1910s Vases

Vase "Monnaie du Pape" made in frosted glass with blue patina by René Lalique in 1914. Molded signature. Perfect condition. Sublime color. Height: 23.5 cm. Félix Marcil...

Vase "Perruches" made in molded cased white opalescent glass with blue patina by Rene Lalique in 1919. Molded signature on bottom and molded signature on side. Perfect original ...

A stunning French Art Nouveau pottery twin handled art pottery vase decorated with blue crystalline glazes and dating from around 1910. The stoneware vase stands raised on a ground f...

Beautiful single mantel vase about 1910s or older. Made of metal, has some nice patina, but this is old-age. A beautiful piece for any room. Found at an Estate Sale in Nuremberg, Ger...

Elegant thrown porcelain vase with an expansive and vibrant aquamarine crystalline glaze on a sand colored base by master French ceramist Taxile Doat, from the University City Porcelain...

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

A rare and beautiful Lavanite vase decorated with Elephants. Art Nouveau circa 1910. Probably made by W. Henker & Co in Berlin during the 1910s. Marked Lavanit Patent under the vase....

Striking Art Deco sgraffito ceramic vase by Josef Ekberg for Gustavsberg. Layers consist of pale blue ground and mid blue palm leaf decoration Signed Ekberg and dated 1911 Height 8 inch, Width 5.5 inch A unique example of Ekberg's craftsmanship In especially good condition. Area of the lightest of crazing, typical of Ekberg sgraffito...

Exceptional, rare vase from the famous 'Camouflage' series, attributed to Daniel Folkmann Andersen (1885–1959) for Michael Andersen & Sons, Bornholm, Denmark. The vase captivate...

The title of the work and its imagery, Golo Morgh (Bird and flower), references gol o bolbol. The gol (rose) and the bolbol (a nightingale) motif – a sub-theme of the bird and flower...

Originally from Czechoslavakia, this marked Amphora vase dates from 1910-1920. Vase stands 14” tall and has a dark rim and handles with a pale tan pebbled texture with and dramatic s...

A gorgeous Arts & Crafts period glazed art pottery bowl By Rookwood Pottery USA, 1916 Glazed ceramic in a beautiful aubergine color, with light green interior. Measures: 7.5"W x ...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Pavots » circa 1910 Multi-layered glass Triple overlay, green, red and yellow glass Acid-etched cameo decoration of poppi...

Important piece of Swedish art glass history. A Triton vase in vaguely blue tinted clear, multi-faceted, beveled and polished crystal glass. Designed in 1916 by Sculptor Simon Gate (...

A gorgeous Arts & Crafts or Art Nouveau period Favrile iridescent art glass cabinet vase By Louis Comfort Tiffany for Tiffany Studios (signed to the underside) USA, Circa 1910 Mea...

Introducing a very rare and adorable Arts and Craft Yellow Flower Vase in Irregular Shape by Hilma Persson Hjelm, Sweden. It embodies the essence of...

This is an iconic design of Lalique made in white glass in 1919. This example is in deep blue electric glass with a hand written block letters signature . The condition is excellen...

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

Longwy Enameled Ceramic Vase, France, early 20th Century. Hand-decorated ceramic vase with enameled glaze. Overall multicolored floral blossoms on vibrant blue background. Marked on ...

Museum-Quality Monumental Art Nouveau Cameo Glass Vase by Daum Nancy, circa 1910–1915. This exceptional and museum-worthy French Art Nouveau vase by Daum Nancy, created between 1910...

The Poissons vase is an extremely popular création of Lalique made in 1919. The vase was designed in white glass . This example is in cased opalescent and milky glass with a green ...

Impressive Art Nouveau Emile Galle Cameo landscape vase, 7 1/2 inches tall, in a variety browns and yellows with a hint of opal, signed in came...

Vase "Perruches" made in electric blue glass with white patina by René Lalique in 1919. Engraved control signature on bottom. Perfect condition. Exceptionnal and deep color and grea...

This highly rare and innovative Iridescent Favrile Art Glass Gord Form Vase is by Louis Comfort Tiffany and originates from the United States Circa 1916. This vase is a true gem, wit...

A vibrant and expressive Vallauris pottery ewer featuring the region's signature flowing multicolor glaze in cobalt blue, emerald green, gold and cream. The classical double-handled ...

Antique Rookwood cabinet vase / footed bowl / compote featuring Art Deco styling with brown matte glaze. Marked circa XIX 1919, 2093 shape. Dimensions: 3.5" x 3.25" (Diameter x Hei...

Art Nouveau Green Glass Vase with Silver Overlay, Early 20th Century An exceptional Art Nouveau decorative vase, featuring a luminous green art glass body encased in an exquisitely ...

