Inlay Decorative Objects

Late 19th c. early 20th c. Persian Footed Wooden Round Jewelry Box. Antique rare in round shape large Persian wooden box with marquetry called "Sadeli" or "Khatam Kari" with exquisit...

Quality antique Edwardian mahogany inlaid mantle clock, having a quality mahogany shaped case with attractive trailing floral inlay surrounding a circular shaped dial with black Roma...

This stunning 18th-century Italian box is a fine example of Baroque artistry, embodying the period's characteristic grandeur and attention to detail. Crafted from rich walnut, the bo...

This Art Deco perfume or scent bottle is unsigned but presumed to have been made in Bohemia in approximately 1935. The glass is a deep purple with deep faceted sides and etched and cut top. The bottle features an ornate gold toned filigree collar...

Miniature parquetry two drawer bombe chest made in Italy. All sides including back are finished.

Beautiful clock in walnut root, enriched with maple fillets and with an ebonized wooden base. The decoration of the clock features gilded bronze friezes, inspired by classical elemen...

This is a truly unique antique box, not only does it have a faux book front. Fine inlay detail to the top - showcasing birds but it has a very cool hidden document storage...

High-quality handcrafted miniature furniture, a detailed replica of a Baroque tabernacle secretary from the original period around 1760: Spruce wood body, veneered with walnut and nu...

Meet "this is not a chair too". Unique and handcrafted piece by Dutch artist Max Jungblut. This "chair" is a sculptural interpretation of the "Searching" ...

With a Fitted Sewing Box Interior From our Tunbridge Ware collection, we are delighted to offer this Tunbridge Ware Sewing Box. The Rosewood box of rectangular form extensively inla...

A French rosewood and boxwood cased wall clock, second quarter of the 19th century. The 6" diameter white enamel dial with roman numerals, within an ei...

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

Adura Perle jewellery or trinket box designed by Procreo is guaranteed to take centre stage on your dressing table, inside your walk-in wardrobe, or in any room you may decide to hav...

c.1800, England, Regency brass inlaid rosewood lap desk in the manner of George Bullock. Rectangular box with double-hinged lid, opening to tooled na...

Amazing Marquetry and inlay on this Sorrento Napoli Box C1880. There is craftsmanship of the highest caliber all over this box. Box front drops down to reveal inside completely cover...

An English miniature cabinet from the 19th century with scrollwork inlay, glass doors and multiple inner drawers. This English miniature cabinet from the 19th century is an exquisite...

1920s Art Nouveau czech bohemian grand marquetry ball flower vase by Kralik Glassworks By: Kralik Glassworks Material: glass, blown glass, art glass Technique: cast, frosted, marque...

A lovely northern Thai cast bronze seated meditating Buddha statue with shell inlaid eyes, style of Wat Chedi Luang, Lan Na Kingdom, region of Chiang Mai, 15th-16th century.  The statue of the historical Buddha, Shakyamuni, is portrayed in dhyanasana, seated upon a double lotus pedestal atop a raised platform. His legs in virasana, the half lotus position, hands in dhyana mudra, the gesture of meditation. The Buddha's face is youthful and pleasant, reminiscent of faces of contemporaneous Sukhothai Buddha...

Italian Marquetry Inlaid Wooden Jewelry Box, Geometric Sorrento Style, Mid-20th Century A finely crafted Italian wooden jewelry box showcasing intricate marquetry inlay in the tradi...

An early 19th century miniature Italian coffer, or hinged box, made of solid walnut with marquetry inlay of various woods and bookmatched bird's-eye map...

A very good quality 19th Century French Louis XVI style Boulle mantel clock, having Father Time perched above the brass inlaid dome, scrolling foliate ormolu mounts, white enamel Rom...

Miniature chest of drawers handcrafted in Italy in the early 1800s using walnut. Despite being small, the chest shows all the elements of a large commode, and it may have been crafte...

Scottish mahogany eight day tall case clock with three sphere brass finials, a swan neck satinwood inlay patera pediment, intricately carved fretwork, over an arched door with flanki...

