Austrian Serveware, Ceramics, Silver and Glass

Brass and wicker wine holder, Austria, 1950s Original condition. Bottle not included.

Pair of Art Nouveau polished silver bowls by Josef Hoffmann for Wiener Werkstätte By: Josef Hoffmann, Wiener Werkstätte Material: silver, silverplate, metal Technique: embossed, pla...

Serving table with a removable glass top servier polished wood dark brown (almost black).

Two Owls bottle stopper by Walter Bosse 2 are available, priced and sold per piece. Original condition.

Very Rare Goldscheider Vienna ceramic figure of the 1930s: Standing, elegant lady with a dark feather hat, in a long, dark skirt and a red, tailored jacket with a high, light-grey c...

Keramos, Vienna, praying woman porcelain figure. Beautiful figurine approx 1940s. Measures: 29 cm. x 17 cm. In perfect condition. Marked.

Baroque silver box with loose plug-in lid in a bulbous oval shape, flush stand without feet, in the lower area of the container and on the lid chased boss decoration with ornamentati...

Great glass pitcher with a natural cognac leather handle and cover.

Mid-19th century neoclassical gilt footed glass goblet/cup with hand-made paint By: unknown Material: glass, paint, cut glass Technique: cast, hand-painted, cast, painted Dimensions: 5 in x 8.5 in Date: mid-19th century, circa 1840 Style: Neoclassical, Revival Place of origin: Austria (probably) This mid-19th century goblet...

This dramatic vase is sure to make people take a second look! It has motifs around the base; three men can be seen sitting around talking and drinking while a fourth man stands in the background. A large scalloped ruby-red colored glass liner...

Antique Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including Diana head...

This large antique perfume bottle is unsigned, but presumed to have been made Bohemia (Austria or the Czech Republic) in circa 1880 in the Renaissance Revival style. The bottle itself is made of jadeite green glass as is the stopper which is completely decorated with extremely ornate cast and gilt brass or bronze mounts. The stopper features a detailed figural soldier on the top with cascading leaves around the perimeter of the top. The bottle is adorned with well executed cast and gilded mesh and draped garlands which finishes with the ornate scrolled base, with accenting draped cast garland. Overall, this is a very unique and well executed antique scent...

Large bowl on an oval ground plan with flared, wavy and curved walls on four swept-out feet in the shape of leaves, flower and leaf decoration in relief on the bowl base and on the o...

Lobmeyr wine glass (of stunning manufacturing quality!), based on round tiered foot: Green glass, handmade (blown and formed) with enamel paintings Made ...

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

Jugendstil silver plated dose attr. Josef Hoffmann for JL Herrmann in original vintage condition.

Vintage Continental Porcelain Sea Nymph sculpture centrepiece bowl Organ Continental, 20th c. vintage Measures: Width 32 cm / 12 1/2 in ...

A Fancy Silver Kiddush Goblet, made in Austria Circa 1860. Kiddush Goblet is uniquely designed as this kiddush has no distinct shape and has distinctive ridges running across the le...

Our pair of elegant silver-gilt ewers are attributed to the Austrian maker, Johann Georg Hann of Vienna, circa 1780-1800. Heights: 17 7/8 and 22 1/2 in; 45 a...

A commemorative coin bottle stopper, celebrating the great exhibit of 1851, with the likeness of young Prince Albert. Wip

Very Rare Goldscheider Art Déco Figure of the 1930s: Boy with red cap on curly hair, checked jumper with large buttons, beige ski trousers, red scarf and mittens, body slightly turne...

This superb large Austrian majolica pottery wall charger is highly decorative with its central finely moulded three dimensional Renaissance portrait of a medieval bearded noble man wearing an ornate tunic and matching hat. The central portrait is boardered by a flared rim which is also ornately moulded with intricate floral decoration. The beautiful coloured glazes used throughout this stunning charger are rich and translucent. There are initials at the base of the portrait J R. On the reverse, the charger has an impressed L9 and a hand painted N...

Charming and sensuous at the same time, this finely detailed lidded jar depicting a nude Venus figure accompanied by Eros was sculpted by Willi Russ for the...

Depiction of dancer Ruth Saint Denis (1877/79 - 1968, actually Ruth Dennis, 'Miss Ruth') performing her dance 'Radha'- Dance of the Five Senses, first performed in 1906. Dancer with ...

A graceful dancer in a long, low-cut, high-slit red dress with an all-over floral pattern, her head tilted to the right, looking down, her left hand placing a downward-facing bouquet of roses on her chest and posing with her upper body tilted back, holding the end of her skirt with her outstretched right hand, in front of her on the floor a fallen rose that has come loose from the bunch. On a black, flat oval base, artist's signature ‘Dakon’ on the underside. Compare model 7991 Twin Dancers The 'Dolly Sisters' Rosie Dolly (1892 - 1970) and Jenny Dolly (1892 - 1941), known professionally as (the) Dolly Sisters, were Hungarian-American identical twin...

