Busts

Modernist sandstone bust sculpture of a male Artist unknown. The sculpture is beautiful from all sides and radiates simplicity and openness. The full height of sculpture is 34 cm x ...

Gino Manca Ceramic bust, mid-20th century. Decorative Italian ceramic bust of a woman’s head with turquoise and black hair tones and a reddish blouse. Executed in a stylized form typ...

THE COLLECTION This collection offers ideas for contemporary décor through sophisticated revelations of art bound to the tradition of ceramics of Caltagirone, objets d’art that combine history and design. The extreme attention to details, supported by twenty years of experience of master craftsmen, is the company’s strength. The production technique hides secrets and art mixtures that make the product unique and exclusive. Mosche Bianche chooses to combine art and design to recall history through ceramic artworks in doing so, history revives, as in a fairy tale, an incredible civilization that is the sicilian culture. The moorish heads in ceramics, tribute to the beauty of ancient Sicily...

Antique Grand Tour Carved Carrera Marble Bust of Young Napoleon posing as Caesar, Circa 1880. A finely carved antique bust of Napoleon, crafted from Carrera marble around 1880. This ...

An early 19th century Italian carved marble bust of a young Caesar, sitting on an antique marble and bronze column base. Measurements: Total height 51.5" Length 10" Depth 7" D...

-Art Nouveau bust - Alabasta with marble pedestal - Signed latour - Good condition

Antique carved marble bust of composer Richard Wagner marked ‘Wagner’. Beautiful interpretation in bust form of the likeness of this artist...

This bronze bust is an original sculpture made in 2003 by Raffaello Romanelli. Its classical lines draw the attention to the artist's careful study of muscles, while the broken legs and arms give a sense of antique and stress the characteristics of bronze. For the piece, Raffaello Romanelli used a live model...

A refined female bust in the Neoclassical style, carved from white marble with details in veined red jasper, which provides an elegant chromatic contrast and a strong decorative pres...

Påskliljan. Bust sculpture, mid-20th century. White-patinated plaster bust of a young girl on solid wooden base with original metal plaque “PÅSKLILJAN”. Classic naturalistic expressi...

Elegant Classical Greek-style bust executed in glazed terracotta in Italy during the mid-20th century. Inspired by the sculptural traditions of Ancient Greece, the piece portrays an ...

A sensitively carved limestone monumental head of the Buddha, China, mid-20th century. The large carved limestone head displays a quiet sensuousness typical of the Northern Qi style, and follows Northern Qi stylistic conventions, with an oval shaped head covered in pinwheel shaped curls. His full lips...

The neoclassical bust of a masculine Greek youth, late 20th century. Translucent resin - not dissimilar from alexandrite glass, which changes color depending on the light exposure - ...

Brutalist Bust of W. C. Fields, artist unknown "nice size, glaze and color" "in good vintage as found condition" W. C. Fields was an American comedian, actor, and juggler who rose ...

Carved marble portrait bust depicting Franz Liszt (1811–1886), late 19th century. Classic Romantic era sculptural portrait of the Hungarian virtuoso pianist and composer, realized...

THE DYING WARRIOR PLASTER COPY OF THE ORIGINAL OF THE ATHENA AFAIA TEMPLE OF EGINA early 20th Century 1: 1 museum copy of the head of the famous "dying warrior" from the temple of A...

This splendid artwork was handmade by the sculptor Raffaello Romanelli in 2018. It depicts the bust of a woman with blindfolded eyes, the traditional iconography of the Roman Godess,...

Plaster bust from the Art Deco period in France. This piece shows a faun with pointed ears and whimsical facial expression in white plaster. The bust is in very nice vintage conditio...

Patinated plaster bust of woman by Herbert McRae Miller representing Elizabeth O'toole. marked 1928 on paper and signed inside the sculpture "1928 RCA show. H. McRae Miller" Herber...

This finely polished Roman marble head of a satyr is an impressive and characterful sculpture. Depicted with full, parted lips, with teeth visible in between, a pointed goat’s ear, t...

A Small Italian Grand Tour style souvenir of David on a marble plinth.

Chinese brass opium pillow in the form of a robed boy. The boy shown prostrate and smiling with an amusing forelock on his otherwise shaved head. He holds...

