Stoneware Decorative Objects

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Exquisite glaze. Excellent condition. Impressed 'Rörstrand...

Striking stoneware platter by Berndt Friberg, with a checkered decor in aquamarine, blue and purple. Heavy quality. Berndt Friberg was a Swedish ceramicist, renowned for his stone...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. ARGENTA DRAGON...

Found like an ancient relic.. created from found clay slabs throughout the studio. Glazed and finished in old world green matte glaze mix of color and texture . currently two in st...

Contemporary Figurative Ceramic Sculpture by Rachel Peters, Grey Clay, In Stock. Untitled Ceramic Sculpture 206. This contemporary sculpture has been hand built from Rokk Grey Ston...

The work of Carl-Harry Stalhane, who supported the golden age of Rorstrand with Gunnar Nylund and was active as a designer and art director. Stoneware in the form of simple lines, pr...

We are thrilled to to share with you the first addition to INI CERAMIQUE’s 2024 collection. Inspired by the works of the painting artist Giorgio Morandi, our designer has been reinte...

Large irregular shaped stoneware sculpted vase stamped A.R., from Vallauris, Circa 1970s. Truly stunning piece that will look great in any room. Look closely, there are gold and si...

Striking “Farsta Rust” vase by Wilhelm Kåge with a geometric pattern contrasting with the characteristic “Farsta” rustic feeling. “Farsta” stoneware is reco...

Article: Ceramic pottery vase Origin: Germany Designer: Gerda Heukeroth Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vin...

Incredible set by Aldo Londi for Raymor Italy 1950's. A large pair of lidded jars standing 16 inches tall x 5-1/2 wide. Large ashtray is 10-1/2 inc...

Mid-century Modern white "hedgehog" vase by Gunnar Nylund, (1904 - 1997) för Rörstrand, Sweden. Stamped. In mint condition. This beautiful example of Swedish Modernist design is the...

Kähler, HAK, glazed stoneware vase in modern design, 1930s-1940s. Leaves and branches on brown background. Stamped. Measures: 13 x 10 cm. In very good condition.    

Unknown french designer. Large sculpture in black glazed stoneware. English bull terrier. Late 20th century. Measures: 49 x 31 cm. In excellen...

Article: Ceramic stoneware object Designer and producer: Bruno and Ingeborg Asshoff Information: Ingeborg (1919-1998) und B...

Tall stoneware vase by Berndt Friberg in an elegant, drawn out bulbous shape. Warm brown hare’s fur glaze blends into beige tones. Signed "Friberg,...

Paul Philp (British, born 1941) Contemporary hand built stoneware sculpture 42cm high, 28cm wide, 18cm deep Stamped with potter’s seal to base In perfect condition Paul Philp ( bor...

Stunning handmade stoneware wall relief by Danish artist Ole Bjørn Krüger (1922-2007). Made in his own workshop in the 1960s. Beautiful organic shape and contrasts between the stonew...

Small cylindrical vase with Haresfur Glazes in earthy tones. Dessin number 78 by by Eva Stæhr Nielsen. Manufactured by Saxbo in Denmark during the 1950s. Mint condition. The vase is ...

Ceramic screen/room divider sculptures by Natasha Dakhli, 2021 _______ Dimensions: H 185 cm x L 140cm _______ Modular rotating sculptures made of enamel...

Medium Totem Carbon by Maxence De Bagneux Dimensions: D 33 x H 200 cm Materials: Stoneware, burnt laminated wood. Maxence de Bagneux has devoted his free time since childhood to his...

A fine large figurative ceramic sculpture made in ceramic with various earthen colors. Signed "PL 683", made by a French artist in 1950s. This sculptural figure will complement many ...

Striking, large “Veckla” bowl by Stig Lindberg. Rare model with the characteristic, smoothly folded design. Made in carrara stoneware.

THE FOSSIL STORE™ is a unique 1.3-meter-long Paradoxides acadoparadoxides trilobite plate of scientific significance. The one-piece fossil bed shale is now set into a rustic iron fra...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Sculpture 'Borne' by Andrée & Michel Hirlet 2000Material: Glazed stoneware Dimensions: H 66 x 55 x 15 cm Year: 2010 Type: Unique Working outside of any wider artistic community or ...

Brutalist ceramic vase by Bernard Rooke, England, 1970s. In 1960 he set up his own workshop in Forest Hill, London. Progressive designs were rea...

Georges Jouve (1910-1964), France. Unique bowl in glazed stoneware. Beautiful glaze in blue and light earth tones. Mid-20th century. Measures: 29 x 6.3 cm. In excellent condition. ...

A set of 2 beautiful stoneware vases with amazing glaze. Made by Inger Persson for Rorstrand, Sweden, 1980s. Excellent condition. Incised signature "i. persson" and "R" för Rörstra...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Exquisite glaze. Excellent condition. Impressed 'Rörstrand...

