Indian Decorative Objects

A brass vase with an intricately engraved design with traditional patterns that may have cultural or historical significance. The vase has a flared top, a slender neck and a rounded...

Pair of Antique Anglo-Indian etched and polychrome brass peacock figures. Stunning pair of Anglo-Indian etched and polychrome brass peacock figures or sculptures. These beautiful pe...

Make a bold statement with this exquisitely detailed Vintage Regency Brass Ram’s Head Jardinière. With its scalloped, hand-hammered body, ornate ram’s head handles, and claw-footed b...

Contemporary India white camel bone box. Rectangular shaped tiles with slightly raised pyramid shaped top.

This is a remarkable 19th-century brass and copper vessel showcasing masterful traditional Indian metalwork. The surface is richly decorated with hand-etched and repoussé scenes depi...

This exceptional Apophyllite stalactite showcases a stunning column of transparent, glassy crystals arranged in a natural stalactitic formation. Sourced from the mineral-rich regions...

Amazing antique expertly hand-carved wood block with a floral and vegetal pattern that has been used in printing production. This now rustic piece shows signs of years of handling in...

Exquisite Indian craftsmanship made of teak with a patinated surface and extraordinary intricate Brass work. Made during the latter part of the Mughal Empire, Southern India circa 1780

Antique Indian Engraved Brass Cachepot or Jardinière, Late 19th Century A fine quality antique Indian brass cachepot or jardinière, dating to the late 19th century. Of rounded form w...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Fine antique Anglo-Indian hand carved wooden jewelry box inlaid. A Nice Mughal Anglo Indian Pen Box 19th Century The box with a Mughal I...

Maharaja granite torso with dagger and offerings, bell chain and dhotti.

This stunning midcentury hand-carved marble Buddha head is a remarkable piece of art, showcasing exceptional detail and craftsmanship. The marble features a beautiful range of tones,...

Beautifully handwoven brass bowls; heavyweight with aesthetically pleasing pattern resultant from the weaving process. Charming, and both artisan-crafted with beautiful craftsmanshi...

This is a pair of antique presentation serving dishes. An Indian, silver plated decorative bowl with relief detail and fish motif to centre, dating to the early Victorian period, cir...

Description India, Ca. 19th century Depicting Durga, Virabhadra, Bala Krishn, and a reclining Nandi Bull on a custom base. Dimensions Durga H. 2 3/8".Durga H. 6 cm

Elegant pineapple candlesticks in lacquered brass. These striking brass candlesticks from the 70s have a stylish pineapple shape, a symbol of h...

A vintage Indian metal water vase from the mid-20th century, with circular belly and cork inspired wooden top. Crafted in India during the midcentury period, this metal water vase charms...

Introduce timeless elegance to your decor with this stunning pair of vintage brass cranes. Beautifully crafted with graceful lines and int...

PRESENTING A GORGEOUS 19C Anglo Indian Rosewood Caddy with Silver Mounts. Really nice and unusual, 19th Century Anglo-Indian Spice or Tea Caddy, from cir...

An evocative antique Indian wooden water bucket, handcrafted from dark-stained timber and bound with iron bands. The bucket’s cylindrical form is composed of vertical staves joined b...

A very large and absolutely charming vintage Indian papier mâché portrait bust of a male Maharajah (Raja or Indian noble prince). Born in India...

Pair of Anglo-Indian Cast & Engraved Brass Ewers, Black Enamel & British Coins, India, 1960s An exotic pair of Anglo-Indian cast and engraved brass ewers, crafted in India during th...

This is an antique decorative charger. An Indian, brass decagon dished plate with fine engraved detail, dating to the late Victorian period, circa 1880. Fascinating foliate form wit...

This is an antique decorative elephant and mahout. An Indian, hand painted wooden figure, dating to the early Victorian period, mid-19th century. A joyful, appealing elephant for lovers of all things cheerful Displays a desirable aged patina, the obvious losses not detracting from the inherent charm Hand painted wood blesses the mahout figure with a colorful visage The shock of blue to the rider's coat a fine contrast to the lighter hues Dainty, but ready to overcome this and brighten your home Aged repaired breaks to both trunk , tail and rider, mahout missing an arm, part of base loss as per images This is a super antique...

From Himalayan folklore to modern design, Yetyy will be a part of your beautiful home. A companion forever Yetyy with his luxurious ivory or green suede coat. Bring this big guy home...

Indian "Bombay" dresser/jewelry box with a mirror in the lid and raised on a "tray" base with silvered feet. The exterior with exotic wood and sadeli work (micro-mosaic inlay) framin...