A Neoclassical Italian Grand Tour Patinated Bronze Bust of Apollo Belvedere, Circa 1860 The bust is cast as a half length figure of Apollo, shown with the head turned to his right a...

This exquisite bust by African artist Abraham Chikumbirike is carved from dense ironwood. The finely detailed likeness of a dignified woman is especially impressive due to the diffic...

An impressive and high quality Continental 19th century white Carrara marble, Sèvres Porcelain, Onyx, and Ormolu bust of Napoleon. This handsome and wonderfully detailed bust is rais...

A rare and important Italian alabaster bust sculpture of Jesus Christ, C. 1860 A modeled bust of Holy Christ wearing a crown of thorns, excep...

Fabulous antique alabaster bust of a young girl holding a small bird. The details are amazing and the young girl has a beautiful smile as she po...

Symbol of Greek harmony, Polykleitos’ Apollo embodies the ideal of classical beauty. Inspired by the famous canon of proportions established by the master sculptor in the 5th century...

Dancer by Demétre Chiparus 1886 - 1947 Large chrysoelephantine sculpture in gilt bronze Marble base. Signed "D. H. Chiparus". Measures: 52 cms. alt. total and 17 cms. diam. base Good...

A fine antique miniature bronze. A miniature portrait bust of Molière, the alias of the playwright Jean Baptiste Poquelin. Modeled after the original by Jean-Antoine Houdon. ...

Hercules and the Lernaean Hydra, Yellow Siena marble. ADDITIONAL PHOTOS, INFORMATION ABOUT THE LOT, AND A SHIPPING QUOTE CAN BE REQUESTED BY SENDING AN EMAIL TO

Bronze bust on marble plinth by Georges van der Straeten Belgian, c. 1900 Measures: Height 69cm, width 34cm, depth 21cm This beautiful portrait bust is by the Belgian sculptor Georges van der Straeten. The bust depicts in patinated bronze a young woman, who twists her head to her right and glances her eyes slightly askance. She is wearing a head covering and a light dress...

This Apollo with drapery statue is a faithful reproduction of an imperial family member from the reign of Augustus. This Julio-Claudian dynasty fragment stands out for its contrappos...

Bust solid brass gold sculpture depicting Egyptian emperor Italian design, 1950s.

A finely carved marble bust depicting a Moorish figure in the manner of classical Roman portraiture. The subject is presented with stylized coiffure and serene expression, draped in ...

Antique (19th century) patinated bronze bust of a lovely female stretching, entitled Le Matin (The Morning), after the original model by the French master, Nicolas Mayer (1852-1929)....

An elegant, classically inspired sculptural bust carved from two-tone marble, highlighting the refined contrast between the polished black marble of the face and the veined beige mar...

Rare Buddha wooden heads sculptures , with polychrome traces - smiling and peaceful - Rested on a pair of wood capitals, same era. Suitable for the...

Italian wooden sculpture of a mid 19th century woman's bust with purfled base. High quality hand-crafted item.

18th century Italian gold leaf angel head or "putto" adorned with baroque pearls. A putto is a cherub figure frequently appearing in both mythological and religious paintings and scu...

Apollo and Diana, a pair of large busts in white marble. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUESTED BY SENDING AN EMAIL Apollo and Diana, pa...

A portrait of Roman aristocrat executed in the Veristic style. From the Latin "verus" meaning truth, the practice represented everyday subjects with great realism often including signs of age with exacting detail. Wrinkles, furrowed brows, and moles are presented as signs of wisdom and power and suggest the philosophical and moral character of the sitter. With the ascent of Emperor Augustus, eternal youth again took center stage, and verism fell into disfavor. The style enjoyed a resurgence after Emperor Vespasian came to power in 69 AD, Italy, 1st century BC. Provenance - the collection of Spanish fashion designer Elio Berhanyer...

This Greek bust depicts the legendary poet and author Homer who is presumed to have penned the two of ancient Greece’s most epic poems: the Iliad and the Odyssey. Scholars are uncertain whether or not Homer actually existed but if he in fact did exist, Homer would be regarded as one of the greatest literary artists of his time. This is an iconic statue for an interior and looks particularly impactful when placed on a column or plinth. Please note the blue plinth...

