Indian Decorative Objects

Elevate your coastal decor with the Vintage Coastal Monumental Polished Brass Crab. This striking piece, crafted from polished brass, captures the essence of American seaside charm. ...

Box Duke with all structure in solid brass and stainless steel in old silver plated finish. Box with lid.

Fine antique Anglo-Indian hand carved wooden jewelry box inlaid. A Nice Mughal Anglo Indian Pen Box 19th Century The box with a Mughal I...

This listing features a small brass vase that has been hand-engraved to reveal the gold underneath the black coating, creating a unique contrast. Ther...

India, circa 1880 A nineteenth century solid bronze Indian elephant mounted by a Mahout carrying one passenger in a traditional howdah carriage, incised with decoration throughout a...

From Jalgaon, Aurangabad District, Maharashtra, India. Exceptional formation of vivid green apophyllite crystals on matrix with large pink stilbite crystals in a wheat sheave format...

From Lonavala Quarry, Pune District, Maharashtra, India Lustrous transparent-to-translucent large green apophyllite crystals with translucent pink-orange stilbite with scolecite cry...

Pair of 1990s hand carved aged Macael white marble elephants, decorated with Italian Pietra Dura style inlays using an assortment of coloured mar...

These marble and cast bronze translucent stone tea lights simulate the flow of wax. Sold individually.

A large Indian Colonial ‘Vizagapatam’ pen-engraved bone inlaid ebony box Masulipatnam or Vizagapatam, 2nd half 18th century H. 10.8 x W. 47 x D. 34 cm ...

A hand carved wood candle stand from India, circa 1960. Gilt finish. 14 inches high on an 8-inch triangular base.

"Cavalier Sans Tête", carved antique carved wooden torso mounted on a black lacquered custom base. Behold a piece of enigmatic allure, the "Cavalier Sans ...

Set of three vintage Indian nested vessels made of silver over brass with abundant repoussé floral décor. Step into a world of traditional Indian craftsmanship with this set of three...

A large Indian caparisend hardwood elephant with bone tusks and toe nails, intricately carved throughout.

AN OTTOMAN TINNED COPPER VASE AND COVER Early 20th Century. Of baluster form, profusely engraved with geometric quatrefoil and floral pattern with central "Basmala Tughra" cartouche...

An antique Indian temple multicolor carving from the 19th century depicting Ganesha with consort Riddhi or Siddhi on his knee. Created in India d...

from Bombay Quarry, Mumbai, Maharastra, India Heres a 2.5 inch triple penetrating crystal cluster of optical Calcite perched atop a drusy quartz matrix with stilbite. The calcite...

A beautifully decorated Indian metal box with a stone of amber on the top. 1920s or earlier There once was a fabric inside but it has disintegrated you can see it, all of the fibers ...

Sculptural and functional, this rare wooden vessel hails from the remote highlands of Nagaland, a culturally rich region in northeastern India. Carved from a single trunk of what is ...

Ayyanar India carved and polychrome wood horse Measures:100cmx23cm H117cm Material:Wood Wear Consistent with age and use

17-18h century sandstone sculpture depicting a hindu sacred cow. From hindu temple in India or Burma. In untouched and in original condition. India or Burma, 1600-1700.

Scolecite on Stilbite From Nasik District, Maharashtra, India. Large acicular spray of transparent scolecite crystals on pink stilbite crystal cluster matrix in large lustrous pin...

Pair of Anglo-Indian Cast & Engraved Brass Ewers, Black Enamel & British Coins, India, 1960s An exotic pair of Anglo-Indian cast and engraved brass ewers, crafted in India during th...

A white marble paperweight in the shape of an orb, hand-carved in India, circa 1980. Beautiful veinless white marble, exquisitely carved by hand from top to bottom by Indian artisa...

A set of ten smooth, weighty Shiva Linga river stones, each with naturally banded surfaces in earth tones of brown, taupe, russet, and olive. With their di...

Add a touch of exotic elegance to your home with this Vintage Asian Cloisonné Lidded Urn. Featuring intricate enamel work and vibrant floral patterns, this urn is a testament to trad...

An impressive large scale sculptural wooden shelf art with good form and a beautiful rich warm dark wood colour tone. These would have been originally carv...

Contemporary Indian two handle smooth marble bowl. Honed finish.

From Nasik District, Maharashtra, India Tapered cluster of lustrous transparent colorless scolecite crystals standing upright in transparent pink-brown heulandite crystals geode. Th...

A gleaming maroon straw marquetry box with a gold foiled base. Compact, refined and irresistibly cosmic in its allure. The finishes, colours, size can be customised according to spec...

A sculptural box with a radiant green straw marquetry lid and gold foil body. A bold piece that brings celestial charm to your space. The finishes, colours, size can be customised ac...

This exquisite hand-carved and polished stone bowl showcases a striking natural pattern of alternating bands of hematite (silver) and jasper (red),...

Very large beautiful vintage handcrafted decorative round copper box with lid, latch and handle Delicately and intricately hand-hammered with geometric designs. Hand crafted by skill...

19th century pair of hand carved Anglo-Indian teak wood picture frames Beautiful matching pair of hand carved frames. Each frame measures 8" x 13". The openings measures 4.5" x 6.5...

Anglo Indian silver plate on brass jardinière or planter with elephant head handles, perfect for orchid arrangements.

