Minimalist Vases and Vessels

Handbuilt organic modern vase made from a groggy clay body and a metallic bronze glaze. Each vase is made by hand in our Brooklyn studio, and no two are ever exactly alike. All dimen...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

Delaunay vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernis...

A beautiful, small, and substantial French crystal vase from luxury Maison, Daum, in the modern Minimalist styles, circa 20th century, France. The piece is rectangular in shape with ...

Vintage German Minimalist Porcelain Vase from Thomas, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Materials: Ce...

A large minimalist two tone brass and bronze vase / candle holder signed by Michael Aram, circa 1980s. The piece is in very good vintage condition with a nice patina and measures 11....

Described in ancient Chinese texts as the “moon dyed with spring water,” celadon ceramics are prized for their well-proportioned forms and luminous blue-green glazes. This vintage ce...

Incredibly large and iconic glass factice of Allure by Chanel. This factice follows the iconic fragrance bottle legacy that is Chanel. The large scale...

Pair of TMS Inc Multi face vases VITRUVIAN COLLECTION Each artistic design expresses the harmonization of the relationship between parts of the body w...

Handbuilt organic modern vase made from a groggy clay body covered layers of glossy and matte white glaze, with a heavily textured glaze on top. Each vase is made by hand in our Broo...

Italian ceramic decorative bottle by Bruno Gambone (circa 1990s). This sculptural work consists of a rectangular body with soft, curvy shoulders leading to a graceful, elongated neck...

Unique Pair. Incredibly large and iconic glass factices by Calvin Klein. This pair of factice follows the iconic fragrance bottle legacy that is his fragrance Escape. The large scal...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Sculpted during the early 20th century in China's Shanxi province, this clay vessel has a smoky grey exterior with balanced proportions and a beautifully irregular unglazed surface. ...

Created out of a playful approach to materiality and form, this item is a ceramic vase as well as a sculptural piece. The designer Julien Renault chose to mainly follow his intuition...

Minimalist Space Age plant box made of plastic. The interrupted, lower edge of the box acts like an integrated base that puts the box off the ground over a shadow joint. This piece ...

Murano Italian Modern/Minimalist Smoked Glass Disk Vessel, Italy, circa 1970 A refined hand-blown glass vessel produced in Murano, Italy, circa 1970. The piece embodies the reductiv...

Diminutive midcentury Italian ceramic bottle by Bruno Gambone (circa 1970s). Elegantly cylindrical with a two-toned glaze, one glossy black, the...

Ceramic decorative bottle / single-flower vase by Bruno Gambone (circa 1980s) with chalk-white surface as backdrop for a mottled, turquoise mid-body decorative band. This graceful na...

Pair of contemporary ceramic sculptural vessels, minimalist design 1970. This refined pair of ceramic objects embodies a quiet and sophisticated sculptural language, where form, bal...

Mid-Century Pottery WGP Minimalist Vase by Ilkra Edelkeramik, West German, 1960s, in Very Good conditions. Designed 1960 to 1969 official proof of authenticity such as vintage catalo...

Described in ancient Chinese texts as the “moon dyed with spring water,” celadon ceramics are prized for their well-proportioned forms and luminous blue-green glazes. This vintage ce...

Described in ancient Chinese texts as the “moon dyed with spring water,” celadon ceramics are prized for their well-proportioned forms and luminous blue-green glazes. This vintage ce...

Chic 1970s Italian Minimalist silver plated Vase in Sabattini Style Introduce a touch of sophisticated Italian design to your home with this striking silver-plated vase, embodying th...

Ceramic vase by ceramicist Bruno Gambone, (circa 1980s). This elegant narrow-opening bottle-shaped vase is highly collectible by those who follow the works of art created by the incomparable Bruno Gambone. A long, elegant neck in a lustrous black glaze is punctuated only by an azure blue in the middle which seems to drip down its side to the body of the piece. The black finishes abruptly and is replaced with a light chocolate brown to the base. Gambone ceramics...

The vases in the Tosca collection embody elegance and craftsmanship with their unique design. Handmade from borosilicate glass, their simple appearance is enhanced by a fluttering ne...

A sophisticated and striking Minimalist White Porcelain Tasca Vase designed by the celebrated Italian designer Lino Sabattini for Rosenthal Studio-Linie, Germany. This sculptural pie...

Handbuilt organic modern moon vase made from a groggy clay body covered layers of glossy and matte white glaze, and a heavily textured lava glaze. Each vase is made by hand in our Br...