Superb Italian Joan of Arc marble bust after Henri Chapu attributed to Professor Giuseppe Bessi from the Italian 19th century romantic period. In wh...

A very fine and mpressive life-size Italian, early 20th century marble bust of a Greco Roman Warrior, probably Hercules, after the antique. The large beautifully carved and decorated...

Signed Machauld et Eug. Cornu – G. Viot et Cie Fondeurs Bust of a Greek goddess, made entirely of silvered bronze and gilded bronze. The tiara and collar necklace ornating the bust are finely decorated with stylized floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made in red griotte marble. The sculptor Eugène Cornu (1827-1899), installed in Paris at N.29 rue Popincourt, after having worked as a designer and then director for the renowned company Tahan, worked closely with the « Compagnie des Marbres Onyx...

Rare Pair of 19th Russian Bronze Busts of Peter I and Catherine the Great in great antique condition. Marked 1867

Delicate, finely carved bone bust depicting a young woman dressed in 19th-century fashion. The face is gently rendered, revealing a serene and refined expression. The piece is mounte...

German Bronze Man Bust Very heavy. Hollow inside.

A very fine and larger-than-life and very realistic museum quality patinated bronze bust of President William H. Taft (1857–1930) by Frederick Ernst Triebel (American, 1865-1944) cast by Nelli Foundry in Rome, Italy. William H. Taft, the 27th President of the United States and Jurist, is depicted with his renown thick mustache and wearing a bow tie, vest and coat. Inscribed on the back: F.E. Triebel. Sculp and Fond. Nelli, Roma, circa first quarter 20th century. Due to its size, subject and high quality, this bust was probably commissioned for a Museum or public exhibition, such as an embassy or government building, the same way as other similar works by the sculptor. The Roman foundry operated by the Nelli family during the last quarter of the 19th century cast works for many leading sculptors of the day, including Alfred Gilbert and Anton van Wouw...

Top quality and mint condition bust sculpture from the early 1900s with maker's name. This incredibly well carved bust of Jesus is impressive both for its quality and its large size. With His head bowed down like in His final hours on the cross this design is obviously perfect for displaying on a tall stand. In this case a tall and ebonized wooden pedestal was used and thanks to the contrasting colors of this bust and its pedestal they are like a match made in heaven. The master sculptor / artist could not have done a better job in hand carving the exhausted yet serene facial expression of Christ. The large size of this bust combined with the rare sandstone material makes this work of religious art look extra ancient. Because of its size this archetype of Christianity can also be seen and worshipped from further away. Unfortunately we cannot read the name of the skilled artisan who signed this unique sculpture. Thanks to its amazing quality, its excellent condition, its deeper meaning and its powerful presence this work of religious art will never fail to impress, no matter where you decide to have it on display. For it to have come our way felt like a blessing and to be able to offer it to the 1stdibs community in this amazing condition is an honour for us. Our fair price for this museum worthy sculpture again includes perfect packing and also worldwide delivery from our store to your door in just 4 to 6 days. Total height x width x depth: 74 x 17 x 16.5 inches. Christ bust...

A Monumental French 19th Century Patinated and Parcel Gilt Cast-Iron Bust of 'Head from a Statue of Antinous as Dionysus' Wearing a Wreath of Ivy ...

A Very Large 19th century Meissen porcelain Group of Russian Calvary General, believed to be Mikhail Kutuzov, the hero of Borodino, with aide de camp, marked with the Meissen underglaze blue crossed swords, and incised and impressed with numbers. While Russia endured great hardships during Napoleon's invasion, it was the skill of her general's and a terrible Russian winter...

Porcelain sculpture made in collaboration with the Nigerian artist Laolu. A conceptual creation with the personal stamp of a committed artist. This porcelain sculpture decorated with...

A French Terracotta bust of a young boy stood on an Italian bardiglio marble square soccle. The full head of curly hair cascading over face and shoulders. Original untouched conditio...

Nicely carved bust of a Roman patrician. a 19th century copy of an ancient Roman image. Socle base.

Superb patinated marble and alabaster bust of a veiled woman crowned with laurel by Professore Giuseppe Bessi, Italy 19th century. Signed "Prof. G. Bessi". Excellent condition. Dim...

