Louis XVI Decorative Objects

A pair of 19th century Louis XVI style Bohemian white over clear crystal maiden portrait vases with hand-painted gilt décor. Each is beautifully hand-painted with gorgeous maidens lo...

A 19th century antique Louis XVI style French Sevres Bisque Porcelain neoclassical Grouping of a Maiden and her Attendants. In the center is th...

An Unusual 19th Century French Dore Bronze Mounted Orange/Red crystal box. The box is composed of two sections of French orange/red crystal which are m...

PRESENTING A STUNNING little French Ring Box from the 18th Century, namely a French Louis XVI Brass and MOP Box with Miniature Portrait of Lady. Box inlaid wi...

Louis XVI style ormolu and white marble mantel set, 19th century. Louis XVI style white marble and ormolu mantel set, 19th century. Clock: H: 35cm, W: 29cm, D: 11,5cm Candelabra: H:...

Beautiful brass picture frame for wall installation, France, circa 1880. Picture size: 8,5 cm x 11,5 cm. Hanging ring on the top for wall installation, hidden behind a wonderful bow ...

Pair of Candlesticks 19th century cast in the form of bronze storks each having a gilt crown around their necks and holding a single candle sconce in their beaks whilst balancing on ...

Pair Louis XVI Style Cobalt Sevres Style Ormolu Mounted Vases France, circa 1900s This elegant pair of Louis XVI-style cobalt Sevres-style ormolu-...

Beautifully carved with vines, grapes, Bacchus heads, acanthus leaves on a gordon base. Fine patina -end of 18th century. Probably French.

A massive pair of French 19th century brass and crystal girandoles also known as table chandeliers. This fine pair of glistening light fixtures have brass solid frames with seven scr...

A beautiful Louis XVI style classical cartel wall clock, superbly made in gilded bronze. Of elegant design, with draped laurel swags, rams heads and a glazed aperture below the dial ...

A fine pair of French 18th century bronze and gilt bronze candelabra, each in the form of putto figures holding aloft three scrolled candle-branches on a red marble and a square whit...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Gilt Bronze Photo Picture frame French Empire style having twin Picture aperture 58mm wide, original water mark type silk fabric, each corner of the frame has Gilded mounts featuring French Sphinx...

Pair of fine antique (late 19th century) urns in the Louis XVI style crafted from white marble with gilt bronze mounts with neoclassical motifs including floral swags, berry vines an...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fa...

A Highly Important, Monumental, and Rare Pair of 19th Century French Signed Baccarat Opaline Double Overlay Cobalt Blue Cut-To-White Opaline Vases with Hand-Enameled Floral Designs, ...

A very fine pair of French 19th century Louis XVI style patinated and gilt bronze figural two-light candelabra after a model by Claude-Michel Clodion (French, 1738-1814), one modeled...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

This antique crystal box is a true gem. The cut crystal is mesmerizing, due to its hand-chiseled facets that catch the light reflecting it in a t...

German Lenzkirch mahogany and carved ormolu cased mantel clock. The clock has wonderful carved scrolling feet supporting a rolled ridged stepped base decorated with leaf carved ormol...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

A fine Louis XVI style porcelain vase mounted on a bronze base. The white background with flowers and floral details are very pleasing to the eye. This porcelain vase mounted on a br...

An opulent pair of late 19th century French Louis XVI Ormolu candelabras. Each Candelabra is boasting seven candle arms beautifully designed with scrolls and acanthus motifs and end...

