Hand-Painted Picture Frames

Shaped frame for 2 photographs in sterling Silver 925/1000 gold plated with translucent fired enamels on guillochè and hand-painted floral miniatures. Viennese Art Nouveau style seco...

Coelestin Brugner (German 1824-1887), a landscape with a stork by the water, oil on canvas, signed (lower right), The painting measures 9 3/8"-inches high x 12 3/8"-inches wide, fram...

Heart-shaped rounded frame with oval photo in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè. With hinged silver-gilt foot engraved in Empire style. ...

Square photo frame in 925/1000 sterling silver with fire-enamelled Art Deco-style geometric design. External dimensions cm. 14.5 x 14.5 internal cm. 9 x 9. Weight gr. 260. Designed b...

Butterfly-shaped photo frame in 925/1000 sterling silver gold plated with translucent polychrome fired enamels on hand engraving that imitates the veins of the wings. External dimens...

Rectangular photo frame in gold plated 925/1000 sterling silver with translucent fired enamels on two-tone striped guillochè. In a contemporary style. Ground glass and velvet panel. ...

Early 20th century gold painted oval frame Measures: Opening 21" wide x 25.75" high Outer edge 25.5" wide x 30" high Good antique condition.

An antique Italian painting offers enamel on copper portrait of a Classical woman seated in reticulated foliate giltwood frame, artist signed with initials as photographed, 19th cent...

Rectangular photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and with convex border with enamelled lines, on which are applied interlace...

This is an elegant wood frame, lacquered in the green typical color in Venice in 18th Century. The thick hand carved border is lacquered in gold. The frame has the look of the past a...

Large shaped frame for photographs in gold plated 925/1000 sterling silver with translucent two-tone fired enamels on guillochè and rich friezes in the French Empire Louis XVI style ...

Shaped oval photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guillochè and Louis XVI French Empire style ornaments. External dimensions c...

Large shaped photograph frame in gold plated 925/1000 sterling silver with translucent fired enamel on guillochè with borders and laurel frieze in Louis XVI French Empire style. Exte...

Alfred Arthur Brunel de Neuville (French 1852-1941), the painting is titled "Hot Milk", signed 'Brunel Neuville' (lower right), oil on panel, framed. The panel measures 12 3/16" inch...

Fauré Limoges « L'Amateur d'Estampe » After Honoré Daumier (1808-1879) A framed polychromed enamel on copper plaque After the original painting by Honoré Daumier “ L’Amateur d’Estampe”, (The print lover), stored in the collections of the Petit-Palais Museum in Paris France. Signed Fauré Limoges France With original sticker on the reverse « Émaux d’Art de Maître Émailleur Fauré Limoges » et titled « L'Amateur d'Estampe d'après Honoré Daumier. » Circa 1935-1940 H 14 cm L 10 cm. Framed H 22,5 cm L 18,5 cm P 2,4 cm Camille Raymond Fauré is a French enamel artist, born on November 16, 1874 in Péri-gueux and died on October 7, 1956 in Limoges. He is best known for his work designing enamels for the companies manufacturing porcelain in Limoges. Floral and figurative motifs in richly enameled colors are his signature. At the beginning of the 20th century, he sold his creations in Paris in the shop Au Vase Étrusque. In this shop, he produces and exhibits vases, bowls, ashtrays, boxes and other objects. The 1925 International Exhibition of Modern Decorative and Industrial Arts marks Fauré’s breakthrough. He becomes the most famous enameller of Limoges. Other Limoges enamelers active in the 1920s include Paul Bonnaud, Jules Sarlandie and Henriette Marty...

Gorgeous handmade and hand painted cast metal decorative picture frame from the Jay Strongwater "Duchess" collection features exquisitely subtle, glossy pearl enamel work coloration,...

Shaped double opening photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè. Early 1900s English Art Nouveau style. Open size cm. 13.5 cm hig...