FLAYED MAN BY JEAN-ANTOINE HOUDON - PLASTER CAST 29th Century This is a real size reproduction in plaster of the head of Flayed Man by the French sculptor Jean-Antoine Houdon (Paris...

This finely executed bust of a Naiad is attributed to the neoclassical sculptor John Gibson (1790 – 1866). A Naiad was a type of mythological water nymph and is depicted here with her head bowed and cocked slightly to the side, displaying her strong neo-Hellenistic profile. In her hair, the nymph wears a headdress that is comprised of long and slender reed leaves, which not only identifies her iconographically as a water spirit, but draws a close comparison with those worn by the female figures in John Gibson’s Hylas Surprised by the Naiades (1827 - 1837) (fig.1). The downwards and off-centre orientation of our Naiad bust mirrors that of the taller figure on the left of the group, who rests her cheek on the head young Hylas (fig.2) Her facial physiognomy follows the neo-Hellenistic archetype established by Gibson and can be closely compared with his Tinted Venus – one of the most important statues of the Victorian era (1851–56, Walker Art Gallery, Liverpool) (fig.3). While Gibson’s Tinted Venus is known best for its controversial polychrome ‘tinting’, the essential structure of the face—broad brow, finely drawn nose, wide (and slightly drooping) almond-shaped eyes - provided a template that Gibson returned to repeatedly in his depiction of mythological maidens. Critics of the time noted the consistency of his female types, with some seeing their idealised severity as an antidote to the sentimentality of much mid-Victorian sculpture (fig.4 – 6). The facial physiognomy is also very similar to a drawing by Gibson at the Royal Academy that depicts Hero weeping over the dead body of Leander (fig.7). The socle style of the present work also finds comparisons with Gibsons busts of Cupid and Aurora. This was of course somewhat standardised, but it is interesting to note the extent of their similarity with our bust. John Gibson RA is considered by many to be the greatest British sculptor of the nineteenth century working in the Neoclassical style. It is hard to overestimate the impact Rome had on the life and art of the artist. He first arrived in the city around 1817, when he was just twenty-six, and remained a resident there until his death. Not only did Rome’s ancient sculptural treasures and architectural fragments offer Gibson a lifetime of inspiration, but the Grand Tourists who poured into Rome in the first half of the nineteenth century provided him with many commercial opportunities. These rich or aristocratic travellers sought out mythological sculptures for their grand, palatial residences. However, since the papal decrees of Doria Pamphilj and Pacca of 1803 banned the export of ancient Greek and Roman works of art from Rome, there was a large demand for modern idealised sculpture in the Neoclassical style (Frasca-Rath 2016, p. 10). During his early days in the city he had the great fortune to train under both Antonio Canova and Bertel Thorvaldsen (Roscoe and Hardy 2009, p. 522). He referred continuously to Canova as his “master”, particularly in his memoirs, which he dictated to Margarete Sandbach at the beginning of the 1850s; these were subsequently published by Lady Eastlake in 1870. Moreover, he claimed to be Canova’s last pupil in a letter to Antonio Gacini, Secretary of the Royal Academy in Milan in 1861, written to thank the Academy for accepting him as an Honorary Member: “The first instruction which I received in my art was from an Italian. It was Canova whose pupil I became in the year 1817 and studied under him for five years when he died. I was his last pupil” (Royal Academy Archive GI/1376). By 1821, Gibson had established his own studio in the via Fontanella, off the via Babuino. From here he aimed to produce sculpture of “the sublime and the purest beauty”, believing that the sculptor’s role was to select and combine the most beautiful parts of nature to create a harmonious whole, which would delight and elevate the viewer. By the mid nineteenth century he was one of the few remaining exponents of the so-called ‘pure’ and ‘neo Hellenistic’ style of sculpture, resolutely upholding the Neoclassical ideals established by Wincklemann, in a period when naturalism and modern subjects preoccupied the majority of artists in Europe (Turner, ed., 1996, p. 598). Gibson was convinced of the importance of disseminating artistic ideas through the younger generations, an ideal no doubt impressed upon him by Canova, and established ‘the British Academy of Arts in Rome’. His students included William Theed (1804–1891), Benjamin Spence (1822–1866), Harriet Hosmer...

Estate 1950s French Bisque Porcelain Napoleon Bonaparte Bust after Leconte.