Gilt Decorative Objects

Stunning contemporary decorative porcelain vase showcasing a blue and turquoise Phoenix gracefully extending its wings all around the body of the vase on a red background with a deta...

A beautiful Italian gold gilt and enamel magazine holder rack with flowers and leaves, circa mid-20th century, 1950s, Italy. Holder has beautiful enamel flowers and gold gilt leaves ...

This lavish French Art Nouveau period (1880-1910) jewelry box is entirely chiseled, hammered and pierced with flowers and leaf patterns. This late 19th – early 20th century rectangul...

Art Nouveau emerald green art glass vase with gilt and white enamel decoration depicting stylized Lilly of the Valley, elaborately scrolled leaves and golden scales Early 20th Centur...

Rare Chinese style clock in the shape of a covered pot, in porcelain painted in imitation of Chinese cloisonné enamel and decorated with a two-patina bronze mount. The dome-shaped co...

Figural mantel clock signed “Al. dre Destape Palais Royal” The bronze figural mantel clock depicting one of the mythical heroes - Orpheus originates from the Empire period. The cloc...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Magnificent historicism clock or mantel clock from circa 1890 On the pedestal there is a figure of a noble lady with a diadem and book at a Gothic table, with writing utensils on it...

Early Japanese Lacquer Incense Box (Kogo) Late 17thc. Of rectangular form with soft corners, decorated with a diaper pattern in gold lacquer on a brownish black ground, with pewter r...

V&A Marie-Antoinette Mantel Clock – Sèvres Style Porcelain & Gilt Bronze, Sunburst & Swag Decoration, 39cm An impressive Sèvres-style porcelain ma...

Beautifully gilt and hand painted Royal Crown Derby pair Imari pattern porcelain decorative urns/vases with gilt twin side handles. Each urn features an exterior 22k gold and handpai...

Large antique (late 19th century) French figurative clock from the Greek Revival period depicting the goddess, Selene, after the original sculpture by Auguste Moreau (French, 1834-19...

Sterling, Bone, & Semi-Precious Gems Figure of 'St. George & Dragon' Germany, Early 20th Century A meticulously cast and modeled Medieval / Renaissance Figure of St. George Slaying the Dragon, This figure with a moveable helmet visor, revealing his carved bone face...

Discover the timeless elegance of this antique gilt bronze-mounted urn by renowned French maker Jacob Petit, dating back to the mid-19th century. A masterpiece of craftsmanship and d...

Giltwood Cartel Wall Clock Complete Original Key, Enameled Face, Pendulum Offered for sale is, a lovely and very decorative cartel wall clock with a heavy gilt finish from Sweden or...

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

This old wooden gold-colored frame with a beautiful patina, entirely in classic Baroque or Rococo style, is decorated with acanthus leaves and embossed patterns. It's a beautiful, hi...

Gilded metal heart photo frame, small model. Show off your favourite photos in this heart-shaped photo frame. The heart collection is based on the simple yet universal symbol of lov...

Pair of candelabra with winged putti, each supporting a floral bouquet, on top of marble base. Each putti is patinated bronze and the bouquets are gilt bronze. The floral bouquet has...

Antique picture frame from the French historicism, the so-called Louis XV style. Beautiful and very heavy bronze work. Signed by the artist "E.Roo". Inside dimension: 13 x 9 cm ...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

A beautiful antique Moser flared vase in emerald green to clear faded crystal, with gold gilded details. Beautifully made and in excellent condition for its age. A beautiful example ...

Rich in opulence and storytelling, this vintage pair of lidded urns from China presents a vivid tableau of equestrian elegance. Against a lustrous ivory ground, each rounded vessel i...

Japanese contemporary porcelain incense burner/lidded jar, intricately and generously hand-painted with high purity gold on a beautifully shaped body in stunning signature deep blue,...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

A large and very fine 19th century enameled glass casket or glove box. Typical of the enamel treatments by Ludwig Moser and reminiscent of Baccarat's Japonisme works. Likely Bohemian, the blue glass...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Antique sterling silver pair of Art Deco solid silver candlesticks, pressed, cast, and chased. Circular, curved feet with hinged. Tested with the scratch test, height approx. 16.5 cm...

A circa 1950 Italian decorative cup with lid and gilt dolphins base. Measurements: Height of body: 11" Diameter: 5"

These chunky chenets make no bones about their Romantic lineage and exhibit all of the passion you’d expect from artisans working in the period 1830 to 1848. Here, a nice yin-and-yan...

