Altuglas Sculptures

Arman "Waiting to Exhale" sculpture, circa 1997. Accumulation of Cigars encased in Resin, with incised signature and numbered 77/100.

A fine art glass koala bear figurine or sculpture. By Steuben. Model no. 8268. Designed by Lloyd Atkins. Simply a wonderful koala figurine from Steuben! Date: Mid-20th Century Overall Condition: It is in overall good, as-pictured, used estate condition with no chips, cracks, or repairs, some fine & light surface scratches and other signs of expected light wear consistent with age. Maker: Steuben Pattern: Model no. 8268 Marks: With an etched Steuben...

Vagues Wood Trivet by Alice Lahana Studio Dimensions: W 20.5 x D 3 x H 4 cm (dimensions may vary) Materials: Walnut Handcrafted in walnut, the Waves trivet is made up of three i...

Bronze sculpture, signed Laouse. France, circa 1900. Marble base.

This genuine Burmese amber specimen dates back approximately 99 million years. Pieces like these are sometimes called a menagerie and this one contains s...

To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982....

1928 - 2005 Original artwork. Armand was an artist who used found objects as his medium and encased them in resin form. This rare scale of his work appears to be a token example for an exhibition given out to patrons for a show. No two are alike. It's stamped within "Arman Galerie Lawrence 11 Mai 1965 De 5 A 8". Mixed industrial metals encased in resin. Great jewel of an art object for collections of modern art. The size is 1 1/8"h x 1 7/8" x 2"... From the estate of the late Naomi Caryl...

An attractive modern limited edition bronze study of a resting rabbit with excellent smooth tactile surface and good colour, signed, numbered and stamped Landowski Foundry ~ Cire Per...

Fabulous Art Sculpture Big Brutalist sculpture metal structure composite cover Faux Bronze. Style of Paul Evans Unknown artist. Signed RN 1971. 62.5 h x 26 W x 31 d Local LA PS OC de...

This elegant Doe sculpture is made of brass. This is a French work, circa 1970.

Rare Large Edition of "Clarté" by Max Le Verrier – A True Art Deco Masterpiece Discover an extraordinary and exceptionally rare large edition of "Clarté" by the legendary Max Le Ver...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Oswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage. Biography Early life Guayasamín was born in Quito, Ecuador,[2] to a native father and a Mestiza mother, both of Kichwa descent.[3] His family was poor and his father worked as a carpenter for most of his life. Oswaldo Guayasamín later worked as a taxi and truck driver. He was the eldest of ten children in his family. When he was young, he enjoyed drawing caricatures of his teachers and the children that he played with. He showed an early love for art. He created a Pan-American art of human and social inequalities which achieved international recognition. He graduated from the School of Fine Arts in Quito as a painter and sculptor. He also studied architecture there. He held his first exhibition when he was 23, in 1942. While he was attending college, his best friend died during a demonstration in Quito. This incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This event also helped him to form his vision about the people and the society that he lived in. Career Guayasamín started painting from the time he was six years old. He loved to draw from that age. Starting from watercolors and transforming all the way through to his signature humanity pieces, his art career had many highlights. Although tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful symbols of truth in society and injustices around him. While his interest was seldom with his school work, he began selling his art before the time that he could even read. After his attendance at the School of Fine Arts in Quito, his career took off. La Galería Caspicara, an art gallery opened by Eduardo Kingman...