German Sculptures

Admirable rosenthal figurine by Wolfgang Schwartzkopff Manufactory: Selb / Bavaria / Rosenthal Germany Dating: manufactured circa 1934 Material and technique: porcelain / chinawa...

Mid 18th Century Meissen Porcelain Figure, Rare blue eyed Mushroom Seller "Pilzverkäufer". Model Number 864, by Johann Joachim Kaendler, circa 1747 Crossed swords mark and model n...

Goldscheider Porcelain Figurine, Pierrot Couple, Converted into a Lamp Austria, ca. 1920–1930 An elegant porcelain figurine by Goldscheider, depicting a pair of Pierrots in an intim...

S0247 Decorative Object in Fir Wood by Jörg Pietschmann Dimensions: D 22 x W 42 x H 81 cm. Materials: Fir wood. In Pietschmann’s sculptures, trees that for centuries were part of a...

1980s Crystal sculpture of piano with metal parts.

Prof. Azade Köker biomorphic stoneware sculpture, created in Germany circa 1975 during the artist’s student years. Signed “KÖKER” to the underside, the work was authenticated directl...

Bear ceramic by Knud Kyhn, Denmark, 1950s.

Contemporary, white porcelain object with white glossy glaze hand-crafted by Danish Artist Christine Roland. A one-of-a-kind folded object, g...

Late 19th century German pug dog. Heavy terracotta with brown carmel color glaze. Seated, with the head turned, in active pose. Good confirmation and details of the face, ears, coil...

A early 20th century wooden casting pattern. Probably as part of a drive shaft. Shaft in the shape of an inverted blunted cone with strips on the sides and a disc on top. Very deco...

Continental German (late 19th Cent) sculpted terra-cotta master mask mold bust of a serene male face displayed on a square black marble base stand (part of a collection)

Golden Peak Brass Monolith by Zincutec Dimensions: W 100 x D 30 x H 30 cm Materials: Brass A monolith of brass, shaped by hand with quiet precision. Each hammer strike leaves a trac...

Hermann Siedentop (1864-1943), Braunschweig sculptor during an air raid died, life-size bust of a man, brown patinated bronze on marble base, signed on the reverse. "H. Siedentop, B...

Meissen Porcelain, Captive Cupid (“Je le captive”) An exquisite Meissen porcelain figurine depicting a captive Cupid, a delicate and rare allegory of subjugated love. The winged ch...

Art Nouveau beauty with chin-length dark brown hair, in a strapless dress with a deep neckline decorated with elaborate floral embroidery at the front and back and a softly falling, wave-like billowing skirt hem, posing bent to the side and playing a lute. Based on a round, white, fluted plinth, artist's signature 'RUDOLF MARCUSE...

Sehr detailreich gearbeitete, polychrom patinierte Historismus-Bronzefigur eines Ritters um 1900. Nicht signiert.

Continental German (late 19th Cent) sculpted terra-cotta master mask mold of a smiling \"idiot\" face with sleepy eyes displayed on a square black marble base stand (part of a collec...

Fish in stainless steel on a base. Lighting object from Reinhard Stubenrauch (Berlin). The blue eyes of glass light up.

This striking vintage king nutcracker is a beautiful example of traditional German folk art from the Erzgebirge region. Handcrafted from turned wood, this large and substantial piece...

Admirable Rosenthal Figurine by Wolfgang Schwartzkopff: Spanish dancer in a pose, with her right raised hand supporting her head turned to the left from behind and looking over her left shoulder, dressed in the manner of a Spanish bullfighter: close-fitting short bolero jacket over bare upper body, long tight pants with belly sash, wide-brimmed hat and heeled shoes, the crimson suit elaborately decorated with abstract gold decoration. Based on a round white plinth. Manufactory: Selb / Bavaria / Rosenthal Germany Dating: manufactured 1934-1945 Material and technique: porcelain / chinaware / painted / glossy finish Design: Wolfgang Schwartzkopff ca. 1930 Dimensions: hight: 25.0 cm / 9.84 in width: 9.0 cm / 3.54 in depth: 7.0 cm / 2.75 in Marks: Green Rosenthal mark with crown and crossed roses / Rosenthal / Germany Model number 425/I Artist's signature 'SCHWARTZKOPFF' on base top Bibliography: Ann Banduhn, Rosenthal Porcelain Figurines...

Pair of porcelain parrots signed Meissen. Germany, early 20th century.

Presented here is one of the finest Meissen porcelain figurines of the Art Deco period by Professor Paul Scheurich (1883-1945), who is acknowledged to be one of the 20th century's gr...

Sandro single sculpture, 2017 Taxidermy, Ceramic Plate. Made in Berlin in 2017.   

Extremely rare Meissen Art Nouveau porcelain figurine: Red-haired girl sitting on the ground with big hat with brim turned up in front, dressed in green bodice with gold hem, wide sk...

A charming and most decorative pair of German 19th century Porcelain parrots. Each wonderfully detailed and colorful parrot is perched on stunning foliate decorated tree stump. Each ...

Figure of girl in porcelain by Kurt Steiner for Wallendorf Porzellan

Exceptional Meissen porcelain group of the 19th century: Young mother in elaborate Rococo house dress: Ruched wide long skirt, bodice, fitted frilled coat with hood, the upswept hair...

This sculptural chair evokes the essence of a tribal seat—or perhaps even a throne. Crafted from an eclectic mix of solid wood offcuts sourced from the workshop, each element carries...

