Wicker Serveware, Ceramics, Silver and Glass

Two vintage sets of knives and forks, model number #4244, by the Auböck Workshop, Vienna, circa 1950. The body of the cutlery is made from stainless steel, the handle of each piece is woven with wicker cane. Each set is complete with the original leather holster...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Midcentury amazing rectangular serving tray or centerpiece in lucite, rattan and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any mode...

A red woven wicker picnic basket with metal handles, wood lid, and short tabletop for serving drinks or sandwiches. Created from woven red and br...

Carl Auböck bottle holder in a rarely seen nickel silver version, made in Vienna in the 1950s. Nickel silver with a hand-woven wicker handle. Cleaned and polished. Width: 22 cm De...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A Mid-Century Modern barware wicker basket bottle holder, Germany, 1960s. An all original midcentury item to display in your bar or just on a cupboard with a bottle of wine. Bottle n...

Midcentury amazing hexagonal serving tray or centerpiece in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Show you pay attention to every detail with this fine, mid-century bottle holder.

Tommaso Barbi crafted this lovely Mid-Century modernist barware set of two coasters in Italy in the 1970s. The rounded shape boasts a chromed metal stepped framing complemented by br...

Vintage bamboo and rattan wine rack features tiered construction with storage space for 12 bottles, connected by wide octagonal outer frame with rectangular top handle and mounted o...

Wonderful mid-century square centerpiece tray in solid brass, clear lucite, and Vienna straw. This stylish and unique piece is attributed to a Dior Home production and was produced i...

Midcentury wonderful rectangular serving tray in lucite, rattan and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition to eve...

Midcentury beautiful squared ashtray or vide-poche in bamboo,rattan, steel and red bakelite by Cesare Di Cesare. Made in Italy in the 1970s.

This stunning modernist barware serving tray or platter was meticulously crafted in Italy circa 1970. The substantial, large oval shape features raised edges constructed from two lay...

Whimsical hand-woven vintage 1950s French Rivera Bamboo, Wicker and Cane double wine basket. Bring timeless charm to your table, patio, or picnic. Crafted in a warm honey rattan, thi...

Midcentury wonderful rectangular serving tray or centerpiece in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s.

A set of nineteen (19) wicker plate separators/protectors for porcelain china, ceramic, etc. Measurements include: 6 at 5.25" Diameter, 6 at 7.75" Diameter, 6 at 9.63" Diameter and ...

Midcentury wonderful rectangular serving tray or centerpiece in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s.

Squared serving tray or centerpiece in lucite, brass and rattan in the style of Christian Dior Home. Made in Italy in the 1970s. The brass st...

A very nice mid-century wicker wrapped ice bucket with handle by Georges Briard, circa 1970s. The piece is in very good condition and measures 8.5" D x 15" H (with handle up). The bu...

Midcentury amazing large rectangular serving tray or centerpiece in lucite, rattan and brass in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory ...

This stunning barware serving tray was expertly crafted in Italy, circa 1970. The rare platter or decorative bowl features a square shape with a raised gilded brass all-around galler...

Unusual vintage mercury thermos with wicker outer layer.

A very cool MCM taverneau wood and wicker handle oblong tray by Arthur Umanoff, circa 1960s. The tray is in good vintage condition and measures 21.25"W x 6"D x 1"H. The piece is m...

Brass and Wicker Wine Server, Austria 1950s original condition

Stunning Mid-Century French Riviera style wine rack in curved rattan and hand-woven wicker. This charming and unique piece was designed in Italy during the 1970s. In amazing conditi...

This stunning centerpiece basket or decorative bowl was designed for the Christian Dior Interior Collection circa 1970. The geometric shape features a brass metal gallery and genuine...

Midcentury beautiful appetizer / centerpiece bowl in lucite and wicker composed of 9 pieces in the style of Christian Dior Home. Made in Italy in the 1970s. 3 different sizes: Ce...

A charming handwoven wicker wine bottle rack, sourced in Santa Fe, New Mexico, and crafted from natural rattan in the mid-20th century. This basket-form rack features eight circular ...

Fruit basket made of wicker and bamboo vienna around 1960s Original condition

A beautiful oval chopping board or serving tray with a knife, designed and handcrafted in the 1950s by Werkstätte Carl Auböck. The cutting board is made of beautifully grained walnut...

This Platter is in Wicker, Rattan, with an old Patina. This has been made in France, circa 1970.

Gunnar Ander Water Pitcher by Ystad Metall, Sweden 1960's.

Midcentury cube barware ice bucket in lucite and wicker with brass details in the style of Christian Dior Home. Made in Italy in the 1970s.

Midcentury beautiful rectangular serving tray in wood, lucite and rattan in the style of Christian Dior Home. Made in Italy in the 1970s. It's an iconic tray or plate made of lucit...

A set of four antique finely woven cup holders or cup sheaths. This set is from the 1920s and in fabulous condition for its age. Dimensions: 3" Diameter 3" Tall

Fine vintage wicker cottage style tea, wine liquor or drinks serving cart with black painted woven rattan/wicker and bentwood gallery around the top and lower mirrored shelves. The u...

Brocca Spagnola in vimini, Mid-Century. Tipica brocca per vino usata come tradizione in Galizia (Spagna); ha una base in legno su cui poggia l'intero corpo, fatta con strisce di ordi...

Midcentury wonderful rectangular serving tray in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition t...

Eye-catching set of 4 small fish shaped bowls on a rattan serving tray, Spain, 1950s The set is comprised by: 4 colorful hand-painted ceramic fish dishes 1 hand-woven rattan basket ...

Midcentury wonderful rectangular serving tray in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition to ...

Midcentury amazing octagonal serving tray or centerpiece in lucite, wicker and chrome in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessory for any...

Bottle Holder vienna around 1950s Original condition The bottle is not includet it is only for the photoshooting

Vintage French organic shaped rattan wine bottle holder, circa 1960s

Midcentury beautiful squared serving tray or centerpiece in lucite, wicker and gold plate 24KT in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessor...

Wonderful Midcentury Italian serving tray. This amazing tray is fabricated in the 70's. It is made of rattan and wicker. Professional packing and worldwide free shipping!

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2272. Measures: 19.5 x 15.5 cm. In excellent con...

Midcentury beautiful condiment set (vinegar, oil, salt and pepper) in lucite, wicker, bamboo, brass and crystal ( Royal Crystal Rock) in the style of Christian Dior Home. Made in It...

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2421. Measures: 21 x 17.5 cm. In excellent condition with patina. Stamped.

Vintage French rattan wine bottle holder, circa 1960s.

Bottle holder by Auböck around 1950s Original condition The wine bottle is not included, it is only for the photo shooting.

The ornate muffin stand has splay feet and 3 tiers made to hold 3 cake or muffin plates. The base and top of the handle have ornate curlicues while the plate holder sections are intr...

Two English pottery decanters in a tantalus inspired wicker basket from the mid 19th century. Born in England during the Victorian period, this pair of decanters is set inside a tant...

A chopping board designed by Carl Auböck, manufactured by Carl Auböck workshop in midcentury, Vienna, circa 1950. The board is made of walnut. The knife is made of wicker and stainle...

Copper can vienna around 1950s Original condition.

Bottle holder for vine bottle, Vienna, around 1950s Brass and wicker Original condition (The bottle is only for the photo shooting and not included).

Serving tray in Lucite wicker and metal frame by Janetti Roma Firenze (original label attached on the back), Italy, 1970s.

Tee can, Vienna, circa 1950 Cooper brass and wicker combination Polished and stove enameled.