1910s Vases

Early Danish Pottery vase with subtle Art Nouveau/Jugend styling and shape. Unusual plum and bone-toned glazes fading from the top down its sides....

Vase "Tragi-Comique" in white, purple, black and red pate de verre glass created by Gabriel Argy-Rousseau in 1922. Molded signature. Perfect condition. Extremely rare model and e...

Unique pottery/terracotta vase in a gourd shape. Decorated in relief with squid tentacles and hand-painted. Distinct art nouveau - jugend styling. It wa...

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1911. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding...

A tall large sized Art Deco silver trumpet shaped vase with a pinched top by Walker & Hall, Sheffield and with date marks for 1918. This elegantly shaped vase stands on a rounded foo...

Daum Nancy Art Nouveay with poppies technique: enamel and acid golden details on base and top natural wear miniature red yellow colors and gold details Perfect condition Circa 1915 A...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

A stunning Belgian hand painted art pottery vase decorated with Islamic style floral designs attributed to Charles Catteau and dating from around 1920. The vase of rounded bulbous shape stands on a narrow round foot with a narrow funnel shaped top and is hand painted with Islamic inspired floral designs repeated to both sides of the body with painted patterning around the top and lower rims. The vase is painted in tones of blue, red and green on a white ground with black printed makers...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Blown, flat, bulbous body on a large, round, flush stand, contracting to a short, wide neck, slightly widened, 6-fold wavy indented mouth rim. Cobalt blue underlay with silver-yellow...

This tall Royal Worcester porcelain vase features an unusual printed and hand enamelled Chinoiserie pattern. Although this piece isn't marked with the pattern number, the pattern is ...

Large baluster vase on a separate stand, bulbous walls widening at the top towards the opening, colorless glass with flaky white and yellowish, yellow-orange, in the stand area with dark brown-violet powder inclusions, with etched and painted in colored enamel Bittersweet nightshade (Solanum dulcamara) decor, satin surface in the background, base and bottom smoothly polished and covered with green enamel, relief signature 'DAUM NANCY' with a Cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

Delicate baluster vase with a bulbous body on a round base ring with a slender, long, curved and slightly widening neck, colorless glass with flaky white and grayish powder inclusions, in the base area with yellow-orange-brownish color powder inclusions, with etched and colored enamel painted sweet pea decoration, satin surface in the background, base and bottom polished smooth, relief signature 'DAUM NANCY' with Cross of Lorraine on the neck between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Chinese green hand-carved fluorite vase with a wood base. Made in the early 20th Century, c. 1910. Dimensions: 18.5"H x 9"W x 5.25"D

This is a very fine high-footed campana made by Royal Crown Derby in 1916 in the Edwardian style. The vase has a deep cobalt or mazarine blue ground with sublime raised gilt decorati...

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1912. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied mold...

Aluminia faience vase with hand-painted flowers. Approx. 1910. Measures: 14 x 10 cm. In excellent condition. Stamped.

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1913. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied mold...

Impressed and incised marks.

Italian artists Pietro Melandri and Paolo Zoli glazed majolica round shaped vase for ’La Faiance’. Faenza Italy 1915 ca. This wonderful little masterpiece, depicting floral in shade...

An unusual pair of moulded and cut glass flower epergnes. England, circa 1910. Dimensions: Height: 23.5 cm (9 1/4"). Width: 17 cm (6 3/4"). Depth: 15.5 cm (6").

Pallme-König Art Nouveau vase in green art glass. Approx. 1900 Measures: 18 x 12 cm. In excellent condition.

Ernest baptiste leveille, vase art nouveau, France, 1910s. Dimensions: H= 21 cm; D= 21 cm.

Very beautiful handmade glazed clay vase in green-brown and with red roses. Under the vase there is the name "Rosie Fridrin Rieger" and June 1918. Made in Austria. Beautiful unique...

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

Beaker-shaped vase on a stepped, conical base, widening upwards to a square mouth rim, colorless glass with flaky white, yellow and blue, in the base area with green colored powder inclusions, with etched and painted in colored enamel Daphne decor, satin surface in the background, floor smooth polished, relief signature 'DAUM NANCY' with cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Regina, Holland. Antique art nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 22.5 x 13.5 cm. In excellent condition. Stamped. The Regina pottery factory, Kunstaardewerkfabriek Regina, existed from 1898 to 1979. Located in Gouda, Holland, the factory was established in Queen...