A walnut and horsehair table sweeper designed by Carl Auböck II during the late 1940s. This walnut table sweeper is the height of elevated everyday elegance, and its materials and ...

12 pieces of dining cutlery by Carl Auböck. Containing 4 forks, 4 knives, and 4 spoons.

Glass without damage.

Vintage fondue pot and burner by Carl Auböck II, Vienna, circa 1950. The pot and its lid are made out of spun tinned copper, while the burner is spun brass. The pot, its lid and the burner, all have brass handles with ebony grips. The sculptural tripod stand composed of three vertical bars joined in a triangular shape is made of solid brass and stamped 'MADE IN AUSTRIA Auböck...

Coffee pot by Carl Auböck 1950s for Werkstätte Carl Auböck.

A knife and a fork, handle made of horn by Carl Auböck.

austrian silver excellent huge bowl vienna art nouveau / made circa 1900-10 stunningly made oval silver bowl of finest quality. the bowl has smooth s...

In this listing you will find an extremely rare and absolutely extraordinary sculptural Brutalist ashtray for cigars done in bronze. It was designed by Austrian designer Heinz Goll...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Antique 19th Century Austrian Viennese Porcelain Finest Cobalt and Gold Painted Cabinet Plate of "Thetis," Goddess of the Sea.

Antique Austrian Royal Vienna Cobalt and Gold Painted Porcelain Mythological Portrait Plate of "Achilles & Thetis," Circa 1890.

Nicely cast with a hammered type finish. Bunny or hare stir stick or swizzle stick.

A Pair of 19th Century Vienna Hand Painted Porcelain Portrait Plates Depicting Two Renaissance Women Austria, Circa 1890 Unmarke...

A cork screw in shape of a sword fish by Hertha Baller/Walter Bosse.

Vintage pitcher by Carl Auböck II, Vienna, 1950s. Made of handblown glass, it is covered by a band of leather which develops in a handle with hand s...

Antique decanter with enamled ship design.

A pic nic set containing a fork, knife and a board Amboss Vienna.

Exceptional Austrian Putto in the style of Michael Powolny with bow, arrow and quiver on his back sitting on a colorful bed of blue bubbles. Magnificent s...

Very rare Goldscheider ceramic figurine. The young lady with a brunette page-boy hair cut is wearing pink pajamas with blue-green hems and is sitting astride a white chair upholster...

A fine Royal Vienna ruby red and pink porcelain covered centrepiece and stand Scenic decorated three section centrepiece with a beehive mark on the underside. Date: 20th century...

Vintage coin bottle stopper made by the Auböck Werkstätte in the 1950s. In cast brass, it bears the Auböck stamp on the coin. In very good condition.

Small silver tray with mirror of basic oval shape, wide rim decorated with floral relief and handles shaped as ribbons extending the oval into a nave...

Late 19th Century Vienna Porcelain Mounted Giltwood Frame Signed J. Feigl 1888 Signed J. Feigl 1888 With a central portrait plaque depicting Marie Antoinette, within a border o...

Austrian silver centerpiece / two-handled bowl with gilt interior in Art Nouveau design. Expertly constructed in Olomouc/Olmutz (1872-1921). Its design uses beautiful floral and orna...

Large completely handcrafted rectangular tray in black iron with handles in naturalistic formed iron in the shape of large tree branches. Dark mirror inside. Can be ordered in different seizes. Stamped Sofina. Made by Sofina Boutique Kitzbühel...

Beautifully crafted glass ballerina on a stand in clear glass by the famous Austrian glassmakers Bimini. Bimini glass was set up in Vienna in 1923 by Fritz Lampi and Artur and Josef...

Exceptional Art Deco Goldscheider figurine by Josef Lorenzl. Designed by Josef Lorenzl (1892-1950), one of the most important designers having been active for Goldscheider manufactory in the period of 1920-1940. Model 5193 was created 1923-1924. Made circa 1925-1930 Specifications: The young man dressed as a jester with a fool's cap sits on a black base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

A cork screw made of brass in shape on a key by Carl Auböck.

A little flat bowl standing on four feet. Designed and manufactured by Karl Hagenauer Vienna.

Sign: Richard We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that ...

A cast brass bottle opener featuring the letter U made by Carl Auböck II, Vienna circa 1955. The piece is formed of two geometric shapes, a circle -inside which the black patinate...

Very Rare Goldscheider Vienna Figurine of the 1930s: Standing young, unclothed lady with chin-length blond hair, loosely holding in front of her the leash of the German shepherd sit...

Sign: Czecho Slovakia Loetz The glass factory, originally founded in 1836 by Johann Baptist Eisner, was taken over. Loetz was the premier Bohemian glass w...

Very Rare And Exceptional Goldscheider Art Déco Ceramic Figure: Striding girl in blue coat over beige dress and matching blue cap with beige border with red embroidery pattern, gray ...

Antique 19th century Austrian rare and unusual solid silver-gilt and enamel reliquary, pierced and decorated with multicolored enamels, sides set with carved rock crystal panels and ...