Pair of rock crystal candlesticks on a Louis XVI style gilt bronze mount. Circular molded base with gilt bronze ornaments such as beads and waterleaves friezes, also visible on the b...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Pair of Porcelain and Dorè Bronze Vases Sèvres Circa 1845 With porcelain vessels in the iconic Sèvres cobalt blue, encased in lavish doré bronze armatures, this pair of Louis XVI-style urns epitomizes the masterful craftsmanship and refined beauty of the famed porcelain manufactory. Each urn is adorned with three finely chased caryatid figures joined by floral garlands, resting upon a reticulated circular gilt bronze base. Since its founding in the 18th century, the Sèvres porcelain manufactory has been synonymous with the finest porcelain wares. Established under the patronage of Louis XV and Madame de Pompadour, the firm quickly became the official royal porcelain producer. Throughout the 19th century, Sèvres expanded its repertoire, designing distinct vase forms that ranged from neoclassical grandeur to Gothic delicacy. These exceptional urns pay homage to Pierre Gouthière, one of the most renowned bronze artists of the preceding century. Appointed gilder to King Louis XV in 1767, Gouthière revolutionized metalwork, pioneering a gilding technique that achieved an exquisite matte finish. Similar caryatid figures appear on vases once owned by the Duke of Talleyrand, while similar mermaid motifs—prevalent in Gouthière’s work—can be found on a serpentine marble vase in the Louvre. These vases embody the grandeur of Louis XVI-style ornamentation, blending rich materials with impeccable detail. Each: 19 3/4 high x 13" diameter Marked under bronze Sèvres Louis Philippe...

A monumental pair of antique 19th century Moser ruby-red overlay two-piece jeweled and 24-karat two toned, burnished and matte gold vases. Each of these vas...

Antique French Louis XVI period dore bronze striking cartel clock, 18th century. With it's horological functions completely intact this stunning clock is in excellent condition with ...

Early 1900's French Boulle Clock. A true masterpiece of craftsmanship, this exquisite timepiece is a symphony of chiseled and gilded bronze, adorned with the richness of imitation tortoise shell and embellished with intricate brass inlays. As you look at it, you will be mesmerized by the fusion of these elements, which come together in harmonious perfection. The clock stands regally on a shelf, anchored to the wall, commanding attention with its presence. Its Louis XV style exudes an air of refined elegance, recalling an era when art and beauty were held in high esteem. Marked "THURET PARIS...

This exquisite set of two French 19th-century hanging picture frames exudes timeless elegance and charm. Crafted from gilt bronze, each frame is adorned with intricate details, inclu...

Dimensions (Clock) - H: 16 1/2 in W: 7 1/2 in D: 4 1/4 in Dimensions (Candelabras) - H: 14 3/4 in W: 8 1/2 in D: 8 1/2 in This exquisite 19th-century clock set, crafted by the ren...

Domed oval pillbox in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè, top and bottom, with fine hand-engravings. Viennese Art Nouveau style second h...

A very good pair of antique French Louis XVI bronze, parcel-gilt and marble putti candelabra, circa 1870. Each candelabra having twin candle holders and each bobeche in gilt bronze with fruiting swags...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

An antique late 19th-century French silvered bronze porte-fleur, flower vase. Design by Constant Sevin, made by F. Barbedienne Fondeur, Paris. Footed piece with side handles and plat...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

A Fantastic and Large 19th century French dore bronze mounted hand-cut prismic crystal box. The mount is hand-chased and hand-chiseled with the finest detail. The entire mount is des...

Exceptional because it is a beautiful case of Carrara marble with black Fluted columns, with bronze dore eagle crest, framed by urns filled with fruit And flowers, white enamel dial ...

Unique piece purchased in France. Gorgeous Green Marble See detailed photos

19th Century French Louis XVI carved pedestal is the most exquisite way to display your prized sculpture, vase or objet d'art! Hand-crafted exclusively from old-growth quarter-sawn o...

Discover the timeless elegance of this antique gilt bronze-mounted urn by renowned French maker Jacob Petit, dating back to the mid-19th century. A masterpiece of craftsmanship and d...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

A fine and stunning original antique French boudoir clock. It is beautifully made of ormolu (finely gilded bronze), very well modelled and chased, and mounted with exquisite Sèvres s...

A French 19th Century Mantel Clock “cupid with a drum” Chased Ormolu and Patinated Mantelpiece designed as a putto on clouds playing a drum containing movement with enamel dial. Rest...