Art Nouveau period diminutive porcelain vase in double-gourd form with yellow and blue painted flowers. The piece is in great vintage condition.

Of ovoid form, each molded with flaring everted rim flaring above embossed and palmette and fan-moulded body in shades of pale green, blue, and amber. Impressed mark.

Large porcelain/creamware vase / urn made by Swedish porcelain gigant Rörstrand circa 1910. It has a grey/petrol blue glaze that fades from dark to light. The inside has a turquoise ...

Fabulous and rare WW1 heavy duty French Trench art vases not simply hand carved but made with particular attention to detain depicting lion heads, lace...

Vittorio Zecchin, Cappellin, Umberto Bellotto. Venice, early 1900 Light Blue blown glass and wrought iron Glass in perfect condition.

Italian Renaissance Revival large majolica centerpiece vase with painted sgrafitto of floral theme with birds of paradise. Made in Italy during the 1910's, the piece is marked on the...

Daum Nancy Cameo glass vase, France, circa 1910 decorated with Chinese sailing vessels on a mottled yellow and green ground cameo mark Daum N...

Fine Daum Nancy Cameo glass vase, France, circa 1910 decorated with orange and purple flowers on an opalescent ground cameo mark Daum Nanc...

Austrian Jugendstil Patinated Bronze Vase designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei circa 1912 Signed Gustav Gurschner is among the most famous Austrian ...

Bronze vase with cross relief designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei Wien ca. 1910 Austrian Jugendstil signed Gust...

Large baluster vase on a flush stand, base set off by polished fillets, wall slightly curved upwards and widening towards the opening, colorless glass with flaky white and yellowish ...

A beautiful Moser amethyst centerpiece set. Two vases and two bowls. Hand blown purple crystal with a wide band around the body, decorated with a cameo ...

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

Two Chinese Republic period handled vases, includes a vase decorated with a girl riding a deer offering a peach to a woman and a vase decorated...

This small baluster shaped vase is by Royal Worcester and is from their Sabrina Ware range. The vase is hand painted by Walter Sedgley who was at the Worcester factory from 1889 unti...

Daum Nancy Cameo glass vase, France, circa 1910 decorated with white flowers and green leaves on a orange and pink ground cameo mark Daum Nan...

This beautiful German Art Nouveau Ceramic vase was made circa 1910. It has a brown painted base and is decorated with a crane and reed. Typical motives for this time. On the top of the vase are leftovers of a paper sticker which can be easily removed. A unique piece which is a great eyecatcher for your antique, modern, Space Age or midcentury interior. Art Nouveau: The epoch of Art Nouveau is not too long. It begins circa 1894 and ends circa 1906 at the latest when the Dresden exhibition shows new tendencies...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

Colossal Art Deco vase in mouth-blown art glass. Double Glass Paste Berluze. The purple color is shaded (with nuances). Signed vase with engraving: Daum Nancy with the Cross of Lo...

Daum Nancy Cameo and enamel glass vase, France, circa 1910 decorated with orange and red flowers on a yellow opalescent ground signed in gilt Daum Nancy and cross of lorraine Dimens...

Very rare glass vase model Slöjdansen designed by Simon Gate. Produced by Orrefors in Sweden. Signed Orrefors Gate 109 25 KR (engraver Karl Rössler).

Patrick Nordstrøm / Carl Halier for Royal Copenhagen. Antique unique vase in glazed ceramics. Beautiful glaze in light brown shades. Dated 1917. Measures: 21 x 14 cm. In excell...

Daum Nancy cameo and enamel glass vase, France, circa 1910 decorated with green and red flowers on a pink opalescent ground signed in gi...

Arnhem, Holland. Antique Art Nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 23 x 13 cm. In...

Rookwood Vase, Monumental tapered shape in a Vellum glaze with a beautiful wild rose design, executed by Fred Rothenbusch in 1914, No.1653. Bottom Di...

Large long neck vase vase with a bulbous base and a round stand and a neck that tapers towards the top, colorless glass with flaky white and yellow, in the stand area with light gree...

Our extraordinary porcelain vase with cover by Knud Valdemar Engelhardt (Danish, 1882-1931) for Royal Copenhagen dates from circa 1916, and features a unique celedon colored crystalline glaze with abstract blue and white flower heads and patinated bronze cover with reticulated finial. Stamped ROYAL COPENHAGEN with three wave painted mark and signed with the artist's cipher, VE and K 9. Provenance: East Asiatic London Co.; Philippe Denys, Galerie Philippe...