Wicker Serveware, Ceramics, Silver and Glass

Drink glass carrier, Austria, 1950s Original condition.

Bottle Holder vienna around 1950s Original condition The bottle is not includet it is only for the photoshooting

Tommaso Barbi crafted this lovely Mid-Century modernist barware set of two coasters in Italy in the 1970s. The rounded shape boasts a chromed metal stepped framing complemented by br...

Silvered Bottle Holder by Auböck Around 1950s The bottle is not included, it is only for the photoshooting.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

This elegant barware serving tray was crafted in Italy in the 1970s. The platter or decorative bowl boasts a square shape with a raised gilded brass all-around gallery and genuine ra...

Set of 6 Bohemian Chic Mid-Century Modern Round Handwoven Rattan, Wicker, Cane with Brass Detail Place Sets, Dinner Plates, Serveware. Cane detail in the center. Brass has aged to a ...

Gunnar Ander Water Pitcher by Ystad Metall, Sweden 1960's.

Eye-catching set of 4 small fish shaped bowls on a rattan serving tray, Spain, 1950s The set is comprised by: 4 colorful hand-painted ceramic fish dishes 1 hand-woven rattan basket ...

Fantastic rectangular serving tray fully made in bamboo canes, curved rattan and hand-woven wicker. This lovely French Riviera style tray was made in Italy during the 1970s. The tra...

An English Sheffield pewter pitcher with flip-black lid and wicker handle, circa early-20th century, England. With markers' mark and origin on...

Midcentury beautiful rectangular with handles, serving tray in lucite and rattan with brass border in the style of Christian Dior. Made in Italy in the 1970s. Great accessory for...

Vintage French rattan wine bottle holder, circa 1960s.

Vintage French organic shaped rattan wine bottle holder, circa 1960s

Serving plate vienna around 1950s Brass polished and stove enameled

Bottle Holder by Auböck Around 1950s The bottle is not includet it is only for the photoshooting.

Midcentury cube barware ice bucket in bamboo, rattan and lucite in the style of Christian Dior Home. Made in Italy in the 1970s.

Stunning Mid-Century large rectangular serving tray in lucite with Vienna straw and chrome. This gorgeous item was designed in France during the 1970s in the style of Christian Dior. This incredibly elegant midcentury serving tray is made of a large Vienna straw and clear lucite base nestled with chrome finishes. This tray has a very unique shape with V-shaped corners and two large chrome handles. The stylish design and the contrast between the materials make this tray simply breathtaking. It is attributed to Christian Dior Home. Its flat design will make it perfect for a modern or minimal dining...

We are delighted to offer for sale this once in a lifetime opportunity to own this custom made suite of Hermes Paris “Farming” picnic equipment, B...

Hammered Brass Serving plate with wicker vienna around 1950s Brass polished and stove enameled

This stylish tableware set of six placemats was designed for the Christian Dior Home Collection in the 1970s. The chargers have a rectangular shape with polished brass framing. The m...

Midcentury amazing round serving tray / centerpiece in lucite and rattan with brass border in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any ...

Midcentury amazing shell shaped centerpiece / serving tray in lucite, rattan and silvered brass detail in the style of Christian Dior Home. Made in France in the 1970s.

French wicker & iron service basket France, 1950’s This is a charming piece Intricately woven wicker around deep blue painted iron frame Beautifully sculpted frame and raised platfor...

French wicker & iron bottle holder France, mid century Intricately woven wicker around sculpted iron frame Beautiful display piece that puts the fun in functional Wonderful addition ...

Midcentury beautiful rectangular with handles serving tray in lucite and rattan with brass border (charming patina on the brass) in the style of Christian Dior. Made in Italy in the...

The ultimate entertaining piece, this Arthur Umanoff four section wine rack system and room divider which also incorporates an artful array of one hundred forty leather wine bottle holders, two wicker baskets, ten butcher block wooden shelves, and all contained within four individual black iron frames, this magnificent room divider or wall unit is the ideal companion to any entertainment home or creative studio. Designed in 1954 by Arthur Umanoff and produced in low quantities by Shaver Howard throughout the late 1950s, this collector's item works equally wonderfully as a room divider or against a wall, it can be placed together in one continuous unit, angled for a corner, or separated - the four individual sections can be scattered throughout a room, home or office. Consider the many ways you can use this fantastic Arthur Umanoff for Shaver Howard room divider wall unit. Whether placed to divide a room or against a wall, this sizable piece can hold a large collection of wine, up to 140 bottles in the leather bottle holders that are have style similarities as designs from Jacques Adnet, 2 wicker baskets in the style of Franco Albini can hold drink accessories, glassware and tools, and the 10 wooden butcher block shelves can hold bottles of liquor, trays with condiments and mixers, recipe books...