A pair of large-sized 19th century Italian candlesticks. This pair of antique candlesticks, circa 1850, were originally displayed in an Italian church and feature silver gilt over exquisite hand-carved wood bodies. Each candlestick is approximately 3 foot tall...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

From a luxury villa at Como Lake a stunning pair of early 19th century Empire four-light gilt bronze figural candelabras, of French origin, dating back to circa 1810, measure: 31.50 ...

Monumental Art Deco clock - Orpheus and the animals Austria Bronze, marble Art Deco around 1925 Dimensions: H x W x D: 56 x 60 x 19 cm Description: The protruding base, which stan...

Indulge in the splendor of the Meiji period with this remarkable pair of antique porcelain lidded jars, crafted circa 1885. Standing at an impressive 20 inches tall with a diameter o...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

This exquisite jewelry box combines refined metalwork, delicate guilloché enamel, and an elegant glass interior container, offering both beauty and practicality. The lid is its most ...

Pair of very large French Sèvres style porcelain and ormolu vases French, Late 19th Century Height 151cm, width 45cm, depth 39cm Executed in the style of Sèvres, one of the bes...

A stunning pair of Italian 19th century giltwood wall appliqués–decorative elements to enhance the architectural program–likely obtained from a church or cathedral as they are flat a...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Pair of late 19th century Bohemian/Art Nouveau opaline glass and gold enamel flower-shaped perfume decanters/scent bottles with stoppers, France By: unknown Material: opaline glass,...

The contrast between rich blue enamel, in light and dark hues, and bright gilt bronze gives this carriage clock a sumptuous, luxurious feel. With a t...

Pair of finest quality and large antique (early 19th century) French Louis XVI style ormolu and patinated marble and bronze candelabra, wi...

A beautiful and rare pair of French Sèvres porcelain bronze-mounted urns, Neoclassical/Rococo design period, circa 19th century, mid-1800s, Fra...

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

A deep carved large giltwood altar vase, probably German, in the baroque style, but dating to the latter half of the 19th century. The vase is carved with a flat back, so would have ...

A stunning two-piece French Limoges porcelain vase / jardiniere planter / cachepot / table centerpiece / wine bottle cooler on stand, featuring exceptional "L'Escarpolette medallion ...

Antique iron red (orange) and gilt decorated porcelain bowl - featuring hand painted bats surrounding a shou character beside peaches and scrolling foliage - gilded border edge - Gua...

This is a superb antique gilt bronze and sienna mable sculpture of Reine Isabella, the Queen of Spain, by Eutrope Bouret (1833 - 1906) , and circa 1870 in date. This exceptionally e...

A superb and richly detailed Large 19th century French green cut crystal and gilt bronze box in the refined Louis XVI style. This exceptional piece is crafted from vibrant emerald gr...

Dimensions - H: 29 1/2 in W: 12 3/4 in D: 12 3/4 in A magnificent pair of 19th century French Louis XV style bronze mounted candelabras, masterfully executed by the esteemed foundry Susse Frères, and mounted on rare and highly decorative Breche Violette marble bases. These opulent candelabras exemplify the exuberance, asymmetry, and fluid ornamentation that define the Rococo revival period, interpreted through the refined lens of 19th century French decorative arts. Each candelabra features six scrolled candle arms with finely cast gilt hand chiseled bronze nozzles and bobeches, emanating from an ornate central stem adorned with acanthus leaves, rocaille flourishes, and naturalistic vines. The gilt bronze (ormolu) is of exceptional quality, showcasing the deep chisel work and intricate detail that distinguishes Susse Frères bronzes...

A desk set of lighter and cigarettes case designed by Hermes Paris. This is a very handsome smoker set, created in Paris France by the luxury house of Hermes, back in the 1970. The ...

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses Measurements individual and include the wooden base. H:23,5cm W:41cm D:6,5cm

A fine signed, antique trumpet form flower vase. By Tiffany & Co. In sterling silver with a lightly gilt interior With a fluted trumpet shaped top, line engraved stem, beaded knop transition, and a disc foot. Fully marked to the base. Simply a wonderful antique Tiffany flower vase...

This is a Renaissance style gilt bronze rectangular casket lidded box. It depicts embossed decoration of scrolls of acanthus leaves, birds flowers and hearts around the whole box. In the center of the lid, there is a “cameo” or relief of the profile of a gentleman with a beard. Inside, the box is covered with purple velvet fabric in the lid. It is divided in different sizes and shapes of compartments with glass tray and two inkwell bottles...

Pair of large and very fine quality 19 century French Louis XVI style gilt bronzed mounted cherub motif Marble Urns.

A pair of 19th-century French ormolu-mounted Sèvres-style vases signed by H. Picard. Henri Picard was a prominent Parisian bronzier active during the second half of the 1800s, supply...