Altuglas Sculptures

A fine art glass koala bear figurine or sculpture. By Steuben. Model no. 8268. Designed by Lloyd Atkins. Simply a wonderful koala figurine from Steuben! Date: Mid-20th Century Overall Condition: It is in overall good, as-pictured, used estate condition with no chips, cracks, or repairs, some fine & light surface scratches and other signs of expected light wear consistent with age. Maker: Steuben Pattern: Model no. 8268 Marks: With an etched Steuben...

This genuine Burmese amber specimen dates back approximately 99 million years. Pieces like these are sometimes called a menagerie and this one contains s...

Bronze sculpture, signed Laouse. France, circa 1900. Marble base.

One of the nicest examples I ve owned in quite a while, stunning figured birch plywood, circa early 1946-1947, L C W (Lounge chair wood) designed by Charles and Ray Eames, Manufactur...

For your consideration, Fabulous Art Sculpture Big Brutalist sculpture metal structure composite cover Faux Bronze. Style of Paul Evans Unknown artist. Signed RN 1971. Dimensions: 62...

Contemporary artist Val Bertoia's pair of Sound Sculptures made in 2012 are part of the Bertoia Sonambient series. The full circle piece is made of 10 ...

This porcelain wall decoration designed by Tapio Wirkkala is composed of inverted half bubbles on a gilded paint top surface, it is a lunar and poetic vision that Tapio Wirkkala offe...

To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982....

A stunning and poetic mobile sculpture by Jacques Jarrige. Wide fascinating movement created by meandering wood pieces screwed together and two balancing branches. Jacques Jarrige's Pieces have recently been published in Ideat, November 2011, AD Collector October 2011, World of Interiors (September & May 2011), Architectural Digest France which include a highlight on the artist (July-August 2011) and Maison Francaise (September 2011) A list of notable solo exhibitions follows: 1989 Entrepots de Bercy, Paris 1991 Galerie En attendant les Barbares, Paris 1993 Galerie En attendant les Barbares, Paris 1998 Hotel de ville de Paris Salle Saint Jean 2002 Galerie Frederic de Luca 2006 Galerie Cat Berro...

400 - 600 year old Burmese carved sandstone sculpture. Calf standing under the mother. From Buddha temple or Hindu temple in Burma. Untouche...

This nice turtle sculpture is made of brass. This is a French work, circa 1970.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Oswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage. Biography Early life Guayasamín was born in Quito, Ecuador,[2] to a native father and a Mestiza mother, both of Kichwa descent.[3] His family was poor and his father worked as a carpenter for most of his life. Oswaldo Guayasamín later worked as a taxi and truck driver. He was the eldest of ten children in his family. When he was young, he enjoyed drawing caricatures of his teachers and the children that he played with. He showed an early love for art. He created a Pan-American art of human and social inequalities which achieved international recognition. He graduated from the School of Fine Arts in Quito as a painter and sculptor. He also studied architecture there. He held his first exhibition when he was 23, in 1942. While he was attending college, his best friend died during a demonstration in Quito. This incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This event also helped him to form his vision about the people and the society that he lived in. Career Guayasamín started painting from the time he was six years old. He loved to draw from that age. Starting from watercolors and transforming all the way through to his signature humanity pieces, his art career had many highlights. Although tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful symbols of truth in society and injustices around him. While his interest was seldom with his school work, he began selling his art before the time that he could even read. After his attendance at the School of Fine Arts in Quito, his career took off. La Galería Caspicara, an art gallery opened by Eduardo Kingman...