Product Description: Stig Lindberg, the designer of this vase, gained international fame in the design exhibition held in 1955 in Helsingborg where he introduced the domino series of...

No.89 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 9 x H 14 cm Materials: Grogged stoneware, satin cream glaze. Variations of size and colour available....

Stoneware Vase by Nils Thorsson for Royal Copenhagen – Circa 1960s A unique and decorative stoneware vase designed by Nils Thorsson (1898–1975) for Royal Copenhagen, Denmark. The va...

A rare and beautiful stoneware fish sculpture with amazing glaze, on a wooden base. Made by Carl-Harry Stålhane in his own studio in Lidköping, Sweden, 1970s. Excellent condition. S...

Rare thorn vase in light green designed by Knud Basse and produced by Michael Andersen, Denmark. In good vintage condition with small signs from use and sig...

Handcrafted Japanese ceramic bowl signed Jin Kobayashi. Large stoneware plate hand made and hand painted with autumn leaves design. Hand-carved ge...

Wide poche dish by E. ST. N for Saxbo, Denmark. Delicate light-green harefur glaze and incised modernistic center-motif'. Measurements: D 26.5 cm (10.35 inches), H 5 cm (2 inches). C...

Elevate your space with this exquisite piece of mid-century artistry, the "Chub" vessel by renowned American ceramicist Claude Conover (1907-1994). A true testament to Conover's mast...

Keith Simpson has made these types of ceramic vehicles intermittently over the past years. He likes to make the underdog car models. Keith says, "They are like the cars that you migh...

Italian Modern stoneware vase by Bruno Gambone with rectangular base supporting an elegant, tapered neck and flared aperture (ca. late 1950s, Italy). White glaze with specks of turqu...

Large floor vase designed by Gunnar Nylund. Rare model and the largest that was designed by Nylund and serially produced by Rörstrand during the 1950s. Rare polychrome glaze shifting...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Excellent condition. Incised signature "MW" and "R" för Rörstrand. Marianne W...

Abstract Contemporary Ceramic Sculpture by Rachel Peters, Black Clay, In Stock. Untitled Ceramic Sculpture 196 This abstract sculpture has been hand built from Course Vulcan Black ...

This sculptural ceramic vessel features a meticulously hand-built, layered exterior that evokes the quiet strength of geological formations or fossilized bark. Made using sustainable...

'Sculptural Flowers' Handmade White Ceramic Vase This vase is part of a new series inspired by flowers (and more generally organic elements). H...

Lovely stoneware bowl by Wilhelm Kåge, in a small, sensitive form. Unglazed outside and inside in vibrant, glossy blue. “Farsta” stoneware is recognized as being the best and most exclusive that has come out of Swedish arts and crafts...

Handcrafted and painted modern vase designed by Spanish artist Ana Laso. ANA LASO BAEZA is an artist from Madrid who develops her activity fundamentally as a painter and, for a few ...

Floral motif stoneware vase made in 1974 by ceramicist, Pollack. Vivid color palette and intriguing pattern / textural elements. There is an interesting 'cut-out' portion to the fron...

1. Height 8.5 cm Width 4.5 cm Depth 4.5 cm 2. Height 8 cm Width 5 cm Depth 5 cm 3. Height 5 cm Width 3 cm Depth 3 cm 4. Height 5 cm Width 2.5 cm Depth 2.5 cm This set of 4 ...

EYE_ 10 & EYE_15 Design by Rodrigo Vairinhos Elevate your decor with the "EYE" ceramic wall ornament, a sophisticated yet minimalist piece designed by Rodrigo Vairinhos. Perfect fo...

Spruce up your home with a unique statement piece - a large stoneware floor vase, designed and glazed by the talented Per Weiss in a beautiful combination of blue, gray and white col...

A brown vintage vase designed by Carl-Harry Stålhane at Rörstrand in the 20th midcentury, it´s 10 cm high and in mint condition. It is marked as 1st...

Christina Muff, Danish contemporary ceramicist (b. 1971). Large cubist unique sculpture in glazed stoneware. "Silent scream". Measures: 45 x 20 cm. In excellent condition. Signe...

1. Height 8.5 cm Width 5.5 cm Depth 5.5 cm 2. Height 6 cm Width 2 cm Depth 2 cm 3. Height 5.5 cm Width 2 cm Depth 2 cm 4. Height 4.5 cm Width 2.5 cm Depth 2.5 cm This set of...

Set of five vases by Swedish Lillemor Mannerheim. Midcentury stoneware in organic shape with black glaze. It was designed in 1955 as part of the Mangania series. The Mid-Century Ston...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signa...

Sculptural Wall Vase I by Alexandra Madirazza Dimensions: W 35 x D 25 x H 35 cm (These are approximate measurements) Materials: Stoneware Also avai...

California modern art pottery planter by Jerry Meek.