Minimalist Vases and Vessels

Anchor your decor with the brooding elegance and artisanal mastery of this substantial vintage studio pottery vase. Standing sixteen inches tall, the vessel features a classic balust...

Introduce a soft, romantic hue to your stoneware collection with this lovely vintage studio pottery vase. Hand-thrown from substantial clay, the vessel features a classic urn-shaped ...

Bamboo Shaven Vase Raspberry Peking Glass Hand Carved Hand Blown Glass Limited Edition Contemporary Peking glass refers to the high-quality glass art produced by the imperial and co...

YURI ZATARAIN, Ceramic Vase, circa 1990, Mexico, comes with white marble base 6" x 6" x 2" h Crafted in the 1990s in Mexico, this exquisite vase is a remarkable piece from the early...

Charged with the humble task of storing dry goods, this small earthenware jar is hand-shaped with balanced proportions and a beautifully irregular unglazed surface. The round jar has...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Baluster Vase w/ Rim Red Lacquer Copper Rim Hand Repousse Lacquered Metal Limited Edition Lacquer is a technique that dates back to the Shang dynasty, circa 1600-1100 B.C. These pi...

This substantial lidded stoneware jar is a superb piece of functional Mid-Century Studio Pottery, exhibiting rich textures and expressive glaze work. The body features deliberate, pr...

Set of three bottle-shaped single-flower vases by Bruno Gambone (circa 1990s). All three are glazed stoneware pieces with modern, multi-coloured geometric motif. The middle-sized vas...

Drawing on a long Chinese tradition of monochrome ceramics, this tall gooseneck vase is coated in a deep blue glaze, reminiscent of a dark night sky. The vase features a rounded, glo...

Karim Rashid for Leonardo Germany Limited Edition New Move Silver Glass Vase, ca 1999. Measures 8” high, base 3-1/2” wide, and mouth 2-1/4” wide. There is a small scratch of silver finish/coating on glass (we've posted an image of the interior and exterior at the area of the scratch). There is also a faint area of small blemishes at the base See images for more detail. If there’s one thing karim rashid hates, it’s trophies. The 40-year-old designer has more than 40 of them, from big international ones like the 1999 George Nelson Award (given for breakthrough furniture design), to quaint little Canadian ones like Designer of the Year 2001. “It came with a little pin,” says Rashid, “and a … a … very nice …” He tries to describe the shape of the award with his hands but gives up. “It’s time that whole trophy thing changes. It’s kitsch. They’re functionless things.” Rashid was asked to design one for the DaimlerChrysler Design Awards (he’s a past recipient). “I was going to make it electro-luminescent. When the lights go out, it has a sensor so it turns on,” he says. But the trophy-as-night-light, a reminder of one’s worth in the darkest hours, didn’t impress Chrysler’s people. He never heard back. They may well be gnawing their knuckles over that decision right now because Rashid’s conquest of the realm of product design is all but complete. A lush and suitably worshipful retrospective of his work, Karim Rashid: I Want to Change the World (Thames & Hudson; 249 pages), hits Australasian bookstores this month. There was a crowd around anything with his stamp on it-including stools, chess sets and storage units-at the recent International Contemporary Furniture Fair in New York City. More than 2 million North Americans are throwing their rubbish into a receptacle he designed, while 750,000 or so park their rears on one of his cheapo plastic chairs. It’s not just in North America. He has been dubbed Der Poet des Plastiks by a retailer in Germany and the prolifico progettista Americano by Interni magazine in Italy. Trophies he may despise, but accolades Rashid can handle. The problem with being the Most Famous Industrial Designer in All the Americas is that you’re still less famous than someone who got kicked off Survivor the first week. Most people cannot name the designer of one nonclothing item in their homes. Rashid, who was born in Egypt, raised in Canada and is living in New York City, is more than happy to bring an end to this anonymity. Not just because he wants to be famous, although there seems to be that, but because he believes design should be a bigger part of the social discourse. “I have been almost alone in this country, trying to make design become a public subject,” he says. His chief method of persuasion is to make the banal better so that people notice design more. He likes creating expensive furniture and perfume bottles just fine, but what really gets his juices going is the everyday: manhole covers, a cremation urn, disposable cigarette lighters, garbage bins, salt and pepper shakers, plastic pens. “I want American Standard to come to me to do the toilets for Home Depot,” he says. In many ways Rashid is more like an itinerant industrial evangelist than a designer. He traveled 200 days last year. He claims to have been to every major mall in America, where he signs his products in high-end design stores and trolls about observing humans interacting with the objects around them. He has taught at design schools for more than a decade, and his work has been in 11 art shows in the past eight months. But mostly he has proselytized the corporate barbarians. And like any good missionary, he has learned to speak the language of his converts. One of the first things he does when he gets new clients is tour their factories to understand their manufacturing capacity. He also visits the retail outlets to see how the product might be displayed. And he really knows how to sell, especially himself. “I work with a guy in L.A.,” says Rashid, declining to name him. “He made a lot of really bad furniture. His business was hand-to-mouth. I proposed seven or eight projects. The pieces I’ve done for him have already become iconic.” The subtitle of his monograph, I Want to Change the World, is not ironic, just characteristically immodest. “Most industrial-design studios try to interpret a client’s needs and come up with a style,” says Paul Rowan, co-founder of housewares manufacturer Umbra. “Karim has his own personal vision.” It helps that Rashid’s vision incorporates things that Rowan needs, like a design that will stack and ship easily and that creates little waste in the making. Rashid’s father was a set designer for Canadian TV who rearranged the family furniture every Sunday. So perhaps it was ordained that Karim would grow up to become one of the pioneers in non-cheesy plastic, making objects that have energy and personality but aren’t wacky. He, like many of his generation, has championed the could-only-be-designed-with-computers blob. But his is not just a blob for its own sake. His Oh Chair...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Dramatic raku style ceramic vase by ceramic artist Andy Ruble (American, b 1970). Metallic russet, grays and orange lend to earthy organic aesthetic. Signed...

