Indian Decorative Objects

17-18h century sandstone sculpture depicting a hindu sacred cow. From hindu temple in India or Burma. In untouched and in original condition. India or Burma, 1600-1700.

 A unusual late 19th Century wood carved antelope, with naive expression on his face and in a spread stance, finished in his original brightly coloured decoration. Circa 1880. H: 9...

Sculpted out of a single block of marble with a delicately carved rope edge, perfect for a potpourri, a fruit bowl or just a key catch. Round Rope Bowl in White Marble Size- 12” x ...

From Nasik District, Maharashtra, India. Here's a very aesthetic specimen of 2 chalcedony stalactites in an intersecting formation coated in a apophyllite micro crystals with a se...

Kikar Candle Holder Large in Brass, Viya by Vikram Goyal This brass candle holder is an exploration of light, form, and considered balance, shaped by craft and technique. Designed t...

An artisan made Bankura horse figurine or small sculpture in cast iron. It was made in Bankura in the West Bengal of India circa 1950-70s and was originally purchased by a Danish tra...

This exquisite piece of art seamlessly combines the intricate aesthetics of Mughal design with the skilled craftsmanship of Kashmiri artisans, resulting in a stunning and unique creation. The copper ewer takes the form of a bird, with its body forming the main body of the vessel and its neck serving as the spout. The bird's wings, tail feathers, and even subtle details like beak and eyes are meticulously rendered, showcasing the artisan's attention to detail. The entire form of the ewer is fluid and elegant, capturing the essence of avian grace. The surface of the copper ewer is adorned with elaborate Mughal-inspired engravings and embellishments. Floral patterns, intricate vines, and delicate geometric designs cover the bird-shaped body, creating a visually rich tapestry of artistry. The Mughal influence is evident in the precision of the decorative elements, reflecting the era's emphasis on fine craftsmanship and aesthetic sophistication. The handle of the ewer, perhaps formed as a continuation of the bird's body or as a separate element, is designed for both functionality and artistic harmony. It complements the overall form, allowing for easy pouring while maintaining the cohesive avian aesthetic. Such a Bird-shaped Kashmiri Mughal Copper...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

From Jalgaon, Maharashtra, India Large specimen of lustrous green apophyllite crystals in isolated clusters on druzy chalcedony matrix. The apophyllite are fully terminated crysta...

This silver trinket or jewelry box dates to the late 19th century and is presumed have been made in India. The silver tests to between .850 and 900 and as such, is slightly below .92...

These hand-carved marble soap dishes are crafted by traditional artisans in Rajasthan State, India. Their shape derives from lily pads, and they drain excellently, sparing one's soap from getting soggy. DESIGNER Michael W...

A sculptural set of four candlesticks hand-turned in ebonized wood, each in an elongated form, two slightly shorter than the other. Midcentury hand-carved heavy candlestick made in I...

Antique Rajasthani Shekhawati Merchant's Footed Chest Box India 1900's. Early 20th Century Indian carved wood storage cash footed box used by merchants in ...

A beautifully hand carved and painted wood Portuguese church fixture from the early 20th century. This antique panel, which originally decorated a Portu...

Set of 2 Large Jasmine Scented Ceramic Candles by Hatsu Dimensions: W 16.5 x D 16.5 x H 6.4 cm Materials: Ceramic, Scented wax. The Hatsu Ceramic Candle series is a dialogue between...

Set of 3 Small Jasmine Scented Ceramic Candles by Hatsu. Dimensions: W 7.1 x D 7.1 x H 8.9 cm Materials: Ceramic, Scented wax. The Hatsu Ceramic Candle series is a dialogue between ...

19th century Anglo-Indian hand carved tropical wood box.

18th Century Brass Mounted and Lacquered “Marriage” Dowry Box. Exquisite Indian craftsmanship made of teak with decorative brass on a patinated red lacquered surface with intricate ...

The Mughal Jaipur Brass Hookah from the mid-19th century is a testament to the exquisite craftsmanship and artistic flair of the Mughal artisans, particularly those in the city of Ja...

