Belle Époque Decorative Objects

A Late 19th Century Gilt Bronze Mounted Samson Porcelain Oriental Decorative Vase The blue vase hand painted with four floral and interior scenes, the top and bottom decorated with...

A Beautiful and Great Quality Late 19th Century Gilt Bronze Cartel Clock The large bronze clock topped by an urn above a large mask of Apollo with ...

An elegant and most impressive Japanese 19th century Imari Porcelain and French Belle Epoque Period Ormolu mounted urn. This stunning lidded urn is raised by a square Ormolu base wit...

Large patinated bronze figure of Actaeon by Emile Laporte French, late 19th century Measures: height 84cm, width 42cm, depth 44cm By the French arti...

A beautiful and very high quality pair of French 19th century Louis XV st. Belle Époque Period ormolu candlesticks. Each candlestick is raised by a fine scalloped base with a delicat...

A Nice late 19th century Carrara marble figural group of Drunken Silenus by Rougelet Depicting three putti, with Silenus being held aloft, surrounde...

Late 19th century gilt bronze and turquoise Sèvres porcelain 'Jeweled' three-piece clock set The clock surmounted by a covered urn, the c...

A Nice Pair of Late 19th Century French Gilt Bronze Mounted Chinese Canton Porcelain Lamps Painted interior scenes with people at leisure, each separated by floral designs with butt...

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...

This delicate table clock features a surmounting design of silver foliate and flowers, which are mounted with precious stones. Held centrally within the sil...

Beautifully executed, these trophy like female bronzes from Belle Époque period can be Austrian or French origin. They are nearly identical but slightly different in height and some ...

A Beautiful Late 19th Century Gilt Bronze Fireplace Fender The center of the fender with a wreath and scrolling foliage with berries, each end with a child reaching toward a flame ...

A Lovely Pair of Late 19th Century Terracotta Busts of Beautiful Girls by Adolphe Jean Lavergne Adolphe Jean Lavergne The girls dressed ...

An exquisite pair of French 19th century Louis XVI st. Belle Époque period ormolu and Rouge Griotte marble candelabras, attributed to F. Barbedienne. Each seven arm candelabra is rai...

Antique French eclectic style enamel and gilt bronze clock set French, late 19th century Measures: Clock: Height 41cm, width 30cm, depth 15cm Candelabra: Height 36cm, width 17cm, depth 17cm This gilt bronze and enamel garniture contains a mantel clock and a pair of candelabra, all designed in the charming Belle Époque manner. The mantel clock, supported by a flat gilt bronze base, is constituted of a central plinth surmounted by a cylindrical clock...

A Pair of Late 19th Century Bronze Busts By A Mahuex By A. Mahuex Depicting busts of young boys sitting on a black marble base. Details: Height – 10 inches / 25cm Diameter – 4 in...

Bacchanal, or two young girls dancing and playing the tambourine, one carrying a wand decorated with flowers. Bronze with Brown patina signed DUMAIGE Henry Etienne Dumaige...

A magnificent large 19th century Italian carved marble figure of a young lady wearing a laced bathing suit, stepping down from an old dock to test the temperature of the water with h...

A Fine Matched Pair of Late 19th Century Thomas Webb and Sons Cameo Crystal Art Vases The front panels with red and white etched scenes of birds and flowers. Thomas Webb & Sons was an English glass company, founded in 1837 by Thomas Webb (1804-1869) near Stourbridge, England. The name T. Webb & Co. was adopted in 1842, and later became Thomas Webb & Sons. Webb operated the Platts glasshouse from 1837 to 1856 and then the Dennis glassworks from 1855 to 1990. [1] The company, known originally as the “Crystal King of England,” was noted for the high quality of its Cameo glass. Cameo glass is created by a process of etching and carving through a layer of opaque white glass, leaving a white relief design on a darker colored glass body. Some pieces used two layers of etched glass to create a three-color Cameo glass product. In the 1870s John Northwood produced the first pieces, inspired by the Portland Vase. George Woodall would produce the most distinguished Webb Cameo...

Beautiful late 19th century Italian white Carrara marble bust of a woman by F. Musaglino. The woman glancing afar with a hat covering her curly hair and a masquerade mask around her...

A Rare Pair of Late 19th Century French Enamel Vases The front with a maiden in the woods, the sides and back with flowers and landscape scenes. ...

A pair of late 19th century patinated bronze vases after Claude-Michel Clodion. After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with la...

An elegant pair of French 19th century Belle Époque period Neo-Classical st. ormolu and green marble urns. The urns are raised on circular mottled bases with bottom ormolu plates...

