European Mounted Objects

An exceptional, fine and impressive Spanish silver presentation car model on plinth; an addition to our diverse silver ornaments collection. This exceptional, fine and impressive co...

18th century Italian gilded hand-carved fragment crest mounted on a golden, polished hematoid slab and adorned with baroque pearls. The gilded fragment was originally from a historic...

A brick made of Carrara marble, inspired by the most traditional Spanish brick. A sculptural piece that serves as a metaphor for its time, an art piece embodying beauty and style. J...

18th century Italian gold leaf distressed candlestick with natural forming pyrite on a calcite matrix top and mounted on a coordinating pyrite base. The gilded fragment was originall...

Sculptural 18th century Italian fragment with elestial quartz and mounted on an agate slice. The fragment was originally from a historical Italian church. It is mounted with the ele...

18th century Italian sunray adorned with tangerine crystal quartz points on an angle plated quartz. Angle-plated quartz is an extremely rare form of quartz and is only found in the u...

A stunning and rare 18th century French hand-wrought iron weathervane, from Normandy, with a stylized dragon "flag" the moves according the wind, and with four wrought-iron flowers t...

A simple and elegant Roman bronze hand mirror, late Republic Period, circa 1st century, Italy. The bronze mirror of simple form. The round face with a pierced border design. The openwork handle...

Gorgeous Italian Venetian, Sculpture, Blown Murano Glass, Red Blu and transparent, Signed Romano Donà, 1990s. This fantastic modern sculpture is entirely handcrafted in blow Murano, ...

Handmade Murano glass blown vase with real 24kt gold leaf and Monarch butterflies attached with magnet. The vase contains 16 Monarch butterflies Modern vase ideal for a modern and r...

18th century Italian "Florence fragment" vase with an elestial quartz point, chalcedony rosettes, and ecphora shells on a petrified wood base. The elestial quartz has an additional c...

Impressive pink gold concave mirror with brass wall bracket other colors are available. Bronze, blue, green, copper Some colours available im...

A wonderfully whimsical collection of vintage Italian Capodimonte hand-painted porcelain fruits including oranges, pears, and apples, perfe...

Impressive Grand Tour classical throne executed in patinated terracotta, Italy, late 19th century. The sculptural seat is richly decorated with continuous relief friezes depicting my...

A 19th century or earlier Tudor style terracotta brick detailed with a rampant lion; one of various similar pieces we are selling. Likely once used as a decorative architectural embellishment for a building façade, this antique terracotta lion...

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. Composed of four carefully hand-spun brass pla...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

Striking large, Renaissance Revival wall mirror with an amazing patina. If you are familiar with style elements of the Renaissance era then you will immedidately recognize this practical size antique as a Renaissance Revival piece. In this particular case, you are looking at a Dutch specimen from the 1800s. Both the deeply carved top panel with its floral / scrolling patterns AND the 'lord of the house' or noble men sculptures...

Ceramics produced by Bruno Merli Capodimonte. Crack present and glued almost in the center on the boy's side. If you wish it is restored 50 euros Thank you

Majestic pair of travertine pedestals produced by Up&Up in the 1970s — rare, sculptural and of exceptional material quality. Carved from s...

A hand-crafted sculpture specimen of natural white and red coral branches mounted on Black pedestal base.

French fishing net buoy wall decoration yellowglass and string. Until the first half of the 20th century, sailors used hollow glass balls surrounded by a rope net as floats. This all...

We can notice the curves. The wood is a solid Wood. We have a socket in plastic, with a plastic switch You can use any kind of bulb up to 100 watt. Art deco or tribal and Brutalist s...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Hand carved Wood Model Sailing Ship model Margaret Sculpture Center Piece LA CA . A very large and rare 19th century painted wood model of the sailing ship "Margaret". Votive ship. Height 54" width: 61" and depth: 15". The scale is perfect as it had to be and the quality of work is evident. Further inspection reveals that no detail was too small, as evidenced by the carved small boats, the ropes, poles and fittings. 5 feet long. This stunningly beautiful and intricately carved ship model was created by the sailors when they were at sea for many years at a time and they created this amazing model using handmade tools using scraps of whatever was available for carving and bringing this piece of art to life. A votive ship, sometimes called a church ship, is a ship model displayed...

Two finely hand-spun brass plates make up this pendant light, finished in a mixed rust patina to create this unique appearance. Light is projected into the shade before reflecting ou...

Set of 3 Aurora Geode Triptych Wall Art Panels by Sev Art Gallery. Dimensions: Each panel W 100 x D 4 x H 180 cm. Materials: Natural quartz stone, citrine stone, epoxy resin, canvas...

Georges Jouve Crucifix in Black glazed earthenware Inscribed to top 'INRI'. Incised signature and artist's cipher to verso ‘Jouve’.