An Indian hand painted and carved wooden cow from the early 20th century, with nicely weathered patina. Created in India during the early years of the 20th century, this wooden cow sculpture charms us with its archaic features and aged appearance. Resting on its four legs and showcasing large cracks, this Indian cow...

Large Anglo Indian Moorish Islamic style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo Persian box with floral and geometric Moorish Sadeli design in an hexagonal shape form with micro mosaic marquetry, very fine artwork. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. Dimensions: H: 5 in : 12 in W x 12 in. D. Circa 1950s. Sadeli mosaic art is a highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before Indian boxes appeared. The designs on early boxes look deceptively simple. The fact is they emerged from a culture which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity isn’t immediately apparent to the viewer. Will look great in a Moroccan decor...

Sculpted out of a single block of marble with a delicately carved two lines structure, perfect for a potpourri, a fruit bowl or just a key catch. Two Lines Bowl in White Marble Siz...

Contemporary Indian cream and black bone box with mini checkerboard pattern design. Part of a large collection of bone boxes and trays.

Little jewel box in openwork metal with floral and plant motifs. Brass. Typical of the droga art. Mid 20th century Shipping: 9 / 13 / 8 cm

A rare pair of 19th Century carved giltwood elements of eagles with widespread wings, Indian, circa 1840. Artfully displayed on contemporary ebonised stands. Historic repair to one w...

Turn of the century wooden Kashmir box. Hand painted with a striking black bird in the center surrounded by red and black accented leaves.

We are delighted to offer for sale this lovely 19th century Anglo-Indian Vizagapatam carved sandalwood and inlaid box Mid-19th century Anglo-Indian Vizagapatam carved sandalwood box...

Sculp Stationery Holder by Studio Indigene Dimensions: D 19.68 x W 10.16 x H 13.33 cm Materials: Reclaimed Teak Wood. Colors Brown, Natural Wooden Finish. The Sculp Stationery Holde...

A beautiful hand-carved Indian Buddha sculpture in natural lapis lazuli. Buddha is seated dhyana asana, with softly modeled smiling facial features conveying calm introspection and s...

These flame andirons are inspired by the tibetan fire motifs created by master craftsmen of Kathmandu by hand beating and etching on sheet brass and copper. What can be a better matc...

A beautifully cast bronze **urli (uruli)** from Southern India, traditionally used for preparing Ayurvedic medicines, cooking for large gatherings, and ceremonial offerings. Crafted ...

Paul Mathieu designed these elegant candlesticks for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs namely Ove, Flute, Plat I and Plat ...

An antique Indian wood and metal cart wheel mounted on custom black metal base. Introduce a touch of rustic authenticity to your living space with this ...

Large Middle Eastern Indo-Persian Micro Mosaic Khatam Inlaid Wooden Jewelry Box. Middle Eastern Persian Sadeli micro mosaic marquetry inlaid box with geometric Moorish design. Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Middle Eastern technique of inlaying from arrangements of so many delicate pieces of precious hand painted wood, with bone around the edges. This beautiful Middle Eastern Persian, Indian Wooden box is covered with fine Moorish micro mosaic marquetry and is used as a jewelry, trinket box. Lined in deep red velvet. Dimensions: 6.5in.D x 3in.H x 10 wide. Nice Indian Mughal, Indo Persian Box...

A refined blend of texture, geometry, and craftsmanship, this striking pyramid-inspired leather box brings a sophisticated touch to any tabletop, console, or shelving display. Tonal ...

Indo Persian Mughal tinned copper vessel. Moorish Brass Bowl Engraved with Islamic design. Large Middle Eastern Persian Mameluke style tinned copper jar...

A Beautiful Anglo Indian, Colonial, brass inlaid teak jewelry lidded box made for the English market. handcrafted with floral and hearts brass inlays on top are surrounded by brass inlaid border, intricate brass inlays design of florals and scrolls carries through to all four sides so will display nicely on a shelf, desk or coffee table. Displays a desirable aged patina and the teak wood shows fine grain interest and deep caramel hues. A large Anglo-Indian teak colonial Campaign casket with brass inlay, the hinged cover opens to reveal an original fitted interior with two compartments interior lined with red velvet. This is a distinctive and highly appealing vintage semi antique Anglo Indian jewelry...