Decorative Box for Cigarettes in wood brown color India

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

Rare 19th Century Kashmir Hand Painted Inkwell and Boxes Set A highly decorative and rare example of a late 19th Century hand painted Kashmir inkwell and boxes set. Size: (inkwel...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

Rare bas-relief sculpture in hand-carved stone in the shape of a vase. I mounted it on a simple black base, which gives stability. Simply elegant. ref. nr. 1518 -

A group of fourteen Indian painted terracotta and cotton dressed figures Krishnanagar, West Bengal, 20th century Mounted on square bases, depicting mainly processional figur...

Handcrafted round picture frame with scalloped white and brown buffalo horn bone inlaid. Vintage round inlaid bone picture in Moorish Islamic style frame. The frame is created from 3...

Dvi Planter by Studio Indigene Dimensions: D 45.72 x W 17.78 x H 22,86 cm Materials: Teak Wood & Brass. Colors Brown, Natural Wooden, Brass Finish. Dvi, holds two plantlings in its...

Vintage South Asian hand painted wooden box with removeable lid - featuring a full length portrait of an Indian woman in a pink sari to the lid...

Beautiful antique brass urn made of solid brass with vivid detailed etching motifs of animal ,people and floral vine. Original Professionally repair ...

Chic modern style fruit bowl crafted in cast aluminum with a bold faux coral composition.

Discover a stunning Quartz Cluster with Chlorite Inclusions from the majestic Himalaya Mountains, India. This clear and shiny quartz specimen captivates with its natural beauty and i...

Paul Mathieu designed these elegant white candle holders in marble for Stephanie Odegard Co. Ltd. Solid pieces of marble are turned to create these delicate designs. The marble is hand-carved to make these marble candle sticks...

Standout exotic Anglo Indian lidded box handcrafted in mahogany and clad in tortoise shell with applied lacy bone designs inscribed and painted with flowers. The interior has a mirro...

This striking brass plaque depicts Virabhadra, a personification of the god Shiva, created by him to fight in his quarrel with Daksha. Here with 4 arms and hands, Virabhadra holds a ...

Amazing antique expertly hand-carved wood block that has been used in printing production, now stained a dark reddish brown color from ink that appears to have been red. This now rus...

Contemporary Indian white round marble bowl with decorative ball surrounding the rim of the bowl. ARRIVING NOVEMBER

Antique early 20th Century Indian solid silver vase, repoussé decorated in relief with figures, floral patterns and villages in a landscape. The decoration depicting indian villages ...

Victorian era Anglo-Indian ashtray or vide poche in ebony.

Vintage Anglo-Indian brass cow sculpture. Beautiful detail and patina to the brass. Great conversation piece!

Victorian period, sterling silver (unmarked, but tested) statue of a cow and her calf, India, Ca. 1900. Measures 4 1/2 inches wide (at widest point) x 4 1/2 inches high (at highest p...

Mid-20th century pair of tall silvered brass candlesticks, India. Classical style. Square, stepped bases. Silver wear reveals brass over much of the surfaces. 15.75" h., 4.25" x 4.2...

A beautiful bidriware sterling silver on patinated bronze vase or vessel India, Circa Early 20th Century Measures: 6"W x 6"D x 10"H. Good original vintage condition, with beautifu...

Monumental Anglo-Indian Polychromed Rajasthan Bulbous Covered Tole Urn India, Circa 1960s A monumental example of Anglo-Indian workmanship, this polychromed Rajasthan bulbous cove...

Antique Anglo Indian pair of tea caddies with silvered metal tops having elephant handles over coconut bowls above carved ebony elephants with bone tusk...

2 Antique 19th century Anglo Indian brass bound carved wood peat buckets with turned, reeded Design and applied brass animals. including, lovely patina, carved from a single piece of...

These richly-colored cannisters evoke a warm and calming feeling similar to looking at an abstract color-block painting by Mark Rothko. The lovely domed lids call up images of the el...

Large 19th century tinned copper Indo Persian Mughal copper bowl vessel. Great patina on handcrafted and embossed metal tin copper bowl with floral geo...

Inspired by moonlight on water, these vases are named after cities beside the Mediterranean Sea. Slender silver elements are fused onto the surface of cast vases to create beautifull...

An Indian silverplate tray, early 20th century. 17 inches wide by 1 inch tall

Inspired by moonlight on water, these vases are named after cities beside the Mediterranean Sea. Slender silver elements are fused onto the surface of cast vases to create beautifull...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Wooden tall teak pillar candle holder set of three in different sizes. Elegant sculptural teak turned wood floor rustic Spanish style candlesticks on rou...