Wicker Serveware, Ceramics, Silver and Glass

Tee can, Vienna, circa 1950 Cooper brass and wicker combination Polished and stove enameled.

Infuse your home with a trio of whimsical charm and artisanal craftsmanship with this delightful set of three vintage wicker duck trays. Hand-woven using the intricate "Shanghai weav...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Beautiful octagonal serving tray of brass with handles, Italy 1970s. Made in the style of Christian Dior. Great Regency design with a lovely light patina. The frame and handles are ...

Midcentury wonderful rectangular serving tray in lucite, rattan and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition to eve...

Tommaso Barbi crafted this lovely Mid-Century modernist barware set of two coasters in Italy in the 1970s. The rounded shape boasts a chromed metal stepped framing complemented by br...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Vintage Midcentury Scandinavian Wicker-Lined Thermos Pitcher –Sweden 1960s Elevate your serveware collection with this lovely midcentury Scandinavian ...

Midcentury beautiful rectangular serving tray in bamboo and rattan in the style of Vivai Del Sud. Made in Italy in the 1970s.

Midcentury amazing squared serving tray or centerpiece in lucite, rattan and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any mo...

This versatile silver-plated placemat can serve as a sophisticated table accessory, a decorative charger under plates, or a stylish base for candles, floral centerpieces, and sculptu...

Midcentury beautiful squared vide-poche or ashtray in lucite, wicker and brass in the style of Christian Dior style. Made in Italy in the 1970s.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Midcentury beautiful squared ashtray or vide-poche in acrylic, rattan and copper in the style of Christian Dior Home. Made in Italy in the 1970s.

Midcentury beautiful rectangular with handles, serving tray in lucite and rattan with brass border in the style of Christian Dior. Made in Italy in the 1970s. Great accessory for...

A handmade Mid-Century Modern wine rack created from bentwood bamboo and wicker. Two layers of bamboo are carefully woven together creating a space for 6 bottle so wine (or other bev...

A unique country style ring-form three-tiered plate holder for afternoon tea or patisserie. The stand makes a wonderful center piece for food display. A wicker handle adding to the ...

This exceptional barware serving tray was meticulously crafted in Italy, circa 1970. The rare platter or decorative bowl features a square shape with a sophisticated raised gilded br...

This stunning modernist ice bucket was expertly crafted in France circa 1970. Its gracefully rounded form is complemented by a tall, sculptural handle, making it both a functional an...

A Mid-Century Modern barware wicker basket bottle holder, Germany, 1960s. An all original midcentury item to display in your bar or just on a cupboard with a bottle of wine. Bottle n...

An Italian light-weight gold tone wire wicker basket, circa mid-20th century, Italy. A lightweight wire wicker compote with scalloped edge. Metal is a light rose/gold hue. A great pi...

Set of 6 Bohemian Chic Mid-Century Modern Round Handwoven Rattan, Wicker, Cane with Brass Detail Place Sets, Dinner Plates, Serveware. Cane detail in the center. Brass has aged to a ...

Midcentury amazing rectangular serving tray in lucite, rattan with handles brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any modern...

Very nice Ice Bucket Rapt with Wicker .comes with Brass lid and ice tongs . 1960s

A lined oval wicker picnic basket An attractive basket with 2 lidded sections and big handle, the basket is lined inside This is a lovely pie...

This stunning barware serving tray was expertly crafted in Italy, circa 1970. The rare platter or decorative bowl features a square shape with a raised gilded brass all-around galler...

Midcentury beautiful squared ashtray or vide-poche in bamboo,rattan, steel and red bakelite by Cesare Di Cesare. Made in Italy in the 1970s.

Midcentury beautiful squared vide-poche or centerpiece in brass, glass and rattan in the style of Christian Dior Home. Made in Italy in the 1970s.

Very beautiful rattan and brass centerpiece made in Italy in the 1970s. Round shape, mid-century modern style, it is inspired by the designs of Gabriella Crespi. Magnificent decorati...

A chopping board designed by Carl Auböck, manufactured by Carl Auböck workshop in midcentury, Vienna, circa 1950. The board is made of walnut. The knife is made of wicker and stainle...

Midcentury amazing large rectangular serving tray or centerpiece in lucite, rattan and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory ...

A charming handwoven wicker wine bottle rack, sourced in Santa Fe, New Mexico, and crafted from natural rattan in the mid-20th century. This basket-form rack features eight circular ...

A beautiful oval chopping board or serving tray with a knife, designed and handcrafted in the 1950s by Werkstätte Carl Auböck. The cutting board is made of beautifully grained walnut...

Serving tray in Lucite wicker and metal frame by Janetti Roma Firenze (original label attached on the back), Italy, 1970s.

This stunning modernist barware serving tray or platter was meticulously crafted in Italy circa 1970. The substantial, large oval shape features raised edges constructed from two lay...

Gunnar Ander Water Pitcher by Ystad Metall, Sweden 1960's.

Midcentury beautiful appetizer / centerpiece bowl in lucite and wicker composed of 9 pieces in the style of Christian Dior Home. Made in Italy in the 1970s. 3 different sizes: Ce...

Midcentury beautiful bottle holder in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any modern interior.

Midcentury wonderful rectangular serving tray in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition to ...

Carl Auböck bottle holder in a rarely seen nickel silver version, made in Vienna in the 1950s. Nickel silver with a hand-woven wicker handle. Cleaned and polished. Width: 22 cm De...

Bottle holder for 2 bottles made of iron and wicker vienna around 1970s Original condition

The colossal ceramic cup created by Roger Capron is much more than just a decorative object. Manufactured in 1957, it measures 48 cm wide, 53 cm long and 37 cm deep, for a height of ...

Fruit basket made of wicker and bamboo vienna around 1960s Original condition

A very cool MCM taverneau wood and wicker handle oblong tray by Arthur Umanoff, circa 1960s. The tray is in good vintage condition and measures 21.25"W x 6"D x 1"H. The piece is m...

Midcentury amazing octagonal serving tray or centerpiece in lucite, wicker and gold plate 24KT in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessor...

Midcentury amazing ice bucket in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any modern interior.

Rectangular serving tray centerpiece in wicker and lucite with chrome borders in the style of Christian Dior. Great accessory for any modern interior. Made in Italy in the 19...

Vintage French rattan wine bottle holder, circa 1960s.

Midcentury amazing squared serving tray or centerpiece in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any mo...

Midcentury amazing ice bucket in lucite, wicker and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any modern interior.

Show you pay attention to every detail with this fine, mid-century bottle holder.

Art Deco hammered brass fruit plate with wicker, circa 1920s Hammered brass Polished and stove enameled.

Midcentury wonderful ice bucket in lucite, wicker and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any modern interior.

Midcentury amazing octagonal serving tray or centerpiece in lucite, wicker and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any...

Unusual vintage mercury thermos with wicker outer layer. OFFERING FREE SHIPPING TO CONTINENTAL US. PLEASE JUST ASK FOR A SHIPPING QUOTE.

Midcentury cube barware ice bucket in lucite and wicker with brass details in the style of Christian Dior Home. Made in Italy in the 1970s.

Hollywood Regency Wicker Tray Vivai del Sud, Italy, ca. 1970 Wicker H 10 cm - 50 × 40 cm Labeled Conditions: very good consistent with age and use.

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2421. Measures: 21 x 17.5 cm. In excellent condition with patina. Stamped.

Art Deco nickel plated glass serving plate with wicker handle around 1920s Original condition.

Bottle holder by Auböck Around 1950s Original condition (Bottle is not included it is only for the photoshooting).