A striking true pair of French 19th century Louis XVI st. Belle Époque period ormolu and rouge Griotte statues. Each statue is raised by a circular rouge Griotte base with a fine bot...

A Pair of late 19th century French bronze and Griotte Uni marble ewers After Claude-Michel Clodion Each with fluted spreading neck fronted with a grotesque mask and a pair of entwined serpent handles, above the tapering body cast in high relief with satyrs, bacchante and putti with acanthus-cast lower section , on a square base. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

A high quality and very unique French 19th century Belle Epoque period patinated Bronze, Ormolu and silvered Bronze annular clock. This rare model annular clock is raised on a circul...

A large and impressive pair of late 19th century gilt bronze mounted rouge marble urns. Each urn mounted with bronze ram heads connected by bronze wreaths.

A beautiful late 19th century Empire style gilt bronze bouillotte lamp Fantastic quality bronze lamp entirely chiseled with berries and flowers, two C scrolled arms extend with wi...

A striking and high quality pair of French 19th century Louis XVI st. Belle Époque period onyx and ormolu candelabras. Each six arm candelabra is raised by a square base with cut cor...

A spirited late 19th century French cast stone sculpture of an adolescent male in a gay mood. The figure evokes the mood of Fragonard's painting 'L' indifferent. References: Beaux...

A Fine Late 19th Century White Carrara Double Figure Marble Entitled “Tendresse” by Émile-André Boisseau Depicting an early Middle Eastern couple, the man with his arm around his wi...

A striking and high quality pair of French 19th century Louis XVI st. Belle Époque period Vert Antique marble and ormolu urns. Each urn is raised by a square marble base with a fine ...

A very fine Early 20th Century hand carved Carrara marble urn Over sized and intricately designed with a man and woman's face, the sides with a lyre. Details: Height – 36 inches / ...

A beautiful late 19th century gilt bronze-mounted sèvres style porcelain lamp. Raised gilt decorations, the front scene is of a reclining maiden among flowers being attended by cu...

An outstanding late 19th century gilt bronze mantel (fireplace) clock by Dagrin and Philippe By Dagrin and Philippe A large gilt bronze, beautifully dressed sculpture...

A Very Fine French Late 19th Century Rose Granite and Gilt Bronze Mounted Centerpiece Of oval form, the sides with lion masks, and the incurved top surmo...

An impressive and high quality French 19th century Louis XVI st. Belle Époque period Rouge Griotte marble, ormolu and patinated bronze clock and bust by Emile Colin & Cie and A. Carr...

An Exceptional Late 19th Century Gilt Bronze Cartel Clock and Companion Barometer By Henry Vian after Jean-Charles Delafosse Henry Vian after Jean-Charles Delafosse The tops with a...

A Rare Pair of Late 19th/Early 20th Century French Bronze Mounted Pink Granite Urns Each domed lid with pinecone finial, each side with winged female m...

An excellent quality pair of large late 19th century gilt bronze mounted granite vases Each vase surrounded by bronze rope and tassels with large climbing putto handles, centered ...

A Cute Pair of Late 19th Century Bronze Children Depicting the Arts and Literature Each depicting a child sitting on a Beloc griotte marble step and a gilt bronze base. One child reading...

A Pair of Late 19th Century Gilt and Patinated Bronze Six Light Candelabra After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with laurel garlands above a frieze cast in relief with depictions of putti pulling the drunken infant Silenus, surmounted by a waisted neck with central square candelabrum issuing six acanthus scrolled branches. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

A superb and extremely high quality French 19th century Louis XVI st. Belle Époque period Baccarat crystal and ormolu Pot Pourri urn signed Baccarat. The urn is raised by a square or...

An impressive and extremely high quality pair of French 19th century Louis XVI st. Belle Époque period ormolu and Vert Maurin marble lidded cassolette urns, stamped Fumiere. Each lar...

A stunning true pair of French 19th century Louis XVI st. Belle Epoque period ormolu and Sèvre sporcelain candelabras. Each seven arm candelabra is raised by a rectangular base with ...

A striking French 19th century Louis XVI st. Belle Époque period ormolu, silvered bronze and Rouge Griotte marble garniture set. The garniture set...

A Nice Pair of Late 19th Century Gilt Bronze and French Crystal Lamps Fine cut crystal bodies with bronze mounts standing on lion paw feet. Deta...

An unusual gilt-bronze and spiral moulded glass lantern, attributed to François Linke. This striking lantern has a scrolling acanthus cast crown above a central stem and a pierced frame and collar supporting a spirally fluted moulded glass baluster form shade and terminating in an acanthus cast finial. The interior fitted with two lights. French, Circa 1900. François Linke (1855 - 1946) was the most important Parisian cabinet...