French decorative ceramic representing a horse under the moon Height Tiles glued on a wood board The faience is hand painted and hand made circa 1970 Good condition   L40 P1,5 ...

A nice hand painted picture frame by MacKenzie Childs, circa 1990s. The frame is in new unused condition and is for a 4" x 6" photograph; the over...

American oil on canvas portrait of seated young lady in the original gilt wood floral flame, New York, Mid-19th century.

Beautiful oil on canvas by Marius Hubert-Robert entitled "In the sun the small farmhouse" representing a Provencal landscape with two characters on a path at the foot of a farmhouse (typical house of Provence), Marius Hubert-Robert (Paris 1885 - Nice 1966) is an orientalist painter and illustrator. He exhibited notably at the Salon des indépendants in 1929, at the Artistes Français, at the Société Nouvelle des Beaux Arts, at the Salon d'Hiver. Painter in the 10th Army during the 1914-18 war, Marius Hubert Robert gave 2 of his wartime works to the Musée du Luxembourg. Among his other major exhibitions, we can cite: Paris, Galerie Charpentier "From Alaska to Tierra del Fuego"(1926); "Under the Sign of the Sun, North Africa" (1928); "The Mediterranean Basin" (1931); Galerie Petit, Hôtel de la Duchesse de Rohan, Galerie Mona Lisa in Paris; LONDON: The Mansion House, Alpin Club; USA: New York, Washington, Boston, Philadelphia, New Orleans, Chicago, Detroit, San Francisco, Los Angeles, Portland, Seattle, Cleveland, Buffalo; CANADA: Quebec City, Montreal, Ottawa, Toronto, Winnipeg, Calgary, Edmonton, Vancouver, Victoria; BRAZIL: Rio de Janeiro...

This is a Native American Boy Painting. It depicts a hand painted portrait of a Navajo child. He has black hair and very expressive brown eyes. He is wearing a dark brown shirt with ...

Anonymous watercolor and drawing "Gendarme on horseback" after the work of the painter Lalaisse which is part of the collection of watercolor...

An antique painting by S. B. Shiley offers oil on canvas portrait of a young boy by S.B. Shirley, seated in giltwood frame, circa 1880 Measures - overall 33.5''H x 29.5''W x 4''D; s...

The Vintage "Bathing Girl" Print Work by the Legendary Illustrator Frank Frazetta, a Captivating Work of Art That Captures the Beauty and Sensuality of the Female Form. The Use of Co...

Rectangular frame in 925/1000 sterling silver gold plated with hand-painted fired enamel spotted tiger fur type in a modern contemporary style. External measurements cm. 14 x 17.5, i...

Triptych hinged shaped frame for 3 photographs in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè with borders and ornaments in French Louis XVI Empi...

French steel and painted decorative Fleur-de-lee tripod easel with pad feet, Late 19th century.

An excellent full colour multi-layered original production cel of an animated character from the film 'Cool World'. Authenticated by Paramount and dated 1992. Original production cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand painted by studio artists on a piece of celluloid acetate, and has been photographed over a background painting to create a frame of the finished production. Additional information Framed Height: 46 cm Framed Width: 54 cm Condition: Excellent Original Condition Dated: 1992 Materials: Sericel SKU: 245 About Paramount Pictures...

17thC arched frame with original lacquer and patina. Three gilt edges. Eight gilt carved details. Internal size for mirror or paintings: width 80 cm x height 177 cm.

An attractive early 20th century original gouache painted costume design from front and rear for the London Hippodrome production of Stars and Stripes. Mounted in modern silver coloured frame & signed Erté Additional information Framed height: 59 cm framed width: 46 cm Condition: excellent original condition circa: 1950 Materials: Gouache SKU: 241 ABOUT Erté’, Russian 1892 ~ 1990 Erté’s words: ” In fashion- creating forms for living people-in the design of furniture, in the design of theatrical settings and costumes, in the design of jewellery, one is functioning in three dimensions, and all this work in the round can be considered sculptural. In this sense, my theatrical settings are large environmental sculptures...