Squared serving tray or centerpiece in lucite, brass and rattan in the style of Christian Dior Home. Made in Italy in the 1970s. The brass st...

Aesthetically beautiful and unique secessionist stand by WMF. For the collectors of stunning and stylish Arts & Crafts antiques in general and thos...

Very Large wicker mirrored serving tray. French Provincial style Circa 1960s The perfect centerpiece for your coffee table, dining table or to be u...

This Platter is in Rattan, with an old Patina. This has been made in France, circa 1970.

This stunning modernist barware serving tray or platter was crafted in Italy in the 1970s. The rectangular shape has raised edges built with two layers of clear Lucite or acrylic and...

This lovely barware coaster set was designed for the Christian Dior Home Collection in the 1970s. They feature a square shape with cut corners in crystal clear Lucite or acrylic with...

Art Deco Serving plate vienna around 1920s Polished and stove enameled

Wine bottle cooler. Glass, wicker Spain early 20th century, 1930 or early. 24X24X38 cm 18X18X27 cm Beautiful traditional bottles or carafes to store and especially to transport the wine from the vat of the winery to the home or place of consumption Its realization is manual, made with manually intertwined wicker These carafes are typical of Spain and France By having the glass interior, it can be used, very good conditions Very good conditions. Bottle wine carrier, kitchen ornaments...

A chopping board designed by Carl Auböck, manufactured by Carl Auböck workshop in midcentury, Vienna, circa 1950. The board is made of walnut. The knife is made of wicker and stainle...

This French picnic basket for four was made to last with quality construction and stylish details. Beautifully handcrafted using full reed willow and ge...

For sale is a unique piece of Art Deco design. The nutcracker consists of beautiful warm nutwood and nickel-plated brass. A small nickel-plated hammer with wicker covered handle is u...

This lovely barware coaster set was designed and manufactured in Italy in the 1970s. Five pieces in this set feature a square shape with rounded corners in crystal clear Lucite or ac...

A really nice and well crafted MCM wicker wrapped stainless steel pitcher, circa 1970s. The piece is in good vintage condition and measures 8"W x 6"D x 8.5"...

Nodo That’s item is the result of Bottega Intreccio Lab experimentation as atelier research which is grounded within in the territory, with its di...

Barware wine coaster set designed for Christian Dior Home Collection in the 1970s. They feature a square shape with cut corners in crystal clear Lucite or acrylic with genuine rattan...

Midcentury rectangular serving tray in lucite, rattan and brass detail in the style of Christian Dior. Made in Italy in the 1970s.

Midcentury cube barware ice bucket in lucite and wicker with brass details in the style of Christian Dior Home. Made in Italy in the 1970s.

Full side tea and coffe service We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushin...

Wonderful midcentury rectangular serving tray in lucite Vienna straw and brass. This amazing piece was designed in France during the 1970s, following the style of Christian Dior. This large and elegant midcentury serving tray consists of a large brass frame that holds a clear lucite tray...

A vintage burnt bamboo or tiger/tortoise bamboo breakfast bed tray. Created from a mixture of wicker, wood, and bamboo this serving tray will be a t...

Franco Albini Style Wicker Basket. Measures 16" across and 7.5" tall. Statement piece that is beautifully made! Perfect for the center of any Ta...

Sculptural midcentury French wine rack or wine holder, rendered in hand woven wicker, and hand bent rattan and bamboo with capacity to hold up to 5 bo...

A beautiful small vintage Dansk Kobenstyle Danish Scandinavian Modern sky-blue enamel and wicker wrapped handle sauce pot with poring lip, circa mid-2...

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2421. Measures: 21 x 17.5 cm. In excellent condition with patina. Stamped.

Carl Auböck fish shaped bottle opener, Vienna, 1950s Bottle opener model no. 4687 Carl Auböck II.

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2272. Measures: 19.5 x 15.5 cm. In excellent con...

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2758. Measures: 20 x 19.5 cm. In excellent condition with patina. Stamped.

French wicker & iron catchall ashtray with magazine holder In the style of Raoul Guys Handwoven stitching detail Natural variations in color Beautif...

Bamboo and Wicker Tray with Handmade Iron Base