Indian Decorative Objects

Under The Banyan Gold Candelabra Stand Small in Brass, Viya by Vikram Goyal Echoing ancient whispers of worship, each object captures the essence of the Banyan tree, believed to hol...

Vintage Mid Century Moorish Sajai Box Inlaid with Agate Semi precious Stones box with semi-precious stones. Made in India, circa 1950. The box measures 1 inches high x 3 inches in di...

A beautifully decorated Indian metal box with a stone of amber on the top. 1920s or earlier There once was a fabric inside but it has disintegrated you can see it, all of the fibers ...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Antique Southeast Asian Polychrome Wooden Oversized Temple Horse from India. Large Antique Southeast Asian Carved Polychrome Wood Horses. Antique Southeast Asian carved wood model of a parade horse. the body with allover polychrome, saddle and reins carved in high relief, the tail lacquered. 19th century hand carved oversized wooden Indian temple horse...

Discover a stunning Quartz Cluster with Chloride Inclusions from the majestic Himalaya Mountains, India. This clear and shiny quartz specimen captivates with its natural beauty and i...

Vintage White Marble Open Lotus Flower Shape Large Blow Hand-Carved in India Raj MughalHandcrafted in India, you can use this lotus form bowl indoor or outdo...

Vista Bowl Medium in Brass and Semi Precious Stone, Viya by Vikram Goyal Crafted from cast brass and adorned with semi-precious stones, this collection pays homage to the diverse hu...

A leather and wooden gaming paddle from the mid-20th century. This vintage game paddle from India features a wooden handle and droplet-shaped body which has been wrapped in stretched...

Stunning handmade cast brass palm leaf sculpture with a raw finish. Dimensions: H 47cm x W 76cm x D 31cm / H 18.5in x W 30in x D 12.2in Slight variations in the hand-cast brass fin...

Contemporary Indian two handle smooth marble bowl. Honed finish.

A pair of 19th century Hindu temple fragments. This pair of antique fragments were elements of a section of hand-carved wood frieze, within a...

Michael Aram Butterfly Ginkgo Easel Photo Frame with original box.The Michael Aram Butterfly Ginkgo Collection, including the photo frame, celebrates the representation of flora and fauna. Executed at the highest level of hand-craftsmanship each piece is rendered in solid cast bronze.The pieces in the collection are a tour de force of Indian craft and capture the poetic spirit that is so deeply indicative of Michael's work. Branches and butterflies in warm-toned bronze bring a touch of nature to this Butterfly Ginkgo Easel frame by Michael Aram, adding a sweet accent to your cherished memories. "The idea that the leaves on the Gingko tree could evoke the beauty of butterflies was magical to me, like trees that can metamorphose from flora to fauna in the blink of an eye." Michael Aram * Includes: 8.5"W X 6"H easel...

Three large rustic antique metal water jugs handmade by Indian artisans in the 19th century. Large generous belly and flaring neck on all three...

Sculp Stationery Holder by Studio Indigene Dimensions: D 19.68 x W 10.16 x H 13.33 cm Materials: Reclaimed Teak Wood. Colors Brown, Natural Wooden Finish. The Sculp Stationery Holde...

Under The Banyan Bronze Candelabra Small in Brass, Viya by Vikram Goyal Echoing ancient whispers of worship, each object captures the essence of the Banyan tree, believed to hold th...

19th Century Hoshiarpur Inlaid Writing Box Quite simply, this is a stunning example of a 19th Century hand crafted Hoshiarpur inlaid writing box. The craftsmanship is quite amazing ...

An antique Indian wood and metal cart wheel mounted on custom black metal base. Introduce a touch of rustic authenticity to your living space with this ...

An Indian hand painted and carved wooden cow from the early 20th century, with nicely weathered patina. Created in India during the early years of the 20th century, this wooden cow sculpture charms us with its archaic features and aged appearance. Resting on its four legs and showcasing large cracks, this Indian cow...

