1830s Sculptures

American gilt carved wood and gesso Eagle with extended wings perched on decorative acanthus floral motif, Early 19th century.  

Attributed to Benedetto Boschetti, circa 1820-30. A superb Giallo Antico Tazza. The bowl, of square section, features an everted rim adorned with a finely carved egg-and-dart motif,...

Marble Busts of Roman on pedestal. Early 19th Century

Silver Chamberstick / candleholder hippocampus / seahorse, circa 1837 Munich, Germany. This silver Chamberstick retain the original detachable snuffer. We have specialized in the sa...

A charming and totaling accurate (artist authorized) Whitney Museum of American Art 1940 cast stone reproduction of one of Flannagan's most well-kno...

Pierre-Jean de Béranger (1780–1857) was a popular French poet and songwriter known for his witty, satirical songs. Writing in simple, memorable verse, he captured the voice of ordina...

Slate finely decorated with micromosaic. Designed as a pin. Rome, atelier of Giacomo Raffaelli. This artwork is shipped from Italy. Under existin...

19th Century pair medici lions in carved wood, at opposing stances with heads turned to sinister and dexter, with one paw on a ball. Circa 1830.

Meissen, hard-paste porcelain, circa 1738-1740. The Artist The Meissen manufactory near the city of Dresden was founded by Augustus II (1670-1733), King of Poland and Electoral of Saxony, in 1710. It was the first factory in Europe to succeed in making white hard-paste porcelain. The early years of the Meissen production were focused on creating copies of Chinese porcelain. It was only when Kaendler began to work at Meissen in 1731 that the manufactory would break free from the influence of Asia and produce porcelain of true European character. The Painting A sculptor by training, Kaendler took over the direction of the manufactory in 1733. He is considered the key figure in the development of Meissen and the individual behind the transformation of the factory’s porcelain during the 18th century. Kaendler demonstrated his artistic ability by creating a variety of porcelain groups including the Italian Commedia dell’Arte, Pastoral and Crinoline groups, and Cris de Paris, which were met with widespread acclaim and made Meissen famous throughout all of Europe. Soon these porcelain figures would be used extensively alongside vases and other ornaments to decorate interiors. Provenance The themes of fête galante, pastoral idylls and masquerade themes, created by Jean-Antoine Watteau (1684-1721), and then developed further by Francois Boucher (1703-1770) and Jean-Honoré Fragonard (1732-1806), depicting amorous scenes with dancers, women and shepherds engaged in frivolous pursuits, spread all over Europe during the first half of the 18th century. This is due to the French engraver Gabriel Huquier (1695-1747), who dedicated himself to images and engravings after Francois Boucher and Juste-Aurele Meissonnier (1695-1750), who fostered the concept of Rococo style, that brought about the new trend in decorative arts. In 1738, Kaendler introduced one of his figures in pastoral costume with the Handkuss (Hand-kiss) scene under a tree. For the shepherd lovers’ scene, the German sculptor drew his inspiration from Boucher and Watteau. Since the 1730s, the Meissen manufactory has been providing Watteau’s engravings...

This antique porcelain figure of a leopard is small but ferocius. It is modeled grappling with a piece of meat in its jaws while recumbent on a rocky base that is picked out in green...

A superbly carved early C19th `Grand Tour` marble sculpture of the crouching Venus in good scale. The nude goddess half-kneels on an integral naturalistic base, her arms crossed in f...

American cast iron and gilt fire society marker. Baltimore, early 19th century Markers were placed on homes to prove coverage of fire insurance.

A charming unusual and rare antique English Brampton salt glazed model of two saddled horses dating from around 1830/40. The stoneware model shows the horses standing closely alongsi...

Élégante sculpture en bronze du XIXe siècle, typique du Grand Tour, représentant un gladiateur romain dans une pose dynamique et puissante. La figure, finement coulée en bronze, repo...

Ormolu. Attributed to the Russian sculptor and former serf Fyodor Kowschenkow (1785–1850, St. Petersburg). Kowschenkow portrayed Tsar Alexander I, brother of Nicholas I, in gratitude for his emancipation from serfdom, which brought him into close association with the imperial family. Stylistically, the present bust closely corresponds with those works. Provenance: From the collection of Prince Friedrich Carl Alexander...

A pair of hand crafted wood and gilt gesso overlay baroque display stands (ideal for clocks or small statues and busts), each with applied harleq...

Pair of Italian bronze figural cachepots with decorative grapevines, fruit trees, floral swags and gadrooning motif, Early 19th Century. Cachepot...

Scottish brass and nickel silver horse hobble with an eagle heads horse shoe handle and resting on the faithful servant creature Bide a Blink. Signature...

A charming and totaling accurate (artist authorized) reproduction of perhaps Flannagan's most well-known sculpture. From the Whitney Museum of American Art and retains the original l...

With a Circular Berlin needlework floral glazed adjustable banner, the cylindrical pillar with a turned finial, on an inverted lobed and fluted pillar an...

American walnut carved spread wing eagle perched to Flee on rectangular rocky pine plinth, Early 19th century. Eagle is 27 wide and 17 deep at base.

A rare glazed terracotta pig from a butcher’s shop, France, circa 1930. Most probably made by Filmont pottery or Bavent pottery

A very handsome and impressive pair of relief portrait busts in copper depicting portrait busts of Arthur Wellesley, 1st Duke of Wellington (1769-1852) on the left, and Napoleon Bona...

Portrait bust of a lady of the Biedermeier period. The bust was most probably modelled in plaster using the impression of the death mask. Signed on the ...

Italian neoclassical Alabaster portrait bust of a gentleman, by Insom Fece, 1839 Finely detailed portrait bust of young man with wavy hair. Inscribed signature on back right shoulde...

A good sized 19th Century Classical Grand Tour Bronze group of Ariadne And The Panther, modelled with Ariadne reclining to the left while her head is looking to the same side, with h...

A well carved protective dog snarling on a gilded pillow with tassels.

Royal house antiques. Royal house antiques is delighted to offer for sale this sublime antique William IV circa 1830 Flamed Mahogany Pedestal stand with small coat rail from Princess Diana Spencer’s London family home Spencer House...

A very fine and rare Charles X period Palais Royal ormolu and engraved mother of pearl Statuette Sculpture of a horse. With an engine-milled ormolu mounted mother-of-pearl base Prove...

Bust of general Hoche, one of the most important generals under Napoléon the 1st. Signed and dated on the left: H. Lemaire and dated 1830. The plaster with polychrome painting has be...

Pair of French lead figural boy and girl foliage garden statues standing on circular molded bases. Early 19th century.

Beautiful porcelain sculpture of German Shepard or Wolf, laying down. Produced by Hollohaza factory in Hungary in 1831, marked on the bottom. Original i...

Product Description: Artist: Johann Heinrich von Dannecker (1758-1841) Title of the Sculpture: "Ariadne on the Panther" Material: Carved from fruitw...

A plaster bust of a Victorian gentleman by Boehm, this white plaster bust shows an authoritative gentleman with a moustache and whiskers wearing a high collar and bow tie with a wais...

Christian Daniel Rauch (1777-1857), very fine bronze showing the standing figure of Goethe in his typical thinking pose, wearing his 'Hausrock' ...

A fine 19th century patinated bronze sculptured titled 'La Priere' or 'the prayer' signed for Jean-Louis Nicholas Jaley, and dated 1831. It is also fully signed by the famous fondeur...