Minimalist Space Age plant box made of plastic. The interrupted, lower edge of the box acts like an integrated base that puts the box off the ground over a shadow joint. Additional...

Striking 1970s Minimalist Silver-Plated Sculptural Vase by Lino Sabattini for Sabattini Argenteria Introduce a piece of iconic Italian design into your collection with this remarkabl...

Stunningly tall cylindrical ceramic vase with single, amphora-style handle and Eastern motif on an elegant beige earthenware surface, by Bruno Gambone (circa 1970s). This substantial...

German Glass Carafe from Christinenhütte, in Very Good conditions. Designed 1990 to 1999 This piece has an attribution mark. Additional information: Materials: Glass Styles: Minimal...

The graceful, hourglass form of this contemporary vase dates back as far as the Song dynasty (960 to 1279). Known as a huluping or double gourd vase, the traditional form emulates th...

Diminutive midcentury Italian ceramic bottle by Bruno Gambone (circa 1970s). Elegantly cylindrical with a misty, rustic, matt glaze in an aqua g...

German Minimalist Vase from Dümler & Breiden, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional i...

Vintage West German Pottery WGP Minimalist Vase from Scheurich, 1970s, in Very Good conditions. Designed 1970 to 1979 official proof of authenticity such as vintage catalogs, designe...

This is a stainless steel version of the "IRONPOT" series, which consists of a ring of pipes. Rough polished finish.Included is a water tray that goes in the bottom. It allows taller...

Once a common sight in courtyards throughout rural China, this textured stone vessel was used as a grain or water trough for chickens and other barnyard fowl. Chiseled from a block o...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Presenting a captivating Vintage Swedish Kosta Boda Art Glass Vase, a testament to the innovative design and skilled craftsmanship synonymous with this renowned Swedish glassworks. T...

A really cool "Golden Ginkgo" catch all in box by Michael Aram, circa 1990s. The piece is in very good vintage condition and measures 5.25"W x 4.75"D x .75"H. #5024 Michael Aram: ...

This petite Chinese vase has a bottleneck form that follows traditional vessels used for storing oil, condiments or sauces. The small vase is etched with simple linework reminiscent ...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist move...

Charged with the humble task of storing dry goods, this small earthenware jar is hand-shaped with balanced proportions and a beautifully irregular unglazed surface. The round jar has...

This unique ceramic vessel is a vintage Japanese hot water bottle (yutanpo), used to heat a bed or warm the body. The oblong container would have been filled with hot water through t...

This exquisite vintage ceramic vase is a fine example of Chulucanas pottery from Peru, a region renowned for its ancient pre-Inca techniques and sop...

THIS IS NOT A VASE is more than a functional object; it is a true collector’s piece that sits at the intersection of sculpture and design. Its form, at once sensual and pure, unfolds...

Beautiful decorative massive vase made with a technique of sommersion merging two layers of different color glass into a thicker layer and giving a sense of transparency to the solid...

Introduce a soft, romantic hue to your stoneware collection with this lovely vintage studio pottery vase. Hand-thrown from substantial clay, the vessel features a classic urn-shaped ...

This captivating vintage vase showcases a truly unique biomorphic design, reflecting a harmonious blend of nature-inspired forms and artistic craftsmanship. Its distinctive wavy, und...

Embrace the understated elegance of this Vintage Boho Glazed Ceramic Bud Vase, a charming testament to artisan craftsmanship. Its organic, spherical form and textured white glaze exu...