Decorative Box for Cigarettes in wood brown color India

Amazing antique expertly hand-carved wood block that has been used in printing production, now stained a dark reddish brown color from ink that appears to have been red. This now rus...

Large Middle Eastern Indo-Persian Micro Mosaic Khatam Inlaid Wooden Jewelry Box. Middle Eastern Persian Sadeli micro mosaic marquetry inlaid box with geometric Moorish design. Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Middle Eastern technique of inlaying from arrangements of so many delicate pieces of precious hand painted wood, with bone around the edges. This beautiful Middle Eastern Persian, Indian Wooden box is covered with fine Moorish micro mosaic marquetry and is used as a jewelry, trinket box. Lined in deep red velvet. Dimensions: 6.5in.D x 3in.H x 10 wide. Nice Indian Mughal, Indo Persian Box...

Anglo Indian carved mahogany cat with ebonized stripes and a curious expression, featuring a secret compartment on the bottom.

A wonderful, highly erotic, rather fascinating, and somewhat unique large pair of Indian (India) Kama Sutra bronze sculptural figures (The Kama Sutra is an ancient Indian Sanskrit text on sexuality, eroticism, and emotional fulfillment in life.) Nicely detailed with a gorgeous patina that is only acquired over time. From an estate of a world traveler art and artifacts collector. The sculpture is relatively heavy. Would be a great addition to any Indian/ South East Asian art...

A large and impressive Indian carved sandstone architectural frieze featuring a central image of the Hindu goddess Lakshmi flanked by two atten...

Mughal style pietra dura marble bowl - hand made - featuring a floral design with lapis lazuli, malachite, mother-of-pearl and turquoise inlay - unsigned - India - mid 20th century. ...

Beautiful hand-crafted polished brass footed box with with lid, latch and handle intricately hand-hammered with geometric designs and pierced with holes. Vintage pierced decorative Mughal Indian style brass box from India...

Kashmiri, early 20th century. An antique black lacquer box with heavy gilt floral decoration and multi colored birds across surface.

From Nasik District, Maharashtra, India Large lustrous cluster of an acicular sprays of scolectite crystals on pink stilbite. The scolecite crystals have glassy crystal faces and ar...

A heavy and well cast South Indian bronze figure of Shiva Nataraja, or Shiva as Lord of the Dance, in the Chola style, late 19th or early 20th century, India. Shiva is portrayed here in his form as Nataraja, the Lord of the Dance. An iconic and powerful image, Shiva is portrayed engaged in his dance of creation, protection, and destruction, bringing together all his aspects into one sublime form. Shiva dances ecstatically, facing the viewer with his body twisted, his long locks of hair streaming out around him, his four arms in action, with one leg raised, the other stomping on the dwarf demon Apasmara, who represents spiritual ignorance. In one hand he holds a damaru, or ritual drum...

Charming and elegant bronze Indian decorative bowls, vide-poche. The pieces are entirely handcrafted with great skills and talent. Cast using very traditional techniques, the inside...

Set Of 2 Vivid Spiral Wall Art by WANAS Dimensions: D 3 x W 46 x H 46 cm. Materials: Paper. The size is customisable on request. Please contact us. It’s an invitation to explore, f...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. Imagine the rhythmic creak of wooden axles and the dusty trail of a bygone era. Envision the s...

"Green Meadows," a captivating green blown glass sculpture, showcases the remarkable artistry of Jeremiah Jacobs. The sculpture's soft and alluring form evokes the serene expanse of lush meadows, transporting viewers to a world of natural tranquility. The surface of the sculpture is adorned with a masterful interplay of light and dark cane...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Middle Eastern Moorish antique round brass tray. 19th century handcrafted circular brass platter hammered with Islamic Moorish designs. Heavy brass wit...

A very large and absolutely charming vintage Indian papier mâché portrait bust of a male Maharajah (Raja or Indian noble prince). Born in India...

