1910s Vases

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

An early Art Deco Lava glass vase with yellow and green shades. Signature: Schneider

Very rare glass vase model Slöjdansen designed by Simon Gate. Produced by Orrefors in Sweden. Signed Orrefors Gate 109 25 KR (engraver Karl Rössler).

This is a set of 2 handmade vases, a very rare matching set of 2. The only known set of its kind. Signed and dated, J-Ekberg 1911. A Swedish Artist that started working for the Gusta...

Of ovoid form, each molded with flaring everted rim flaring above embossed and palmette and fan-moulded body in shades of pale green, blue, and amber. Impressed mark.

This is a handmade, 1 off Sgraffito vase made by the Swedish ceramic artist Josef Ekberg in 1917. he was one of Sweden's Top Ceramic artist at the time. He started working at the Gus...

This is a handmade, 1 off Sgraffito lidded vase made by the Swedish ceramic artist Josef Ekberg in 1907. he was one of Sweden’s top ceramic artist at the time...

Tiffany Studios, circa 1912 Fine carved Tiffany Favrile glass Egyptian collar vase, of baluster form, the shoulder carved with a band of flowers En...

Vase Sign: Le Verre Francais (French) Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider ...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Large baluster vase on a flush stand, base set off by polished fillets, wall slightly curved upwards and widening towards the opening, colorless glass with flaky white and yellowish ...

Chinese green hand-carved fluorite vase with a wood base. Made in the early 20th Century, c. 1910. Dimensions: 18.5"H x 9"W x 5.25"D

An exceptional, fine and impressive pair of antique George V sterling silver Arts and Crafts style vases with glass liners, made by Omar Ra...

Iridescent glass and silver plate vase. Germany, circa 1910.

An exceptional, fine and impressive, rare pair of antique Irish sterling silver Lindisfarne style vases; an addition to our ornamental Irish silverware collection. These exceptional...

Fine Daum Nancy Cameo glass vase, France, circa 1910 decorated with orange and purple flowers on an opalescent ground cameo mark Daum Nanc...

Émile Gallé (1846-1904) An early Galle Cameo glass stemmed vase France, circa 1910 Gilt signature E Gallé Nancy Measures: Height 5 1/2 in. (13.97 cm.),...

Two, hand-painted, republic period, parcel-gilt, Chinese, Zun-form vases made for the U.K. market. Both pieces feature a central medallion containing a warrior on horseback. Each med...

Blue vase on red marble column in Napoleon III style, early 20th century. Splendid cobalt blue vase with gilt bronze details housed interlockingly on French red marble and gilt bron...

Exceptional spherical vase with a large flared neck in smoked and frosted transparent glass. "Le Guidargus de la verrerie", Janine Bloch-Dermant. P-366.