Large Vintage German Vase by Cuno Fischer for Rosenthal, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark, Additional information: Materials:...

Incredibly large and iconic glass factice of Allure by Chanel. This factice follows the iconic fragrance bottle legacy that is Chanel. The large scale...

Vintage Danish Minimalist Vase from Rath, Vejle, Denmark, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark, Official proof of authenticity such as vi...

Malevich Vase — part of the Suprematic Collection by NOOM — is a tribute to the visionary genius of Kazimir Malevich and the bold geometry of the Suprematist movement. This early 20t...

A beautiful, small, and substantial French crystal vase from luxury Maison, Daum, in the modern Minimalist styles, circa 20th century, France. The piece is rectangular in shape with ...

Diminutive midcentury Italian ceramic bottle by Bruno Gambone (circa 1970s). Elegantly cylindrical with a misty, rustic, matt glaze in an aqua g...

Seattle planter umbrella stand/planter made in quarter-inch waxed aluminum. The bottom of the umbrella side slants slightly towards removable planter opening for a little watering help on rainy days. Included is a galvanized steel planter box for the base. Produced for The New, the inaugural show of Volume...

Italian ceramic decorative pitcher / vase by Bruno Gambone (circa 1970s). Just as our other Bruno Gambone vessels do, this one too has a purity of form, muted hue and demonstrated, e...

Ceramic vase by ceramicist Bruno Gambone, (circa 1980s). This elegant narrow-opening bottle-shaped vase is highly collectible by those who follow the works of art created by the incomparable Bruno Gambone. A long, elegant neck in a lustrous black glaze is punctuated only by an azure blue in the middle which seems to drip down its side to the body of the piece. The black finishes abruptly and is replaced with a light chocolate brown to the base. Gambone ceramics...

Malevich Vase — part of the Suprematic Collection by NOOM — is a tribute to the visionary genius of Kazimir Malevich and the bold geometry of the Suprematist movement. This early 20t...

The Sarah vase, an original design offered exclusively by Vermontica, is a contemporary Minimalist patinated steel vase designed and produced in Vermont by Scott Gordon. The vase mea...

This exquisite handblown art glass vase, adorned with delicate gold flecks is so special and ready to be added into a glass collection, or given as a gift to someone special. The asy...

Green Earth - Vintage studio pottery vase - elegant and minimalist design - featuring an asymmetrical mouth with glazed accent rim - over-a...

