1910s Vases

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

Daum Nancy enamelled and acid etched glass vase, "Flowers and Berries" France, circa 1910 decorated with trees, berries and flowers on a mottled pink and brown ground, signed with...

Being offered is a sterling silver vase by the Gorham Silver Company of Providence, Rhode Island. Hallmarked 1914, this piece is sleek and contemporary. A tapered body and a round ba...

Tiffany Studios, circa 1912 Fine carved Tiffany Favrile glass Egyptian collar vase, of baluster form, the shoulder carved with a band of flowers En...

A fine Daum Nancy cameo and enamel glass vase France, circa 1914 of triangular tapered form decorated with applied white flowers, green leaves and flowering pods on a mottled green...

Fine Daum Nancy Cameo glass vase, France, circa 1910 decorated with orange and purple flowers on an opalescent ground cameo mark Daum Nanc...

A fine Daum Frères Vase with Coreopsis flowers, made in Nancy, France circa 1914. This example of French cameo glass, was mottled with glass powder, c...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

Delicate Art Nouveau cameo vase of the early 20th century: Baluster-shaped stem vase with bulbous base on a stand ring with long, slender, curved neck, colorless glass with flaky whi...

Original terracotta vase from the early 1900s from the "Manifattura di Signa," an artistic terracotta industry founded in 1895. The vase is in goo...

This is a set of 2 handmade vases, a very rare matching set of 2. The only known set of its kind. Signed and dated, J-Ekberg 1911. A Swedish Artist that started working for the Gusta...

This is a handmade, 1 off Sgraffito vase made by the Swedish ceramic artist Josef Ekberg in 1907. he was one of Sweden's top ceramic artist at the time. He started working at the Gus...

Of ovoid form, each molded with flaring everted rim flaring above embossed and palmette and fan-moulded body in shades of pale green, blue, and amber. Impressed mark.

A pair of Art nouveau amphorae patinated bronze and gilt, circa 1910 decorated with vine plants and snails Origin France perfect condition. Art nouveau, modernist art or modernism wa...

From the Pinhas collection A fine Daum Nancy wheel-carved cameo glass vase with low relief applied decoration France, circa 1915 Signed with intaglio mark Daum Nancy with Lorraine cr...

Daum Nancy "Dutch Scene" vase Property of a Gentleman A Daum Nancy internally decorated and enameled opalescent two handled cameo glass vase, circa 1910 with overall trees, birds...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

Large baluster vase on a separate stand, bulbous walls widening at the top towards the opening, colorless glass with flaky white and yellowish, yellow-orange, in the stand area with dark brown-violet powder inclusions, with etched and painted in colored enamel Bittersweet nightshade (Solanum dulcamara) decor, satin surface in the background, base and bottom smoothly polished and covered with green enamel, relief signature 'DAUM NANCY' with a Cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Chinese green hand-carved fluorite vase with a wood base. Made in the early 20th Century, c. 1910. Dimensions: 18.5"H x 9"W x 5.25"D

Large cachepot in green glazed terracotta, Cristopher dresser, design for Società Ceramica Italiana, Laveno, Italy, 1912. Brand engraved under the base.

Vase Sign: Le Verre Francais (French) Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider ...

Vase Sign: Schneider Schneider Charles Schneider (1881-1953) studied art in two of most prestigious French school of the Arts. First in the School of Fine Arts in Nancy, then in the...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Iridescent glass and silver plate vase. Germany, circa 1910.

René Lalique (1860-1945) Monnaie Du Pape, Opalescent, frosted and clear Rene Lalique Glass Vase France, circa 1914 inscribed R.Lalique France Li...

Signed: A.E. Chanal A small, tubular vase in metal, subtly accented with rounded indentations about its base and pointed bumps around its mouth.  

Daum Nancy enameled and internally decorated glass vase, "1914" France, circa 1914 decorated with thistles, the cross of Lorraine to one side the reverse with 1914 on a mottled pin...

Fine Daum Nancy Cameo and enamel glass bowl, the round body with red enamel flowers and green leaves against a burnt orange and pale green ground cameo signature Daum Nancy Franc...

Émile Gallé (1846-1904) An early Galle Cameo glass stemmed vase France, circa 1910 Gilt signature E Gallé Nancy Measures: Height 5 1/2 in. (13.97 cm.),...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning Antique 1913-1927 dated and initialed to the base, Art Nouveau Liberty's London style hand ham...

A tall and fine Daum Nancy internally decorated cameo glass vase France, circa 1910 Of triangular form, decorated with berries, leaves and flowers an a green opalescent yellow and ...

Daum Nancy enameled and acid etched glass vase, "Flowers and Berries" France, circa 1910 decorated with trees, berries and flowers on a mottl...

Daum enameled opalescent two handled glass "Dutch Landscape” vase, circa 1910. Signed in gilt Daum Nancy with the Cross of Lorraine. Height 11 inch...

Brown ceramic vase made by Sevrès. Signed Sevrès France and M.N.F. France, circa 1910.

Two, hand-painted, republic period, parcel-gilt, Chinese, Zun-form vases made for the U.K. market. Both pieces feature a central medallion containing a warrior on horseback. Each med...

Blue vase on red marble column in Napoleon III style, early 20th century. Splendid cobalt blue vase with gilt bronze details housed interlockingly on French red marble and gilt bron...