Earthenware Pottery

A marvelous set of four individual terrines from the Poterie de Bavent, Normadie, France circa 1900-1920. Potted and glazed by hand, each terrine includes a lid and under-plate – ...

This beautiful earthenware storage jar dates from the late 19th century and was used for preserving and fermenting food. The jar is handmade and typical of the period with its earthy...

From the Atelier Cérenne à Vallauris in France, a hand made pottery Tulip plate, circa 1940-1950. The plate is finished in a matte glazing of half black and half white, with a pair...

From The Cantagalli Pottery in Florence, Italy, a set of six hand painted reticulated earthenware plates, showing the Crowing Rooster mark used in the early 20th Century. Beautiful...

A Fine 18th c Dutch polychrome painted Delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

This mochaware mug was made to hold a quart of beer or lager. It was made in England circa 1870-1880. The dark mochaware "trees" are applied by hand (see below for the details of the...

"Garden Whimsy": American Etruscan Majolica Cauliflower Teapot Griffen, Smith & Hill, Circa 1879. A delightful and highly collectible example of A...

Conchological Rarity: Wedgwood Pearlware Nautilus Sauce Tureen & Stand, Circa 1790 A superb and rare late 18th-century Wedgwood pearlware sauce tureen, cover, and stand, brilliantly...

An Art Deco hand-turned and painted mushroom plate from C.J. Lanooy An earthenware plate from the Art Deco period Dated 1925 21 cm diagonal and 2 cm h...

A superb 19th-century Provençal terracotta water cruche, with spout and handle, and glazed in traditional green. This beautiful vessel would have been used to transport water to work...

English Pearlware Pottery Large Bacchus Jug, Staffordshire, Circa 1800 The Pearlware pottery large jug depicts Bacchus sitting on a barrel holding a large cornucopia on his right sh...

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exempli...

Vallauris Ocher earthenware olive pot France 1970 Yellow Color.

An Art Deco hand-turned and painted mushroom plate from C.J. Lanooy An earthenware plate with raised edges from the Art Deco period 1925 marked 1 Se...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

Imposing antique vase in Italian majolica, Mid-19th century. With very fine hand painted classic scenes and grotesque faces embossed to the sides on each handle. Similar vases are ke...

Regency Revival: Herculaneum Neo-Classical Greek Pattern Printed Dish ________________________________________ This is an impressive English Trans...

- Handbuilt terracotta big side table, stool for bedroom or living room - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Ho...

Elegant 18th-Century Staffordshire Creamware Cauliflower Milk Jug and Cover This exquisite Milk Jug and Cover is a superior example of Cauliflower Ware, a distinctive and highly col...

A charming terracotta 'Confit pot' with two side handles, glazed internally and full of character thanks to its authentic, time-worn patina. Once used in a southern French kitchen fo...

Wedgwood Majolica Strawberry dish, naturalistically relief-modeled with strawberries, leaves, and blossoms, the lip with strawberry leaves and...

An outstanding, hand painted, handmade pottery, bread holder created in Naples, Italy circa 1920s having intricate colorful applied swags of flowers around the boat shaped rim above a floral painted lattice work below. Superb attention to detail and selection of it's colors of spring green, blue, rose, yellow and lavender. The workmanship is absolutely stunning to behold and would make a beautiful centerpiece for your dining table, sideboard or in your cabinet. Put a floral frog...

This hand-painted Prattware pottery plaque depicts a pair of lions resting side by side, modeled in bold relief with great vitality and charm. Made in England around 1800, the piece...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

Victorian Majolica “Three-Legged Gentleman” Teapot Attributed to William Brownfield & Sons, Cobridge, Staffordshire, ca. 1875–1885 A rare Victorian majolica teapot modeled as a comi...

Staffordshire Blue and White Pearlware Chinoiserie Coffee Pot Circa 1785 This elegant and well-proportioned coffee pot is a superb example of late Georgian ceramic production from t...

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

- Handbuilt white side tables, stool for bedroom or living room - made of clay collected from the potter's surroundings. - slip applied with natural pigments as whitewash with water ...

An Art Deco hand-turned and painted mushroom plate from C.J. Lanooy An earthenware plate with raised edges from the Art Deco period 1925 marked 1 Se...

Antique 18th century Wedgwood creamware Rococo sea shell form dish with feathered edge and rising on three small snail feet. Measures 8 7/8" x 8" x 1 3/4". Good condition - wear and ...

A charming Mid 19th Century Antique English Staffordshire Pottery Cow or Bull Creamer. The docile creature with its tail forming the handle,...