Tiffany Studios Pulled-feather vase with mount A beautiful Pulled feather favrile glass trumpet with my favorite pink orange highlights. One of Tiffany’s iconic designs. USA, New Yor...

A rare and monumental vase made by Arnhemsche Fayencefabriek between 1910 and 1917. Bridging the final flourish of Dutch Art Nouveau (Nieuwe Kunst) and the emerging order of early Ar...

Large porcelain/creamware vase / urn made by Swedish porcelain gigant Rörstrand circa 1910. It has a grey/petrol blue glaze that fades from dark to light. The inside has a turquoise ...

Delicate soliflore vase with berries and leaves decor. Multi-layered glass, with a decor intricately cleared with acid through vivid crimson red against a deep yellow glass ground. T...

Galle glass Art Nouveau Circa 1910, French origin Artist Emile Galle, Art Nouveau style Motif: flowers and leaves Excellent condition and unrestored Émile Ga...

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

Antique Kyoto-Awaji pottery vase in tall and slender sweeping organic Art Nouveau form with trumpet mouth, in two tone color with a cream glaze fading into a deep cobalt, circa 1910....

Pair of Minton Secessionist No.1 vases of stretched barrel-like forms. The purple ground is decorated in blue and white slip-trailing, with green tube-lined outlines. Maker's marks t...

This exquisite set of Art Nouveau vases by Daum Nancy and Gallé is statement piece in the room. Wonderful craftsmanship form 1910. Signed "Daum Nancy" and "Gallé"  . Dimensions:  1....

2 Vases WMF Signs: Page: 371 in the Book – Art Nouveau Domestic Metalwork from WMF Wurttembergische Metallwarenfabrik: The English Catalogue 1906 Hardcover. WMF G: Introduces on ...

Glazed blue Egypt ceramic "Bamboo" vase by Raoul Lachenal Signed: "Lachenal R". France: circa 1915-1920 Private Collection, Amsterdam Christie's, Amsterdam, 15 November 2000, lot 125...

Antique Awaji pottery vase in light green crackled glaze overlayed with a geometric pattern of brass weaving. The brass has darkened to a warm brown patina. From the kiln of Tamura K...

Wonderful antique German vase. This beautiful cranberry colored and enamel painted vase brings a touch of opulence to any room. A nice addition to ...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

Art Deco sgraffito ceramic vase by Josef Ekberg for Gustavsberg. Layers consist of pale blue ground and a signature mid blue garland of leaves decoration Signed Ekberg and dated 191...

Louis Comfort Tiffany Red Favrile Glass Vase, circa 1917, of gently waisted ovoid form with flaring rim above a circular foot, with pulled feathering in silvery blue to purple favril...

An exceptional early 20th century American vase by Tiffany Studios, circa 1920, featuring a trumpet-shaped hand-blown Favrile glass top mounted on a patinated gilt bronze base. Favri...

This antique Art Nouveau art glass vase by Michael Powolny for Loetz is an impressive and highly sought-after art piece from the early 20th cen...

Minton Secessionist No.1 vase of stretched barrel-like form. Rare white ground with multi-coloured details version and black slip-trailed decoration. Maker's marks to base printed, '...

Antique Awaji pottery vase in deep blue glaze overlayed with a geometric pattern of brass weaving. From the kiln of Tamura Kyuhei in Awaji Island's capital city of Sumoto, circa 1910...

Korean Meiping Green Porcelain Flower Vase, Early 20th C DETAILS Signed on the bottom. DIMENSIONS: Height: 14 inches Diameter: 7.5 inches ABOUT VASE This very elegant Meiping vase...

Model-blown body, trumpet-shaped with flared rim, constriction in the lower section, melted nodus and outwardly curved base, the object is divided into two colour areas by a wavy lin...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Beautiful antique vase by the french sculptor Eugène Lelièvre (March 13th 1856 - January 24th 1945). Exceptional silver plated bronze work. Th...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

This exceptional pair of Japanese hand-painted porcelain wall pockets dates to the early 20th century, circa 1910–1920, a period defined by the international fascination with refined...

Set of two handled vases, made of majolica, famous Barbotine, manufactured around 1910 in France. These particularly attractive vases are of exceptional quality and wonderful decor....

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

A green-glazed ceramic vase likely designed in Sweden, c. 1910s. Wear consistent with age and use. Overall Dimensions (inches): 7.25"H x 6.35"W x 6.25"D All items ship from High P...

An Antique solid Silver Epergne Centrepiece with a large oval central basket supporting a tall trumpet shaped vase on top of an impressive concave shaped stand. The central stand has...

Daum nancy enamel art nouveau art nouveau style motif: orchid flowers green and orange colors glass vase with flowers and leaves around Signed with the cros...