Set of 3 Blue Ceramic Planters by Hatsu Dimensions: D 23 x H 18 cm, D 16.5 x H 14 cm, D 13 x H 12 cm. Materials: Ceramic. Introducing our bold blue ceramic planters, available in la...

The brass Mughal hookah features a beautifully engraved brass base adorned with intricate floral and geometric motifs. The base is a work of art, showca...

Victorian era Anglo-Indian ashtray or vide poche in ebony.

Shibui 08 Sculpture by WANAS Dimensions: D 20 x W 24 x H 26 cm. Materials: Brass, rosewood, teak wood, and wood. The size is customisable on request. Please contact us. Why is it t...

Vintage Leather Wrapped Camel Sculpture A striking vintage leather wrapped camel sculpture, handcrafted over a carved wood framework and finished in richly patinated saddle-toned le...

One of the best examples of reproduction of the Pietra Dura technique. This Flower bowl is inlaid with semi precious stone in White marble, perfect for a potpourri, a fruit bowl or j...

Vintage Rajasthani Pietra Dura White Stone Inlay Taj Mahal India Style coaster plates. Rajasthani inlaid stone marble decorative set of 7 small roun...

Shibui 16 Sculpture by WANAS Dimensions: D 28 x W 28 x H 36 cm. Materials: Brass, rosewood, teak wood, and wood. The size is customisable on request. Please contact us. Why is it t...

Intricately crafted by a master carver. Heavy and ornate. These two would liven any setting. Quite unique and eye-catching. Dimension: 12" high, 14" wide, 7" deep.

Stag Antler Table Top Desk Secretary or rather as described by a British expert: an Anglo-Indian Stag Antler Writing Slope Table Top Desk, late 19th century from Vizagapatam, which was the headquarters of the Vizagapatam District of Madras during the British period. Stag Antler anything is rare and unusual today, especially when it is completely covered in carved strips of Natural unpolished Antler. Finding Stag Antler Writing Desks are beyond rare and in our 30-years in the Antique business...

India water vessel also called a Lota Pot was used to store water in India and local regions. It was hand-forged of a bronze and brass alloy. It has marked by...

Mid Century Anglo-Indian Leather Tiger Footstool C.1950 Liberty London A superb example, of wonderful proportion. In excellent condition commensurate o...

A pair of 19th century Hindu temple fragments. This pair of antique fragments were elements of a section of hand-carved wood frieze, within a...

Pair of 1990s hand carved aged Macael white marble elephants, decorated with Italian Pietra Dura style inlays using an assortment of coloured mar...

Contemporary Chinese faded white matte glaze vase. Made of an eco-friendly compound of natural and recycled materials. Hand painted. Decorative ribbed design with two handles.

Hollowed from a single piece of wood, this vessel was originally used for fermenting rice beer in the Naga highlands of northeastern India. Heavy, dark with age, and standing on thre...

Amazing antique expertly hand-carved wood block that has been used in printing production, now stained a dark reddish brown color from ink that appears to have been red. This now rus...

The "Blue Waves" collection by Brent Sheehan is a stunning assortment of blue vases with dynamic lines and contemporary style. Each vase is a work of art, handcrafted with meticulous...

Vintage Brass and Mother of Pearl, shell Candlesticks. A pair of vintage brass and mother of pearl candle holder. These 8.25″ tall ca...

Old containers for tea leaves or for message sheets. In teak: h.17,5 x diameter 6 and h. 27 x diameter 8,5. In brass: h.16 x 4,5 - The smallest SOLD and cancelled. The NEW PRICE i...

An Indian angel lost a wing... and I picked it up for Christmas time...

Namsai Photo Frame Small in Cane with Brass, Viya by Vikram Goyal A craft that naturally adheres to restraint and rhythm, cane weaving moves with quiet precision. Rooted in Northeas...

Ramé Blue Wall Sculpture by NITUSH AROOSH Dimensions: Ø 100 cm. Materials: Stainless steel. Available in different finishes. All our lamps can be wired according to each country. I...