A collection of six Etruscan Majolica shell and seaweed pitchers, five in the typical shell and sea weed pattern, one in a variation of the pattern i...

Copeland Late Spode "Avondale" Water Pitcher, England. Earthenware pottery. Rococo Revival style decorated with baskets of flowers, flowers & trailing vines. Reg. No. 637555 design o...

Fine George III Creamware Tankard with Enameled Decoration, English, Circa 1800 A finely potted example of late 18th-century English creamware, this tankard exhibits a clean, cylind...

Large English Pearlware Mocha Earthworm Jug, Staffordshire or Northern England, Circa 1810-20. A handsome and generously proportioned example of English Mocha ware, this pearlware jug displays the bold, abstract decoration that made the style so popular. Its stately, bulbous form is anchored by a sturdy loop handle with refined leaf-molded terminals. Its impressive scale and robust, bulbous cylindrical body suggest its use as a "pub jug...

Creamware Pottery sailor's farewell punch bowl with Chinoiserie Scenes on Reverse, Late 18th Century The large polychrome creamware bowl has a scene to one side depicting a sailor's farewell. The officer, with a sword in a scabbard to his right hip, stands with arms crossed and his female companion looks away from him as she holds a parasol in her hand. In the background in a Royal Navy frigate at anchor and a sailor in a longboat rowing towards him. To the reverse side is a charming chinoiserie scene of two women and a young boy watching...

The Spotted Lions",Rare Prattware Pottery Plaque, Circa 1800–1840 A compelling and rare English Prattware pottery plaque, dating from the Georgian or Regency period (circa 1800–1840...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

An Art Deco Dutch hand-turned and painted mushroom plate by C.J. Lanooy, 1925 A hand-turned and painted mushroom plate by C.J. Lanooy An earthenware...

An antique French faience cachepot, jardiniere or planter, with hand-painted cornucopia, floral and butterfly details. The style, with its scalloped edges and fluted sides, with a cr...

A brightly colored Neoclassical tazza or cake plate in the 'Greek' pattern made by Copeland Spode in the late 19th century. This tazza, in Copeland Spode’s ‘Greek...

For your consideration, a vintage pottery cookie jar / safekeeping in mice or mouse shape. One of a kind, not mass produced. Great quality. Unmarked. Dimensions: 7.5" H x 7.25" D x...

- Handbuilt urn jar terracotta - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Houda. Approximate measurements: 9.8 ...

Traditional French terracotta confit pot with two side handles. Half glazed in brown with a 'flame' design, this vessel would have been used to conserve food – mainly meats in fat – ...

A majolica & silverplate biscuit box by Sarreguemines, France, circa 1880. The biscuit barrel of moss green majolica with turquoise interior & bottom. Mounted with silver on nickle a...

- Handbuilt terracotta side tables - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potter Houda...

Provençal earthenware Saint-Jean du désert painted signed C. Berty dimensions 16 cm in diameter 15 cm in height. Additional information: Material: Earthenw...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A magnificent big size hyper realistic glazed ceramic fish tureen in shades of vibrant red and grey with dark accents manufactured in Portugal, 1950s. Beautiful to use as a wall deco...

A French trivet, coaster, and knife rest set from Digoin Sarreguemines, France, circa 1950s. A green majolica glaze on a basket weave mold, a large s...

T. C. Brown-Westhead, Moore & Co. Majolica Bread Platter, of round form, the mottled center, banded in yellow, the outer border with yellow wheat sheaves molded in high relief, the r...

The most exceptional aspect of this pair of dishes is the fabulous gilding lavished over the cobalt borders. As a less prominent feature, the gilding carries throughout the decoratio...

A rare double teapot in faience designed by Stig Lindberg at Gustavsberg Studio. The smaller pot is 10 cm high and the larger one is 13 cm high (33 cm including the handle). They are...

Newcastle Folk Art: A St. Anthony Prattware Pottery Horse St. Anthony Pottery, Newcastle upon Tyne, Circa 1800–1820 This charming early 19th-century...

Early 20th century American Art Deco earthenware or yellow ware pottery nesting bowl set. The mixing bowls’ pattern is called the picket fence design beca...

"The Enigmatic Standard": Wedgwood Creamware Soup Plate with Ship & Eagle, 1775-90 A handsome Wedgwood Queen's Ware (creamware) soup plate modeled in the "Royal" shape, dating to th...

Spode Neo-classical Greek pattern blue printed hot water dishes, Zeus in his Chariot, A pair, Early 19th century (We have five in all-two pairs and a single) The Spode pottery...

Unidentified European Majolica stick or umbrella stand which features a Pug. Colouration: grey, blue, brown, are predominant.

Spode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...