1910s Vases

Introducing a magnificent 1915 Tiffany Studios Favrile Vine and Leaf vase, a stunning embodiment of Louis Comfort Tiffany’s innovative artistry and mastery of form and color. This ex...

Green Glazed Vase by Arequipa Pottery Stoneware vase by Arequipa Pottery, made in California in 1912. The low, rounded form features an undulating ri...

This 2 Handles Lézards vase is very particular in R.Lalique large inventory of Lalique's vases . The white glass body has been adorned with 2 hand blown applications in which the de...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

This pair of porcelain vases were custom order and uniquely studio painted as described on the base: "Decorated specially for Mrs. AA Carroll by Dizewiecki of the Pickard Studios, Ravenswood Chicago 1912". The rare hexagonal shape is decorated in a Japonsque motif in vibrant polychrome enamels all highlighted in gold. Standing almost 12" tall, these are perfect as mantel (fireplace) vases, on a sideboard and of course filled with your favorite flowers! "The Pickard China...

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

This antique miniature vase from Meissen is a remarkable example of fine porcelain craftsmanship. Crafted from pristine white porcelain, it f...

This highly rare and innovative Iridescent Favrile Art Glass Gord Form Vase is by Louis Comfort Tiffany and originates from the United States Circa 1916. This vase is a true gem, wit...

Extraordinary pair of vases, in the Secession style, originals from the Art Nouveau period, made around 1910 by the famous Villeroy and Boch factory, Dresden, Germany. The vases eac...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

Large Art Deco antique silver plated vase or decorative cup pressed, cast and chased. Circular, curved floral belt tested with the scratch test, height approx. 37 cm, diameter 18 cm,...

Property of A Private Collector Fine Daum Nancy Glass Perfume Bottle France, circa 1910 The diamond shaped bottle, decorated with a full blown iris...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

Korean Meiping Green Porcelain Flower Vase, Early 20th C DETAILS Signed on the bottom. DIMENSIONS: Height: 14 inches Diameter: 7.5 inches ABOUT VASE This very elegant Meiping vase...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Antique and rare painted pottery vase table lamp made by Michael Andersen & Son of Bornholm Designed by Daniel Andersen for the camouflage series. With a beautiful blue and yellow gl...

This exceptional early 20th century silverplate epergne has elegant detail work on the 4 tulip inserts which can hold flowers in the central area ...

Important piece of Swedish art glass history. A Triton vase in vaguely blue tinted clear, multi-faceted, beveled and polished crystal glass. Designed in 1916 by Sculptor Simon Gate (...

Japanese vase from the Meiji Period (1868-1912). This is a beautiful pair of antique decorative vases created in the imperial Japan during the Meiji period (1868-1912), back in 1910...

Antique Japanese Meiji Period Bronze Vase - Exquisite Crane Depiction! This exceptional bronze vase from the Meiji period features a stunning depiction of cranes, symbolizing longev...

Superb French Art Nouveau ceramic with floral motifs. Léon Elchinger (1871–1942) was an Alsatian ceramic artist from Soufflenheim. Trained in Germany and France, he developed an orig...

Particularly large Baluster vase on a slightly offset base, colourless glass with flaky sky blue powder melting, green overlay, spring landscape etched in several stages and finely p...

Gallé Nancy Art Nouveau finest vase made in France (Nancy, Lorraine) made circa 1919-1920 Specifications: Stunningly manufactured casing glass (colorless glass with various lay...

A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opa...

Hand-painted porcelain vase marked Imperial PSLAustria and signed by the artist, likely dated 1918. The body features a matte celadon glaze with hand-detailed florals and basket moti...

Fabulous footed L C Tiffany Favrile vase in iridised gold, ribbed, double waisted and with wavy top -in a good size-7 inches tall. Fully signed wi...

Very impressive jug from the Art Deco period, made around 1915 by the Amphora company from the Czech Republic. The object can be viewed from several sides. On the main display page you can see an impressively designed horse-drawn carriage including a driver in classicist robe and helmet. On the back are geometric flowers. The object is covered all over with art deco motifs in different colors. The handle at the top is very unusually designed. There is a glaze error on the upper side - which is due to production. The object bears the Amphora brand on the underside. Measurements approx.: height 39 cm - 15,35 in, diameter 6,69 in - 17 cm Impressively designed jug...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of elongated slender out-shape. Each with cobalt blue-ground neck and cover with gilt-embossed deco...

A striking early 20th-century iridescent art glass vase, attributed to Loetz, the renowned Bohemian glassworks known for its highly distinctive surface treatments and forms. Though u...