Fantastic quality antique 19th century mahogany mother of pearl inlaid barometer, having a quality original 19th century mahogany barometer with a slender shaped case with fantastic ...

Luxurious red coral box from Maitland-Smith. This beautiful box crafted of authentic red coral tiles is luxurious and glamorous. Each of the pieces that ...

An Elegant 19th Century Antique Victorian Flame Mahogany Decorative Inlaid Writing Slope With Black Ebonised Accents & Fitted Stationary Compartments With A Tooled Leather Interior Supplied with two glass inkwells A new notepad A vintage ink pen...

A Handmade Victorian Burr Walnut & Inlay Tea Caddy With Brass Hinges A tea caddy is a box, jar, canister, or other receptacle used to store tea. When first introduced to Europe from Asia, tea was extremely expensive, and kept under lock and key. The containers used were often expensive and decorative, to fit in with the rest of a drawing-room or other reception room. Hot water was carried up from the kitchen, and the tea made...

A brilliant Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1990s. The hand-blown green glass box featur...

A small Korean ceramic celadon oil jar with inlay design from Goryeo Dynasty (918 to 1392AD) circa 12-13th century. This type of mini jars from Goryeo period, were made specifically ...

Pair of Russian Malachite Tazze Imperial Lapidary Works Circa 1830 A magnificent example of early 19th-century Russian craftsmanship, this pair of malachite tazze was created by the Imperial Lapidary Works of Ekaterinburg, circa 1830. These works exemplify the period when malachite emerged as the principal decorative material in Russian hardstone...

Gilt Lacquer Wood Manuscript storage box Burma 19th century. This wooden box is entirely covered in moulded lacquer-work in relief (known as thayo w...

Rare marquetry cocktail bar with Charles X-inspired motifs or Victorian-style opening onto an interior with spaces for seven glasses, a shaker, two carafes, a mixing spoon holder, tw...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

Back in October 2016, on one of his many travels to the Persian Gulf in his role as Honorary Chairman of Christie’s Europe Middle East, Russia and India, David Linley’s fascination with Islamic art and architecture was reignited. A photograph of a vibrant tile mosaic pattern was sent back to the LINLEY studio on Pimlico Road, inspiring the design of the spectacular Girih Treasure Chest. The Girih Treasure Chest explores Islamic pattern through detailed wooden marquetry in brilliant sapphire blue and rich gold tones. Girih is an Islamic decorative art form consisting of geometric lines that create an interlaced framework. As if a precious stone in a delicate claw setting, the chest perches on a simple sycamore frame which is supported by a forged brass metal stretcher. As the center of the design lies an eight-pointed star, taken from a beautiful mosaic tile pattern that caught the eye of LINLEY Founder and Chairman David Linley on a visit to Doha, Qatar back in October 2015. Adorning all façades of the chest, the pattern is created using a specially dyed deep blue ripple sycamore...

A very fine English regency period bracket clock with rosewood case, surmounted by a pineapple finial on a bell shaped caddy over a double steeped plinth . Substantial 8 Day twin fusee movement striking the hours on original bell. The 8? painted enamel convex dial...

Outstanding quality large antique regency brass inlaid bracket clock by George Orpwood, having an outstanding quality unusual architecture design mahogany case inlaid with ebony and ...

English Regency mahogany and satinwood wine cellarette with original fitted brass liner, checkered ebony and satinwood inlays, embossed brass foliage side panels, original gilt circu...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

This large antique paper mâché and lacquered box is unsigned, but presumed to have been made in England in circa 1870 in the period Aesthetic Movement style. The box was made as a sewing chest, but could be adapted for other purposes such as a jewelry box. The box is composed of paper mâché with a glossy black lacquered finish. The stepped top has scalloped edges and a detailed border of inlaid mother of pearl done with a floral motif. The central portion of the box's top is done with large pieces of mother of pearl or abalone shell and accented with flaked gilt details. The front and sides of the box are accented with hand-painted gilt detailing and the inside of the top is hand painted with floral accents. The inner tray of this box is divided into several compartments, some having fabric covered lids with molded handles. The inside of the box is paper lined in the same blue patterned paper as the tray. There is small brass lock on the front of the box, but there is no key. The box is finished with round squat biscuit shaped feet. Please note that due to the composition of this box, it may only be shipped within Canada.