Elegant handmade cast bronze leaf in a polished bronze finish. They may be used as a bowl or just a beautiful decorative object. Each of these splend...

Jeremiah Jacobs, a talented glassblower, has crafted a captivating blown glass piece using the festooning technique. This extraordinary artwork features a striking tiger pattern crea...

Jeremiah Jacobs, a skilled glassblower, has crafted a stunning blown glass piece using the filigrana cane technique. The artwork features a mesmerizing combination of blue and clear ...

Lofty group of four Anglo Indian swan sculptures or objects of art handcrafted with sea or nautilus shells and hammered metalwork bases necks and heads with stone eyes. Largest: H: ...

Jeremiah Jacobs, a masterful glassblower, has created an exquisite blown glass piece that incorporates the captivating murrini technique. This stunning artwork features a coral-like ...

Our Art Deco-inspired candleholders are ethically handcrafted by artisans in Southern India using a technique that is native to the region. The artisans use a metal alloy that is bla...

Decorative Antique Asian round wood box container with lid and brass pull. Vintage collectible Asian wooden tobacco or opium round container. Round shaped lidded opium container...

Exquisite handcrafted white mother of pearl inlaid and hand carved lidded box. Small octagonal Anglo Indian decorative box intricately decorated with Moorish motif designs which hav...

Book-End in White marble inlaid with semi precious stones. Available size=4" x 8" x 8". Material= White marble, semi precious stones, Hand carved. Customization is our specialty...

A brass vase with an intricately engraved design with traditional patterns that may have cultural or historical significance. The vase has a flared top, a slender neck and a rounded...

Architectural India Architectural India is a collection built on the Natural & Modern landscape of India. Each J'Jute style signifies a piece of French architect, Le Corbusier's modern urban planning project in Chandigarh. About J'Jute J'Jute is a luxury all-natural, sustainable brand based in Bondi Beach, Australia. Each piece is designed in Australia and handwoven by skilled artisans in India. Product Information Colour: Desert Black Material: Natural Jute- a soft durable plant fibre Dimensions: 45cm (17.5") diameter at base, 35cm (14") High, 25cm (10") diameter at top opening Purpose: Decorative Pitcher shaped basket. Beautiful storage for dried branches...

Carved Indian Colonial Hardwood Elephant Drinks Table or Stool India for the English Market, early to mid-20th century A charming carved Indian Colonial hardwood elephant drinks ...

Sculpted out of a single block of marble with a delicately carved rope edge, perfect for a potpourri, a fruit bowl or just a key catch. Round Rope Bowl in White Marble Size- 12” x ...

PRESENTING AN EXTREMELY RARE AND HIGHLY IMPORTANT Indo-Persian Campaign Vanity Box from circa 1780-1800. Box inlaid with exquisite mosaic inlay. In the Indo-Persian style of mosaic with Islamic styles. The mosaic consists of green semi precious stone, bone, brass and pewter in star shaped geometric designs. Box opens up to reveal a travel mirror...

AN INDIAN ROSEWOOD AND EBONY BRASS MOUNTED BOX FOR THE ISLAMIC MARKET Malabar Coast, 18th century With a large drawer with several compartm...

A beautifully designed early fireworks or flare cannon in tiger form. A small hole is drilled at the top rear of the cannon for the wick. In India, firecrackers and fireworks are tr...

Puna, India A stunning number of radial mesolites on a bed of green apophyllite. A complete 180 degree flawless explosion of a zeolite mineral occuring as sprays of thin, prismatic ...

Pair of Antique Anglo-Indian etched and polychrome brass peacock figures. Stunning pair of Anglo-Indian etched and polychrome brass peacock figures or sculptures. These beautiful pe...

A large brass pandan box North India, 19th century The body with rounded profile and hinged raised lid with engraved and punched decoration centering ...

Gem Apophyllite from Pashan Hill Quarry, Poona District, Maharashtra, India. Lustrous transparent bi-colored apophyllite crystals long with translucent pink stilbite crystals in a...