Pair of Jerome Massier French Majolica figural vases which feature a pair of chickens - a cockerel and a hen, stood in front of wheatsheaf receptacles. Colouration: yellow, teal blue...

A fine, antique Gorham sterling silver and cut-glass handled basket. The glass insert has etched engraving and the basket has embossed and pierced decoration. An excellent example of...

Original intricately hand-painted vase by Moser Glassworks from ca. 1910-1920. Designed by renowned Karlovy Vary based designer Ludwig Moser it features a...

Rene Lalique art deco vase Circa 1915 Origin France Art deco style Excellent condition with no chips or restorations Forested glass technique Signed on the...

Émile Gallé (1846-1904) Galle Cameo Glass Vase France, circa 1910 Cameo signature Gallé Height 8 3/8 in., Width 4 7/8 in., Depth 2 3/4 in. H 21...

Very decorative vase from the early art deco period, made in France. This object has a shape that looks like the ancient Greek amphorae, but has a four-pass stand to ensure stabili...

Tiffany Studios Favrile decorated glass loving cup with three coiled handles. Circa 1910 Engraved "L.C. Tiffany - Favrile, 3633D Measures: Height:...

A gorgeous William Moorcroft, Burslem, England pottery vase, this perfectly formed vase is clearly signed on the base with impressed makers marks and hand signed in cobalt blue glaze...

Four fine quality "Nippon" AUTHENTIC vases from the Meiji dynasty; Japan, Circa 1910. They are all hand painted with moriage accents to three of them; indicative and representative ...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Large round bowl with a quatrefoil-shaped indented mouth rim, colorless glass with yellow and brown powder inclusions, etched and painted with colored enamel columbine decor, satin-f...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Chinese Peking Cut Blue & White Cameo Glass Vase, Ca. ca.1900-1920 DIMENSIONS: Height: 12.5 inches Diameter: 5.5 inches ABOUT CHINESE PEKING GLASS Peking cut blue ...

Arts & Crafts pottery pouring jug with stylised floral design Lead glazed earthenware with raised slip decoration Elton Sunflower Pottery Elton painted mark Circa 1910

From the eclectic architect and designer Gaetano Pesce's humorously eponymous Fish Design series, Amazonia L is a cheeky blue vase on feet. To create the works in this series intens...

Müller Freres glass vase with a flower motif. Art nouveau cameo technique. The vase is in excellent condition with no restorations. circa 191...

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

Baluster-shaped vase, on a round base offset by a nodus, with gently curved, slender walls, slight constriction at the neck with flared rim, colorless glass with flaky yellow-orange,...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Rozenburg, Den Haag. Large Art Nouveau vase with handles in glazed ceramics with flowers, 1910s-1920s. Measures: 27 x 21 cm. Stamped. In very good condition.      

Vase decorated in a technique using a colored slurry of clay as the paint. This vase is a very fine, early, example of the production at Upsala-Ekeby, Sweden.

Regina, Holland. Antique art nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 22.5 x 13.5 cm. In excellent condition. Stamped. The Regina pottery factory, Kunstaardewerkfabriek Regina, existed from 1898 to 1979. Located in Gouda, Holland, the factory was established in Queen...

Rene Lalique opalescent Lutteurs vase, highlighted with black staining Quite an uncommon vase moulded with a continuous band of naked wrestlers appearing to hold the bowl section of ...

A French Art Nouveau pâte de verre vase, "Eucalyptus," by Gabriel Argy-Rousseau. The vase has three isolated brown branches, each with curving purple and green leaves, and flower bud...

Daum nancy enamel art nouveau art nouveau style motif: orchid flowers green and orange colors glass vase with flowers and leaves around Signed with the cros...

Presentation to Dowager Queen Louise, widow of King Frederick the 8th of Denmark, on the occasion of her 50th anniversary as a member of the Danish royal family. She was the daughter of King Charles 15th of Sweden and Princess Louise of the Netherlands. The vase made in 1915, chosen and mounted for presentation in 1919. Signed Valdemar Engelhardt...

Vase “Six Figurines” made in cleat glass with sepia patina by René Lalique in 1912. Engraved signature signature on bottom and molded signature near the feet of one maid. Perfect ...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This monumental vase features a winter landscape at the edge of a forest. A stunning example of this artist's wor...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Daum Nancy cameo and enamel glass vase, France, circa 1910 Decorated with trees and a far off landscape on a light opalescent ground Signe...