British Sculptures

Pair of small rust and white Staffordshire dogs from England, circa 1970s.

A 19th century post-medieval encaustic tile by English makers Godwin of Lugwardine; one of 6 similar we have available. Dating to circa 1870, this antique tile features a heraldic, ...

19th century English Staffordshire figure, signed at the bottom.  

Great victorian models with partial moving hands and arms. Hand crafted figures of great quality and mounted to wood bases.

Crafted with exquisite detail, this English early 20th Century cast iron door stop is shaped like a charming Scottie dog, evoking a lifelike presence. The intricate design captures t...

This striking bronze sculpture portrays a young boy in a moment of poised concentration, just before releasing his sling. The piece captures silent tension and inner focus with remar...

"Rural Idyll": Large Victorian Staffordshire Cow & Milkmaid Group, Circa 1860-80 A charming and sizable earthenware figure group, dating from the Victorian period (circa 1860–1880),...

Modelled as a wine barrel on wheels with a detachable putti finial. Marked: London, 1807, Maker: William Burwash.

A beautiful vintage silver bee ornament for your room. An impressive size, this silver bee is a gorgeous statement piece for a shelf or sideboard! 29 x 15 x 13cm

Heavy well cast gilt brass door knocker of Greek goddess Athena. New old stock.

Fabulous 1930's Art Deco female shop mannequin. Sourced just outside of Paris, France this month and in good vintage condition with the usual bumps and bruises one would expect but no serious damage. She's very much in the style of Siegel or Stockman mannequins...

Unusual pair of lifesize English late 19th century sculpted lead dogs with raised front paws, and having expressive faces and well detailed coat. Note, s...

A pair of finely molded and hand painted English Staffordshire dogs. This pair features full body reclining hounds with the most charming of hand painted faces and colors. On their o...

A charming English carved stone dog sculpture dating to the early 20th century, circa 1920. Depicting a seated dog with attentive expression and naturalistic modeling, the figure is ...

Abstract steel sculpture, in the form of a helmet; from the estate of the artist June Barrington-Ward (1922-2002) and attributed to her. England 1970s. Unsigned. Good original condi...

Large antique Victorian quality Staffordshire flat back figure of Will Watch Smuggler in wonderful blue, yellow, orange, pink, black and white colours on a square base marked ‘Will W...

An interesting mid-19th century ecclesiastical 6-inch encaustic clay tile by Minton & Co. (stamped). Dating to circa 1850, this antique encaustic tile is an excellent example of 19th century Minton works. It has moderate surface wear, and the reverse is in very clean condition clearly bearing the Minton name and marked ‘29’. The design itself is of ecclesiastical theme, displaying a Christogram (also known as a Chi-Rho or Chrismon symbol). This is one of the earliest symbols of the Christian faith, used as far back as 4th century Ancient Rome by Emperor Constantine the Great who used the mark on shields as part of military symbolism. The symbol is a monogram of the Greek letters ‘Chi (X)’ and ‘Rho (P)’ which together form the first two letters of ‘Christ’ in Greek. It is flanked by the Greek letters Alpha and Omega, symbolising that Jesus is the beginning and the end. Steeped in history, this antique English tile...

A large late 19th century English cold-painted terracotta model of a seated bulldog, with striking inset glass eyes and a wonderfully expressive upward-turned gaze. Realistically mod...

Antique Staffordshire figure of a couple in period dress holding a baby. In original condition, no cracks, chips or repairs Dimensions: Height 23 cm (9.05 in) Width 16 cm (6.29 in)...

Concrete Bust of Odysseus’s Companion Very heavy bust. Depicts one of Odysseus’s companions. A replica of the Roman original, which is housed in the British Museum. Made from solid...

Each w o o d p o p balance board is meticulously handcrafted in our Black Mountains workshop in the UK. Doubling up as an integral part of any fitness r...

A pair of white enamelled metal bookends on Botticino marble bases, depicting two Pomeranian Spitz dogs, England circa 1930.

Pair of English pearlware deer, Staffordshire, circa 1820. Figures of a stag and a hind.

A very Fine Hand Carved Alabaster Sculpture of a Tiger In Mid Stride Position Striking Glass Eyes

Circa 1970 vintage figures of cats from the Staffordshire region of England. The cat is decorated in rust and white, and has a gold bow around its neck. This is a nice model, as i...

A fabulous quality Early 20th Century life size carved female torso in the classical style, very well executed in wonderfully figured walnut, the sculpture is in excellent condition ...

A 19th century copper Neoclassical wreath frame. This ornately crafted garland has a mixture of oak and olive leaves in contrasting directions. Crafted in circa 1870, the multi lay...

A 19th century knight on horseback tile by Minton. This 6 inch square tile is adorned with a knight on horseback in a buff terracotta over a rich rouge ground. Produced by Minton ci...

Gorgeous small bird standing on a wooden base. This is a bird of prey - a baby eagle perhaps. The Eagle has glass eyes. Beautifully hand-carved and painted. A lovely vintage item. Th...

Georgian Carved Mahogany Eagle Ornament, in the Manner of Thomas Chippendale, Mounted on Marble Base, circa 1780–1820 A finely carved Georgian-period mahogany eagle fragment, now mo...

Form meets function with this King Charles Cavalier doorstop. This iconic English dog is believed to be made from plaster or similar material and is filled with sand. The pup wears a red collar with a lock at the front with a small chain leash draped over its back. It is painted in a light brown, with deep brown spots throughout. Use this to bring a touch of classic English decor...