Murano Sub line glass object by artist Raffael Eros Beautiful Murano glass panel made by master and artist Raffael Eros with fused glass, featuring glass canes, transparent colours, handmade Murrine and opaque lines. Powder-coated iron frame. Single piece. Warranty certificate included. Eros RAFFAEL (Murano (Venice) 1970) Raffael started his artistic career at the age of 14. He collaborated with the best Murano masters, from whom he acquired the ability to manipulate glass in all techniques. Over time, he found it necessary to combine his work with art as a means of creativity. It is presented with works that include the processes: blown, solid, glass fusion, lamp, ground. Eros carries out all processing stages personally. 20TH CENTURY - NEW IDENTITY AND THE ART OF MURANO GLASS In the beginning of the 20th century, the master glassmakers of Murano were still enamored with reproducing classical styles and rediscovering ancient techniques, which was evident at Murano and Venice Exhibition of Choice Glass and Glass Objects staged in 1895 inside Murano City Hall. The rules of the exhibition dictated that the works showcased be reproductions of antique glassware. This important event was well attended by international collectors and glass admirers who greatly appreciated the works rooted in unique Murano tradition. The best works of Murano artists were on display; many were a product of an important glassmaking technique called Murrino (mosaic), which was rediscovered at the end of the 19th century by Vittorio Zuffi while working for Fratelli Toso. This technique originally emerged in the 16th century in an effort to imitate ancient Roman vases. Murano’s famous firm Artisti Barovier received the Honorary Diploma and the Gold Medal. Other artists enjoying popularity in Murano at the time were Salviati, Testolini, and The Toso Brothers (Fratelli Toso). The year 1895 was also the time of the first Venice Biennial exhibition where new works of art in avant-garde and art nouveau styles were showcased. This highlighted the gap between the modern trends gaining strength in Europe at the time and the works of Murano artisans who were deeply attached to the styles and methods of the past. This gap became even more obvious at the Universal Exposition in Paris in 1900, followed by Expositions of Decorative Arts in Turin in 1902 and Milan in 1906. Some Murano artisans, like Vittorio Toso Borella, became receptive to the new winds blowing on the art scene and started to produce works in art nouveaustyle. Though he originally got mixed reviews for the works he exhibited at Ca’ Pesaro in 1909, Vittorio went on to produce masterpieces that later became universally appreciated. Ca’ Pesaro, unlike Venice Biennial, became an exhibition embracing new artistic trends and showcasing many works in art vouveau style by young artists such as Gino Rossi, Arturo Martini, and Guido Marussig. One of the artists, Vittorio Zecchin, collaborated extensively with Artisti Barovier to create designs for their famous glassware. In the 1920s, art nouveau slowly got replaced by more modern styles with simpler, cleaner, and more functional designs. Art deco took the center stage and with it came less decorated objects with softer lines and more focus on glassware as part of interior design, not a piece of art in and of itself. A new company, Vetri Soffiati Muranesi Capellin Venini, founded in 1921 under Vittorio Zecchin as its head designer became the champion of this style. A little later, in the late 1920s to early 1930s, another important trend arose in Murano led by Maestri Vetrai Muranesi Capellin & Co. and Vetreria Artistica Barovier. The trend was glass animals, which remain popular even today. Other important innovations championed in 1930s and continued in early 1940s were production of glass statues of female nudes and classical figures of boxers and gods, engraving on glass, modern lighting fixtures, perfectly proportioned transparent glass tableware, and the invention of vetro sommerso ? a technique allowing to produce thick glassware with one color on the outside and another on the inside. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium...

Imperial Russian Silver-Gilt Jesus Pantokrator, 19th Century The piece, steeped in Russian Orthodox tradition, portrays Christ Pantocrator, a term synonymous with the 'Ruler of All'. Christ Pantocrator icons hold a revered place in Orthodox Christianity...