measures: 12-1/2 x 17-1/2-37 in. This vertical steel sculpture presents a commanding, almost anthropomorphic figure, assembled from industrial components and softened by age-worn patina. A central oval form anchors the piece—suggesting a torso—while angular extensions imply limbs or mechanical appendages. The upward-reaching element at the top introduces a sense of gesture or alertness, reinforcing the piece’s totemic quality. Sturdy yet expressive, the work balances raw materiality with suggestive figuration. Its posture hints at motion held in pause, evoking associations with tools, guardians, or relics of an unknown past. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

VESSEL NO. 1 J.M. Szymanski d. 2017 10 facets form this unique object. Mathematically designed and hand-wrought. Vessel No. 1 was the first vessel designed by J.M. Szymanski. Not wa...

Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Rare keywind music box by Nicole Freres. Playing 8 tunes as indicated on the original tunesheet. 7 tunes by Bellini from the opera's Puritana, La Norma. 1 tune by Donizetti. Althoug...

Stunning oversize 1960s welded steel modernist sculpture. In vintage original condition with some wear and patina.

Tortoise welded steel, found objects 17 x 10 x 4 in. In Tortoise, Scott Gordon evokes the steady, grounded presence of its namesake through an abstracted, almost calligraphic form. ...

Monument welded steel, found objects 20.5 x 16 x 4 in. Monument stands as a stark, enigmatic structure—part signal, part shrine. With its twin-columned base and vertical shaft crowned by a cantilevered horizontal arm, the piece recalls ancient markers or industrial relics repurposed for reverence. The form is at once rigid and reaching, grounded yet gestural.Its silhouette suggests a memorial to unseen histories—a tribute to labor, endurance, or forgotten architectures. The off-center balance and weathered presence give it a sense of quiet authority, as though it were a relic unearthed from a future past.With minimalist economy and ritual poise, Monument invites contemplation on permanence, presence, and the symbols we choose to elevate. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Four pieces available The clock is in perfect condition, no major scratches, no glass scratched. Flat glass cover, black painted figures an ivory white embossed dish, painted blac...

BD is proud to announce its first collaboration with Ronan Bouroullec. The Baton Collection is an example of Ronan’s design aesthetic. His creative mind stands strong in the Baton’s ...

Modernist Krenit Bowl in Black Steel and Robins-egg- Blue Enamel interior by Herbert Krenchel for Torben Ørskov & Co., Enameled Steel, Designed 1953 This 1950-60's Modernist bo...

Toro welded steel, found objects 14 x 36 x 12 in. Inspired by Picasso’s iconic Bull's Head, Scott Gordon’s Toro distills the figure of t...

In this collection of unique pieces Joost Van Bleiswijk combines found objects. Old machine parts. And leftovers materials from the workshop. With handcraf...

In this collection of unique pieces Joost Van Bleiswijk combines found objects. Old machine parts. And leftovers materials from the workshop. With handcraf...

#5072-2 Paperweight in the shape of a chain by Carl Auböck. Made of nickel plated steel. Austria. New.

Keswick School of Industrial Art. A Firth Staybrite Stainless steel preserve dish and spoon

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's...

A pair of large round hardstone or marble Chinese sculptures with custom aged steel bases. the stone circles are 24 dimeter and 1.05 inches deep, total measurement is 34.5 high, 24 w...

Swedish Modernist candle holder by Gunnar Ander. Produced by Ystad-Metall, located in the town of Ystad in Sweden. Stylised flowers in brass on 4 asymmetrical black enameled steel ...

Smoker's set signed FRED from the Force 10 collection, consisting of a lighter, ashtray and cigar box in silver-gilt metal with the brand's typical stylized rope-style braided steel ...

Huge, one of a kind acrylic resin skull. Mounted to a light box and base with handles for moving. There is a cavity inside the skull in which a light can ...

A sleek modern take on the grandfather clock. This piece is made from historic decommissioned NYC water tower wood. The wood is torched in the Shou Su...

Amazing pair of cylindrical box in chrome, brass and lucite by the Italian designer Romeo Rega. Made in Italy in the 1970s. His signature is engraved on the pair of box as shown in...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

Sonic sculpture of torch-cut steel fused with glass enamel titled “Meteor Storm” by American artist James Bearden. The array of iridescent, molten-looking celestial shapes surmountin...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

Modern steel and brass sculptural object by Erik Johnson of APD. 1 of 1 Stamped APD 00039 Letter of Authenticity included with the piec...

The Rodón 12 T Clock is a wall clock with a serious and discreet aesthetic making it an ideal clock for spaces such as offices or business centers and meetings. The Rodón 12 T Clock...

A rare freestanding Patinated iron and steel candle holder by Poul Havgaard with heavy brutalist influence. Features two steel rings on the outside and an iron frame. Marked on inter...

Brutalist period highwire artist in black patinated steel. The aerialist artist comes in two piece with the base and the actual sculpture that fits into the shoe on the base. The art...

Clearly inspired by the form made famous by Harry Bertoia, this spray-shaped Kinetic sculpture is made of fine wires which can swing and sway in a soothing manner. The piece is marke...

MarCo Melocchi and Franco Bettonica of O.P.I. Design, designed these items in 1974 and 1975. These are original items, bought as they came out on the design scene. One is the famous...

Authentic tiger skull mounted on Lucite stem with brushed steel base, American, 1970s (this piece was decommissioned from a museum). It is beautifully moun...

A fine ship’s bell bulkhead clock striking the ‘Dog Watches’ Sequence. This eight day twin fusee clock is a rare example of a ships striking clock marking ...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist move...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

Czech Art Nouveau centerpiece or presentation bowl. Structure and flowers in forged metal. Bowl in old-pink tinted glass with geometrical pattern. Signed "Czechoslovakia". Probabl...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist movem...

Protopunk is a collection of furniture and objects designed by Joost Van Bleiswijk. Each piece is handmade with thick cuts of steel roughly cut with a torch, welded together and then...

Sculpture stone Totem B made with soapstone and with carbon steel ornaments. Totem realized by milling soapstone into geometrical shapes.

In this collection of unique pieces Joost Van Bleiswijk combines found objects, old machine parts, and leftovers materials from the workshop, with handcraf...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

Genke vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist mo...

David Kraisler, (American, b. 1940) Untitled Abstract, 1985-1986, painted welded steel,appears unsigned Height 76 in., Width 40 in., Depth 16 in. Provenance: Elaine Horwitch Galler...

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for a Minimalist or Classic rooms, but also a symbolic bridge, linking design to art, functionality to decorat...

A wonderful large kinetic sculpture by the noted Minnesota artist Bruce Stillman. We've been fortunate to own quite a few of Mr. Stillman's works over the years and have always enjoy...

Punto y coma i wall clock design represents the elegant and classic forms of the well-known pendulum clock but with a modern minimalist touch and a unique design. Punto Y Coma i cl...

Made in Czechoslovakia Made of metal, steel, plastic, fabric The packaging of the machine has surface defects that are associated with the age of use Re-polished The packaging o...

Eight Arm Candle Holder. Brutalist Design. Possibly Cast Iron . Vintage Condition Consistent with Age as Pictured. Dimensions. 5 1/2 W ; 5 1/2 D ; 6 3/4 D

It is a wall clock that at first glance has a design that inspires a futuristic feeling by having no more than the double ring and the hands that mark the hour and minutes. the punto...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers and cyl...