Karim Rashid for Leonardo Germany Limited Edition New Move Silver Glass Vase, ca 1999. Measures 8” high, base 3-1/2” wide, and mouth 2-1/4” wide. There is a small scratch of silver finish/coating on glass (we've posted an image of the interior and exterior at the area of the scratch). There is also a faint area of small blemishes at the base See images for more detail. If there’s one thing karim rashid hates, it’s trophies. The 40-year-old designer has more than 40 of them, from big international ones like the 1999 George Nelson Award (given for breakthrough furniture design), to quaint little Canadian ones like Designer of the Year 2001. “It came with a little pin,” says Rashid, “and a … a … very nice …” He tries to describe the shape of the award with his hands but gives up. “It’s time that whole trophy thing changes. It’s kitsch. They’re functionless things.” Rashid was asked to design one for the DaimlerChrysler Design Awards (he’s a past recipient). “I was going to make it electro-luminescent. When the lights go out, it has a sensor so it turns on,” he says. But the trophy-as-night-light, a reminder of one’s worth in the darkest hours, didn’t impress Chrysler’s people. He never heard back. They may well be gnawing their knuckles over that decision right now because Rashid’s conquest of the realm of product design is all but complete. A lush and suitably worshipful retrospective of his work, Karim Rashid: I Want to Change the World (Thames & Hudson; 249 pages), hits Australasian bookstores this month. There was a crowd around anything with his stamp on it-including stools, chess sets and storage units-at the recent International Contemporary Furniture Fair in New York City. More than 2 million North Americans are throwing their rubbish into a receptacle he designed, while 750,000 or so park their rears on one of his cheapo plastic chairs. It’s not just in North America. He has been dubbed Der Poet des Plastiks by a retailer in Germany and the prolifico progettista Americano by Interni magazine in Italy. Trophies he may despise, but accolades Rashid can handle. The problem with being the Most Famous Industrial Designer in All the Americas is that you’re still less famous than someone who got kicked off Survivor the first week. Most people cannot name the designer of one nonclothing item in their homes. Rashid, who was born in Egypt, raised in Canada and is living in New York City, is more than happy to bring an end to this anonymity. Not just because he wants to be famous, although there seems to be that, but because he believes design should be a bigger part of the social discourse. “I have been almost alone in this country, trying to make design become a public subject,” he says. His chief method of persuasion is to make the banal better so that people notice design more. He likes creating expensive furniture and perfume bottles just fine, but what really gets his juices going is the everyday: manhole covers, a cremation urn, disposable cigarette lighters, garbage bins, salt and pepper shakers, plastic pens. “I want American Standard to come to me to do the toilets for Home Depot,” he says. In many ways Rashid is more like an itinerant industrial evangelist than a designer. He traveled 200 days last year. He claims to have been to every major mall in America, where he signs his products in high-end design stores and trolls about observing humans interacting with the objects around them. He has taught at design schools for more than a decade, and his work has been in 11 art shows in the past eight months. But mostly he has proselytized the corporate barbarians. And like any good missionary, he has learned to speak the language of his converts. One of the first things he does when he gets new clients is tour their factories to understand their manufacturing capacity. He also visits the retail outlets to see how the product might be displayed. And he really knows how to sell, especially himself. “I work with a guy in L.A.,” says Rashid, declining to name him. “He made a lot of really bad furniture. His business was hand-to-mouth. I proposed seven or eight projects. The pieces I’ve done for him have already become iconic.” The subtitle of his monograph, I Want to Change the World, is not ironic, just characteristically immodest. “Most industrial-design studios try to interpret a client’s needs and come up with a style,” says Paul Rowan, co-founder of housewares manufacturer Umbra. “Karim has his own personal vision.” It helps that Rashid’s vision incorporates things that Rowan needs, like a design that will stack and ship easily and that creates little waste in the making. Rashid’s father was a set designer for Canadian TV who rearranged the family furniture every Sunday. So perhaps it was ordained that Karim would grow up to become one of the pioneers in non-cheesy plastic, making objects that have energy and personality but aren’t wacky. He, like many of his generation, has championed the could-only-be-designed-with-computers blob. But his is not just a blob for its own sake. His Oh Chair...

Dingyao porcelain, often called Ding ware, is famous for its creamy-white coloring, refined forms, and low-relief surface patterning. Ding ware was produced ...

Beautiful in its imperfection, this green glazed lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, ...

Born of the natural characteristics of Estremoz marble, the AMA vases are an elegant and simple display for fresh flowers, dried botanicals, or faux b...

GHOST COLLECTION What about when the parts are bigger than the whole? A fraction that subjugates the integer. An expansion of the aura in x-ray vision. The Ghost Collection is a con...

Beautiful in its imperfection, this lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, flowers and g...

This sophisticated vintage studio pottery vase embodies the refined geometric playfulness and textural contrast of the Postmodern era. Hand-thrown with an organic, slightly squat sil...

Originally used for fermenting rice or sorghum into wine or vinegar, this squat, earthenware vessel from the early 20th century is coated inside and out with a thick, dark glaze. The...

YURI ZATARAIN, Ceramic Vase, circa 1990, Mexico, comes with white marble base 6" x 6" x 2" h Crafted in the 1990s in Mexico, this exquisite vase is a remarkable piece from the early...