Beautiful in its imperfection, this green glazed lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, ...

Urn Shape Vase Bai Jade Peking Glass Hand Blown Glass Hand Carved Peking glass refers to the high-quality glass art produced by the imperial and Commercial workshops in Beijing during the Ching Dynasty, China 1644-1911. Since then, ‘Peking Glass’ has become synonymous with the Chinese technique of glassmaking. Robert Kuo glass...

‘LUNE [M] N°1 - White ceramic vase. Measures' H: 23 cm / L: 26 cm H: 9 inch / L: 10.2 inch - Stoneware fired at high temperature finished with transparent glossy glaze inside....

Ekster Vase — part of the Suprematic Collection by NOOM — is a sculptural tribute to the genius of Kazimir Malevich and the pure geometric vision of the Suprematist movement. Born in...

Antique vessel with old repairs. Great patina!

We are thrilled to to share with you the first addition to INI CERAMIQUE’s 2024 collection. Inspired by the works of the painting artist Giorgio Morandi...

We are thrilled to to share with you the first addition to INI CERAMIQUE’s 2024 collection. Inspired by the works of the painting artist Giorgio Morandi, our designer has been reinte...

Beautiful in its imperfection, this green glazed lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, ...

Modernist Minimalist white glass flower vase with clear glass base with some bubbles. This Minimalist white vase very modern shape will fit any de...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Infuse your vanity or dressing table with the ethereal beauty of this set of two vintage satin glass perfume bottles. These captivating vessels are defined by their soft, velvety fro...

Beautiful in its imperfection, this lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, flowers and g...

Beautiful in its imperfection, this green glazed lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, ...

Beautiful in its imperfection, this lidded jar from Yunnan province is an offering vessel, or spirit jar, originally filled with ritual offerings such as coins, shells, flowers and g...

An original design by Scott Gordon and sold exclusively through Vermontica, the pressed vase is made from cast steel. Shown here in a blackened steel finish. Overall dimension: 4.25"...

The pressed vase, an original design by Scott Gordon and sold exclusively through Vermontica, is made from cast steel with a blackened finish. Measure: It is 8 1/2" tall, 2" wide at ...

Amphora - white Measures: H: 25 cm / L: 19 cm H: 10 inch. / L: 7.5 inch. - Stoneware fired at high temperature finished with transparent glossy glaze inside. - Raw exterior...

With simplicity of form and a delicate glaze, this Yuan dynasty (1279-1368) jar for rice wine or spirits displays the quiet refinement of provincial Chinese ceramics. The earthenware...

Mid-Century Minimalist WGP West German Pottery Carafe Vase from Marschner Kunsttöpferei, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Ad...

Postmodern Minimalist Ceramic Vase from Asa Selection, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional information: Materials: C...

Postmodern Minimalist Ceramic Diamond Shape Vase from Asa Selection, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional information...

Postmodern Minimalist Ceramic Crescent Vase from Asa Selection, 1980s, in Very Good conditions. Designed 1980 to 1989 This piece has an attribution mark. Additional information: Mat...

Mid-Century West German Pottery Vase from Bay, 1960s, in Restored conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: Ceramic Co...

Vintage West German Pottery WGP Minimalist Vase from Scheurich, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Mat...

Mid-Century German Minimalist Studio Pottery Vase by Heinz H. Engler, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional informatio...

Vintage West German Pottery WGP Minimalist Vase from Scheurich, 1970s, in Very Good conditions. Designed 1970 to 1979 official proof of authenticity such as vintage catalogs, designe...

Mid-Century German Minimalist Studio Pottery Vase by Siegfried Gramann for Töpferhof Römhild, 1960s This piece has an attribution mark. Additional information: Materials: Ceramic Co...

Sculpted during the early 20th century in China's Shanxi province, this clay vessel has a smoky grey exterior with balanced proportions and a beautifully irregular unglazed surface. ...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

‘Frida N°2’ Handmade Ceramic White Vase This vase is part of a new series inspired by human faces and portrait illustrations. Here is a new shaped model, the ‘Frida N°2', with han...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist move...

This listing features a large vase made from Murano glass with an orange yellow body and delicate cream white dots all over, which closely resemble a strawberry. Murano glass dates...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist movem...