From Nasik District, Maharashtra, India Large lustrous cluster of an acicular sprays of scolectite crystals on pink stilbite. The scolecite crystals have glassy crystal faces and are...

From Jalgaon District, Maharashtra, India Lustrous cream colored translucent pale orange-brown stilbite bowtie crystal. The stilbite crystals are translucent with lustrous crystal fa...

Gem Apophyllite from Pashan Hill Quarry, Poona District, Maharashtra, India. Lustrous transparent bi-colored apophyllite crystals long with translucent pink stilbite crystals in a...

Cavansite on Stilbite with Stilbite from Wagholi Quarry, Maharashtra, India. Lustrous spherical aggregates of vibrant royal blue cavansite crystals lined up across a bed of quartz m...

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...

Apophyllite crystals of this scale are rarely seen. This piece has been beautifully mounted onto a mirrored steel base making it the perfect statement for any interior. Since 1986 D...

A 1930s multi-sided storage canister hand-hammered with tin in India. This canister displays a six sides shape with a narrow bottom and a large belly...

A pair of well carved 19th Century Anglo Indian hardwood torchers, profusely carved all over, dome petal shaped tops comprising of various foliage and berry's, circular centre with a...

An antique Indian early 20th century hand carved architectural temple carving from Gujarat, depicting a smiling woman. Originating from Gujarat, India, this antique early 20th-century hand-carved architectural temple carving is a captivating depiction of a smiling woman. This exquisite sculpture captures the essence of traditional Indian artistry, with the woman carved in a frontal position while her legs are delicately portrayed in profile. Her serene expression, enhanced by a slight tilt of her head, radiates a sense of calm and contentment. The intricate details of her headdress, attire, and jewelry highlight the craftsmanship and cultural richness of the region. The woman's features are beautifully rendered, showcasing a blend of grace and elegance. The carving, with its weathered appearance, speaks to its historical significance and journey through time. The back of the sculpture remains unfinished, adding an authentic touch to its architectural origins, as it was likely meant to be a part of a larger structure or placed against a wall. This temple carving serves as a striking decorative piece, perfect for adding an exotic and cultural element to any interior space. Whether displayed in a living room, hallway, or study, it brings a sense of history and artistry to the environment. Its craftsmanship and evocative presence make it a conversation piece, inviting viewers to appreciate the skill and cultural significance embedded in this work of art. This early 20th-century Indian temple carving...

An antique Indian sheesham wood temple statue of a woman wearing a tunic from the 19th century, with headdress, traces of polychromy and nicely weathere...

An Indian antique carved wooden hand noodle press from the 19th century, with elephant motif. Created in India during the 19th century, this wooden piece was originally used to hand make noodles. Showcasing a vice press, the body is adorned with a carved elephant whose head and behind expand from a central square. This container is where the dough was placed and the vice part would press it into noodles. The elephant head is carved with subtle motifs, such as a jewel on the forehead. The trunk is tucked in. The sides are adorned with medallions adorned with foliage or a rosette. Boasting a nicely weathered appearance revealing its nice age and use, this antique Indian carved wooden...

Dating from the early 19th century or Qajar period, this antique hand painted pen box is done in a series of bordered vignettes of Persian men and animals ...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Intriguing Anglo-Indian Parrot sculpture skillfully crafted with a mosaic of ox bone fragments. This stylish bird is sporting hand-hammered silver jewelry...

Pair of brass mouse form decorative objects. Etched design detail. Signed made in India. Dimensions are of each individual item.

Pair of Mid-Century male and female pheasants composed of handcrafted silvered metal, featuring hinged wings and removable heads. Presented on custom ebonized stands.  

- Clock are in lovely working conditon - Somewhere missing color - Clock is including key.

An anglo Indian workbox made of ebony. The tray lifts up from the box on the lid which is also inlaid in ivory and ebony and has a bone round disc that is signed New Bedford 1810. Th...

Very fine 18th century Indian Macassar Ebony traveling writing box with Tutenag metal hardware, the vividly grained case with rare alloy trim, the rectangular form opening to make a ...

Trio of decorative brass table top objects. Comprising three different solid brass tiered towers, interesting and well made.

An exceptional, fine and impressive vintage Indian silver table ornament of an elephant; part of our ornamental silverware collection This exceptional vintage Indian silver ornament has been realistically modelled in the form of an elephant. This vintage silver elephant ornament has been embellished with chased details reproducing the fine definition of the elephant's skin and anatomical features. The model is further ornamented with caparison ornamented with scenes depicting a rural setting with iconic wild, indigenous animals. This fabric effect covering is further embellished with a stylised floral motif decorated border and features two-dimensional tassels to the terminals. The silver elephant figure is ornamented with further floral and bead motifs to the head and back, in addition to a scalloped border to the underside of the elevated trunk. Condition This vintage Indian silver elephant...

This stunning 6-inch Green Aventurine bowl is hand-carved and polished by skilled artisans in India, following a centuries-old tradition of stone craftsmanship. Aventurine, a variety...

Kyoto Repousse Vase in Verdigris Brass, by Vikram Goyal "Repoussé involves hammering low-relief designs into malleable metal sheets from the reverse that originated around the 3rd o...

A Latched Wooden Box with Brass Overlay Decorations, 20th Century Descriptions: The ebon rectangular box decorated with overlaid Arabesque brass motifs punctuated by nailhead boss...

Labradorite semiprecious stone box with hinged lid. Labradorite displays an iridescent optical effect (or schiller) known as labradorescence. La...