Trio for three, a unique ceiling light composed by a cluster of lighting components. Combining patinated brass plates and finely brushed brass framework, the Orbit Trio ceiling light...

19th century Italian carved wood Santo foot. This stunning antique Italian carved wood Santo foot of an Archangel dressed as a Roman soldier. This beautifully carved and gilded sculp...

Wall sculpture by Hendrik Horst exemplifies Brutalist metalwork through its bold geometric composition and industrial materials. Welded sheet metal forms create an organic, free-form...

Sculptured model of a smoked Papua Mummie, papier mâché, 20th C Burial practices vary in New Guinea, just as they do everywhere else in the world. Some cultures believe the soul is d...

We can notice the curves. The wood is a solid Wood. We have a socket in plastic, with a plastic switch You can use any kind of bulb up to 100 watt. Art deco or tribal and Brutalist s...

Taking inspiration from planet-like shapes and textures, the Cosmic collection explores the interplay of metal properties and an array of patina finishes. Handcrafted with bronzed ...

17th century Italian fragment with wulfenite on a fishtail selenite base This fragment is from a church in Florence. It was found and saved from t...

Largest ever (9.5 feet wide) wall coat rack with 12 hooks, a beveled mirror, lion sculptures, male and female bust sculptures, birds and floral motifs etc. This antique and largest in size ever, antique Dutch coat rack is special and desirable for a number of reasons. First of all, it is very well carved and with great depth and the chance that you will ever find an antique wall coat rack...

17th century Italian vase with a crystal quartz cluster on a crystal quartz cluster base. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftsmanship, and history of fragment. The crystal quartz clusters are applied to the piece to create a sculptural work. The story and history of this piece and Interi's collection of Florence fragments...

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

Sculptural 18th century Italian crucifix mounted on emerald in matrix on a reflective mica base. The crucifix artifact is originally hand carved wood with silver leaf from a church ...

This set of four 19th-century French wrought iron chamfered shave draws is a tribute to the artistry of coopers, essential craftsmen in communities. These draws, once crucial tools f...

An 18K gold, diamonds, amethyst, tourmaline, bloodstone, carved emerald, opal and jasper toucan bird resting on a gold tree branch, mounted on a carved malachite base. A very rare and unique gold-mounted jeweled object...

Hand-carved kneeling angel in relief. Marked/Signed picture 4. This mourning angel by a grave is entirely hand-carved out of marble. This early 20th century Christian work of art ca...

European cast-iron large crosses Small cross dimensions: H 57.5 x W 20.5 x D 3 Middle cross dimension: H70.5 x W 21.5 x D 4.   

A trusty, hardworking 19th century French walnut shoe cobbler's mallet with the most beautiful patina only two hundred years of use could bestow, and mounted on a custom steel stand....

2nd Century Italian Stone Sculpture Roman Relief Aristocrat Mounted Antiques LA . Hand Carved Stone relief Aristocrat mounted on marble Private collector . ...

Inspired by planetary forms and textures, Atelier001’s Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. This pendan...

Handmade Murano glass blown vase with real 24kt gold leaf and multicolored dragonflies attached with magnet. The vase contains 11 dragonflies. Modern vase ideal for a modern and r...

Fabulous bronze of a tall large nude Male. Arms extending forward. Foundry stamp Guss Barth Rinteln. Large 29.5 tall and heavy. In excellent condition.

A hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base with sea shell trim.

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcraf...

A striking and sculptural pair of hand-carved wooden angel wings, richly gilt and mounted on custom iron stands with square bases. Each wing is carved with deeply modeled feathers, ...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

This abstract crepe paper wall art is a captivating modern piece that utilizes paper as a sculptural material in its own right. The composition is crafted from bands of blue crepe pa...

17th Century Spanish carved oak wood sculpture of Saint Francis Xavier, the co-founder of the society of Jesus.

A rather large hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base.

This item is a sculpture, made in France circa 1970. It is a cube of resin, with in the inside an inclusion of an beetles.

Hand-crafted sculpture specimen of natural red coral branches mounted on 18th century gilt wood fragment base. 11.5 inches in height. Perfect for your "Cabinet of Curiosities".

Handmade and Hand Painted Diorama Figures of a Village Farm Scene, Christmas Decoration. Eleven piece diorama with a pastoral scene of animals, people and trees. Includes: a bull, sh...

An early 20th Century, pair of vintage Italian obelisks made of hand carved Porphyry marble, in good condition. The large monolith décor pieces are enhanced with spheres on the corne...

Sculptural 17th century Italian fragment mounted with a mica formation with fossil ammonites. The Italian fragment originally came from an altar candlestick from a historical church...