Inlay Decorative Objects

Anglo Indian rectangular porcupine quill, bone and parquetry box. The box with a hinged lid that opens to reveal embossed red velvet lining and a decorated wood panel...

A Fine, Rare, and Highly Important 19th Century Bohemian Blue-Over-White-Over-Clear Triple Overlay Crystal Jeweled and Covered Imperial Decanter. The decanter is crafted from clear g...

Pair of Russian Malachite Tazze Imperial Lapidary Works Circa 1830 A magnificent example of early 19th-century Russian craftsmanship, this pair of malachite tazze was created by the Imperial Lapidary Works of Ekaterinburg, circa 1830. These works exemplify the period when malachite emerged as the principal decorative material in Russian hardstone...

Each w o o d p o p balance board is meticulously handcrafted in our Black Mountains workshop in the UK. Doubling up as an integral part of any fitness r...

Each w o o d p o p balance board is meticulously handcrafted in our Black Mountains workshop in the UK. Doubling up as an integral part of any fitness r...

Fabulous and large rosewood and teak fitted letter writing box with brass inlay. Numerous cubbies with lids for various items. Slotted back panel fo...

A fine Korean iron box with intricate silver inlay dated to the late Joseon Dynasty circa 19th century. The body of the box is made from iron of a heavy weight although the wear on t...

A vintage Northern Thai double ram black painted sculpture from the mid-20th century, with elegant antlers, green glass jewelry motifs and red accents. Found in Northern Thailand, this horizontal sculpture...

Great decorative Moroccan Tribal flask.. African decorative brass with front richly decorated with embossed brass and overlay. The valve stem turns and open. Truly a conversation mu...

The w o o d p o p pintail longboards are handcrafted in workshops on either side of the Welsh/English border the UK. Each one is made from best quality Finnish Birch and vacuum lamin...

An antique Napoleon III traveler portable writing-desk box. This is a gorgeous portable writing desk-box, created in France during the period of emperor Napoleon III, circa 1860. Th...

The inkwell with a square base having four faceted faces leading up to a central boulle lidded square glass inkwell with brass collar. The Boulle work finished in typical fashion wit...

This marquetry skateboard from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 year...

This marquetry skateboard from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 year...

Very rare English travel writing desk/secretary chest around 1860 Solid mahogany lidded box that can be converted into a travel writing desk/travel secretary with a green leather to...

Wonderful 1980s Art Deco revival box by Maitland Smith constructed out of tessellated marble with inlaid brass detail.

Beautiful multicolored sculpture attributed to the Lenci factory Faenza ceramic mosaic Moving inscription with dedication on the back: “In the u...

Jewelry box in Marquetry of the 19th century Jewelry box in wood Marquetry, Napoleon III period, 19th century Contact us before ordering to confirm product availability. Dimensions...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

Antique and elegant French clock, with bronze details and fine inlaid wood, perfectly working. Perfect in a studio room. It's the typical clock of European noble houses...

This early twentieth century French Art Deco period walnut marquetry box features a central cartouche of inlaid mother of pearl on the top and around the key entry . Intricate geomet...

Fabulous Anglo-Indian decorative box inlaid. Made in Vizagapatam, situated on the south east coast of India, near Madras. Great decorative inlaid pen box or jewelry box. Inside dimen...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. Created while a lead designer for J. Winhart & Co., Ludwig Vierthaler’s cicada themed copper vase showcases the design principles which he developed at J. Winhart in the pre-war years, where emphasis was placed on craftsmanship and the characteristics of the material itself. The vase’s ambiguous quality and use of allegory also shows his uncanny understanding of the dual nature of German life at the time. On the one hand, under Kaiser Wilhelm II, Germany was asserting herself strongly in the Weltpolitik through alliances with other central-European powers and in making grand plans to grow in military strength. With hindsight, Vierthaler’s vase is all the more remarkable for his prescience in the twilight of an empire. By presenting a cicada, he evokes a conundrum. Is this cicada a strong adult, newly emerged from a long dormancy? Or is this the cicada...

French Regence style cartel in Boulle marquetry in première partie, with a red tortoise shell background. Architectural shaped case, standing on a base with four flattened balls foliaged feet with chiseled motifs on the middle. On each side a glass shows the inner part of the clock and is framed with water leaves frieze in gilt and chiseled bronze. Other motif in gilt bronze such as flowers, beaded acanthus leaves, mascarons, pelmets, swags and music trophies...

Late 18th Century George III English Box. Veneered in beautifully highly figured burled ash with small inlaid shield shapes. Made in England circa 1790. A beautifully crafted late 1...

Superb quality antique Regency rosewood inlaid bracket clock by Seller of Reading, having a brass bezel and a signed circular white dial with Roman numerals and the original hands, t...

English Victorian-style rectangular light wood box with star and diamond shape inlays, with 3 compartments.  

Impressive antique Anglo Indian lidded box handcrafted in porcupine quills and ebony decorated with bone dots. The interior has nine bone decorated lidded compartments in a removable...