A French dore bronze mounted blue opalescent and dore bronze finial covered box. This round form box is very unusual with a blue opalescent color and dore bronze mount. The top is fi...

A fantastic and beautiful pair of antique 19th century mintons English porcelain Louis XVI style Sevres style blue nouveau ground hand-painted and hand-tooled-gilt, oval-shaped cover...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

Beautiful pair of Louis XVI-inspired baluster-shaped serpentine cassolettes, with an elegant chiseled and gilded bronze mount. The lid, resting on an openwork gilded bronze frieze, i...

A superb quality French ormolu grande sonnerie pendule d'officier with alarm by Le Roi & Fils. The ormolu case profusely decorated with floral swag friezes and oval floral mounts to the sides, entwined serpent handle, resting on on four paw feet. The white enamel Arabic...

Early 20th century, French pair of small vases in Limoges porcelain, decorated each with a different front cameo hand painted with polychrome aqua ...

Quite Impressive 18thc French Louis XVI Gilt Bronze Musical Cherub Baby Candelabra. Rare piece! and a lovely candelabrum.

Sevres Style Pink Bombe Watteau Motif Ormolu Mounted Table Box Artist Signed J. Perrot France, circa 1890 An exquisite Sevres-style pink bombe Watteau motif ormolu-mounted table box...

Pair of Louis XVI style cassolettes, in green marble with rich gilded bronze ornamentation: rams' heads, flower garlands Good general condition, regilded bronzes, old restorations a...

Louis XVI Style set of Gilt Bronze and Enamel Sconces by Gherardo Degli Albizzi. This fine set of wall sconces is crafted entirely of gilded bronze and decorated with elements typica...

A superb pair of Gilt Bronze Candlesticks cast in the form of storks holding a single candle sconce in their beaks whilst balancing on turtles backs. The bases are stamped by the mak...

Antique French Louis XVI style sienna marble and ormolu urn Elegant 19th century sienna marble and ormolu urn converted as a table lamp. The baluster shaped urn is decorated with gr...

A cobalt blue and gold leaf porcelain box with gilt metal mounts and a decoration of fencers on the lid. Hand painted and marked inside the lid. 7.2 x 12.7 cm, height 4.7 cm.

An exceptional 19th century Royal Vienna porcelain vase with two panels and raised 24K gilt decoration, signed Wagner, marked in underglaze blue with Beehive mark on bottom. This is ...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

A Large Pair of 19th Century French Ormolu-Mounted Chinese Famille Verte Porcelain Covered Vases/Pot-Pouries, with Daoist Emblem Cartouches. Each vase is made of famille verte porc...

An elegant and most attractive pair of French 19th century Louis XVI st. Ormolu candelabras. Each three arm candelabra is raised on a circular Ormolu base with finely chased acanthus...

Dimensions - H: 13 3/4 in W: 5 in D: 5 in This antique pair of 19th century French Louis XVI style bronze ormolu and marble rams head cassolettes or urns is made of the highest qual...

Three-tones gold oval snuff box. The hinged lid is decorated with a country trophy medallion. The medallion is framed by a garland of green gold foliage and roses. The medallion is d...

Shaped pill box in 925/1000 sterling silver gold plated with hand-painted miniature fire enamelled in Louis XVI style, second half of the 19th century, and fine hand engravings. Siz...

Small antique copper/brass photo frame. The frame has refined edits, made with great attention to detail. The back is covered with burgundy red fa...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

A delightful and colourful matching pair of pretty porcelain cache pots, perfect for displaying indoor plants. Dating from the 19th century, the pots have been lovingly hand painted ...

Square table box in 925/1000 sterling silver gold plated with translucent fired enamels on sunburst guillochè and Louis XVI French Empire style ornaments. External measurements cm. 12 x 12 x 2.5. Weight gr. 636- Fine oval miniature cm. 3.2 x 4.2 hand painted in tempera on a vegetable ivory plate by the painter Anna Maria Manfriani reproducing a portrait of a Flemish lady...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...