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

'Archive of Unknown Dark Materials' is a unique glass installation (consisting of 7 individual elements) by the British artist, Louis Thompson. Accomplished glass artist Louis Thomp...

'Vug in Purple & Turquoise' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and create ...

Sold as a pair of two matching Solstice Phantom table lamps. The listed price covers both complete lamps; one order supplies two lamps. Dimensions and illumination specifications bel...

Wicker and Bentwood Harley-Davidson Motorcycle Sculpture Attributed to Tom Dixon (born 1959) England Date Circa 1990s Woven wicker, rattan, bentwood and wood. A rare, full-scale scu...

A set of sixteen reclaimed encaustic W.Godwin tiles. Dating from the mid 19th century, these reclaimed encaustic tiles were produced in Lugwardine, Herefordshire. They are of a neo-...

An exceptional, fine and impressive contemporary cast sterling silver stirrup cup modelled in the form of a fox's head; an addition to our diverse silver drinking vessels...

Fine pair of English Staffordshire glazed ceramic spaniels featuring white bodies with remnants of gold decoration. Beautiful craquelure finish and fac...

Dressed in the fashion of the day is this Superb 1930's Art Deco large female figure made from underwired plaster, totally authentic. This is NOT a modern reproduction . A lovely lad...

Joan de Bethel papier-mache, glass eyed, cat made in Rye Sussex July 1977

A large, cast iron unicorn with a custom attached base stand. Great detail can be seen in the creature’s mane, head and musculature.

A large antique Minton Hollins & Co tile depicting a pineapple. Displayed on a custom made steel display stand, this hand painted tile panel depicts a ...

Decorative vintage aircraft propeller, elegantly crafted from solid mahogany. Features a natural, age-related patina that adds to its character. Believed to originate from an English...

An equestrian stable mascot of a champion horse, finely sculpted in English oak, capturing his alert, expressive face, with great attention to detail. Glass eyes. Mounted on a shie...

20th Century unique one-of-a-kind pair of bejewelled vintage taxidermy fish 'dancing' under a miniature electric (working) Swarovski crystal chandelier....

A superb collection of naturally-occurring minerals, curated from private British collections to create a unique set. This varied group showcases seven individual small cabinet spec...

Nice pair of wild boar Trophy mounted on gilt washed brass as Trophies, very ornate with a crown at the top of each mount. Very good condition and ready f...

This vintage carved wood architectural niche is a striking decorative accent, showcasing a timeless arched silhouette inspired by Renaissance-era design. Expertly crafted from solid ...

A set of sixteen reclaimed encaustic W.Godwin tiles. Dating from the mid 19th century, these reclaimed encaustic tiles were produced in Lugwardine, Herefordshire. They are of a neo-...

A compact, vigorously modelled bronze of a crouching nude at her ablutions, this sculpture corresponds to Pierre-Auguste Renoir’s sculptural theme of the washer woman (La Laveuse), d...

The w o o d p o p pintail longboards are handcrafted in workshops on either side of the Welsh/English border the UK. Each one is made from best quality Finnish Birch and vacuum lamin...

An incredibly rare and museum calibre monumental scale English Staffordshire bust of Queen Caroline, wife of King George IV, made in commemoration of his coronation in 1820 or her de...

Last quarter 19th century Bo'ness ceramic figure recumbent lion, Scotland. Glass eyes and a great face! Restoration to underside. 11.75" w., 5.75" d., 9.63" h. We are a family busin...

Royal Doulton black basalt figurine "Sisters." circa 1983 made in England nice finish very collectible piece .

Staffordshire Pearlware bocage pack of red spaniel puppies or sheep- A rare whimsical grouping of three seated red and white animals under a tree on an oval naturalistic base.      

Stylish and quite rare heavy gauge silvered chisel Cast Iron Victorian Door Stop of exceptional quality, last half of the Nineteenth Century of English origin. Depicting a standing pose of an Irishman the Duke of Wellington in full uniform attire, holding a sword and standing on a magnificent, stepped platform with a ball foot at each corner. Condition: Good overall condition, with no restoration anywhere, professionally re-silvered by our restorers in London. Doorstop is constructed by bolting together in three areas, see image. Casting is exceptional, study face area. Height: (entire as per image one) 14.75" (37.5cm). Width: (at base area). 6.5" (16.5cm). Depth: (at base) 3.25” (8.25cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered by Seller. Arthur Wellesley 1st Duke of Wellington is today more famous as a soldier than as a politician. In fact, as the Prime Minister, he was known for his measures to repress reform, and his popularity sank a little during his time in office. The Duke of Wellington was born in Dublin to the Earl and Countess of Mornington. A leading political and military figure of the 19th century, the Duke of Wellington is best remembered for his defeat of Napoleon Bonaparte at Waterloo in 1815. As a general, he was renowned for his stunning defensive skills. His battle plans...

English polychrome pottery lion modeled recumbent with forelegs extended, the mane and tail tuft washed in manganese brown against a pale cream body. It rests on a stepped rectangula...

'Cristal vase in Aurora Rotlich I' is a unique glass sculptural vessel by the Danish artist, Hanne Enemark. The glass body has been hand-blown and painstakingly covered with cast and...

Late 19th C marble bust of a young lady wearing a hat.