C2280 Decorative Object in Tropical Driftwood And Ebony Wood by Jörg Pietschmann Dimensions: D 12 x W 25 x H 17 cm. Materials: Tropical driftwood and ebony wood. In Pietschmann’s s...

Article: Ceramic objects set of 2 Designer and producer: Otto Keramik, Germany Decade: 1970s This original vintage Studio Pottery objects were designed and ...

Pair of German Bronze Busts of Schiller and Goethe, circa 1880.

Article: Fat lava art vase, PROTOTYPE GLAZE Producer: Scheurich, Germany Decade: 1970s This original vintage vase was produced in the 1970s in Germany. It is made of ceramic pottery in fat lava optic with abstract illustration in very strong colorations of different glaze tones. Super rare in this coloration as this is a PROTOTYPE Glaze test...

Hirscher Heinz (1927-2011). Untitled assembly of various materials on wood sculpture. Reverse cartouche: Galerie Senatore, Stuttgart.

Article: Fat lava art vase, heavy Brutalist glaze set of 2 Producer: Scheurich, Germany Decade: 1970s This original vintage vase set was ...

Article: Ceramic object, lid can Designer and producer: Wendelin Stahl, Klotten/Mosel, Germany Information: Wendelin Stahl 1922-2000 Decade: 1970s This original vintage ...

Article: Ceramic pottery vase - modelnumber: 1264-25 Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s ...

Meissen, Germany. Porcelain figure of Flora with flower wreath in hair. Overglaze technic. Dating: Late 1800s. Marked and with model number. In excellent condition. Dimensions: H 22....

Ball Floor Sculpture by Vaust Open Edition Dimensions: 25 cm Materials: solid exposed aggregate concrete Also Available: Custom material selectio...

Article: Ceramic object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1970s This origina...

This charming ceramic poodle figurine embodies the playful sophistication and animal fascination popular in mid-century design and Hollywood Regency decor. Crafted from glazed porcel...

Article: Ceramic pottery vases set of 2 Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1970s This origin...

The German foundry Wollenberg & Schultz (frequently abbreviated in period inscriptions as Wollenberg u. Schultz) is a niche but historically highly significant name within Berlin's ...

S1271 Decorative Object in Olive Wood by Jörg Pietschmann Dimensions: D 23 x W 27 x H 15 cm. Materials: Olive wood. In Pietschmann’s sculptures, trees that for centuries were part ...

Grace Gold Edition Serving Trolley by Schönbuch Design by Sebastian Herkner Dimensions: W 72 x D 46.7 x H 70 cm Materials: Gilded steel frame and wheels (gold leaf copper-zinc alloy)...

Abstract sculpture with beautiful curved lines. German silver sculpture (alloy of copper, nickel and zinc) Numbered and signed artwork Limited edition 2/9 Measures: 47 x 15 x 2...

Article: Ceramic pottery vase Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s This original vintage...

Article: Ceramic pottery vase set of 3 Origin: Germany Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1970s This origina...

S0118 Decorative Object in Lime Tree Wood by Jörg Pietschmann Dimensions: D 14 x W 23 x H 43 cm. Materials: Lime tree wood. In Pietschmann’s sculptures, trees that for centuries we...

Meissen stunning figurine group: The Deal with Goose Model 720 Measures: height 6.69 inches (17.0 cm) width 6.69 inches (17.0 cm) depth 4.72 inches (12.0 cm) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (glazed bottom) model number 720 / former's number 6 / painter's number 71 First quality  Dating: 19th century / made circa 1850-1860 Material: porcelain, glossy finish, multicolored painted Technique: handmade porcelain Style: Rococo Modelled by: Johann Joachim Kaendler...

Sculpture The root by Touch With Eyes Dimensions: W 50 x D 50 x H 50 cm Materials: Wood, Oil and Wax. Weight: 30 Kg. The sculpture was made of root washed out by the sea. The wood...

Pedestal Sculpture – Unique Studio Ceramic Piece by Rolf Simon Weidner Designer Rolf Simon Weidner (1951 - 2024) Era 1980s Material ceramic Signature unsigned* High 52,5 cm De...

Exceptional pair of Victorian silver wager cups. Each of typical design in form of a female in an upright position holding a cup swinging above her head.

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A pair of hand-painted models of the human ear showing the outer ear and also the inner tympanic membrane with malleus and incus. In good condition and marked with explanatory labels on the wooden plinth. Model one is made from Somsoplast, with the second of the two models is handmade from plaster. The second model is made by the German company ‘Bock Steger...

Bronze bust of Johann Wolfgang von Goethe, this figurative sculpture represents the German poet, writer and natural scientist in a restrained and simplified style. Cast in solid bron...

20th Century wooden sculpture Walker with corn on the cob, South German Solid lime wood. Finely carved figure depicting an old ranger with a child on his shoulders and a dog Souther...

19th-century Meissen Figure featuring a vibrant and lifelike portrayal of a Parrot on Branch. This meticulously crafted masterpiece showcases multi-colour detailing, bears the authen...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Contemporary abstract-figurative wooden sculpture “Twins", made by using circular saws, painted white-light grey-grey-black on a white background. Signed Christofer Kochs, 2023 T...

This is a figure in hand crafted porcelain by Nymphenburg Porcelain Manufactory. The collection Circus by the artist Luise Terletzki Scherf is a joy to have in your space. She crafte...