Inlay Decorative Objects

This is a high quality large Tea Caddy from the English Georgian, Thomas Sheraton Period, Circa 1785. The Tea Caddy is rectangular with a hinge...

The small rectangular silver snuff box, chased with foliage decorations and featuring a hinged back, is set with a detailed micromosaic plaque on top. The plaque depicts a rural land...

A unique and highly decorative pair of late 19th-century ceremonial urns from Thailand, circa 1900. These tall, hexagonal forms feature exquisite gilded surfaces richly adorned with ...

The antique brass Mughal ewer is a magnificent piece of art and craftsmanship that reflects the opulence and grandeur of the Mughal Empire. This ewer, orig...

A very elegant floor candelabra. Possibly from the 50's in Arts & Crafts style. Foot and top are bronze, decorated with 15 crystal stones. The mosaic body is made out of marble that ...

A very good quality 19th century French boulle mantel clock with wonderful scrolling foliate ormolu mounts to the surround, brass inlay to the red tortoiseshell. White enamel roman n...

French Tortoiseshell Boulle clock with ormolu mounts surmounted by an ornate central finial. Gilded dial with segmented blue enamel Roman numer...

Late 19th-century English-imported tea box from China. Decorated with beautiful red and black hand-painted flora and fauna, and equipped with rectangular iron handles, the box is mou...

A 19th century French fariniere, made of walnut with marquetry inlaid detail and turned feet. Good craftsmanship. Back right foot replaced. From Provence, a boîte à farinière is a de...

Pair of 19th century rosewood picture frames with bone inlay. This is a lovely pair of picture frames, with newly reinforced backs. They are ...

Walnut veneered. Footed. Silk-lined. Key is included.

Presenting an amazingly rare piece of Art Deco furniture by an exceptionally rare maker, namely, an Art Deco Portois and Fix Viennese Tall Case Clock. ...

German Biedermeier mahogany tall case flute clock with porcelain dial, upper case having four rotating painted soldiers and biblical figures, original blow...

A spectacular and extremely high quality French 19th century Louis XIV st. Boulle Boîte à Bijoux, signed "Tahan - Fournisseur du Roi" (Royal cabinetmake...

Roman frame of ebonized wood and marqueterie of pietre dure, Rome, 19th century. This frame model is a must-have of the Florentine and Roman Baroque that represented a real trait d'u...

PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of the Br...

Lapis lazuli hand carved mosaic lidded box, with white marble interior. Natural lapis stone has beautiful golden pyrite inclusions, like a sprinkling of fairy dust. The lapis mosaic...

This is a fine example of an early 20th C rectangular bronze betal nut box with beautiful and elaborate silver inlay from Mindanao in the Philippines. The box has a handle on each si...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A unique and exceptional Japanese miniature or dollhouse export lacquered chest Kyoto, circa 1620-1640 The chest of rectangular shape with a domed lid, decorated in Transition-style, in gold hiramaki-e on a black background within reserved lobed cartouches decorated with landscapes animated with birds and rabbits, on a shagreen or samegawa background. The borders are decorated with geometric friezes, the box with gilt-copper mounts, the interior decorated in red lacquer. Measures: H 9.2 x W 14.5 x D 7.2 cm This miniature is of exceptional quality and a perfect copy of the famous large size Transition-style coffers. It was most likely ordered by a Dutch lady for her dollhouse (poppenhuis), like the famous Petronella Oortman (1656-1716) doll-house, which is now one of the highlights in the collection of the Rijksmuseum Amsterdam, or Petronella Oortmans-de la Court’s (1624-1707) dollhouse in the collection of the Centraal Museum Utrecht. Sara Rothé of Amsterdam in 1743 ordered a miniature black lacquered ivory tripod table with gold chinoiserie decoration by Jurriaan Buttner (Monika Kopplin, European Lacquer, 2010, p. 56). Other Japanned dollhouse...

One of the best examples of reproduction of the Pietra Dura technique. This Flower bowl is inlaid with semi precious stone in White marble, perfect for a potpourri, a fruit bowl or j...

A fine and rare 17th-century William and Mary olive oyster floral marquetry lace box, circa 1685. England The cross grain olive moulded and holly banded top is centred by an oval of...

A beautiful tea caddy with original key and original interior it is black lacquer, mother of pearl and has a brass inlay design all over the box. 19th century, France.

Heading : Tunbridge ware stationery box with image of Eridge Castle. Date : c1850 Period : Victoria Origin : Tunbridge Wells. Kent Decoration : Central mosic of Eridge Castle within ...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A fine antique Georgian style mahogany tea caddy. Of bombé form with fruit wood inlay, gilt brass mounts & handle, and bracket feet. Simply a wonderful, rare form! Date: L...