The center made up of blue marble veneers, yellow marble and green marble with each section banded by Carrara marble.

Papier mâché circa 1870 English inlaid lacquered sewing box/jewelry box, with many Velvet and mother-of-pearl compartments, hidden area in center. Hand-carved mother-of-pearl, inlaid...

By Kienzle clock works, Scwennigen-on-Nekar. Patent No. 125605. Made for the European market. A fine parquetry shaped case with floral vine marquetry sides and tall cabriole legs. Th...

Antique French Napoleon III box with inlaid bronze decor, polished black color surface and red velour textile inside. Includes key. After the r...

A delicate, handcrafted Persian box decorated with intricate Khatam marquetry and a hand-painted scene on the lid. The upper composition depicts traditional Oriental figures in a gar...

Italian Marquetry Inlaid Wooden Jewelry Box, Geometric Sorrento Style, Mid-20th Century A finely crafted Italian wooden jewelry box showcasing intricate marquetry inlay in the tradi...

High-quality handcrafted miniature furniture, a detailed replica of a Baroque tabernacle secretary from the original period around 1760: Spruce wood body, veneered with walnut and nu...

Federal Tall Case Clock Made and Signed by John Nicholl, (1784-1862) Belvidere, New Jersey Circa 1825 Primary Wood: Mahogany, Mahogany Ven...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. Set of 4 Chital bowls, set of 2 Cosmos vases, 2 rectangle Cosmos trays...

Victorian English bird's eye maple lap desk, with ebony and mother-of-pearl inlay. The dome shaped top has a brass shield medallion in the center. The interior has a vibrant purple f...

Octagonal (eight-sided) Bauhaus / Art Deco Box from Austria, Vienna, circa 1920. Sides in solid ash wood. Lid veneered in walnut with star inlay in maple and mahogany. Base slightly...

Swedish Folk Art Mosaic Vase, 1970s. Scandinavian Mid-Century Modern vase with ceramic tiles. Unique and handmade in Sweden in the 1970s. The mosaic floral pattern is crafted around...

Wonderful Bookend or Table Sculpture in Rosewood and Vermillion by California Design artist Jere Osgood.

A rare vessel by Klaus Moje. Cf.: Dan Klein, "Artists in Glass - Late twentieth Century Masters in Glass", Beazley, London, 2001: Like many of the best contemporary glass artists Mo...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

19th Century pair Anglo-Indian carved rosewood elephant statues with bone inlay. The pair are hand carved and profusely inlaid throughout with intric...

This Art Deco perfume or scent bottle is unsigned but presumed to have been made in Bohemia in approximately 1935. The glass is a deep purple with deep faceted sides and etched and cut top. The bottle features an ornate gold toned filigree collar...

English Regency mahogany rectangular hinged tea poy with fitted interior bins, central lyre pedestal, foliage brass inlays, flanking gilt floral pulls, and res...

Asprey one of a kind hand carved rock crystal Gorilla, with 18-karat gold accents and diamond eyes, together on the original petrified wood base, w...

A charming and masterfully crafted Swedish intarsia wall sconce designed by Birger Ekman for Mjölby Intarsia, Sweden, circa 1940s. This rare decorative wall piece features a delicate...

Hispano-Moresque Mudéjar Bone-Inlaid Walnut Chest
 Spain, 16th–17th century 
Walnut, bone inlay, iron fittings
 44.5 × 30.5 × 18 cm This rectangular walnut chest, richly ornamented ...

Large Middle Eastern Indo-Persian Micro Mosaic Khatam Inlaid Wooden Jewelry Box. Middle Eastern Persian Sadeli micro mosaic marquetry inlaid box with geometric Moorish design. Handcrafted Khatam wooden box with very delicate micro mosaic marquetry from the ancient Middle Eastern technique of inlaying from arrangements of so many delicate pieces of precious hand painted wood, with bone around the edges. This beautiful Middle Eastern Persian, Indian Wooden box is covered with fine Moorish micro mosaic marquetry and is used as a jewelry, trinket box. Lined in deep red velvet. Dimensions: 6.5in.D x 3in.H x 10 wide. Nice Indian Mughal, Indo Persian Box...

A brilliant Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1990s. The hand-blown green glass box featur...

Extremely fine, made in America, Germany or France, this "Father Time" electric wall clock is a masterpiece of wood and brass inlay. Using a series of hard...

A fine quality mid 19th century oval Micro-mosaic Plaque depicting St Peter’s Square Rome, enclosed in unusual black slate marble frame decorated with shells, scrolls & wolves.

Miniature parquetry two drawer bombe chest made in Italy. All sides including back are finished.

Austro-Hungarian empire mechanical vesta tinder case made by Karl Rössler Beautiful antique fusee vesta tinder case, created in Vienna Austria around the...

A lovely vintage Korean lacquer box in bright red and decorated with mother-of-pearl inlays circa 1970-80s. The square form box features an auspicio...