Set of Exquisite Intarsia Candle Sconces made by Mjölby Intarsia, circa 1940s. * Set (2) of intarsia candle sconces depicting a girl and a boy. Brass sides with candle arms. * Manu...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Coco vase is an elegant piece with its exquisite quilted detailing. This listing is for the medium size inlaid in coal black shagreen with brass details on the side frame. All our vases are inlaid with a fiber-glass interior to support water. The dimensions of this piece are 25 x 7 x 23 cm All Kifu Paris pieces are handmade by artisans, ultimately making each piece unique. Custom color/sizing available on request. Wipe clean with soft dry cloth. Although inspired by her parents, her collection of Home Accessories and Furniture is a distinct identity of its own. Kifu uses handmade techniques of elaborate inlay patterns of shagreen, shells, semi-precious stones, materials she experienced as a child growing up in her parent’s studio, but interpreted in a younger quirkier way reflecting her youth. From her "jewelry inspired knobs" on decorative boxes, gold bar boxes and an extravagant inlay pattern mix of shagreen and shell inspired by galactic constellations, as seen on her enormous round mirror...

Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Persian technique of inlaying from arrangements of so many delicate pieces of wood, precious wood, and delicate miniatures paintings. This beautiful Middle Eastern Persian style box is covered inside and out with fine Moorish micro mosaic marquetry. Indo Persian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Asian Indian box with floral and geometric Islamic Moorish Sadeli design in a square shape form with inlay marquetry, very fine artwork, lined in red velvet. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. A highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes...

Large rectangular geometric patterned wood and white bone inlaid serving tray. Made of wood and then tessellated with dozen of sustainably sourced...

Fine Tortoiseshell Boulle clock in an arch top case, standing on elaborate gilded Ormolu feet with raised base with Acanthus leaf decoration. two-piece enamel dial with Brocot (vi...

1980s decorative pen shell cube box attributed to Maitland Smith. Medium brown pen shell with dark gray tessellated stone accents. Wood lined box. No ma...

An extraordinary English Regency tea caddy from the 19th century made of rosewood and inlaid with gorgeous scrolling mother-of-pearl foliate and floral motifs. This angular shaped bo...

Edwardian Marquetry Sunburst Walnut and Burlwood Box, England, Late 19th Century A finely crafted Edwardian circular parquetry box, England, late 19th century. The lid is adorned wi...

A large Japanese Namban lacquer arqueta coffer for the Portuguese market Kyoto, Momoyama-period, late 16th century In Hinoki cypress lacquered in ...

Large antique French Napoleon III box with inlaid bronze decor, polished black color surface, inside brown velvet. Includes key. After the reno...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

This 19th century spirit screen from northern China is inset with a duan stone, similar to stones used to create many inkstones for calligraphy. The stand i...

Middle Eastern Moorish Mother of Pearl Inlaid Marquetry Jewelry Box. Exquisite middle Eastern Moorish Syrian inlay jewelry box covered with fine Moorish micro mosaic marquetry. Beaut...

A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...

On offer is a Korean celadon bowl with elaborate slip inlays circa 13-14th century from the late Goryeo Dynasties (918 to 1392AD). Despite inspired...

This sterling silver figural bird or chicken was done by renowned South American silversmith Joaquin Taller in the period and style of Mid-Century Mode...

19th century Anglo-Indian sandal wood box, Sadeli mosaic box fitted with various compartments finely hand-carved with the Taj Mahal. Of sarcophagus form ...

Hispano-Moresque Mudéjar Bone-Inlaid Walnut Chest
 Spain, 16th–17th century 
Walnut, bone inlay, iron fittings
 44.5 × 30.5 × 18 cm This rectangular walnut chest, richly ornamented ...

Beautiful, large and rare, vintage Murano hand blown mosaic white, black and orange murrines Italian art glass decorative bowl. The piece is documented to designer and painter Riccar...

A wonderful tessellated plate / bowl with fish details. At 18.25" the piece is a very large shallow bowl with tessellated fossil stone and or onyx detai...