Large Asian Burmese brass ceremonial bowl with silver and copper inlaid with the ten Hindu Avatars of Vishnu. Fine example of Tanjore work, this brass bowl that has been overlaid with alternating copper and silver chased plaques, with high quality in detail executed in mixed metal repoussé with contrasting patination, showing Hindu deities. The base is engraved with a lotus flower motif. (This type of work is known as Tanjore work, after the south Indian city where much of this work was executed.) The depictions on the main plaques are believed to relate to those seen carved in relief on rock on the façade off the Great Temple (Brihadisvara) in Tanjore. A southern Indian magnificent silver and copper inlaid vase, 19th century Tapered and chased body made of copper inlaid with beaded bands and with the ten avatars of Vishnu: 1. Matsya (the fish) 2. Koorma (the tortoise) 3. Varaha (the boar) 4. Narasimha (the human-lion – shown on this bowl as a lion-man figure about to devour a human victim.) 5. Vamana (the dwarf) 6. Parasurama (the angry man – presented on this bowl as a figure with an axe, a bow and an arrow.) 7. Rama (the perfect man, king of Ayodha) 8. Krishna (the divine statesman – shown here as Krishna on a cobra throne...

Japanese mixed metal platter finely executed to show night fishing with cormorants. Unsigned.

Pair Antique French Gold Bronze and Mosaic Candlesticks, Circa 1890's.

Micro mosaic Moorish pen holder: simply beautiful ! Elegant sitting on Your desk. It must not remain near heat sources because the mosaic could be damag...

A fine and very large pair of jeweled French Art Deco rock crystal candlesticks, with mercury gilded bronze mounts. The multi shaped elements are adorned by 3 carat hand faceted ruby...

Round jewelry box made of solid turned walnut and decorated with small ebony inserts. The inlay forms an ascending geometric pattern. The lid opens by splitting into two parts by rot...

Rare and finest Gilded bronze crucifix mounted on a oak cross. The striking details on this highest quality bronze sculpture of Christ are second to none and the antique gilt finish...

A very impressive quarter chiming tubular gong clock with a very high quality three train movement. The movement is of 8 day duration and strikes the quarter hours on eight chrome plated tubular gongs hanging from the rear of the case and the main hour on a coiled gong. Also featuring Westminster and Whittington chime...

Brulé means 'burnt' in French. Raw and delicate, the Brulé boxes evoke the idea of baked earth or ashes. There is a powerful energy in the details of decisio...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A 17th century silver mounted Coromandel wood with mother of pearl inlay traveling box with a Interior fitted with drawers and a reliquary cabinet. W...

Wheel Thrown Flower Stamped Buncheong Vase by Jason Fox American Contemporary Ceramic Artist Jason Fox shows his love of Korean Pottery and Buncheong Ware with this Flower Stamped...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Once owned by Leon Boissier Palun (1916-2007), former Senegalese ambassador to London and Paris, this mid nineteenth century French Napoleon III period palisander game box features a...

Russian silver niello tobacco box with finely etched pastoral scenes and interior gold wash. The box is marked on inside with "84" for Russian si...

Metal decorative box with bone and stone inlay. The exterior of the box showcases a mosaic bone inlay adorned with turquoise and red stones set in pewter. The inside of the box is li...

An exceptional antique writing chest crafted from solid wood, richly decorated with fine engravings and geometric motifs in the Spanish folk tradition. The hinged lid reveals an elab...

Horn Jewelry Box - Wood and Horn Marquetry Inlays Decorative Box - Morocco 1970s Elegant box made of horn marquetry, the inside is made of wood. Preci...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Antique 19th Century quality rosewood inlaid drop dial wall clock, having a quality antique Victorian rosewood mother of pearl inlaid wall clock, having a large 12 inch dial to the c...

Great craftsmanship with a great Patina from the early 1900s inlaid with Wood and other woodtypes. If you are looking for a stylish and truly decorative box to grace your table or d...

19th Century Anglo Indian fall front box with six drawers with metal pulls. The exterior and interior inlaid throughout with bone and various woods. Intricate geometric designs cover...

Italian Modern Architectural Brass Inlaid Travertine Box, Circa 1970s Italy, Circa 1970s A sleek and sophisticated Italian modern architectural travertine box with brass inlay, mad...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

Vintage Middle Eastern Moorish wooden jewelry box inlaid with marquetry. Middle Eastern box handcrafted in very fine Moorish micro mosaic diamonds,...

Helio Jar Small, Sickle Pattern. Eggshell was applied before five to seven layers of viscous treacle black lacquer were added, sanded between layers and finally polished. A single ar...

Immerse yourself in the artistry of Montagnani Firenze with this extraordinary box, a rare Italian masterpiece crafted circa 1970. A true testament to Mid-Century modernist design, i...

Unusual antique Victorian quality inlaid coromandel wood writing box having quality inlaid coromandel wood lift up tops opening to reveal a green leather writing surface opening to r...

Elegant and finely crafted rosewood and ivory inlay traveller's writing desk from the late Mughal period of British India (circa 1825), on low bun feet. In excellent condition, with ...

Quality antique 19th Century rosewood inlaid drop dial wall clock, having a quality antique Victorian rosewood mother of pearl inlaid wall clock, having a large 12 inch dial to the c...

White Makrana marble, used to build the Taj Mahal, from Indian is the densest marble on the planet. This handmade octagonal shaped makrana marble box ha...

English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.